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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE1780 it is the complementary color #01E87F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE1780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE1780 shade: #FF177B, #FF298E, #FF3BA1, #FF4DB4 and #FF5FC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE1780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE1780 shade: #FE1780, #ED056D, #DC005A, #CB0047 and #BA0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE1780 shade: #FE167F, #FE1641 and #FE1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE1780 shade: #FE167F, #FE16BE, #FE16FC, #C116FE and #8216FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE1780 shade matches the following richer shades: #FE167F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE1780 shade: #FE167F, #EB2981, #D83C83, #C54F84 and #B26186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE1780 shade: #FE16FE, #FE16C0, #FE1682, #FE1644 and #FE2516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE1780 shade: #C00158, #E9016B, #FE167F, #FE3F96 and #FE68AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE1780 shade: #FE1780, #FEC016 and #16DFFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE1780 shade: #FE1780, #82FE16 and #1682FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE1780 shade: #FE1780, #FEC016, #16FE91 and #1654FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE1780 shade: #FE1780, #F6FE16, #16FE91 and #1D16FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 50 / 0

HEX #FE1780

RGB 254 23 128

HSL 332.73, 0.99%, 0.54%

LAB 55.32, 82.5, 4.67

 

Complementary color

CMYK 100 / 0 / 45 / 9

HEX #01E87F

RGB 1 232 127

HSL 152.73, 0.99%, 0.46%

LAB 81.43, -69.6, 38.14

 

CMYK 0 / 91 / 52 / 0

HEX #FF177B

RGB 255 23 123

HSL 334.14, 1%, 0.55%

LAB 55.38, 82.36, 7.78

 

CMYK 0 / 84 / 44 / 0

HEX #FF298E

RGB 255 41 142

HSL 331.68, 1%, 0.58%

LAB 56.88, 81.02, -1.39

 

CMYK 0 / 77 / 37 / 0

HEX #FF3BA1

RGB 255 59 161

HSL 328.78, 1%, 0.62%

LAB 58.94, 78.55, -9.51

 

CMYK 0 / 70 / 29 / 0

HEX #FF4DB4

RGB 255 77 180

HSL 325.28, 1%, 0.65%

LAB 61.54, 75.08, -16.6

 

CMYK 0 / 63 / 22 / 0

HEX #FF5FC7

RGB 255 95 199

HSL 321, 1%, 0.69%

LAB 64.62, 70.78, -22.74

 

CMYK 0 / 91 / 50 / 0

HEX #FE1780

RGB 254 23 128

HSL 332.73, 0.99%, 0.54%

LAB 55.32, 82.5, 4.67

 

CMYK 0 / 98 / 54 / 7

HEX #ED056D

RGB 237 5 109

HSL 333.1, 0.96%, 0.47%

LAB 50.94, 78.96, 9.46

 

CMYK 0 / 100 / 59 / 14

HEX #DC005A

RGB 220 0 90

HSL 335.45, 1%, 0.43%

LAB 46.91, 74.32, 15.04

 

CMYK 0 / 100 / 65 / 20

HEX #CB0047

RGB 203 0 71

HSL 339.01, 1%, 0.4%

LAB 42.99, 69.33, 21.05

 

CMYK 0 / 100 / 72 / 27

HEX #BA0034

RGB 186 0 52

HSL 343.23, 1%, 0.36%

LAB 39.05, 64.37, 27.27

 

CMYK 0 / 91 / 50 / 0

HEX #FE167F

RGB 254 22 127

HSL 332.84, 0.99%, 0.54%

LAB 55.25, 82.54, 5.17

 

CMYK 0 / 91 / 74 / 0

HEX #FE1641

RGB 254 22 65

HSL 348.88, 0.99%, 0.54%

LAB 54.05, 79.22, 40.54

 

CMYK 0 / 91 / 91 / 0

HEX #FE1616

RGB 254 22 22

HSL 0, 0.99%, 0.54%

LAB 53.71, 78.25, 61.36

 

CMYK 0 / 91 / 50 / 0

HEX #FE167F

RGB 254 22 127

HSL 332.84, 0.99%, 0.54%

LAB 55.25, 82.54, 5.17

 

CMYK 0 / 91 / 25 / 0

HEX #FE16BE

RGB 254 22 190

HSL 316.55, 0.99%, 0.54%

LAB 57.43, 88.35, -28.67

 

CMYK 0 / 91 / 1 / 0

HEX #FE16FC

RGB 254 22 252

HSL 300.52, 0.99%, 0.54%

LAB 60.49, 96.17, -58.92

 

CMYK 24 / 91 / 0 / 0

HEX #C116FE

RGB 193 22 254

HSL 284.22, 0.99%, 0.54%

LAB 50.77, 87.44, -76.22

 

CMYK 49 / 91 / 0 / 0

HEX #8216FE

RGB 130 22 254

HSL 267.93, 0.99%, 0.54%

LAB 41.96, 80.39, -91

 

CMYK 0 / 91 / 50 / 0

HEX #FE167F

RGB 254 22 127

HSL 332.84, 0.99%, 0.54%

LAB 55.25, 82.54, 5.17

 

CMYK 0 / 91 / 50 / 0

HEX #FE167F

RGB 254 22 127

HSL 332.84, 0.99%, 0.54%

LAB 55.25, 82.54, 5.17

 

CMYK 0 / 83 / 45 / 8

HEX #EB2981

RGB 235 41 129

HSL 332.78, 0.83%, 0.54%

LAB 52.77, 75.19, -0.09

 

CMYK 0 / 72 / 39 / 15

HEX #D83C83

RGB 216 60 131

HSL 332.69, 0.67%, 0.54%

LAB 51.23, 65.25, -3.94

 

CMYK 0 / 60 / 33 / 23

HEX #C54F84

RGB 197 79 132

HSL 333.05, 0.5%, 0.54%

LAB 50.84, 52.29, -5.48

 

CMYK 0 / 46 / 25 / 30

HEX #B26186

RGB 178 97 134

HSL 332.59, 0.34%, 0.54%

LAB 51.54, 37.32, -5.93

 

CMYK 0 / 91 / 0 / 0

HEX #FE16FE

RGB 254 22 254

HSL 300, 0.99%, 0.54%

LAB 60.61, 96.45, -59.84

 

CMYK 0 / 91 / 24 / 0

HEX #FE16C0

RGB 254 22 192

HSL 316.03, 0.99%, 0.54%

LAB 57.51, 88.57, -29.7

 

CMYK 0 / 91 / 49 / 0

HEX #FE1682

RGB 254 22 130

HSL 332.07, 0.99%, 0.54%

LAB 55.34, 82.76, 3.49

 

CMYK 0 / 91 / 73 / 0

HEX #FE1644

RGB 254 22 68

HSL 348.1, 0.99%, 0.54%

LAB 54.09, 79.33, 38.85

 

CMYK 0 / 85 / 91 / 0

HEX #FE2516

RGB 254 37 22

HSL 3.88, 0.99%, 0.54%

LAB 54.5, 75.97, 61.86

 

CMYK 0 / 99 / 54 / 25

HEX #C00158

RGB 192 1 88

HSL 332.67, 0.99%, 0.38%

LAB 41.11, 67.71, 7.35

 

CMYK 0 / 100 / 54 / 9

HEX #E9016B

RGB 233 1 107

HSL 332.59, 0.99%, 0.46%

LAB 49.99, 78.24, 9.23

 

CMYK 0 / 91 / 50 / 0

HEX #FE167F

RGB 254 22 127

HSL 332.84, 0.99%, 0.54%

LAB 55.25, 82.54, 5.17

 

CMYK 0 / 75 / 41 / 0

HEX #FE3F96

RGB 254 63 150

HSL 332.67, 0.99%, 0.62%

LAB 58.81, 76.13, -3.28

 

CMYK 0 / 59 / 32 / 0

HEX #FE68AC

RGB 254 104 172

HSL 332.8, 0.99%, 0.7%

LAB 64.92, 63.44, -6.96

 

CMYK 0 / 91 / 50 / 0

HEX #FE1780

RGB 254 23 128

HSL 332.73, 0.99%, 0.54%

LAB 55.32, 82.5, 4.67

 

CMYK 0 / 24 / 91 / 0

HEX #FEC016

RGB 254 192 22

HSL 43.97, 0.99%, 0.54%

LAB 81.2, 9.65, 80.59

 

CMYK 91 / 12 / 0 / 0

HEX #16DFFE

RGB 22 223 254

HSL 188.02, 0.99%, 0.54%

LAB 81.89, -33.39, -27.56

 

CMYK 0 / 91 / 50 / 0

HEX #FE1780

RGB 254 23 128

HSL 332.73, 0.99%, 0.54%

LAB 55.32, 82.5, 4.67

 

CMYK 49 / 0 / 91 / 0

HEX #82FE16

RGB 130 254 22

HSL 92.07, 0.99%, 0.54%

LAB 89.71, -66.57, 83.76

 

CMYK 91 / 49 / 0 / 0

HEX #1682FE

RGB 22 130 254

HSL 212.07, 0.99%, 0.54%

LAB 55.37, 17.78, -69.31

 

CMYK 0 / 91 / 50 / 0

HEX #FE1780

RGB 254 23 128

HSL 332.73, 0.99%, 0.54%

LAB 55.32, 82.5, 4.67

 

CMYK 0 / 24 / 91 / 0

HEX #FEC016

RGB 254 192 22

HSL 43.97, 0.99%, 0.54%

LAB 81.2, 9.65, 80.59

 

CMYK 91 / 0 / 43 / 0

HEX #16FE91

RGB 22 254 145

HSL 151.81, 0.99%, 0.54%

LAB 88.49, -72.98, 38.44

 

CMYK 91 / 67 / 0 / 0

HEX #1654FE

RGB 22 84 254

HSL 223.97, 0.99%, 0.54%

LAB 43.75, 46.58, -88.28

 

CMYK 0 / 91 / 50 / 0

HEX #FE1780

RGB 254 23 128

HSL 332.73, 0.99%, 0.54%

LAB 55.32, 82.5, 4.67

 

CMYK 3 / 0 / 91 / 0

HEX #F6FE16

RGB 246 254 22

HSL 62.07, 0.99%, 0.54%

LAB 96.22, -24.57, 91.69

 

CMYK 91 / 0 / 43 / 0

HEX #16FE91

RGB 22 254 145

HSL 151.81, 0.99%, 0.54%

LAB 88.49, -72.98, 38.44

 

CMYK 89 / 91 / 0 / 0

HEX #1D16FE

RGB 29 22 254

HSL 241.81, 0.99%, 0.54%

LAB 33.96, 75.36, -104.51

 

Description

Color code: HEX #FE1780 | qconv.com Color code: HEX #FE1780 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 23 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 23 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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