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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDDB9F7F it is the complementary color #0224607F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDDB9F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDDB9F7F shade: #FFDB9A7F, #FFEDAD7F, #FFFFC07F, #FFFFD37F and #FFFFE67F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDDB9F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDDB9F7F shade: #FDDB9F7F, #ECC98C7F, #DBB7797F, #CAA5667F and #B993537F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDDB9F7F shade: #FDDBA0, #FDC2A0, #FDA9A0 and #FDA0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDDB9F7F shade: #FDDBA0, #FDF5A0, #EDFDA0, #D3FDA0 and #BAFDA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDDB9F7F shade matches the following richer shades: #FDDBA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDDB9F7F shade: #FDDBA0, #F5D9A8, #EDD7B0, #E6D5B8 and #DED3BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDDB9F7F shade: #FDA9A0, #FDC2A0, #FDDBA0, #FDF4A0 and #EEFDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDDB9F7F shade: #FBBD4F, #FCCC78, #FDDBA0, #FEEBC8 and #FFFAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDDB9F7F shade: #FDDB9F, #B0FDA0 and #B6A0FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDDB9F7F shade: #FDDB9F, #A0FDDB and #DBA0FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDDB9F7F shade: #FDDB9F, #B0FDA0, #A0C2FD and #EEA0FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDDB9F7F shade: #FDDB9F, #A0FDAC, #A0C2FD and #FDA0F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 19 / 0

HEX #FDDB9F7F

RGBA 253 219 159 0.5

HSLA 38.3, 0.96%, 0.81%, 0.5

LABA 88.95, 3.65, 33.87, 0.5

 

Complementary color

CMYK 49 / 31 / 0 / 31

HEX #0224607F

RGBA 2 36 96 0.5

HSLA 218.3, 0.96%, 0.19%, 0.5

LABA 16.1, 15.45, -38.72, 0.5

 

CMYK 0 / 7 / 20 / 0

HEX #FFDB9A7F

RGBA 255 219 154 0.5

HSLA 38.61, 1%, 0.8%, 0.5

LABA 89.04, 3.87, 36.58, 0.5

 

CMYK 0 / 4 / 16 / 0

HEX #FFEDAD7F

RGBA 255 237 173 0.5

HSLA 46.83, 1%, 0.84%, 0.5

LABA 93.82, -3.1, 33.26, 0.5

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFC07F

RGBA 255 255 192 0.5

HSLA 60, 1%, 0.88%, 0.5

LABA 98.66, -9.68, 30.2, 0.5

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFD37F

RGBA 255 255 211 0.5

HSLA 60, 1%, 0.91%, 0.5

LABA 99.02, -7.05, 21.08, 0.5

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFE67F

RGBA 255 255 230 0.5

HSLA 60, 1%, 0.95%, 0.5

LABA 99.41, -4.17, 11.95, 0.5

 

CMYK 0 / 7 / 19 / 0

HEX #FDDB9F7F

RGBA 253 219 159 0.5

HSLA 38.3, 0.96%, 0.81%, 0.5

LABA 88.95, 3.65, 33.87, 0.5

 

CMYK 0 / 7 / 20 / 4

HEX #ECC98C7F

RGBA 236 201 140 0.5

HSLA 38.13, 0.72%, 0.74%, 0.5

LABA 82.65, 4.22, 35.05, 0.5

 

CMYK 0 / 8 / 22 / 7

HEX #DBB7797F

RGBA 219 183 121 0.5

HSLA 37.96, 0.58%, 0.67%, 0.5

LABA 76.26, 4.88, 36.29, 0.5

 

CMYK 0 / 9 / 25 / 10

HEX #CAA5667F

RGBA 202 165 102 0.5

HSLA 37.8, 0.49%, 0.6%, 0.5

LABA 69.77, 5.64, 37.6, 0.5

 

CMYK 0 / 10 / 28 / 14

HEX #B993537F

RGBA 185 147 83 0.5

HSLA 37.65, 0.42%, 0.53%, 0.5

LABA 63.18, 6.54, 38.97, 0.5

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 23 / 37 / 1

HEX #FDC2A0

RGB 253 194 160

HSL 21.94, 0.96%, 0.81%

LAB 82.92, 16.73, 25.26

 

CMYK 0 / 33 / 37 / 1

HEX #FDA9A0

RGB 253 169 160

HSL 5.81, 0.96%, 0.81%

LAB 77.16, 29.84, 17.33

 

CMYK 0 / 37 / 37 / 1

HEX #FDA0A0

RGB 253 160 160

HSL 0, 0.96%, 0.81%

LAB 75.18, 34.53, 14.56

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 3 / 37 / 1

HEX #FDF5A0

RGB 253 245 160

HSL 54.84, 0.96%, 0.81%

LAB 95.47, -9.34, 41.9

 

CMYK 6 / 0 / 37 / 1

HEX #EDFDA0

RGB 237 253 160

HSL 70.32, 0.96%, 0.81%

LAB 96.32, -19.27, 42.78

 

CMYK 17 / 0 / 37 / 1

HEX #D3FDA0

RGB 211 253 160

HSL 87.1, 0.96%, 0.81%

LAB 94.58, -28.73, 40.18

 

CMYK 26 / 0 / 37 / 1

HEX #BAFDA0

RGB 186 253 160

HSL 103.23, 0.96%, 0.81%

LAB 93.11, -37.34, 37.98

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 11 / 31 / 4

HEX #F5D9A8

RGB 245 217 168

HSL 38.18, 0.79%, 0.81%

LAB 87.9, 2.67, 27.72

 

CMYK 0 / 9 / 26 / 7

HEX #EDD7B0

RGB 237 215 176

HSL 38.36, 0.63%, 0.81%

LAB 86.87, 1.72, 22.04

 

CMYK 0 / 7 / 20 / 10

HEX #E6D5B8

RGB 230 213 184

HSL 37.83, 0.48%, 0.81%

LAB 85.94, 1.29, 16.46

 

CMYK 0 / 5 / 14 / 13

HEX #DED3BF

RGB 222 211 191

HSL 38.71, 0.32%, 0.81%

LAB 84.94, 0.48, 11.25

 

CMYK 0 / 33 / 37 / 1

HEX #FDA9A0

RGB 253 169 160

HSL 5.81, 0.96%, 0.81%

LAB 77.16, 29.84, 17.33

 

CMYK 0 / 23 / 37 / 1

HEX #FDC2A0

RGB 253 194 160

HSL 21.94, 0.96%, 0.81%

LAB 82.92, 16.73, 25.26

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 4 / 37 / 1

HEX #FDF4A0

RGB 253 244 160

HSL 54.19, 0.96%, 0.81%

LAB 95.21, -8.85, 41.57

 

CMYK 6 / 0 / 37 / 1

HEX #EEFDA0

RGB 238 253 160

HSL 69.68, 0.96%, 0.81%

LAB 96.4, -18.9, 42.88

 

CMYK 0 / 25 / 69 / 2

HEX #FBBD4F

RGB 251 189 79

HSL 38.37, 0.96%, 0.65%

LAB 80.44, 11.76, 62.17

 

CMYK 0 / 19 / 52 / 1

HEX #FCCC78

RGB 252 204 120

HSL 38.18, 0.96%, 0.73%

LAB 84.61, 7.16, 47.92

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 7 / 21 / 0

HEX #FEEBC8

RGB 254 235 200

HSL 38.89, 0.96%, 0.89%

LAB 93.74, 1.06, 19.33

 

CMYK 0 / 2 / 5 / 0

HEX #FFFAF1

RGB 255 250 241

HSL 38.57, 1%, 0.97%

LAB 98.43, 0.13, 4.89

 

CMYK 0 / 13 / 37 / 1

HEX #FDDB9F

RGB 253 219 159

HSL 38.3, 0.96%, 0.81%

LAB 88.95, 3.65, 33.87

 

CMYK 30 / 0 / 37 / 1

HEX #B0FDA0

RGB 176 253 160

HSL 109.68, 0.96%, 0.81%

LAB 92.58, -40.61, 37.19

 

CMYK 28 / 37 / 0 / 1

HEX #B6A0FD

RGB 182 160 253

HSL 254.19, 0.96%, 0.81%

LAB 70.99, 27.55, -43.41

 

CMYK 0 / 13 / 37 / 1

HEX #FDDB9F

RGB 253 219 159

HSL 38.3, 0.96%, 0.81%

LAB 88.95, 3.65, 33.87

 

CMYK 37 / 0 / 13 / 1

HEX #A0FDDB

RGB 160 253 219

HSL 158.06, 0.96%, 0.81%

LAB 92.94, -35, 7.58

 

CMYK 13 / 37 / 0 / 1

HEX #DBA0FD

RGB 219 160 253

HSL 278.06, 0.96%, 0.81%

LAB 74.38, 38.2, -37.88

 

CMYK 0 / 13 / 37 / 1

HEX #FDDB9F

RGB 253 219 159

HSL 38.3, 0.96%, 0.81%

LAB 88.95, 3.65, 33.87

 

CMYK 30 / 0 / 37 / 1

HEX #B0FDA0

RGB 176 253 160

HSL 109.68, 0.96%, 0.81%

LAB 92.58, -40.61, 37.19

 

CMYK 37 / 23 / 0 / 1

HEX #A0C2FD

RGB 160 194 253

HSL 218.06, 0.96%, 0.81%

LAB 77.96, 2.66, -32.71

 

CMYK 6 / 37 / 0 / 1

HEX #EEA0FD

RGB 238 160 253

HSL 290.32, 0.96%, 0.81%

LAB 76.32, 43.84, -34.72

 

CMYK 0 / 13 / 37 / 1

HEX #FDDB9F

RGB 253 219 159

HSL 38.3, 0.96%, 0.81%

LAB 88.95, 3.65, 33.87

 

CMYK 37 / 0 / 32 / 1

HEX #A0FDAC

RGB 160 253 172

HSL 127.74, 0.96%, 0.81%

LAB 92, -43.7, 30.28

 

CMYK 37 / 23 / 0 / 1

HEX #A0C2FD

RGB 160 194 253

HSL 218.06, 0.96%, 0.81%

LAB 77.96, 2.66, -32.71

 

CMYK 0 / 37 / 5 / 1

HEX #FDA0F1

RGB 253 160 241

HSL 307.74, 0.96%, 0.81%

LAB 77.5, 46.24, -26.27

 

Description

Color code: HEX #FDDB9F7F | qconv.com Color code: HEX #FDDB9F7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 219 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 219 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 19 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 19% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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