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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDE38A it is the complementary color #021C75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDE38A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDE38A shade: #FFE385, #FFF598, #FFFFAB, #FFFFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDE38A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDE38A shade: #FDE38A, #ECD177, #DBBF64, #CAAD51 and #B99B3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDE38A shade: #FDE48B, #FDC58B, #FDA68B and #FD8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDE38A shade: #FDE48B, #F8FD8B, #DAFD8B, #BBFD8B and #9CFD8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDE38A shade matches the following richer shades: #FDE48B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDE38A shade: #FDE48B, #F4DE95, #EAD99E, #E1D4A8 and #D7CFB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDE38A shade: #FDA68B, #FDC48B, #FDE38B, #F9FD8B and #DBFD8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDE38A shade: #FCD03A, #FDDA63, #FDE48B, #FEEDB4 and #FEF7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDE38A shade: #FDE38A, #8FFD8B and #B58BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDE38A shade: #FDE38A, #8BFDE3 and #E38BFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDE38A shade: #FDE38A, #8FFD8B, #8BA6FD and #F98BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDE38A shade: #FDE38A, #8BFDAA, #8BA6FD and #FD8BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

Complementary color

CMYK 98 / 76 / 0 / 54

HEX #021C75

RGB 2 28 117

HSL 226.43, 0.97%, 0.23%

LAB 16.14, 30.16, -52.37

 

CMYK 0 / 11 / 48 / 0

HEX #FFE385

RGB 255 227 133

HSL 46.23, 1%, 0.76%

LAB 90.73, -2.27, 49.16

 

CMYK 0 / 4 / 40 / 0

HEX #FFF598

RGB 255 245 152

HSL 54.17, 1%, 0.8%

LAB 95.51, -9.43, 45.91

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

CMYK 0 / 11 / 50 / 7

HEX #ECD177

RGB 236 209 119

HSL 46.15, 0.75%, 0.7%

LAB 84.36, -1.97, 47.77

 

CMYK 0 / 13 / 54 / 14

HEX #DBBF64

RGB 219 191 100

HSL 45.88, 0.62%, 0.63%

LAB 78.02, -1.23, 49

 

CMYK 0 / 14 / 60 / 21

HEX #CAAD51

RGB 202 173 81

HSL 45.62, 0.53%, 0.55%

LAB 71.58, -0.37, 50.2

 

CMYK 0 / 16 / 66 / 27

HEX #B99B3E

RGB 185 155 62

HSL 45.37, 0.5%, 0.48%

LAB 65.05, 0.66, 51.27

 

CMYK 0 / 10 / 45 / 1

HEX #FDE48B

RGB 253 228 139

HSL 46.84, 0.97%, 0.77%

LAB 90.89, -3.01, 46.4

 

CMYK 0 / 22 / 45 / 1

HEX #FDC58B

RGB 253 197 139

HSL 30.53, 0.97%, 0.77%

LAB 83.27, 12.92, 36.69

 

CMYK 0 / 34 / 45 / 1

HEX #FDA68B

RGB 253 166 139

HSL 14.21, 0.97%, 0.77%

LAB 76.08, 29.15, 27.21

 

CMYK 0 / 45 / 45 / 1

HEX #FD8B8B

RGB 253 139 139

HSL 0, 0.97%, 0.77%

LAB 70.32, 43.05, 19.4

 

CMYK 0 / 10 / 45 / 1

HEX #FDE48B

RGB 253 228 139

HSL 46.84, 0.97%, 0.77%

LAB 90.89, -3.01, 46.4

 

CMYK 2 / 0 / 45 / 1

HEX #F8FD8B

RGB 248 253 139

HSL 62.63, 0.97%, 0.77%

LAB 96.85, -17.31, 53.68

 

CMYK 14 / 0 / 45 / 1

HEX #DAFD8B

RGB 218 253 139

HSL 78.42, 0.97%, 0.77%

LAB 94.75, -28.64, 50.62

 

CMYK 26 / 0 / 45 / 1

HEX #BBFD8B

RGB 187 253 139

HSL 94.74, 0.97%, 0.77%

LAB 92.87, -39.7, 47.89

 

CMYK 38 / 0 / 45 / 1

HEX #9CFD8B

RGB 156 253 139

HSL 111.05, 0.97%, 0.77%

LAB 91.32, -49.75, 45.6

 

CMYK 0 / 10 / 45 / 1

HEX #FDE48B

RGB 253 228 139

HSL 46.84, 0.97%, 0.77%

LAB 90.89, -3.01, 46.4

 

CMYK 0 / 10 / 45 / 1

HEX #FDE48B

RGB 253 228 139

HSL 46.84, 0.97%, 0.77%

LAB 90.89, -3.01, 46.4

 

CMYK 0 / 9 / 39 / 4

HEX #F4DE95

RGB 244 222 149

HSL 46.11, 0.81%, 0.77%

LAB 88.75, -2.47, 38.55

 

CMYK 0 / 7 / 32 / 8

HEX #EAD99E

RGB 234 217 158

HSL 46.58, 0.64%, 0.77%

LAB 86.79, -2.75, 31.23

 

CMYK 0 / 6 / 25 / 12

HEX #E1D4A8

RGB 225 212 168

HSL 46.32, 0.49%, 0.77%

LAB 84.96, -2.31, 23.43

 

CMYK 0 / 4 / 18 / 16

HEX #D7CFB1

RGB 215 207 177

HSL 47.37, 0.32%, 0.77%

LAB 83.04, -2.15, 15.91

 

CMYK 0 / 34 / 45 / 1

HEX #FDA68B

RGB 253 166 139

HSL 14.21, 0.97%, 0.77%

LAB 76.08, 29.15, 27.21

 

CMYK 0 / 23 / 45 / 1

HEX #FDC48B

RGB 253 196 139

HSL 30, 0.97%, 0.77%

LAB 83.03, 13.44, 36.38

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38B

RGB 253 227 139

HSL 46.32, 0.97%, 0.77%

LAB 90.64, -2.5, 46.08

 

CMYK 2 / 0 / 45 / 1

HEX #F9FD8B

RGB 249 253 139

HSL 62.11, 0.97%, 0.77%

LAB 96.92, -16.93, 53.79

 

CMYK 13 / 0 / 45 / 1

HEX #DBFD8B

RGB 219 253 139

HSL 77.89, 0.97%, 0.77%

LAB 94.81, -28.27, 50.72

 

CMYK 0 / 17 / 77 / 1

HEX #FCD03A

RGB 252 208 58

HSL 46.39, 0.97%, 0.61%

LAB 85.05, 1.44, 74.7

 

CMYK 0 / 14 / 61 / 1

HEX #FDDA63

RGB 253 218 99

HSL 46.36, 0.97%, 0.69%

LAB 87.93, -1.17, 61.64

 

CMYK 0 / 10 / 45 / 1

HEX #FDE48B

RGB 253 228 139

HSL 46.84, 0.97%, 0.77%

LAB 90.89, -3.01, 46.4

 

CMYK 0 / 7 / 29 / 0

HEX #FEEDB4

RGB 254 237 180

HSL 46.22, 0.97%, 0.85%

LAB 93.85, -2.62, 29.75

 

CMYK 0 / 3 / 13 / 0

HEX #FEF7DD

RGB 254 247 221

HSL 47.27, 0.94%, 0.93%

LAB 97.15, -1.91, 13.33

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

CMYK 43 / 0 / 45 / 1

HEX #8FFD8B

RGB 143 253 139

HSL 117.89, 0.97%, 0.77%

LAB 90.76, -53.57, 44.78

 

CMYK 28 / 45 / 0 / 1

HEX #B58BFD

RGB 181 139 253

HSL 262.11, 0.97%, 0.77%

LAB 66.04, 38.98, -51.21

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

CMYK 45 / 0 / 10 / 1

HEX #8BFDE3

RGB 139 253 227

HSL 166.32, 0.97%, 0.77%

LAB 92.26, -38.58, 2.34

 

CMYK 10 / 45 / 0 / 1

HEX #E38BFD

RGB 227 139 253

HSL 286.32, 0.97%, 0.77%

LAB 70.79, 51.54, -43.41

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

CMYK 43 / 0 / 45 / 1

HEX #8FFD8B

RGB 143 253 139

HSL 117.89, 0.97%, 0.77%

LAB 90.76, -53.57, 44.78

 

CMYK 45 / 34 / 0 / 1

HEX #8BA6FD

RGB 139 166 253

HSL 225.79, 0.97%, 0.77%

LAB 69.36, 12.93, -46.19

 

CMYK 2 / 45 / 0 / 1

HEX #F98BFD

RGB 249 139 253

HSL 297.89, 0.97%, 0.77%

LAB 73.35, 57.71, -39.23

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

CMYK 45 / 0 / 33 / 1

HEX #8BFDAA

RGB 139 253 170

HSL 136.32, 0.97%, 0.77%

LAB 91.07, -49.9, 29.88

 

CMYK 45 / 34 / 0 / 1

HEX #8BA6FD

RGB 139 166 253

HSL 225.79, 0.97%, 0.77%

LAB 69.36, 12.93, -46.19

 

CMYK 0 / 45 / 12 / 1

HEX #FD8BDF

RGB 253 139 223

HSL 315.79, 0.97%, 0.77%

LAB 72.68, 53.86, -23.82

 

Description

Color code: HEX #FDE38A | qconv.com Color code: HEX #FDE38A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 227 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 227 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 45 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 45% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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