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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE13C4 it is the complementary color #01EC3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE13C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FE13C4: #FF13BF, #FF25D2, #FF37E5, #FF49F8 and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE13C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FE13C4: #FE13C4, #ED01B1, #DC009E, #CB008B and #BA0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

Complementary color

CMYK 100 / 0 / 75 / 7

HEX #01EC3B

RGB 1 236 59

HSL 134.81, 0.99%, 0.46%

LAB 82.01, -79.03, 67.66

 

CMYK 0 / 93 / 25 / 0

HEX #FF13BF

RGB 255 19 191

HSL 316.27, 1%, 0.54%

LAB 57.55, 88.96, -29.05

 

CMYK 0 / 85 / 18 / 0

HEX #FF25D2

RGB 255 37 210

HSL 312.39, 1%, 0.57%

LAB 59.19, 88.82, -37.37

 

CMYK 0 / 78 / 10 / 0

HEX #FF37E5

RGB 255 55 229

HSL 307.8, 1%, 0.61%

LAB 61.35, 87.62, -44.72

 

CMYK 0 / 71 / 3 / 0

HEX #FF49F8

RGB 255 73 248

HSL 302.31, 1%, 0.64%

LAB 64, 85.43, -51.11

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 0 / 100 / 25 / 7

HEX #ED01B1

RGB 237 1 177

HSL 315.25, 0.99%, 0.47%

LAB 53.17, 85.32, -27.96

 

CMYK 0 / 100 / 28 / 14

HEX #DC009E

RGB 220 0 158

HSL 316.91, 1%, 0.43%

LAB 49.11, 80.06, -23.27

 

CMYK 0 / 100 / 32 / 20

HEX #CB008B

RGB 203 0 139

HSL 318.92, 1%, 0.4%

LAB 45.03, 74.68, -18.37

 

CMYK 0 / 100 / 35 / 27

HEX #BA0078

RGB 186 0 120

HSL 321.29, 1%, 0.36%

LAB 40.89, 69.23, -13.28

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 0 / 92 / 37 / 1

HEX #FD15A0

RGB 253 21 160

HSL 324.05, 0.98%, 0.54%

LAB 56.04, 85.19, -13.31

 

CMYK 0 / 92 / 52 / 1

HEX #FD157A

RGB 253 21 122

HSL 333.88, 0.98%, 0.54%

LAB 54.89, 82.07, 7.63

 

CMYK 0 / 92 / 67 / 1

HEX #FD1553

RGB 253 21 83

HSL 343.97, 0.98%, 0.54%

LAB 54.07, 79.82, 29.96

 

CMYK 0 / 92 / 83 / 1

HEX #FD152C

RGB 253 21 44

HSL 354.05, 0.98%, 0.54%

LAB 53.6, 78.49, 51.48

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 0 / 92 / 22 / 80

HEX #320427

RGB 50 4 39

HSL 314.35, 0.85%, 0.11%

LAB 8.23, 26.96, -11.03

 

CMYK 0 / 92 / 23 / 60

HEX #65084E

RGB 101 8 78

HSL 314.84, 0.85%, 0.21%

LAB 21.91, 44.46, -16.7

 

CMYK 0 / 93 / 23 / 40

HEX #980B75

RGB 152 11 117

HSL 314.89, 0.87%, 0.32%

LAB 34.39, 60.46, -21.97

 

CMYK 0 / 93 / 23 / 20

HEX #CB0F9D

RGB 203 15 157

HSL 314.68, 0.86%, 0.43%

LAB 46.27, 75.32, -27.32

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 0 / 52 / 92 / 1

HEX #FD7A15

RGB 253 122 21

HSL 26.12, 0.98%, 0.54%

LAB 65.64, 45.19, 69.48

 

CMYK 92 / 0 / 15 / 1

HEX #15FDD7

RGB 21 253 215

HSL 170.17, 0.98%, 0.54%

LAB 89.54, -57.58, 4.31

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 21 / 0 / 92 / 1

HEX #C7FD15

RGB 199 253 21

HSL 73.97, 0.98%, 0.54%

LAB 92.77, -42.77, 87.75

 

CMYK 92 / 21 / 0 / 1

HEX #15C7FD

RGB 21 199 253

HSL 193.97, 0.98%, 0.54%

LAB 74.89, -21.92, -37.82

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 0 / 52 / 92 / 1

HEX #FD7A15

RGB 253 122 21

HSL 26.12, 0.98%, 0.54%

LAB 65.64, 45.19, 69.48

 

CMYK 92 / 0 / 70 / 1

HEX #15FD4B

RGB 21 253 75

HSL 133.97, 0.98%, 0.54%

LAB 87.45, -81.78, 67.76

 

CMYK 92 / 40 / 0 / 1

HEX #1599FD

RGB 21 153 253

HSL 205.86, 0.98%, 0.54%

LAB 61.68, 3.42, -58.62

 

CMYK 0 / 93 / 23 / 0

HEX #FE13C4

RGB 254 19 196

HSL 314.81, 0.99%, 0.54%

LAB 57.58, 89.33, -31.89

 

CMYK 0 / 25 / 92 / 1

HEX #FDBF15

RGB 253 191 21

HSL 43.97, 0.98%, 0.54%

LAB 80.85, 9.73, 80.45

 

CMYK 92 / 0 / 70 / 1

HEX #15FD4B

RGB 21 253 75

HSL 133.97, 0.98%, 0.54%

LAB 87.45, -81.78, 67.76

 

CMYK 92 / 67 / 0 / 1

HEX #1553FD

RGB 21 83 253

HSL 223.97, 0.98%, 0.54%

LAB 43.42, 46.8, -88.27

 

Description

Color code: HEX #FE13C4 | qconv.com Color code: HEX #FE13C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 19 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 19 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 23% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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