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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDECC900 it is the complementary color #02133600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDECC900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDECC900 shade: #FFECC400, #FFFED700, #FFFFEA00 and #FFFFFD00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDECC900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDECC900 shade: #FDECC900, #ECDAB600, #DBC8A300, #CAB69000 and #B9A47D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDECC900 shade: #FDECC9, #FDDEC9, #FDD0C9 and #FDC9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDECC900 shade: #FDECC9, #FDFAC9, #F2FDC9, #E4FDC9 and #D6FDC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDECC900 shade matches the following richer shades: #FDECC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDECC900 shade: #FDECC9, #F8EACD, #F4E9D2, #EFE7D6 and #EBE6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDECC900 shade: #FDD0C9, #FDDEC9, #FDECC9, #FDFAC9 and #F3FDC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDECC900 shade: #FAD079, #FCDEA1, #FDECC9, #FEFAF1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDECC900 shade: #FDECC9, #D0FDC9 and #D7C9FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDECC900 shade: #FDECC9, #C9FDEC and #ECC9FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDECC900 shade: #FDECC9, #D0FDC9, #C9DAFD and #F6C9FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDECC900 shade: #FDECC9, #C9FDD2, #C9DAFD and #FDC9F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FDECC900

RGBA 253 236 201 0

HSLA 40.38, 0.93%, 0.89%, 0

LABA 93.92, 0.33, 19.06, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #02133600

RGBA 2 19 54 0

HSLA 220.38, 0.93%, 0.11%, 0

LABA 6.73, 8.73, -24.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFECC400

RGBA 255 236 196 0

HSLA 40.68, 1%, 0.88%, 0

LABA 93.98, 0.36, 21.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFED700

RGBA 255 254 215 0

HSLA 58.5, 1%, 0.92%, 0

LABA 98.85, -5.97, 18.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFEA00

RGBA 255 255 234 0

HSLA 60, 1%, 0.96%, 0

LABA 99.5, -3.53, 10.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFD00

RGBA 255 255 253 0

HSLA 60, 1%, 1%, 0

LABA 99.95, -0.34, 0.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FDECC900

RGBA 253 236 201 0

HSLA 40.38, 0.93%, 0.89%, 0

LABA 93.92, 0.33, 19.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ECDAB600

RGBA 236 218 182 0

HSLA 40, 0.59%, 0.82%, 0

LABA 87.66, 0.63, 19.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DBC8A300

RGBA 219 200 163 0

HSLA 39.64, 0.44%, 0.75%, 0

LABA 81.3, 0.97, 20.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CAB69000

RGBA 202 182 144 0

HSLA 39.31, 0.35%, 0.68%, 0

LABA 74.84, 1.34, 21.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9A47D00

RGBA 185 164 125 0

HSLA 39, 0.3%, 0.61%, 0

LABA 68.27, 1.78, 23.07, 0

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 0 / 12 / 21 / 1

HEX #FDDEC9

RGB 253 222 201

HSL 24.23, 0.93%, 0.89%

LAB 90.48, 7.49, 14.22

 

CMYK 0 / 18 / 21 / 1

HEX #FDD0C9

RGB 253 208 201

HSL 8.08, 0.93%, 0.89%

LAB 87.1, 14.76, 9.42

 

CMYK 0 / 21 / 21 / 1

HEX #FDC9C9

RGB 253 201 201

HSL 0, 0.93%, 0.89%

LAB 85.44, 18.42, 7.04

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 0 / 1 / 21 / 1

HEX #FDFAC9

RGB 253 250 201

HSL 56.54, 0.93%, 0.89%

LAB 97.42, -6.7, 23.92

 

CMYK 4 / 0 / 21 / 1

HEX #F2FDC9

RGB 242 253 201

HSL 72.69, 0.93%, 0.89%

LAB 97.37, -12.11, 23.72

 

CMYK 10 / 0 / 21 / 1

HEX #E4FDC9

RGB 228 253 201

HSL 88.85, 0.93%, 0.89%

LAB 96.39, -17.02, 22.23

 

CMYK 15 / 0 / 21 / 1

HEX #D6FDC9

RGB 214 253 201

HSL 105, 0.93%, 0.89%

LAB 95.48, -21.8, 20.82

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 0 / 6 / 17 / 3

HEX #F8EACD

RGB 248 234 205

HSL 40.47, 0.75%, 0.89%

LAB 93.11, 0.13, 15.79

 

CMYK 0 / 5 / 14 / 4

HEX #F4E9D2

RGB 244 233 210

HSL 40.59, 0.61%, 0.89%

LAB 92.65, -0.03, 12.5

 

CMYK 0 / 3 / 10 / 6

HEX #EFE7D6

RGB 239 231 214

HSL 40.8, 0.44%, 0.89%

LAB 91.85, -0.14, 9.23

 

CMYK 0 / 2 / 7 / 8

HEX #EBE6DB

RGB 235 230 219

HSL 41.25, 0.29%, 0.89%

LAB 91.4, -0.19, 5.94

 

CMYK 0 / 18 / 21 / 1

HEX #FDD0C9

RGB 253 208 201

HSL 8.08, 0.93%, 0.89%

LAB 87.1, 14.76, 9.42

 

CMYK 0 / 12 / 21 / 1

HEX #FDDEC9

RGB 253 222 201

HSL 24.23, 0.93%, 0.89%

LAB 90.48, 7.49, 14.22

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 0 / 1 / 21 / 1

HEX #FDFAC9

RGB 253 250 201

HSL 56.54, 0.93%, 0.89%

LAB 97.42, -6.7, 23.92

 

CMYK 4 / 0 / 21 / 1

HEX #F3FDC9

RGB 243 253 201

HSL 71.54, 0.93%, 0.89%

LAB 97.44, -11.76, 23.83

 

CMYK 0 / 17 / 52 / 2

HEX #FAD079

RGB 250 208 121

HSL 40.47, 0.93%, 0.73%

LAB 85.41, 4.37, 48.37

 

CMYK 0 / 12 / 36 / 1

HEX #FCDEA1

RGB 252 222 161

HSL 40.22, 0.94%, 0.81%

LAB 89.63, 1.95, 33.75

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 0 / 2 / 5 / 0

HEX #FEFAF1

RGB 254 250 241

HSL 41.54, 0.87%, 0.97%

LAB 98.35, -0.2, 4.77

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 18 / 0 / 21 / 1

HEX #D0FDC9

RGB 208 253 201

HSL 111.92, 0.93%, 0.89%

LAB 95.11, -23.8, 20.24

 

CMYK 15 / 21 / 0 / 1

HEX #D7C9FD

RGB 215 201 253

HSL 256.15, 0.93%, 0.89%

LAB 83.61, 14.85, -23.73

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 21 / 0 / 7 / 1

HEX #C9FDEC

RGB 201 253 236

HSL 160.38, 0.93%, 0.89%

LAB 95.47, -19.75, 2.72

 

CMYK 7 / 21 / 0 / 1

HEX #ECC9FD

RGB 236 201 253

HSL 280.38, 0.93%, 0.89%

LAB 85.35, 21.47, -20.91

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 18 / 0 / 21 / 1

HEX #D0FDC9

RGB 208 253 201

HSL 111.92, 0.93%, 0.89%

LAB 95.11, -23.8, 20.24

 

CMYK 21 / 14 / 0 / 1

HEX #C9DAFD

RGB 201 218 253

HSL 220.38, 0.93%, 0.89%

LAB 86.83, 1.53, -18.95

 

CMYK 3 / 21 / 0 / 1

HEX #F6C9FD

RGB 246 201 253

HSL 291.92, 0.93%, 0.89%

LAB 86.23, 24.68, -19.49

 

CMYK 0 / 7 / 21 / 1

HEX #FDECC9

RGB 253 236 201

HSL 40.38, 0.93%, 0.89%

LAB 93.92, 0.33, 19.06

 

CMYK 21 / 0 / 17 / 1

HEX #C9FDD2

RGB 201 253 210

HSL 130.38, 0.93%, 0.89%

LAB 94.87, -24.56, 15.25

 

CMYK 21 / 14 / 0 / 1

HEX #C9DAFD

RGB 201 218 253

HSL 220.38, 0.93%, 0.89%

LAB 86.83, 1.53, -18.95

 

CMYK 0 / 21 / 4 / 1

HEX #FDC9F4

RGB 253 201 244

HSL 310.38, 0.93%, 0.89%

LAB 86.6, 25.34, -14.12

 

Description

Color code: HEX #FDECC900 | qconv.com Color code: HEX #FDECC900 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 236 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 236 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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