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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE3633CE it is the complementary color #01C9CCCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE3633CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE3633CE shade: #FF362ECE, #FF4841CE, #FF5A54CE, #FF6C67CE and #FF7E7ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE3633CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE3633CE shade: #FE3633CE, #ED2420CE, #DC120DCE, #CB0000CE and #BA0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE3633CE shade: #FE3734 and #FE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE3633CE shade: #FE3734, #FE6D34, #FEA434, #FEDA34 and #EBFE34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE3633CE shade matches the following richer shades: #FE3734

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE3633CE shade: #FE3734, #ED4745, #DD5755, #CC6766 and #BC7776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE3633CE shade: #FE34A0, #FE346A, #FE3434, #FE6A34 and #FEA034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE3633CE shade: #DE0401, #FE0F0B, #FE3734, #FE5F5D and #FE8886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE3633CE shade: #FE3633, #D6FE34 and #3485FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE3633CE shade: #FE3633, #34FE34 and #3434FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE3633CE shade: #FE3633, #D6FE34, #34FEFE and #5C34FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE3633CE shade: #FE3633, #99FE34, #34FEFE and #9934FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 65 / 0

HEX #FE3633CE

RGBA 254 54 51 0.81

HSLA 0.89, 0.99%, 0.6%, 0.81

LABA 56.04, 72.71, 50.27, 0.81

 

Complementary color

CMYK 81 / 1 / 0 / 16

HEX #01C9CCCE

RGBA 1 201 204 0.81

HSLA 180.89, 0.99%, 0.4%, 0.81

LABA 73.64, -39.26, -13.3, 0.81

 

CMYK 0 / 64 / 66 / 0

HEX #FF362ECE

RGBA 255 54 46 0.81

HSLA 2.3, 1%, 0.59%, 0.81

LABA 56.18, 72.86, 52.99, 0.81

 

CMYK 0 / 58 / 60 / 0

HEX #FF4841CE

RGBA 255 72 65 0.81

HSLA 2.21, 1%, 0.63%, 0.81

LABA 58.3, 68.03, 45.3, 0.81

 

CMYK 0 / 52 / 54 / 0

HEX #FF5A54CE

RGBA 255 90 84 0.81

HSLA 2.11, 1%, 0.66%, 0.81

LABA 60.97, 62.21, 37.96, 0.81

 

CMYK 0 / 47 / 48 / 0

HEX #FF6C67CE

RGBA 255 108 103 0.81

HSLA 1.97, 1%, 0.7%, 0.81

LABA 64.13, 55.66, 31.3, 0.81

 

CMYK 0 / 41 / 42 / 0

HEX #FF7E7ACE

RGBA 255 126 122 0.81

HSLA 1.8, 1%, 0.74%, 0.81

LABA 67.72, 48.66, 25.37, 0.81

 

CMYK 0 / 64 / 65 / 0

HEX #FE3633CE

RGBA 254 54 51 0.81

HSLA 0.89, 0.99%, 0.6%, 0.81

LABA 56.04, 72.71, 50.27, 0.81

 

CMYK 0 / 69 / 70 / 6

HEX #ED2420CE

RGBA 237 36 32 0.81

HSLA 1.17, 0.85%, 0.53%, 0.81

LABA 51.12, 71.85, 53.89, 0.81

 

CMYK 0 / 74 / 76 / 11

HEX #DC120DCE

RGBA 220 18 13 0.81

HSLA 1.45, 0.89%, 0.46%, 0.81

LABA 46.55, 70.09, 56.56, 0.81

 

CMYK 0 / 81 / 81 / 17

HEX #CB0000CE

RGBA 203 0 0 0.81

HSLA 0, 1%, 0.4%, 0.81

LABA 42.3, 67.46, 56.61, 0.81

 

CMYK 0 / 81 / 81 / 22

HEX #BA0000CE

RGBA 186 0 0 0.81

HSLA 0, 1%, 0.36%, 0.81

LABA 38.62, 63.2, 53.03, 0.81

 

CMYK 0 / 78 / 80 / 0

HEX #FE3734

RGB 254 55 52

HSL 0.89, 0.99%, 0.6%

LAB 56.14, 72.47, 49.86

 

CMYK 0 / 80 / 80 / 0

HEX #FE3434

RGB 254 52 52

HSL 0, 0.99%, 0.6%

LAB 55.86, 73.26, 49.58

 

CMYK 0 / 78 / 80 / 0

HEX #FE3734

RGB 254 55 52

HSL 0.89, 0.99%, 0.6%

LAB 56.14, 72.47, 49.86

 

CMYK 0 / 57 / 80 / 0

HEX #FE6D34

RGB 254 109 52

HSL 16.93, 0.99%, 0.6%

LAB 63.55, 52.37, 57.04

 

CMYK 0 / 35 / 80 / 0

HEX #FEA434

RGB 254 164 52

HSL 33.27, 0.99%, 0.6%

LAB 74.74, 24.94, 67.43

 

CMYK 0 / 14 / 80 / 0

HEX #FEDA34

RGB 254 218 52

HSL 49.31, 0.99%, 0.6%

LAB 87.71, -3, 79

 

CMYK 7 / 0 / 80 / 0

HEX #EBFE34

RGB 235 254 52

HSL 65.64, 0.99%, 0.6%

LAB 95.49, -28.35, 85.21

 

CMYK 0 / 78 / 80 / 0

HEX #FE3734

RGB 254 55 52

HSL 0.89, 0.99%, 0.6%

LAB 56.14, 72.47, 49.86

 

CMYK 0 / 78 / 80 / 0

HEX #FE3734

RGB 254 55 52

HSL 0.89, 0.99%, 0.6%

LAB 56.14, 72.47, 49.86

 

CMYK 0 / 70 / 71 / 7

HEX #ED4745

RGB 237 71 69

HSL 0.71, 0.82%, 0.6%

LAB 55.01, 63.07, 38.52

 

CMYK 0 / 61 / 62 / 13

HEX #DD5755

RGB 221 87 85

HSL 0.88, 0.67%, 0.6%

LAB 54.91, 52.27, 28.65

 

CMYK 0 / 50 / 50 / 20

HEX #CC6766

RGB 204 103 102

HSL 0.59, 0.5%, 0.6%

LAB 55.58, 39.84, 19.19

 

CMYK 0 / 37 / 37 / 26

HEX #BC7776

RGB 188 119 118

HSL 0.86, 0.34%, 0.6%

LAB 57.26, 26.92, 11.89

 

CMYK 0 / 80 / 37 / 0

HEX #FE34A0

RGB 254 52 160

HSL 327.92, 0.99%, 0.6%

LAB 58.1, 80.01, -10.2

 

CMYK 0 / 80 / 58 / 0

HEX #FE346A

RGB 254 52 106

HSL 343.96, 0.99%, 0.6%

LAB 56.65, 75.68, 19.67

 

CMYK 0 / 80 / 80 / 0

HEX #FE3434

RGB 254 52 52

HSL 0, 0.99%, 0.6%

LAB 55.86, 73.26, 49.58

 

CMYK 0 / 58 / 80 / 0

HEX #FE6A34

RGB 254 106 52

HSL 16.04, 0.99%, 0.6%

LAB 63.03, 53.73, 56.55

 

CMYK 0 / 37 / 80 / 0

HEX #FEA034

RGB 254 160 52

HSL 32.08, 0.99%, 0.6%

LAB 73.84, 27.02, 66.61

 

CMYK 0 / 98 / 100 / 13

HEX #DE0401

RGB 222 4 1

HSL 0.81, 0.99%, 0.44%

LAB 46.47, 71.82, 60.27

 

CMYK 0 / 94 / 96 / 0

HEX #FE0F0B

RGB 254 15 11

HSL 0.99, 0.99%, 0.52%

LAB 53.42, 78.87, 64.51

 

CMYK 0 / 78 / 80 / 0

HEX #FE3734

RGB 254 55 52

HSL 0.89, 0.99%, 0.6%

LAB 56.14, 72.47, 49.86

 

CMYK 0 / 63 / 63 / 0

HEX #FE5F5D

RGB 254 95 93

HSL 0.75, 0.99%, 0.68%

LAB 61.69, 60.34, 33.78

 

CMYK 0 / 46 / 47 / 0

HEX #FE8886

RGB 254 136 134

HSL 1, 0.98%, 0.76%

LAB 69.75, 44.44, 21.42

 

CMYK 0 / 79 / 80 / 0

HEX #FE3633

RGB 254 54 51

HSL 0.89, 0.99%, 0.6%

LAB 56.04, 72.71, 50.27

 

CMYK 16 / 0 / 80 / 0

HEX #D6FE34

RGB 214 254 52

HSL 71.88, 0.99%, 0.6%

LAB 94.07, -36.65, 83.41

 

CMYK 80 / 48 / 0 / 0

HEX #3485FE

RGB 52 133 254

HSL 215.94, 0.99%, 0.6%

LAB 56.74, 17.92, -67.07

 

CMYK 0 / 79 / 80 / 0

HEX #FE3633

RGB 254 54 51

HSL 0.89, 0.99%, 0.6%

LAB 56.04, 72.71, 50.27

 

CMYK 80 / 0 / 80 / 0

HEX #34FE34

RGB 52 254 52

HSL 120, 0.99%, 0.6%

LAB 87.9, -81.21, 75.52

 

CMYK 80 / 80 / 0 / 0

HEX #3434FE

RGB 52 52 254

HSL 240, 0.99%, 0.6%

LAB 38.45, 65.32, -97.02

 

CMYK 0 / 79 / 80 / 0

HEX #FE3633

RGB 254 54 51

HSL 0.89, 0.99%, 0.6%

LAB 56.04, 72.71, 50.27

 

CMYK 16 / 0 / 80 / 0

HEX #D6FE34

RGB 214 254 52

HSL 71.88, 0.99%, 0.6%

LAB 94.07, -36.65, 83.41

 

CMYK 80 / 0 / 0 / 0

HEX #34FEFE

RGB 52 254 254

HSL 180, 0.99%, 0.6%

LAB 91.13, -45.75, -13.56

 

CMYK 64 / 80 / 0 / 0

HEX #5C34FE

RGB 92 52 254

HSL 251.88, 0.99%, 0.6%

LAB 41.04, 68.11, -92.65

 

CMYK 0 / 79 / 80 / 0

HEX #FE3633

RGB 254 54 51

HSL 0.89, 0.99%, 0.6%

LAB 56.04, 72.71, 50.27

 

CMYK 40 / 0 / 80 / 0

HEX #99FE34

RGB 153 254 52

HSL 90, 0.99%, 0.6%

LAB 90.74, -58.61, 79.17

 

CMYK 80 / 0 / 0 / 0

HEX #34FEFE

RGB 52 254 254

HSL 180, 0.99%, 0.6%

LAB 91.13, -45.75, -13.56

 

CMYK 40 / 80 / 0 / 0

HEX #9934FE

RGB 153 52 254

HSL 270, 0.99%, 0.6%

LAB 47.47, 75.16, -81.82

 

Description

Color code: HEX #FE3633CE | qconv.com Color code: HEX #FE3633CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 54 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 54 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 65 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 65% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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