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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE1BBC it is the complementary color #01E443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE1BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE1BBC shade: #FF1BB7, #FF2DCA, #FF3FDD, #FF51F0 and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE1BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE1BBC shade: #FE1BBC, #ED09A9, #DC0096, #CB0083 and #BA0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE1BBC shade: #FE1BBC, #FE1B7F, #FE1B41 and #FE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE1BBC shade: #FE1BBC, #FE1BF9, #C51BFE, #881BFE and #4B1BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE1BBC shade matches the following richer shades: #FE1BBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE1BBC shade: #FE1BBC, #EB2DB4, #D940AC, #C652A4 and #B4659D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE1BBC shade: #C51BFE, #FE1BFA, #FE1BBD, #FE1B81 and #FE1B44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE1BBC shade: #C5018C, #EE01A9, #FE1BBC, #FE44C8 and #FE6DD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE1BBC shade: #FE1BBC, #FE881B and #1BFEE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE1BBC shade: #FE1BBC, #BDFE1B and #1BBDFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE1BBC shade: #FE1BBC, #FE881B, #1BFE5B and #1B90FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE1BBC shade: #FE1BBC, #FECD1B, #1BFE5B and #1B4CFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

Complementary color

CMYK 100 / 0 / 71 / 11

HEX #01E443

RGB 1 228 67

HSL 137.44, 0.99%, 0.45%

LAB 79.56, -76.17, 62.42

 

CMYK 0 / 89 / 28 / 0

HEX #FF1BB7

RGB 255 27 183

HSL 318.95, 1%, 0.55%

LAB 57.52, 87.2, -24.46

 

CMYK 0 / 82 / 21 / 0

HEX #FF2DCA

RGB 255 45 202

HSL 315.14, 1%, 0.59%

LAB 59.34, 86.37, -32.58

 

CMYK 0 / 75 / 13 / 0

HEX #FF3FDD

RGB 255 63 221

HSL 310.63, 1%, 0.62%

LAB 61.68, 84.49, -39.7

 

CMYK 0 / 68 / 6 / 0

HEX #FF51F0

RGB 255 81 240

HSL 305.17, 1%, 0.66%

LAB 64.51, 81.67, -45.87

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 96 / 29 / 7

HEX #ED09A9

RGB 237 9 169

HSL 317.89, 0.93%, 0.48%

LAB 53.02, 83.89, -23.49

 

CMYK 0 / 100 / 32 / 14

HEX #DC0096

RGB 220 0 150

HSL 319.09, 1%, 0.43%

LAB 48.78, 79.22, -18.98

 

CMYK 0 / 100 / 35 / 20

HEX #CB0083

RGB 203 0 131

HSL 321.28, 1%, 0.4%

LAB 44.71, 73.86, -13.96

 

CMYK 0 / 100 / 40 / 27

HEX #BA0070

RGB 186 0 112

HSL 323.87, 1%, 0.36%

LAB 40.59, 68.45, -8.74

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 89 / 50 / 0

HEX #FE1B7F

RGB 254 27 127

HSL 333.57, 0.99%, 0.55%

LAB 55.47, 81.92, 5.48

 

CMYK 0 / 89 / 74 / 0

HEX #FE1B41

RGB 254 27 65

HSL 349.96, 0.99%, 0.55%

LAB 54.28, 78.58, 40.79

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1B

RGB 254 27 27

HSL 0, 0.99%, 0.55%

LAB 53.96, 77.67, 59.64

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 89 / 2 / 0

HEX #FE1BF9

RGB 254 27 249

HSL 301.32, 0.99%, 0.55%

LAB 60.51, 95.2, -57.22

 

CMYK 22 / 89 / 0 / 0

HEX #C51BFE

RGB 197 27 254

HSL 284.93, 0.99%, 0.55%

LAB 51.62, 87.26, -74.8

 

CMYK 46 / 89 / 0 / 0

HEX #881BFE

RGB 136 27 254

HSL 268.81, 0.99%, 0.55%

LAB 43.02, 79.99, -89.22

 

CMYK 70 / 89 / 0 / 0

HEX #4B1BFE

RGB 75 27 254

HSL 252.69, 0.99%, 0.55%

LAB 36.81, 75.52, -99.7

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 81 / 23 / 8

HEX #EB2DB4

RGB 235 45 180

HSL 317.37, 0.83%, 0.55%

LAB 54.9, 79.53, -27.06

 

CMYK 0 / 71 / 21 / 15

HEX #D940AC

RGB 217 64 172

HSL 317.65, 0.67%, 0.55%

LAB 53.38, 68.95, -24.99

 

CMYK 0 / 59 / 17 / 22

HEX #C652A4

RGB 198 82 164

HSL 317.59, 0.5%, 0.55%

LAB 52.64, 55.57, -21.69

 

CMYK 0 / 44 / 13 / 29

HEX #B4659D

RGB 180 101 157

HSL 317.47, 0.34%, 0.55%

LAB 53.43, 39.49, -16.61

 

CMYK 22 / 89 / 0 / 0

HEX #C51BFE

RGB 197 27 254

HSL 284.93, 0.99%, 0.55%

LAB 51.62, 87.26, -74.8

 

CMYK 0 / 89 / 2 / 0

HEX #FE1BFA

RGB 254 27 250

HSL 301.06, 0.99%, 0.55%

LAB 60.57, 95.34, -57.69

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBD

RGB 254 27 189

HSL 317.18, 0.99%, 0.55%

LAB 57.59, 87.65, -27.85

 

CMYK 0 / 89 / 49 / 0

HEX #FE1B81

RGB 254 27 129

HSL 333.04, 0.99%, 0.55%

LAB 55.52, 82.07, 4.36

 

CMYK 0 / 89 / 73 / 0

HEX #FE1B44

RGB 254 27 68

HSL 349.16, 0.99%, 0.55%

LAB 54.31, 78.69, 39.11

 

CMYK 0 / 99 / 29 / 23

HEX #C5018C

RGB 197 1 140

HSL 317.45, 0.99%, 0.39%

LAB 43.92, 73.49, -20.78

 

CMYK 0 / 100 / 29 / 7

HEX #EE01A9

RGB 238 1 169

HSL 317.47, 0.99%, 0.47%

LAB 53.02, 84.64, -23.48

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 73 / 21 / 0

HEX #FE44C8

RGB 254 68 200

HSL 317.42, 0.99%, 0.63%

LAB 61.11, 80.11, -28.71

 

CMYK 0 / 57 / 17 / 0

HEX #FE6DD4

RGB 254 109 212

HSL 317.38, 0.99%, 0.71%

LAB 67.1, 66.47, -26.26

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 46 / 89 / 0

HEX #FE881B

RGB 254 136 27

HSL 28.81, 0.99%, 0.55%

LAB 68.58, 38.74, 70.18

 

CMYK 89 / 0 / 11 / 0

HEX #1BFEE3

RGB 27 254 227

HSL 172.86, 0.99%, 0.55%

LAB 90.17, -54.64, -1

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 26 / 0 / 89 / 0

HEX #BDFE1B

RGB 189 254 27

HSL 77.18, 0.99%, 0.55%

LAB 92.48, -46.86, 86.48

 

CMYK 89 / 26 / 0 / 0

HEX #1BBDFE

RGB 27 189 254

HSL 197.18, 0.99%, 0.55%

LAB 72.08, -16.11, -42.73

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 46 / 89 / 0

HEX #FE881B

RGB 254 136 27

HSL 28.81, 0.99%, 0.55%

LAB 68.58, 38.74, 70.18

 

CMYK 89 / 0 / 64 / 0

HEX #1BFE5B

RGB 27 254 91

HSL 136.92, 0.99%, 0.55%

LAB 87.91, -80.24, 62.19

 

CMYK 89 / 43 / 0 / 0

HEX #1B90FE

RGB 27 144 254

HSL 209.07, 0.99%, 0.55%

LAB 59.28, 9.44, -63.01

 

CMYK 0 / 89 / 26 / 0

HEX #FE1BBC

RGB 254 27 188

HSL 317.44, 0.99%, 0.55%

LAB 57.55, 87.54, -27.34

 

CMYK 0 / 19 / 89 / 0

HEX #FECD1B

RGB 254 205 27

HSL 47.05, 0.99%, 0.55%

LAB 84.39, 3.02, 82.15

 

CMYK 89 / 0 / 64 / 0

HEX #1BFE5B

RGB 27 254 91

HSL 136.92, 0.99%, 0.55%

LAB 87.91, -80.24, 62.19

 

CMYK 89 / 70 / 0 / 0

HEX #1B4CFE

RGB 27 76 254

HSL 227.05, 0.99%, 0.55%

LAB 42.09, 51.53, -91.02

 

Description

Color code: HEX #FE1BBC | qconv.com Color code: HEX #FE1BBC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 27 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 27 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 26 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 26% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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