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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDF1BC it is the complementary color #020E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDF1BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDF1BC shade: #FFF1B7, #FFFFCA, #FFFFDD, #FFFFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDF1BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDF1BC shade: #FDF1BC, #ECDFA9, #DBCD96, #CABB83 and #B9A970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDF1BC shade: #FDF0BA, #FDDEBA, #FDCCBA and #FDBABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDF1BC shade: #FDF0BA, #F7FDBA, #E5FDBA, #D3FDBA and #C1FDBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDF1BC shade matches the following richer shades: #FDF0BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDF1BC shade: #FDF0BA, #F7EDC0, #F1E9C5, #ECE6CB and #E6E2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDF1BC shade: #FDCCBA, #FDDEBA, #FDEFBA, #F8FDBA and #E6FDBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDF1BC shade: #FAE06A, #FCE892, #FDF0BA, #FEF9E2 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDF1BC shade: #FDF1BC, #BAFDBA and #D5BAFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDF1BC shade: #FDF1BC, #BAFDEF and #EFBAFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDF1BC shade: #FDF1BC, #BAFDBA, #BAC7FD and #FDBAFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDF1BC shade: #FDF1BC, #BAFDCE, #BAC7FD and #FDBAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 26 / 1

HEX #FDF1BC

RGB 253 241 188

HSL 48.92, 0.94%, 0.86%

LAB 94.92, -3.97, 27.11

 

Complementary color

CMYK 97 / 79 / 0 / 74

HEX #020E43

RGB 2 14 67

HSL 228.92, 0.94%, 0.14%

LAB 6.61, 18.8, -34.44

 

CMYK 0 / 5 / 28 / 0

HEX #FFF1B7

RGB 255 241 183

HSL 48.33, 1%, 0.86%

LAB 94.99, -3.88, 29.77

HEX #FFF1B7

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

HEX #FFFFCA

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

HEX #FFFFDD

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

HEX #FFFFF0

CMYK 0 / 5 / 26 / 1

HEX #FDF1BC

RGB 253 241 188

HSL 48.92, 0.94%, 0.86%

LAB 94.92, -3.97, 27.11

 

CMYK 0 / 6 / 28 / 7

HEX #ECDFA9

RGB 236 223 169

HSL 48.36, 0.64%, 0.79%

LAB 88.67, -3.67, 28.12

 

CMYK 0 / 6 / 32 / 14

HEX #DBCD96

RGB 219 205 150

HSL 47.83, 0.49%, 0.72%

LAB 82.34, -3.34, 29.19

 

CMYK 0 / 7 / 35 / 21

HEX #CABB83

RGB 202 187 131

HSL 47.32, 0.4%, 0.65%

LAB 75.91, -2.95, 30.32

 

CMYK 0 / 9 / 39 / 27

HEX #B9A970

RGB 185 169 112

HSL 46.85, 0.34%, 0.58%

LAB 69.37, -2.5, 31.51

 

CMYK 0 / 5 / 26 / 1

HEX #FDF0BA

RGB 253 240 186

HSL 48.36, 0.94%, 0.86%

LAB 94.63, -3.73, 27.73

 

CMYK 0 / 12 / 26 / 1

HEX #FDDEBA

RGB 253 222 186

HSL 32.24, 0.94%, 0.86%

LAB 90.17, 5.42, 21.6

 

CMYK 0 / 19 / 26 / 1

HEX #FDCCBA

RGB 253 204 186

HSL 16.12, 0.94%, 0.86%

LAB 85.81, 14.75, 15.52

 

CMYK 0 / 26 / 26 / 1

HEX #FDBABA

RGB 253 186 186

HSL 0, 0.94%, 0.86%

LAB 81.59, 24.18, 9.54

 

CMYK 0 / 5 / 26 / 1

HEX #FDF0BA

RGB 253 240 186

HSL 48.36, 0.94%, 0.86%

LAB 94.63, -3.73, 27.73

 

CMYK 2 / 0 / 26 / 1

HEX #F7FDBA

RGB 247 253 186

HSL 65.37, 0.94%, 0.86%

LAB 97.46, -12.39, 31.49

 

CMYK 9 / 0 / 26 / 1

HEX #E5FDBA

RGB 229 253 186

HSL 81.49, 0.94%, 0.86%

LAB 96.18, -18.86, 29.55

 

CMYK 17 / 0 / 26 / 1

HEX #D3FDBA

RGB 211 253 186

HSL 97.61, 0.94%, 0.86%

LAB 95.01, -25.14, 27.76

 

CMYK 24 / 0 / 26 / 1

HEX #C1FDBA

RGB 193 253 186

HSL 113.73, 0.94%, 0.86%

LAB 93.94, -31.16, 26.12

 

CMYK 0 / 5 / 26 / 1

HEX #FDF0BA

RGB 253 240 186

HSL 48.36, 0.94%, 0.86%

LAB 94.63, -3.73, 27.73

 

CMYK 0 / 5 / 26 / 1

HEX #FDF0BA

RGB 253 240 186

HSL 48.36, 0.94%, 0.86%

LAB 94.63, -3.73, 27.73

 

CMYK 0 / 4 / 22 / 3

HEX #F7EDC0

RGB 247 237 192

HSL 49.09, 0.77%, 0.86%

LAB 93.51, -3.62, 23.06

 

CMYK 0 / 3 / 18 / 5

HEX #F1E9C5

RGB 241 233 197

HSL 49.09, 0.61%, 0.86%

LAB 92.14, -3.06, 18.49

 

CMYK 0 / 3 / 14 / 7

HEX #ECE6CB

RGB 236 230 203

HSL 49.09, 0.46%, 0.86%

LAB 91.12, -2.42, 13.88

 

CMYK 0 / 2 / 9 / 10

HEX #E6E2D1

RGB 230 226 209

HSL 48.57, 0.3%, 0.86%

LAB 89.78, -1.54, 8.78

 

CMYK 0 / 19 / 26 / 1

HEX #FDCCBA

RGB 253 204 186

HSL 16.12, 0.94%, 0.86%

LAB 85.81, 14.75, 15.52

 

CMYK 0 / 12 / 26 / 1

HEX #FDDEBA

RGB 253 222 186

HSL 32.24, 0.94%, 0.86%

LAB 90.17, 5.42, 21.6

 

CMYK 0 / 6 / 26 / 1

HEX #FDEFBA

RGB 253 239 186

HSL 47.46, 0.94%, 0.86%

LAB 94.38, -3.23, 27.39

 

CMYK 2 / 0 / 26 / 1

HEX #F8FDBA

RGB 248 253 186

HSL 64.48, 0.94%, 0.86%

LAB 97.53, -12.03, 31.6

 

CMYK 9 / 0 / 26 / 1

HEX #E6FDBA

RGB 230 253 186

HSL 80.6, 0.94%, 0.86%

LAB 96.25, -18.5, 29.66

 

CMYK 0 / 10 / 58 / 2

HEX #FAE06A

RGB 250 224 106

HSL 49.17, 0.94%, 0.7%

LAB 89.24, -4.94, 59.92

 

CMYK 0 / 8 / 42 / 1

HEX #FCE892

RGB 252 232 146

HSL 48.68, 0.95%, 0.78%

LAB 91.9, -4.72, 44.22

 

CMYK 0 / 5 / 26 / 1

HEX #FDF0BA

RGB 253 240 186

HSL 48.36, 0.94%, 0.86%

LAB 94.63, -3.73, 27.73

 

CMYK 0 / 2 / 11 / 0

HEX #FEF9E2

RGB 254 249 226

HSL 49.29, 0.93%, 0.94%

LAB 97.76, -2.13, 11.62

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 5 / 26 / 1

HEX #FDF1BC

RGB 253 241 188

HSL 48.92, 0.94%, 0.86%

LAB 94.92, -3.97, 27.11

 

CMYK 26 / 0 / 26 / 1

HEX #BAFDBA

RGB 186 253 186

HSL 120, 0.94%, 0.86%

LAB 93.55, -33.42, 25.53

 

CMYK 16 / 26 / 0 / 1

HEX #D5BAFD

RGB 213 186 253

HSL 264.18, 0.94%, 0.86%

LAB 79.82, 22.33, -29.53

 

CMYK 0 / 5 / 26 / 1

HEX #FDF1BC

RGB 253 241 188

HSL 48.92, 0.94%, 0.86%

LAB 94.92, -3.97, 27.11

 

CMYK 26 / 0 / 6 / 1

HEX #BAFDEF

RGB 186 253 239

HSL 167.46, 0.94%, 0.86%

LAB 94.71, -23.6, -0.04

 

CMYK 6 / 26 / 0 / 1

HEX #EFBAFD

RGB 239 186 253

HSL 287.46, 0.94%, 0.86%

LAB 82.14, 30.4, -25.77

 

CMYK 0 / 5 / 26 / 1

HEX #FDF1BC

RGB 253 241 188

HSL 48.92, 0.94%, 0.86%

LAB 94.92, -3.97, 27.11

 

CMYK 26 / 0 / 26 / 1

HEX #BAFDBA

RGB 186 253 186

HSL 120, 0.94%, 0.86%

LAB 93.55, -33.42, 25.53

 

CMYK 26 / 21 / 0 / 1

HEX #BAC7FD

RGB 186 199 253

HSL 228.36, 0.94%, 0.86%

LAB 80.95, 7.2, -27.98

 

CMYK 0 / 26 / 0 / 1

HEX #FDBAFD

RGB 253 186 253

HSL 300, 0.94%, 0.86%

LAB 83.49, 34.83, -23.59

 

CMYK 0 / 5 / 26 / 1

HEX #FDF1BC

RGB 253 241 188

HSL 48.92, 0.94%, 0.86%

LAB 94.92, -3.97, 27.11

 

CMYK 26 / 0 / 19 / 1

HEX #BAFDCE

RGB 186 253 206

HSL 137.91, 0.94%, 0.86%

LAB 93.95, -29.99, 15.87

 

CMYK 26 / 21 / 0 / 1

HEX #BAC7FD

RGB 186 199 253

HSL 228.36, 0.94%, 0.86%

LAB 80.95, 7.2, -27.98

 

CMYK 0 / 26 / 8 / 1

HEX #FDBAE9

RGB 253 186 233

HSL 317.91, 0.94%, 0.86%

LAB 82.85, 31.34, -13.87

 

Description

Color code: HEX #FDF1BC | qconv.com Color code: HEX #FDF1BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 241 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 241 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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