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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE28E1 it is the complementary color #01D71E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE28E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE28E1 shade: #FF28DC, #FF3AEF, #FF4CFF, #FF5EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE28E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE28E1 shade: #FE28E1, #ED16CE, #DC04BB, #CB00A8 and #BA0095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE28E1 shade: #FE2AE1, #FE2AA8, #FE2A6F, #FE2A36 and #FE2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE28E1 shade: #FE2AE1, #E12AFE, #A82AFE, #6F2AFE and #362AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE28E1 shade matches the following richer shades: #FE2AE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE28E1 shade: #FE2AE1, #ED3BD5, #DB4DC8, #CA5EBB and #B96FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE28E1 shade: #A92AFE, #E22AFE, #FE2AE2, #FE2AA9 and #FE2A71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE28E1 shade: #D401B8, #FD01DB, #FE2AE1, #FE53E7 and #FE7CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE28E1 shade: #FE28E1, #FE712A and #2AFEC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE28E1 shade: #FE28E1, #E2FE2A and #2AE2FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE28E1 shade: #FE28E1, #FE712A, #2AFE46 and #2AB7FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE28E1 shade: #FE28E1, #FEB02A, #2AFE46 and #2A78FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 11 / 0

HEX #FE28E1

RGB 254 40 225

HSL 308.13, 0.99%, 0.58%

LAB 59.91, 90.01, -44.75

 

Complementary color

CMYK 100 / 0 / 86 / 16

HEX #01D71E

RGB 1 215 30

HSL 128.13, 0.99%, 0.42%

LAB 75.26, -74.97, 69.17

 

CMYK 0 / 84 / 14 / 0

HEX #FF28DC

RGB 255 40 220

HSL 309.77, 1%, 0.58%

LAB 59.84, 89.56, -42.03

 

CMYK 0 / 77 / 6 / 0

HEX #FF3AEF

RGB 255 58 239

HSL 304.87, 1%, 0.61%

LAB 62.1, 88.28, -49.12

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 84 / 11 / 0

HEX #FE28E1

RGB 254 40 225

HSL 308.13, 0.99%, 0.58%

LAB 59.91, 90.01, -44.75

 

CMYK 0 / 91 / 13 / 7

HEX #ED16CE

RGB 237 22 206

HSL 308.65, 0.86%, 0.51%

LAB 55.11, 87.06, -41.73

 

CMYK 0 / 98 / 15 / 14

HEX #DC04BB

RGB 220 4 187

HSL 309.17, 0.96%, 0.44%

LAB 50.56, 83.15, -38.12

 

CMYK 0 / 100 / 17 / 20

HEX #CB00A8

RGB 203 0 168

HSL 310.34, 1%, 0.4%

LAB 46.34, 78.01, -33.78

 

CMYK 0 / 100 / 20 / 27

HEX #BA0095

RGB 186 0 149

HSL 311.94, 1%, 0.36%

LAB 42.17, 72.49, -29.15

 

CMYK 0 / 83 / 11 / 0

HEX #FE2AE1

RGB 254 42 225

HSL 308.21, 0.99%, 0.58%

LAB 60.04, 89.65, -44.55

 

CMYK 0 / 83 / 34 / 0

HEX #FE2AA8

RGB 254 42 168

HSL 324.34, 0.99%, 0.58%

LAB 57.61, 83, -15.61

 

CMYK 0 / 83 / 56 / 0

HEX #FE2A6F

RGB 254 42 111

HSL 340.47, 0.99%, 0.58%

LAB 55.96, 78.27, 15.75

 

CMYK 0 / 83 / 79 / 0

HEX #FE2A36

RGB 254 42 54

HSL 356.6, 0.99%, 0.58%

LAB 55.07, 75.63, 47.73

 

CMYK 0 / 83 / 83 / 0

HEX #FE2A2A

RGB 254 42 42

HSL 0, 0.99%, 0.58%

LAB 54.96, 75.32, 53.77

 

CMYK 0 / 83 / 11 / 0

HEX #FE2AE1

RGB 254 42 225

HSL 308.21, 0.99%, 0.58%

LAB 60.04, 89.65, -44.55

 

CMYK 11 / 83 / 0 / 0

HEX #E12AFE

RGB 225 42 254

HSL 291.79, 0.99%, 0.58%

LAB 56.9, 88.78, -66.05

 

CMYK 34 / 83 / 0 / 0

HEX #A82AFE

RGB 168 42 254

HSL 275.66, 0.99%, 0.58%

LAB 48.43, 80.2, -80.18

 

CMYK 56 / 83 / 0 / 0

HEX #6F2AFE

RGB 111 42 254

HSL 259.53, 0.99%, 0.58%

LAB 41.52, 73.6, -91.8

 

CMYK 79 / 83 / 0 / 0

HEX #362AFE

RGB 54 42 254

HSL 243.4, 0.99%, 0.58%

LAB 37.11, 69.66, -99.24

 

CMYK 0 / 83 / 11 / 0

HEX #FE2AE1

RGB 254 42 225

HSL 308.21, 0.99%, 0.58%

LAB 60.04, 89.65, -44.55

 

CMYK 0 / 83 / 11 / 0

HEX #FE2AE1

RGB 254 42 225

HSL 308.21, 0.99%, 0.58%

LAB 60.04, 89.65, -44.55

 

CMYK 0 / 75 / 10 / 7

HEX #ED3BD5

RGB 237 59 213

HSL 308.09, 0.83%, 0.58%

LAB 57.98, 80.68, -41.2

 

CMYK 0 / 65 / 9 / 14

HEX #DB4DC8

RGB 219 77 200

HSL 308.03, 0.66%, 0.58%

LAB 56.62, 68.69, -36.12

 

CMYK 0 / 53 / 7 / 21

HEX #CA5EBB

RGB 202 94 187

HSL 308.33, 0.5%, 0.58%

LAB 56.24, 54.79, -29.45

 

CMYK 0 / 40 / 5 / 27

HEX #B96FAF

RGB 185 111 175

HSL 308.11, 0.35%, 0.58%

LAB 56.86, 38.89, -21.77

 

CMYK 33 / 83 / 0 / 0

HEX #A92AFE

RGB 169 42 254

HSL 275.94, 0.99%, 0.58%

LAB 48.57, 80.34, -79.95

 

CMYK 11 / 83 / 0 / 0

HEX #E22AFE

RGB 226 42 254

HSL 292.08, 0.99%, 0.58%

LAB 57.06, 88.95, -65.78

 

CMYK 0 / 83 / 11 / 0

HEX #FE2AE2

RGB 254 42 226

HSL 307.92, 0.99%, 0.58%

LAB 60.08, 89.78, -45.04

 

CMYK 0 / 83 / 33 / 0

HEX #FE2AA9

RGB 254 42 169

HSL 324.06, 0.99%, 0.58%

LAB 57.65, 83.1, -16.14

 

CMYK 0 / 83 / 56 / 0

HEX #FE2A71

RGB 254 42 113

HSL 339.91, 0.99%, 0.58%

LAB 56.01, 78.4, 14.62

 

CMYK 0 / 100 / 13 / 17

HEX #D401B8

RGB 212 1 184

HSL 307.96, 0.99%, 0.42%

LAB 48.86, 81.58, -39.15

 

CMYK 0 / 100 / 13 / 1

HEX #FD01DB

RGB 253 1 219

HSL 308.1, 0.99%, 0.5%

LAB 58.05, 93.13, -44.3

 

CMYK 0 / 83 / 11 / 0

HEX #FE2AE1

RGB 254 42 225

HSL 308.21, 0.99%, 0.58%

LAB 60.04, 89.65, -44.55

 

CMYK 0 / 67 / 9 / 0

HEX #FE53E7

RGB 254 83 231

HSL 308.07, 0.99%, 0.66%

LAB 64.18, 79.43, -41.39

 

CMYK 0 / 51 / 7 / 0

HEX #FE7CED

RGB 254 124 237

HSL 307.85, 0.98%, 0.74%

LAB 70.59, 63.54, -34.72

 

CMYK 0 / 84 / 11 / 0

HEX #FE28E1

RGB 254 40 225

HSL 308.13, 0.99%, 0.58%

LAB 59.91, 90.01, -44.75

 

CMYK 0 / 56 / 83 / 0

HEX #FE712A

RGB 254 113 42

HSL 20.09, 0.99%, 0.58%

LAB 64.2, 50.25, 61.82

 

CMYK 83 / 0 / 22 / 0

HEX #2AFEC5

RGB 42 254 197

HSL 163.87, 0.99%, 0.58%

LAB 89.58, -61.19, 13.7

 

CMYK 0 / 84 / 11 / 0

HEX #FE28E1

RGB 254 40 225

HSL 308.13, 0.99%, 0.58%

LAB 59.91, 90.01, -44.75

 

CMYK 11 / 0 / 83 / 0

HEX #E2FE2A

RGB 226 254 42

HSL 67.92, 0.99%, 0.58%

LAB 94.83, -32.24, 86.7

 

CMYK 83 / 11 / 0 / 0

HEX #2AE2FE

RGB 42 226 254

HSL 187.92, 0.99%, 0.58%

LAB 82.94, -33.77, -25.95

 

CMYK 0 / 84 / 11 / 0

HEX #FE28E1

RGB 254 40 225

HSL 308.13, 0.99%, 0.58%

LAB 59.91, 90.01, -44.75

 

CMYK 0 / 56 / 83 / 0

HEX #FE712A

RGB 254 113 42

HSL 20.09, 0.99%, 0.58%

LAB 64.2, 50.25, 61.82

 

CMYK 83 / 0 / 72 / 0

HEX #2AFE46

RGB 42 254 70

HSL 127.92, 0.99%, 0.58%

LAB 87.88, -81.04, 69.99

 

CMYK 83 / 28 / 0 / 0

HEX #2AB7FE

RGB 42 183 254

HSL 200.09, 0.99%, 0.58%

LAB 70.54, -11.98, -45.14

 

CMYK 0 / 84 / 11 / 0

HEX #FE28E1

RGB 254 40 225

HSL 308.13, 0.99%, 0.58%

LAB 59.91, 90.01, -44.75

 

CMYK 0 / 31 / 83 / 0

HEX #FEB02A

RGB 254 176 42

HSL 37.92, 0.99%, 0.58%

LAB 77.45, 18.38, 73.08

 

CMYK 83 / 0 / 72 / 0

HEX #2AFE46

RGB 42 254 70

HSL 127.92, 0.99%, 0.58%

LAB 87.88, -81.04, 69.99

 

CMYK 83 / 53 / 0 / 0

HEX #2A78FE

RGB 42 120 254

HSL 217.92, 0.99%, 0.58%

LAB 53.04, 25.16, -73.07

 

Description

Color code: HEX #FE28E1 | qconv.com Color code: HEX #FE28E1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 40 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 40 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 11 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 11% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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