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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDF97A it is the complementary color #020685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDF97A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDF97A shade: #FFF975, #FFFF88, #FFFF9B, #FFFFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDF97A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDF97A shade: #FDF97A, #ECE767, #DBD554, #CAC341 and #B9B12E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDF97A shade: #FDF97C, #FDD67C, #FDB47C, #FD917C and #FD7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDF97A shade: #FDF97C, #DEFD7C, #BCFD7C, #99FD7C and #7CFD83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDF97A shade matches the following richer shades: #FDF97C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDF97A shade: #FDF97C, #F2EF87, #E8E592, #DDDB9D and #D2D1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDF97A shade: #FDB47C, #FDD67C, #FDF97C, #DFFD7C and #BDFD7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDF97A shade: #FCF52B, #FCF754, #FDF97C, #FEFBA5 and #FEFDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDF97A shade: #FDF97A, #7CFD92 and #C57CFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDF97A shade: #FDF97A, #7CFDF9 and #F97CFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDF97A shade: #FDF97A, #7CFD92, #7C81FD and #FD7CE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDF97A shade: #FDF97A, #7CFDB8, #7C81FD and #FD7CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 52 / 1

HEX #FDF97A

RGB 253 249 122

HSL 58.17, 0.97%, 0.74%

LAB 96.01, -14.9, 60.59

 

Complementary color

CMYK 98 / 95 / 0 / 48

HEX #020685

RGB 2 6 133

HSL 238.17, 0.97%, 0.26%

LAB 14.61, 46.57, -65.15

 

CMYK 0 / 2 / 54 / 0

HEX #FFF975

RGB 255 249 117

HSL 57.39, 1%, 0.73%

LAB 96.12, -14.5, 62.98

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 2 / 52 / 1

HEX #FDF97A

RGB 253 249 122

HSL 58.17, 0.97%, 0.74%

LAB 96.01, -14.9, 60.59

 

CMYK 0 / 2 / 56 / 7

HEX #ECE767

RGB 236 231 103

HSL 57.74, 0.78%, 0.66%

LAB 89.84, -14.31, 61.61

 

CMYK 0 / 3 / 62 / 14

HEX #DBD554

RGB 219 213 84

HSL 57.33, 0.65%, 0.59%

LAB 83.59, -13.62, 62.51

 

CMYK 0 / 3 / 68 / 21

HEX #CAC341

RGB 202 195 65

HSL 56.93, 0.56%, 0.52%

LAB 77.26, -12.8, 63.16

 

CMYK 0 / 4 / 75 / 27

HEX #B9B12E

RGB 185 177 46

HSL 56.55, 0.6%, 0.45%

LAB 70.84, -11.8, 63.34

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97C

RGB 253 249 124

HSL 58.14, 0.97%, 0.74%

LAB 96.03, -14.74, 59.71

 

CMYK 0 / 15 / 51 / 1

HEX #FDD67C

RGB 253 214 124

HSL 41.86, 0.97%, 0.74%

LAB 87.21, 2.75, 49.16

 

CMYK 0 / 29 / 51 / 1

HEX #FDB47C

RGB 253 180 124

HSL 26.05, 0.97%, 0.74%

LAB 79.03, 20.42, 38.98

 

CMYK 0 / 43 / 51 / 1

HEX #FD917C

RGB 253 145 124

HSL 9.77, 0.97%, 0.74%

LAB 71.27, 38.62, 28.95

 

CMYK 0 / 51 / 51 / 1

HEX #FD7C7C

RGB 253 124 124

HSL 0, 0.97%, 0.74%

LAB 67.09, 49.08, 23.37

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97C

RGB 253 249 124

HSL 58.14, 0.97%, 0.74%

LAB 96.03, -14.74, 59.71

 

CMYK 12 / 0 / 51 / 1

HEX #DEFD7C

RGB 222 253 124

HSL 74.42, 0.97%, 0.74%

LAB 94.84, -28.62, 57.75

 

CMYK 26 / 0 / 51 / 1

HEX #BCFD7C

RGB 188 253 124

HSL 90.23, 0.97%, 0.74%

LAB 92.75, -41.02, 54.75

 

CMYK 40 / 0 / 51 / 1

HEX #99FD7C

RGB 153 253 124

HSL 106.51, 0.97%, 0.74%

LAB 91, -52.52, 52.23

 

CMYK 51 / 0 / 48 / 1

HEX #7CFD83

RGB 124 253 131

HSL 123.26, 0.97%, 0.74%

LAB 89.94, -59.76, 47.41

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97C

RGB 253 249 124

HSL 58.14, 0.97%, 0.74%

LAB 96.03, -14.74, 59.71

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97C

RGB 253 249 124

HSL 58.14, 0.97%, 0.74%

LAB 96.03, -14.74, 59.71

 

CMYK 0 / 1 / 44 / 5

HEX #F2EF87

RGB 242 239 135

HSL 58.32, 0.8%, 0.74%

LAB 92.73, -13.19, 50.43

 

CMYK 0 / 1 / 37 / 9

HEX #E8E592

RGB 232 229 146

HSL 57.91, 0.65%, 0.74%

LAB 89.52, -10.98, 40.85

 

CMYK 0 / 1 / 29 / 13

HEX #DDDB9D

RGB 221 219 157

HSL 58.13, 0.48%, 0.74%

LAB 86.24, -8.85, 30.82

 

CMYK 0 / 0 / 20 / 18

HEX #D2D1A7

RGB 210 209 167

HSL 58.6, 0.32%, 0.74%

LAB 82.96, -6.52, 21.02

 

CMYK 0 / 29 / 51 / 1

HEX #FDB47C

RGB 253 180 124

HSL 26.05, 0.97%, 0.74%

LAB 79.03, 20.42, 38.98

 

CMYK 0 / 15 / 51 / 1

HEX #FDD67C

RGB 253 214 124

HSL 41.86, 0.97%, 0.74%

LAB 87.21, 2.75, 49.16

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97C

RGB 253 249 124

HSL 58.14, 0.97%, 0.74%

LAB 96.03, -14.74, 59.71

 

CMYK 12 / 0 / 51 / 1

HEX #DFFD7C

RGB 223 253 124

HSL 73.95, 0.97%, 0.74%

LAB 94.91, -28.24, 57.84

 

CMYK 25 / 0 / 51 / 1

HEX #BDFD7C

RGB 189 253 124

HSL 89.77, 0.97%, 0.74%

LAB 92.81, -40.67, 54.83

 

CMYK 0 / 3 / 83 / 1

HEX #FCF52B

RGB 252 245 43

HSL 57.99, 0.97%, 0.58%

LAB 94.39, -17.42, 86.89

 

CMYK 0 / 2 / 67 / 1

HEX #FCF754

RGB 252 247 84

HSL 58.21, 0.97%, 0.66%

LAB 95.1, -16.83, 75.28

 

CMYK 0 / 2 / 51 / 1

HEX #FDF97C

RGB 253 249 124

HSL 58.14, 0.97%, 0.74%

LAB 96.03, -14.74, 59.71

 

CMYK 0 / 1 / 35 / 0

HEX #FEFBA5

RGB 254 251 165

HSL 57.98, 0.98%, 0.82%

LAB 97.14, -11.37, 41.62

 

CMYK 0 / 0 / 19 / 0

HEX #FEFDCE

RGB 254 253 206

HSL 58.75, 0.96%, 0.9%

LAB 98.34, -7.13, 22.67

 

CMYK 0 / 2 / 52 / 1

HEX #FDF97A

RGB 253 249 122

HSL 58.17, 0.97%, 0.74%

LAB 96.01, -14.9, 60.59

 

CMYK 51 / 0 / 42 / 1

HEX #7CFD92

RGB 124 253 146

HSL 130.23, 0.97%, 0.74%

LAB 90.14, -57.61, 40.46

 

CMYK 22 / 51 / 0 / 1

HEX #C57CFD

RGB 197 124 253

HSL 273.95, 0.97%, 0.74%

LAB 64.47, 51.24, -53.61

 

CMYK 0 / 2 / 52 / 1

HEX #FDF97A

RGB 253 249 122

HSL 58.17, 0.97%, 0.74%

LAB 96.01, -14.9, 60.59

 

CMYK 51 / 0 / 2 / 1

HEX #7CFDF9

RGB 124 253 249

HSL 178.14, 0.97%, 0.74%

LAB 92.3, -36.61, -9.06

 

CMYK 2 / 51 / 0 / 1

HEX #F97CFD

RGB 249 124 253

HSL 298.14, 0.97%, 0.74%

LAB 70.63, 64.86, -43.48

 

CMYK 0 / 2 / 52 / 1

HEX #FDF97A

RGB 253 249 122

HSL 58.17, 0.97%, 0.74%

LAB 96.01, -14.9, 60.59

 

CMYK 51 / 0 / 42 / 1

HEX #7CFD92

RGB 124 253 146

HSL 130.23, 0.97%, 0.74%

LAB 90.14, -57.61, 40.46

 

CMYK 51 / 49 / 0 / 1

HEX #7C81FD

RGB 124 129 253

HSL 237.67, 0.97%, 0.74%

LAB 59.05, 31.09, -62.63

 

CMYK 0 / 51 / 8 / 1

HEX #FD7CE8

RGB 253 124 232

HSL 309.77, 0.97%, 0.74%

LAB 70.26, 62.46, -32.49

 

CMYK 0 / 2 / 52 / 1

HEX #FDF97A

RGB 253 249 122

HSL 58.17, 0.97%, 0.74%

LAB 96.01, -14.9, 60.59

 

CMYK 51 / 0 / 27 / 1

HEX #7CFDB8

RGB 124 253 184

HSL 147.91, 0.97%, 0.74%

LAB 90.78, -51.08, 22.29

 

CMYK 51 / 49 / 0 / 1

HEX #7C81FD

RGB 124 129 253

HSL 237.67, 0.97%, 0.74%

LAB 59.05, 31.09, -62.63

 

CMYK 0 / 51 / 24 / 1

HEX #FD7CC1

RGB 253 124 193

HSL 327.91, 0.97%, 0.74%

LAB 68.86, 56.72, -12.96

 

Description

Color code: HEX #FDF97A | qconv.com Color code: HEX #FDF97A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 249 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 249 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 52 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 52% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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