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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE1966 it is the complementary color #01E699. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE1966. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE1966 shade: #FF1961, #FF2B74, #FF3D87, #FF4F9A and #FF61AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE1966. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE1966 shade: #FE1966, #ED0753, #DC0040, #CB002D and #BA001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE1966 shade: #FE1B67, #FE1B2A and #FE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE1966 shade: #FE1B67, #FE1BA4, #FE1BE2, #DD1BFE and #A01BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE1966 shade matches the following richer shades: #FE1B67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE1966 shade: #FE1B67, #EB2D6D, #D94073, #C65279 and #B4657F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE1966 shade: #FE1BE3, #FE1BA7, #FE1B6A, #FE1B2E and #FE441B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE1966 shade: #C50143, #EE0151, #FE1B67, #FE4482 and #FE6D9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE1966 shade: #FE1966, #FEDC1B and #1BC5FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE1966 shade: #FE1966, #6AFE1B and #1B6AFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE1966 shade: #FE1966, #FEDC1B, #1BFEAE and #1B3DFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE1966 shade: #FE1966, #DCFE1B, #1BFEAE and #3D1BFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 60 / 0

HEX #FE1966

RGB 254 25 102

HSL 339.83, 0.99%, 0.55%

LAB 54.79, 80.55, 19.55

 

Complementary color

CMYK 100 / 0 / 33 / 10

HEX #01E699

RGB 1 230 153

HSL 159.83, 0.99%, 0.45%

LAB 81.24, -63.98, 24.76

 

CMYK 0 / 90 / 62 / 0

HEX #FF1961

RGB 255 25 97

HSL 341.22, 1%, 0.55%

LAB 54.88, 80.5, 22.71

 

CMYK 0 / 83 / 55 / 0

HEX #FF2B74

RGB 255 43 116

HSL 339.34, 1%, 0.58%

LAB 56.34, 78.64, 13.31

 

CMYK 0 / 76 / 47 / 0

HEX #FF3D87

RGB 255 61 135

HSL 337.11, 1%, 0.62%

LAB 58.36, 75.64, 4.91

 

CMYK 0 / 69 / 40 / 0

HEX #FF4F9A

RGB 255 79 154

HSL 334.43, 1%, 0.65%

LAB 60.94, 71.62, -2.46

 

CMYK 0 / 62 / 32 / 0

HEX #FF61AD

RGB 255 97 173

HSL 331.14, 1%, 0.69%

LAB 64.02, 66.78, -8.85

 

CMYK 0 / 90 / 60 / 0

HEX #FE1966

RGB 254 25 102

HSL 339.83, 0.99%, 0.55%

LAB 54.79, 80.55, 19.55

 

CMYK 0 / 97 / 65 / 7

HEX #ED0753

RGB 237 7 83

HSL 340.17, 0.94%, 0.48%

LAB 50.43, 77.3, 24.66

 

CMYK 0 / 100 / 71 / 14

HEX #DC0040

RGB 220 0 64

HSL 342.55, 1%, 0.43%

LAB 46.43, 73.01, 30.46

 

CMYK 0 / 100 / 78 / 20

HEX #CB002D

RGB 203 0 45

HSL 346.7, 1%, 0.4%

LAB 42.59, 68.25, 36.55

 

CMYK 0 / 100 / 86 / 27

HEX #BA001A

RGB 186 0 26

HSL 351.61, 1%, 0.36%

LAB 38.75, 63.55, 42.25

 

CMYK 0 / 89 / 59 / 0

HEX #FE1B67

RGB 254 27 103

HSL 339.91, 0.99%, 0.55%

LAB 54.9, 80.34, 19.1

 

CMYK 0 / 89 / 83 / 0

HEX #FE1B2A

RGB 254 27 42

HSL 356.04, 0.99%, 0.55%

LAB 54.05, 77.94, 52.96

 

CMYK 0 / 89 / 89 / 0

HEX #FE1B1B

RGB 254 27 27

HSL 0, 0.99%, 0.55%

LAB 53.96, 77.67, 59.64

 

CMYK 0 / 89 / 59 / 0

HEX #FE1B67

RGB 254 27 103

HSL 339.91, 0.99%, 0.55%

LAB 54.9, 80.34, 19.1

 

CMYK 0 / 89 / 35 / 0

HEX #FE1BA4

RGB 254 27 164

HSL 323.79, 0.99%, 0.55%

LAB 56.62, 85.06, -14.77

 

CMYK 0 / 89 / 11 / 0

HEX #FE1BE2

RGB 254 27 226

HSL 307.4, 0.99%, 0.55%

LAB 59.29, 92.1, -46.29

 

CMYK 13 / 89 / 0 / 0

HEX #DD1BFE

RGB 221 27 254

HSL 291.28, 0.99%, 0.55%

LAB 55.39, 90.72, -68.51

 

CMYK 37 / 89 / 0 / 0

HEX #A01BFE

RGB 160 27 254

HSL 275.15, 0.99%, 0.55%

LAB 46.2, 82.55, -83.89

 

CMYK 0 / 89 / 59 / 0

HEX #FE1B67

RGB 254 27 103

HSL 339.91, 0.99%, 0.55%

LAB 54.9, 80.34, 19.1

 

CMYK 0 / 89 / 59 / 0

HEX #FE1B67

RGB 254 27 103

HSL 339.91, 0.99%, 0.55%

LAB 54.9, 80.34, 19.1

 

CMYK 0 / 81 / 54 / 8

HEX #EB2D6D

RGB 235 45 109

HSL 339.79, 0.83%, 0.55%

LAB 52.56, 72.71, 11.68

 

CMYK 0 / 71 / 47 / 15

HEX #D94073

RGB 217 64 115

HSL 340, 0.67%, 0.55%

LAB 51.45, 62.62, 6.02

 

CMYK 0 / 59 / 39 / 22

HEX #C65279

RGB 198 82 121

HSL 339.83, 0.5%, 0.55%

LAB 51.18, 49.96, 1.62

 

CMYK 0 / 44 / 29 / 29

HEX #B4657F

RGB 180 101 127

HSL 340.25, 0.34%, 0.55%

LAB 52.45, 34.9, -0.42

 

CMYK 0 / 89 / 11 / 0

HEX #FE1BE3

RGB 254 27 227

HSL 307.14, 0.99%, 0.55%

LAB 59.34, 92.23, -46.77

 

CMYK 0 / 89 / 34 / 0

HEX #FE1BA7

RGB 254 27 167

HSL 323, 0.99%, 0.55%

LAB 56.73, 85.35, -16.37

 

CMYK 0 / 89 / 58 / 0

HEX #FE1B6A

RGB 254 27 106

HSL 339.12, 0.99%, 0.55%

LAB 54.96, 80.52, 17.38

 

CMYK 0 / 89 / 82 / 0

HEX #FE1B2E

RGB 254 27 46

HSL 354.98, 0.99%, 0.55%

LAB 54.08, 78.03, 50.97

 

CMYK 0 / 73 / 89 / 0

HEX #FE441B

RGB 254 68 27

HSL 10.84, 0.99%, 0.55%

LAB 57.35, 68.08, 62.02

 

CMYK 0 / 99 / 66 / 23

HEX #C50143

RGB 197 1 67

HSL 339.8, 0.99%, 0.39%

LAB 41.68, 67.61, 21.63

 

CMYK 0 / 100 / 66 / 7

HEX #EE0151

RGB 238 1 81

HSL 339.75, 0.99%, 0.47%

LAB 50.44, 77.88, 25.93

 

CMYK 0 / 89 / 59 / 0

HEX #FE1B67

RGB 254 27 103

HSL 339.91, 0.99%, 0.55%

LAB 54.9, 80.34, 19.1

 

CMYK 0 / 73 / 49 / 0

HEX #FE4482

RGB 254 68 130

HSL 340, 0.99%, 0.63%

LAB 58.8, 72.87, 8.46

 

CMYK 0 / 57 / 38 / 0

HEX #FE6D9E

RGB 254 109 158

HSL 339.72, 0.99%, 0.71%

LAB 65.34, 59.68, 1.64

 

CMYK 0 / 90 / 60 / 0

HEX #FE1966

RGB 254 25 102

HSL 339.83, 0.99%, 0.55%

LAB 54.79, 80.55, 19.55

 

CMYK 0 / 13 / 89 / 0

HEX #FEDC1B

RGB 254 220 27

HSL 51.01, 0.99%, 0.55%

LAB 88.13, -4.59, 85.04

 

CMYK 89 / 22 / 0 / 0

HEX #1BC5FE

RGB 27 197 254

HSL 195.07, 0.99%, 0.55%

LAB 74.39, -20.3, -39.12

 

CMYK 0 / 90 / 60 / 0

HEX #FE1966

RGB 254 25 102

HSL 339.83, 0.99%, 0.55%

LAB 54.79, 80.55, 19.55

 

CMYK 58 / 0 / 89 / 0

HEX #6AFE1B

RGB 106 254 27

HSL 99.12, 0.99%, 0.55%

LAB 88.94, -72.73, 82.1

 

CMYK 89 / 58 / 0 / 0

HEX #1B6AFE

RGB 27 106 254

HSL 219.12, 0.99%, 0.55%

LAB 49.13, 33.08, -79.45

 

CMYK 0 / 90 / 60 / 0

HEX #FE1966

RGB 254 25 102

HSL 339.83, 0.99%, 0.55%

LAB 54.79, 80.55, 19.55

 

CMYK 0 / 13 / 89 / 0

HEX #FEDC1B

RGB 254 220 27

HSL 51.01, 0.99%, 0.55%

LAB 88.13, -4.59, 85.04

 

CMYK 89 / 0 / 31 / 0

HEX #1BFEAE

RGB 27 254 174

HSL 158.85, 0.99%, 0.55%

LAB 89, -67.18, 24.64

 

CMYK 89 / 76 / 0 / 0

HEX #1B3DFE

RGB 27 61 254

HSL 231.01, 0.99%, 0.55%

LAB 39.12, 59.88, -95.94

 

CMYK 0 / 90 / 60 / 0

HEX #FE1966

RGB 254 25 102

HSL 339.83, 0.99%, 0.55%

LAB 54.79, 80.55, 19.55

 

CMYK 13 / 0 / 89 / 0

HEX #DCFE1B

RGB 220 254 27

HSL 68.99, 0.99%, 0.55%

LAB 94.39, -34.95, 88.81

 

CMYK 89 / 0 / 31 / 0

HEX #1BFEAE

RGB 27 254 174

HSL 158.85, 0.99%, 0.55%

LAB 89, -67.18, 24.64

 

CMYK 76 / 89 / 0 / 0

HEX #3D1BFE

RGB 61 27 254

HSL 248.99, 0.99%, 0.55%

LAB 35.85, 74.91, -101.32

 

Description

Color code: HEX #FE1966 | qconv.com Color code: HEX #FE1966 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 25 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 25 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 60 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 60% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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