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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDD230 it is the complementary color #022DCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDD230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDD230 shade: #FFD22B, #FFE43E, #FFF651, #FFFF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDD230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDD230 shade: #FDD230, #ECC01D, #DBAE0A, #CA9C00 and #B98A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDD230 shade: #FDD230, #FD9B30, #FD6330 and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDD230 shade: #FDD230, #F1FD30, #B9FD30, #82FD30 and #4BFD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDD230 shade matches the following richer shades: #FDD230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDD230 shade: #FDD230, #ECC841, #DBBE52, #CAB463 and #B9AB74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDD230 shade: #FD6330, #FD9A30, #FDD130, #F3FD30 and #BCFD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDD230 shade: #D8AB02, #FCC907, #FDD230, #FDDB59 and #FEE482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDD230 shade: #FDD230, #33FD30 and #7F30FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDD230 shade: #FDD230, #30FDD1 and #D130FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDD230 shade: #FDD230, #33FD30, #305CFD and #F930FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDD230 shade: #FDD230, #30FD6A, #305CFD and #FD30C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

Complementary color

CMYK 99 / 78 / 0 / 19

HEX #022DCF

RGB 2 45 207

HSL 227.41, 0.98%, 0.41%

LAB 30.39, 52.45, -83.65

 

CMYK 0 / 18 / 83 / 0

HEX #FFD22B

RGB 255 210 43

HSL 47.26, 1%, 0.58%

LAB 85.77, 1.23, 79.82

 

CMYK 0 / 11 / 76 / 0

HEX #FFE43E

RGB 255 228 62

HSL 51.61, 1%, 0.62%

LAB 90.37, -7.25, 78.39

 

CMYK 0 / 4 / 68 / 0

HEX #FFF651

RGB 255 246 81

HSL 56.9, 1%, 0.66%

LAB 95.06, -15.28, 76.42

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 0 / 19 / 88 / 7

HEX #ECC01D

RGB 236 192 29

HSL 47.25, 0.84%, 0.52%

LAB 79.4, 2.06, 77.13

 

CMYK 0 / 21 / 95 / 14

HEX #DBAE0A

RGB 219 174 10

HSL 47.08, 0.91%, 0.45%

LAB 73.12, 3.81, 74.7

 

CMYK 0 / 23 / 100 / 21

HEX #CA9C00

RGB 202 156 0

HSL 46.34, 1%, 0.4%

LAB 66.77, 5.8, 70.61

 

CMYK 0 / 25 / 100 / 27

HEX #B98A00

RGB 185 138 0

HSL 44.76, 1%, 0.36%

LAB 60.33, 7.97, 65.31

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 0 / 39 / 81 / 1

HEX #FD9B30

RGB 253 155 48

HSL 31.32, 0.98%, 0.59%

LAB 72.59, 29.09, 66.88

 

CMYK 0 / 61 / 81 / 1

HEX #FD6330

RGB 253 99 48

HSL 14.93, 0.98%, 0.59%

LAB 61.67, 56.36, 57

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 5 / 0 / 81 / 1

HEX #F1FD30

RGB 241 253 48

HSL 63.51, 0.98%, 0.59%

LAB 95.65, -25.59, 86.49

 

CMYK 27 / 0 / 81 / 1

HEX #B9FD30

RGB 185 253 48

HSL 79.9, 0.98%, 0.59%

LAB 92.03, -47.33, 81.94

 

CMYK 49 / 0 / 81 / 1

HEX #82FD30

RGB 130 253 48

HSL 96, 0.98%, 0.59%

LAB 89.49, -65.4, 78.71

 

CMYK 70 / 0 / 81 / 1

HEX #4BFD30

RGB 75 253 48

HSL 112.1, 0.98%, 0.59%

LAB 87.95, -77.91, 76.73

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 0 / 15 / 72 / 7

HEX #ECC841

RGB 236 200 65

HSL 47.37, 0.82%, 0.59%

LAB 81.58, -0.93, 68.44

 

CMYK 0 / 13 / 63 / 14

HEX #DBBE52

RGB 219 190 82

HSL 47.3, 0.66%, 0.59%

LAB 77.58, -2.02, 56.85

 

CMYK 0 / 11 / 51 / 21

HEX #CAB463

RGB 202 180 99

HSL 47.18, 0.49%, 0.59%

LAB 73.61, -2.62, 43.85

 

CMYK 0 / 8 / 37 / 27

HEX #B9AB74

RGB 185 171 116

HSL 47.83, 0.33%, 0.59%

LAB 69.97, -3.1, 30.17

 

CMYK 0 / 61 / 81 / 1

HEX #FD6330

RGB 253 99 48

HSL 14.93, 0.98%, 0.59%

LAB 61.67, 56.36, 57

 

CMYK 0 / 39 / 81 / 1

HEX #FD9A30

RGB 253 154 48

HSL 31.02, 0.98%, 0.59%

LAB 72.37, 29.61, 66.69

 

CMYK 0 / 17 / 81 / 1

HEX #FDD130

RGB 253 209 48

HSL 47.12, 0.98%, 0.59%

LAB 85.35, 1.03, 78.05

 

CMYK 4 / 0 / 81 / 1

HEX #F3FD30

RGB 243 253 48

HSL 62.93, 0.98%, 0.59%

LAB 95.8, -24.78, 86.67

 

CMYK 26 / 0 / 81 / 1

HEX #BCFD30

RGB 188 253 48

HSL 79.02, 0.98%, 0.59%

LAB 92.2, -46.23, 82.15

 

CMYK 0 / 21 / 99 / 15

HEX #D8AB02

RGB 216 171 2

HSL 47.38, 0.98%, 0.43%

LAB 72.05, 4, 74.71

 

CMYK 0 / 20 / 97 / 1

HEX #FCC907

RGB 252 201 7

HSL 47.51, 0.98%, 0.51%

LAB 83.17, 3.99, 83.72

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 0 / 13 / 65 / 1

HEX #FDDB59

RGB 253 219 89

HSL 47.56, 0.98%, 0.67%

LAB 88.1, -2.29, 66.1

 

CMYK 0 / 10 / 49 / 0

HEX #FEE482

RGB 254 228 130

HSL 47.42, 0.98%, 0.75%

LAB 90.86, -3.44, 50.74

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 80 / 0 / 81 / 1

HEX #33FD30

RGB 51 253 48

HSL 119.12, 0.98%, 0.59%

LAB 87.57, -81.25, 76.24

 

CMYK 50 / 81 / 0 / 1

HEX #7F30FD

RGB 127 48 253

HSL 263.12, 0.98%, 0.59%

LAB 43.83, 72.99, -87.37

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 81 / 0 / 17 / 1

HEX #30FDD1

RGB 48 253 209

HSL 167.12, 0.98%, 0.59%

LAB 89.62, -57.49, 7.56

 

CMYK 17 / 81 / 0 / 1

HEX #D130FD

RGB 209 48 253

HSL 287.12, 0.98%, 0.59%

LAB 54.83, 84.65, -68.96

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 80 / 0 / 81 / 1

HEX #33FD30

RGB 51 253 48

HSL 119.12, 0.98%, 0.59%

LAB 87.57, -81.25, 76.24

 

CMYK 81 / 64 / 0 / 1

HEX #305CFD

RGB 48 92 253

HSL 227.12, 0.98%, 0.59%

LAB 46.14, 42.7, -83.76

 

CMYK 2 / 81 / 0 / 1

HEX #F930FD

RGB 249 48 253

HSL 298.83, 0.98%, 0.59%

LAB 61.09, 91.48, -58.57

 

CMYK 0 / 17 / 81 / 1

HEX #FDD230

RGB 253 210 48

HSL 47.41, 0.98%, 0.59%

LAB 85.6, 0.52, 78.26

 

CMYK 81 / 0 / 58 / 1

HEX #30FD6A

RGB 48 253 106

HSL 136.98, 0.98%, 0.59%

LAB 87.93, -76.6, 55.97

 

CMYK 81 / 64 / 0 / 1

HEX #305CFD

RGB 48 92 253

HSL 227.12, 0.98%, 0.59%

LAB 46.14, 42.7, -83.76

 

CMYK 0 / 81 / 23 / 1

HEX #FD30C3

RGB 253 48 195

HSL 316.98, 0.98%, 0.59%

LAB 58.92, 84.49, -29.26

 

Description

Color code: HEX #FDD230 | qconv.com Color code: HEX #FDD230 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 210 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 210 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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