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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE0B76 it is the complementary color #01F489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE0B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE0B76 shade: #FF0B71, #FF1D84, #FF2F97, #FF41AA and #FF53BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE0B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE0B76 shade: #FE0B76, #ED0063, #DC0050, #CB003D and #BA002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE0B76 shade: #FE0B76, #FE0B35 and #FE0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE0B76 shade: #FE0B76, #FE0BB7, #FE0BF9, #C10BFE and #800BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE0B76 shade matches the following richer shades: #FE0B76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE0B76 shade: #FE0B76, #EA1F79, #D6337B, #C2477D and #AF5B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE0B76 shade: #FE0BFA, #FE0BB9, #FE0B78, #FE0B38 and #FE200B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE0B76 shade: #B60151, #DF0163, #FE0B76, #FE348D and #FE5EA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE0B76 shade: #FE0B76, #FEC10B and #0BD9FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE0B76 shade: #FE0B76, #78FE0B and #0B78FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE0B76 shade: #FE0B76, #FEC10B, #0BFE91 and #0B48FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE0B76 shade: #FE0B76, #F2FE0B, #0BFE91 and #180BFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

Complementary color

CMYK 100 / 0 / 44 / 4

HEX #01F489

RGB 1 244 137

HSL 153.58, 0.99%, 0.48%

LAB 85.26, -71.77, 38.15

 

CMYK 0 / 96 / 56 / 0

HEX #FF0B71

RGB 255 11 113

HSL 334.92, 1%, 0.52%

LAB 54.75, 82.81, 12.91

 

CMYK 0 / 89 / 48 / 0

HEX #FF1D84

RGB 255 29 132

HSL 332.65, 1%, 0.56%

LAB 55.89, 82.24, 3.12

 

CMYK 0 / 82 / 41 / 0

HEX #FF2F97

RGB 255 47 151

HSL 330, 1%, 0.59%

LAB 57.59, 80.56, -5.66

 

CMYK 0 / 75 / 33 / 0

HEX #FF41AA

RGB 255 65 170

HSL 326.84, 1%, 0.63%

LAB 59.84, 77.78, -13.4

 

CMYK 0 / 67 / 26 / 0

HEX #FF53BD

RGB 255 83 189

HSL 323.02, 1%, 0.66%

LAB 62.61, 74.05, -20.12

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 100 / 58 / 7

HEX #ED0063

RGB 237 0 99

HSL 334.94, 1%, 0.46%

LAB 50.58, 78.7, 15.07

 

CMYK 0 / 100 / 64 / 14

HEX #DC0050

RGB 220 0 80

HSL 338.18, 1%, 0.43%

LAB 46.7, 73.76, 20.97

 

CMYK 0 / 100 / 70 / 20

HEX #CB003D

RGB 203 0 61

HSL 341.97, 1%, 0.4%

LAB 42.81, 68.85, 27.08

 

CMYK 0 / 100 / 77 / 27

HEX #BA002A

RGB 186 0 42

HSL 346.45, 1%, 0.36%

LAB 38.91, 63.99, 33.28

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 96 / 79 / 0

HEX #FE0B35

RGB 254 11 53

HSL 349.63, 0.99%, 0.52%

LAB 53.56, 79.88, 46.75

 

CMYK 0 / 96 / 96 / 0

HEX #FE0B0B

RGB 254 11 11

HSL 0, 0.99%, 0.52%

LAB 53.31, 79.19, 64.45

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 96 / 28 / 0

HEX #FE0BB7

RGB 254 11 183

HSL 317.53, 0.99%, 0.52%

LAB 56.81, 88.55, -25.57

 

CMYK 0 / 96 / 2 / 0

HEX #FE0BF9

RGB 254 11 249

HSL 301.23, 0.99%, 0.52%

LAB 60.02, 96.63, -58

 

CMYK 24 / 96 / 0 / 0

HEX #C10BFE

RGB 193 11 254

HSL 284.94, 0.99%, 0.52%

LAB 50.37, 88.61, -76.86

 

CMYK 50 / 96 / 0 / 0

HEX #800BFE

RGB 128 11 254

HSL 268.89, 0.99%, 0.52%

LAB 41.19, 81.81, -92.28

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 87 / 48 / 8

HEX #EA1F79

RGB 234 31 121

HSL 333.4, 0.83%, 0.52%

LAB 51.67, 76.25, 3.13

 

CMYK 0 / 76 / 43 / 16

HEX #D6337B

RGB 214 51 123

HSL 333.5, 0.67%, 0.52%

LAB 49.61, 66.8, -1.54

 

CMYK 0 / 63 / 36 / 24

HEX #C2477D

RGB 194 71 125

HSL 333.66, 0.5%, 0.52%

LAB 48.83, 54.05, -4.3

 

CMYK 0 / 48 / 27 / 31

HEX #AF5B80

RGB 175 91 128

HSL 333.57, 0.34%, 0.52%

LAB 49.68, 38.59, -5.16

 

CMYK 0 / 96 / 2 / 0

HEX #FE0BFA

RGB 254 11 250

HSL 300.99, 0.99%, 0.52%

LAB 60.08, 96.77, -58.46

 

CMYK 0 / 96 / 27 / 0

HEX #FE0BB9

RGB 254 11 185

HSL 317.04, 0.99%, 0.52%

LAB 56.89, 88.76, -26.61

 

CMYK 0 / 96 / 53 / 0

HEX #FE0B78

RGB 254 11 120

HSL 333.09, 0.99%, 0.52%

LAB 54.73, 83.05, 8.62

 

CMYK 0 / 96 / 78 / 0

HEX #FE0B38

RGB 254 11 56

HSL 348.89, 0.99%, 0.52%

LAB 53.6, 79.97, 45.12

 

CMYK 0 / 87 / 96 / 0

HEX #FE200B

RGB 254 32 11

HSL 5.19, 0.99%, 0.52%

LAB 54.16, 76.74, 64.87

 

CMYK 0 / 99 / 55 / 29

HEX #B60151

RGB 182 1 81

HSL 333.48, 0.99%, 0.36%

LAB 38.83, 64.91, 8.3

 

CMYK 0 / 100 / 56 / 13

HEX #DF0163

RGB 223 1 99

HSL 333.51, 0.99%, 0.44%

LAB 47.77, 75.48, 10.74

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 80 / 44 / 0

HEX #FE348D

RGB 254 52 141

HSL 333.56, 0.99%, 0.6%

LAB 57.51, 78.27, 0.11

 

CMYK 0 / 63 / 35 / 0

HEX #FE5EA4

RGB 254 94 164

HSL 333.75, 0.99%, 0.68%

LAB 63.14, 66.7, -5.02

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 24 / 96 / 0

HEX #FEC10B

RGB 254 193 11

HSL 44.94, 0.99%, 0.52%

LAB 81.42, 9.01, 82.2

 

CMYK 96 / 15 / 0 / 0

HEX #0BD9FE

RGB 11 217 254

HSL 189.14, 0.99%, 0.52%

LAB 80.1, -30.85, -30.32

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 53 / 0 / 96 / 0

HEX #78FE0B

RGB 120 254 11

HSL 93.09, 0.99%, 0.52%

LAB 89.35, -69.51, 84.44

 

CMYK 96 / 53 / 0 / 0

HEX #0B78FE

RGB 11 120 254

HSL 213.09, 0.99%, 0.52%

LAB 52.58, 23.68, -73.84

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 0 / 24 / 96 / 0

HEX #FEC10B

RGB 254 193 11

HSL 44.94, 0.99%, 0.52%

LAB 81.42, 9.01, 82.2

 

CMYK 96 / 0 / 43 / 0

HEX #0BFE91

RGB 11 254 145

HSL 153.09, 0.99%, 0.52%

LAB 88.45, -73.37, 38.37

 

CMYK 96 / 72 / 0 / 0

HEX #0B48FE

RGB 11 72 254

HSL 224.94, 0.99%, 0.52%

LAB 41, 53.42, -92.83

 

CMYK 0 / 96 / 54 / 0

HEX #FE0B76

RGB 254 11 118

HSL 333.58, 0.99%, 0.52%

LAB 54.68, 82.92, 9.76

 

CMYK 5 / 0 / 96 / 0

HEX #F2FE0B

RGB 242 254 11

HSL 62.96, 0.99%, 0.52%

LAB 95.91, -26.31, 92.37

 

CMYK 96 / 0 / 43 / 0

HEX #0BFE91

RGB 11 254 145

HSL 153.09, 0.99%, 0.52%

LAB 88.45, -73.37, 38.37

 

CMYK 91 / 96 / 0 / 0

HEX #180BFE

RGB 24 11 254

HSL 243.21, 0.99%, 0.52%

LAB 33.11, 77.48, -105.94

 

Description

Color code: HEX #FE0B76 | qconv.com Color code: HEX #FE0B76 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 11 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 11 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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