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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDF413 it is the complementary color #020BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDF413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDF413 shade: #FFF40E, #FFFF21, #FFFF34, #FFFF47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDF413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDF413 shade: #FDF413, #ECE200, #DBD000, #CABE00 and #B9AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDF413 shade: #FDF412, #FDB412, #FD7512, #FD3612 and #FD1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDF413 shade: #FDF412, #C6FD12, #87FD12, #48FD12 and #12FD1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDF413 shade matches the following richer shades: #FDF412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDF413 shade: #FDF412, #E9E225, #D6D038, #C2BE4C and #AFAC5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDF413 shade: #FD7412, #FDB212, #FDF112, #CAFD12 and #8BFD12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDF413 shade: #BAB302, #E3DA02, #FDF412, #FDF63B and #FDF763

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDF413 shade: #FDF413, #12FD35 and #9312FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDF413 shade: #FDF413, #12FDF1 and #F112FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDF413 shade: #FDF413, #12FD35, #121DFD and #FD12D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDF413 shade: #FDF413, #12FD7B, #121DFD and #FD1293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 92 / 1

HEX #FDF413

RGB 253 244 19

HSL 57.69, 0.98%, 0.53%

LAB 94.15, -16.96, 90.69

 

Complementary color

CMYK 99 / 95 / 0 / 7

HEX #020BEC

RGB 2 11 236

HSL 237.69, 0.98%, 0.47%

LAB 30.18, 72.86, -100.68

 

CMYK 0 / 4 / 95 / 0

HEX #FFF40E

RGB 255 244 14

HSL 57.26, 1%, 0.53%

LAB 94.31, -16.18, 91.38

 

CMYK 0 / 0 / 87 / 0

HEX #FFFF21

RGB 255 255 33

HSL 60, 1%, 0.56%

LAB 97.18, -21.19, 91.18

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 4 / 92 / 1

HEX #FDF413

RGB 253 244 19

HSL 57.69, 0.98%, 0.53%

LAB 94.15, -16.96, 90.69

 

CMYK 0 / 4 / 100 / 7

HEX #ECE200

RGB 236 226 0

HSL 57.46, 1%, 0.46%

LAB 88.08, -15.47, 87.19

 

CMYK 0 / 5 / 100 / 14

HEX #DBD000

RGB 219 208 0

HSL 56.99, 1%, 0.43%

LAB 81.93, -13.79, 82.1

 

CMYK 0 / 6 / 100 / 21

HEX #CABE00

RGB 202 190 0

HSL 56.44, 1%, 0.4%

LAB 75.69, -12.06, 76.92

 

CMYK 0 / 7 / 100 / 27

HEX #B9AC00

RGB 185 172 0

HSL 55.78, 1%, 0.36%

LAB 69.34, -10.29, 71.65

 

CMYK 0 / 4 / 93 / 1

HEX #FDF412

RGB 253 244 18

HSL 57.7, 0.98%, 0.53%

LAB 94.15, -16.97, 90.8

 

CMYK 0 / 29 / 93 / 1

HEX #FDB412

RGB 253 180 18

HSL 41.36, 0.98%, 0.53%

LAB 78.21, 15.42, 78.97

 

CMYK 0 / 54 / 93 / 1

HEX #FD7512

RGB 253 117 18

HSL 25.28, 0.98%, 0.53%

LAB 64.68, 47.56, 69.5

 

CMYK 0 / 79 / 93 / 1

HEX #FD3612

RGB 253 54 18

HSL 9.19, 0.98%, 0.53%

LAB 55.65, 71.81, 63.73

 

CMYK 0 / 93 / 93 / 1

HEX #FD1212

RGB 253 18 18

HSL 0, 0.98%, 0.53%

LAB 53.34, 78.4, 62.38

 

CMYK 0 / 4 / 93 / 1

HEX #FDF412

RGB 253 244 18

HSL 57.7, 0.98%, 0.53%

LAB 94.15, -16.97, 90.8

 

CMYK 22 / 0 / 93 / 1

HEX #C6FD12

RGB 198 253 18

HSL 74.04, 0.98%, 0.53%

LAB 92.71, -43.2, 88.01

 

CMYK 47 / 0 / 93 / 1

HEX #87FD12

RGB 135 253 18

HSL 90.13, 0.98%, 0.53%

LAB 89.6, -64.83, 84.22

 

CMYK 72 / 0 / 93 / 1

HEX #48FD12

RGB 72 253 18

HSL 106.21, 0.98%, 0.53%

LAB 87.81, -79.42, 82.02

 

CMYK 93 / 0 / 89 / 1

HEX #12FD1B

RGB 18 253 27

HSL 122.3, 0.98%, 0.53%

LAB 87.22, -84.59, 80.09

 

CMYK 0 / 4 / 93 / 1

HEX #FDF412

RGB 253 244 18

HSL 57.7, 0.98%, 0.53%

LAB 94.15, -16.97, 90.8

 

CMYK 0 / 4 / 93 / 1

HEX #FDF412

RGB 253 244 18

HSL 57.7, 0.98%, 0.53%

LAB 94.15, -16.97, 90.8

 

CMYK 0 / 3 / 84 / 9

HEX #E9E225

RGB 233 226 37

HSL 57.86, 0.82%, 0.53%

LAB 87.9, -16.22, 82.2

 

CMYK 0 / 3 / 74 / 16

HEX #D6D038

RGB 214 208 56

HSL 57.72, 0.66%, 0.53%

LAB 81.67, -14.69, 71

 

CMYK 0 / 2 / 61 / 24

HEX #C2BE4C

RGB 194 190 76

HSL 57.97, 0.49%, 0.53%

LAB 75.34, -12.96, 56.42

 

CMYK 0 / 2 / 46 / 31

HEX #AFAC5F

RGB 175 172 95

HSL 57.75, 0.33%, 0.53%

LAB 69.07, -10.03, 39.79

 

CMYK 0 / 54 / 93 / 1

HEX #FD7412

RGB 253 116 18

HSL 25.02, 0.98%, 0.53%

LAB 64.5, 48.03, 69.37

 

CMYK 0 / 30 / 93 / 1

HEX #FDB212

RGB 253 178 18

HSL 40.85, 0.98%, 0.53%

LAB 77.74, 16.46, 78.63

 

CMYK 0 / 5 / 93 / 1

HEX #FDF112

RGB 253 241 18

HSL 56.94, 0.98%, 0.53%

LAB 93.38, -15.52, 90.22

 

CMYK 20 / 0 / 93 / 1

HEX #CAFD12

RGB 202 253 18

HSL 73.02, 0.98%, 0.53%

LAB 92.95, -41.67, 88.3

 

CMYK 45 / 0 / 93 / 1

HEX #8BFD12

RGB 139 253 18

HSL 89.11, 0.98%, 0.53%

LAB 89.76, -63.63, 84.41

 

CMYK 0 / 4 / 99 / 27

HEX #BAB302

RGB 186 179 2

HSL 57.72, 0.98%, 0.37%

LAB 71.34, -13.43, 72.91

 

CMYK 0 / 4 / 99 / 11

HEX #E3DA02

RGB 227 218 2

HSL 57.6, 0.98%, 0.45%

LAB 85.24, -15.32, 84.63

 

CMYK 0 / 4 / 93 / 1

HEX #FDF412

RGB 253 244 18

HSL 57.7, 0.98%, 0.53%

LAB 94.15, -16.97, 90.8

 

CMYK 0 / 3 / 77 / 1

HEX #FDF63B

RGB 253 246 59

HSL 57.84, 0.98%, 0.61%

LAB 94.78, -17.02, 83.23

 

CMYK 0 / 2 / 61 / 1

HEX #FDF763

RGB 253 247 99

HSL 57.66, 0.97%, 0.69%

LAB 95.29, -15.57, 69.67

 

CMYK 0 / 4 / 92 / 1

HEX #FDF413

RGB 253 244 19

HSL 57.69, 0.98%, 0.53%

LAB 94.15, -16.96, 90.69

 

CMYK 93 / 0 / 79 / 1

HEX #12FD35

RGB 18 253 53

HSL 128.94, 0.98%, 0.53%

LAB 87.31, -83.47, 74.59

 

CMYK 42 / 93 / 0 / 1

HEX #9312FD

RGB 147 18 253

HSL 272.94, 0.98%, 0.53%

LAB 43.84, 82.42, -87.26

 

CMYK 0 / 4 / 92 / 1

HEX #FDF413

RGB 253 244 19

HSL 57.69, 0.98%, 0.53%

LAB 94.15, -16.96, 90.69

 

CMYK 93 / 0 / 5 / 1

HEX #12FDF1

RGB 18 253 241

HSL 176.94, 0.98%, 0.53%

LAB 90.2, -50.78, -8.23

 

CMYK 5 / 93 / 0 / 1

HEX #F112FD

RGB 241 18 253

HSL 296.94, 0.98%, 0.53%

LAB 58.25, 94.64, -63.18

 

CMYK 0 / 4 / 92 / 1

HEX #FDF413

RGB 253 244 19

HSL 57.69, 0.98%, 0.53%

LAB 94.15, -16.96, 90.69

 

CMYK 93 / 0 / 79 / 1

HEX #12FD35

RGB 18 253 53

HSL 128.94, 0.98%, 0.53%

LAB 87.31, -83.47, 74.59

 

CMYK 93 / 89 / 0 / 1

HEX #121DFD

RGB 18 29 253

HSL 237.19, 0.98%, 0.53%

LAB 34.19, 73.01, -103.58

 

CMYK 0 / 93 / 14 / 1

HEX #FD12D9

RGB 253 18 217

HSL 309.19, 0.98%, 0.53%

LAB 58.34, 91.74, -42.71

 

CMYK 0 / 4 / 92 / 1

HEX #FDF413

RGB 253 244 19

HSL 57.69, 0.98%, 0.53%

LAB 94.15, -16.96, 90.69

 

CMYK 93 / 0 / 51 / 1

HEX #12FD7B

RGB 18 253 123

HSL 146.81, 0.98%, 0.53%

LAB 87.88, -76.36, 48.17

 

CMYK 93 / 89 / 0 / 1

HEX #121DFD

RGB 18 29 253

HSL 237.19, 0.98%, 0.53%

LAB 34.19, 73.01, -103.58

 

CMYK 0 / 93 / 42 / 1

HEX #FD1293

RGB 253 18 147

HSL 327.06, 0.98%, 0.53%

LAB 55.5, 84.33, -6.42

 

Description

Color code: HEX #FDF413 | qconv.com Color code: HEX #FDF413 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 244 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 244 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 92 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 92% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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