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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDD431 it is the complementary color #022BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDD431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDD431 shade: #FFD42C, #FFE63F, #FFF852, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDD431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDD431 shade: #FDD431, #ECC21E, #DBB00B, #CA9E00 and #B98C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDD431 shade: #FDD430, #FD9C30, #FD6530 and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDD431 shade: #FDD430, #EFFD30, #B8FD30, #80FD30 and #49FD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDD431 shade matches the following richer shades: #FDD430

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDD431 shade: #FDD430, #ECCA41, #DBBF52, #CAB563 and #B9AB74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDD431 shade: #FD6330, #FD9A30, #FDD130, #F3FD30 and #BCFD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDD431 shade: #D8AD02, #FCCB07, #FDD430, #FDDC59 and #FEE582

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDD431 shade: #FDD431, #33FD30 and #7F30FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDD431 shade: #FDD431, #30FDD1 and #D130FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDD431 shade: #FDD431, #33FD30, #305CFD and #F930FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDD431 shade: #FDD431, #30FD6A, #305CFD and #FD30C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 81 / 1

HEX #FDD431

RGB 253 212 49

HSL 47.94, 0.98%, 0.59%

LAB 86.1, -0.47, 78.41

 

Complementary color

CMYK 99 / 79 / 0 / 19

HEX #022BCE

RGB 2 43 206

HSL 227.94, 0.98%, 0.41%

LAB 29.9, 53.18, -83.87

 

CMYK 0 / 17 / 83 / 0

HEX #FFD42C

RGB 255 212 44

HSL 47.77, 1%, 0.59%

LAB 86.27, 0.23, 79.98

 

CMYK 0 / 10 / 75 / 0

HEX #FFE63F

RGB 255 230 63

HSL 52.19, 1%, 0.62%

LAB 90.88, -8.21, 78.54

 

CMYK 0 / 3 / 68 / 0

HEX #FFF852

RGB 255 248 82

HSL 57.57, 1%, 0.66%

LAB 95.58, -16.2, 76.57

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 16 / 81 / 1

HEX #FDD431

RGB 253 212 49

HSL 47.94, 0.98%, 0.59%

LAB 86.1, -0.47, 78.41

 

CMYK 0 / 18 / 87 / 7

HEX #ECC21E

RGB 236 194 30

HSL 47.77, 0.84%, 0.52%

LAB 79.9, 1.04, 77.32

 

CMYK 0 / 20 / 95 / 14

HEX #DBB00B

RGB 219 176 11

HSL 47.6, 0.9%, 0.45%

LAB 73.63, 2.77, 74.96

 

CMYK 0 / 22 / 100 / 21

HEX #CA9E00

RGB 202 158 0

HSL 46.93, 1%, 0.4%

LAB 67.28, 4.72, 70.96

 

CMYK 0 / 24 / 100 / 27

HEX #B98C00

RGB 185 140 0

HSL 45.41, 1%, 0.36%

LAB 60.84, 6.87, 65.66

 

CMYK 0 / 16 / 81 / 1

HEX #FDD430

RGB 253 212 48

HSL 48, 0.98%, 0.59%

LAB 86.1, -0.5, 78.69

 

CMYK 0 / 38 / 81 / 1

HEX #FD9C30

RGB 253 156 48

HSL 31.61, 0.98%, 0.59%

LAB 72.81, 28.57, 67.08

 

CMYK 0 / 60 / 81 / 1

HEX #FD6530

RGB 253 101 48

HSL 15.51, 0.98%, 0.59%

LAB 62, 55.48, 57.31

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 16 / 81 / 1

HEX #FDD430

RGB 253 212 48

HSL 48, 0.98%, 0.59%

LAB 86.1, -0.5, 78.69

 

CMYK 6 / 0 / 81 / 1

HEX #EFFD30

RGB 239 253 48

HSL 64.1, 0.98%, 0.59%

LAB 95.5, -26.4, 86.3

 

CMYK 27 / 0 / 81 / 1

HEX #B8FD30

RGB 184 253 48

HSL 80.2, 0.98%, 0.59%

LAB 91.98, -47.69, 81.87

 

CMYK 49 / 0 / 81 / 1

HEX #80FD30

RGB 128 253 48

HSL 96.59, 0.98%, 0.59%

LAB 89.42, -65.96, 78.61

 

CMYK 71 / 0 / 81 / 1

HEX #49FD30

RGB 73 253 48

HSL 112.68, 0.98%, 0.59%

LAB 87.91, -78.24, 76.68

 

CMYK 0 / 16 / 81 / 1

HEX #FDD430

RGB 253 212 48

HSL 48, 0.98%, 0.59%

LAB 86.1, -0.5, 78.69

 

CMYK 0 / 16 / 81 / 1

HEX #FDD430

RGB 253 212 48

HSL 48, 0.98%, 0.59%

LAB 86.1, -0.5, 78.69

 

CMYK 0 / 14 / 72 / 7

HEX #ECCA41

RGB 236 202 65

HSL 48.07, 0.82%, 0.59%

LAB 82.09, -1.96, 68.93

 

CMYK 0 / 13 / 63 / 14

HEX #DBBF52

RGB 219 191 82

HSL 47.74, 0.66%, 0.59%

LAB 77.83, -2.54, 57.14

 

CMYK 0 / 10 / 51 / 21

HEX #CAB563

RGB 202 181 99

HSL 47.77, 0.49%, 0.59%

LAB 73.87, -3.15, 44.16

 

CMYK 0 / 8 / 37 / 27

HEX #B9AB74

RGB 185 171 116

HSL 47.83, 0.33%, 0.59%

LAB 69.97, -3.1, 30.17

 

CMYK 0 / 61 / 81 / 1

HEX #FD6330

RGB 253 99 48

HSL 14.93, 0.98%, 0.59%

LAB 61.67, 56.36, 57

 

CMYK 0 / 39 / 81 / 1

HEX #FD9A30

RGB 253 154 48

HSL 31.02, 0.98%, 0.59%

LAB 72.37, 29.61, 66.69

 

CMYK 0 / 17 / 81 / 1

HEX #FDD130

RGB 253 209 48

HSL 47.12, 0.98%, 0.59%

LAB 85.35, 1.03, 78.05

 

CMYK 4 / 0 / 81 / 1

HEX #F3FD30

RGB 243 253 48

HSL 62.93, 0.98%, 0.59%

LAB 95.8, -24.78, 86.67

 

CMYK 26 / 0 / 81 / 1

HEX #BCFD30

RGB 188 253 48

HSL 79.02, 0.98%, 0.59%

LAB 92.2, -46.23, 82.15

 

CMYK 0 / 20 / 99 / 15

HEX #D8AD02

RGB 216 173 2

HSL 47.94, 0.98%, 0.43%

LAB 72.56, 2.95, 75.06

 

CMYK 0 / 19 / 97 / 1

HEX #FCCB07

RGB 252 203 7

HSL 48, 0.98%, 0.51%

LAB 83.66, 2.97, 84.08

 

CMYK 0 / 16 / 81 / 1

HEX #FDD430

RGB 253 212 48

HSL 48, 0.98%, 0.59%

LAB 86.1, -0.5, 78.69

 

CMYK 0 / 13 / 65 / 1

HEX #FDDC59

RGB 253 220 89

HSL 47.93, 0.98%, 0.67%

LAB 88.35, -2.79, 66.37

 

CMYK 0 / 10 / 49 / 0

HEX #FEE582

RGB 254 229 130

HSL 47.9, 0.98%, 0.75%

LAB 91.11, -3.94, 51.05

 

CMYK 0 / 16 / 81 / 1

HEX #FDD431

RGB 253 212 49

HSL 47.94, 0.98%, 0.59%

LAB 86.1, -0.47, 78.41

 

CMYK 80 / 0 / 81 / 1

HEX #33FD30

RGB 51 253 48

HSL 119.12, 0.98%, 0.59%

LAB 87.57, -81.25, 76.24

 

CMYK 50 / 81 / 0 / 1

HEX #7F30FD

RGB 127 48 253

HSL 263.12, 0.98%, 0.59%

LAB 43.83, 72.99, -87.37

 

CMYK 0 / 16 / 81 / 1

HEX #FDD431

RGB 253 212 49

HSL 47.94, 0.98%, 0.59%

LAB 86.1, -0.47, 78.41

 

CMYK 81 / 0 / 17 / 1

HEX #30FDD1

RGB 48 253 209

HSL 167.12, 0.98%, 0.59%

LAB 89.62, -57.49, 7.56

 

CMYK 17 / 81 / 0 / 1

HEX #D130FD

RGB 209 48 253

HSL 287.12, 0.98%, 0.59%

LAB 54.83, 84.65, -68.96

 

CMYK 0 / 16 / 81 / 1

HEX #FDD431

RGB 253 212 49

HSL 47.94, 0.98%, 0.59%

LAB 86.1, -0.47, 78.41

 

CMYK 80 / 0 / 81 / 1

HEX #33FD30

RGB 51 253 48

HSL 119.12, 0.98%, 0.59%

LAB 87.57, -81.25, 76.24

 

CMYK 81 / 64 / 0 / 1

HEX #305CFD

RGB 48 92 253

HSL 227.12, 0.98%, 0.59%

LAB 46.14, 42.7, -83.76

 

CMYK 2 / 81 / 0 / 1

HEX #F930FD

RGB 249 48 253

HSL 298.83, 0.98%, 0.59%

LAB 61.09, 91.48, -58.57

 

CMYK 0 / 16 / 81 / 1

HEX #FDD431

RGB 253 212 49

HSL 47.94, 0.98%, 0.59%

LAB 86.1, -0.47, 78.41

 

CMYK 81 / 0 / 58 / 1

HEX #30FD6A

RGB 48 253 106

HSL 136.98, 0.98%, 0.59%

LAB 87.93, -76.6, 55.97

 

CMYK 81 / 64 / 0 / 1

HEX #305CFD

RGB 48 92 253

HSL 227.12, 0.98%, 0.59%

LAB 46.14, 42.7, -83.76

 

CMYK 0 / 81 / 23 / 1

HEX #FD30C3

RGB 253 48 195

HSL 316.98, 0.98%, 0.59%

LAB 58.92, 84.49, -29.26

 

Description

Color code: HEX #FDD431 | qconv.com Color code: HEX #FDD431 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 212 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 212 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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