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Color name
HEX #FDD214

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDD214 it is the complementary color #022DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDD214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDD214 shade: #FFD20F, #FFE422, #FFF635, #FFFF48 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDD214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDD214 shade: #FDD214, #ECC001, #DBAE00, #CA9C00 and #B98A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDD214 shade: #FDD217, #FD9417, #FD5617, #FD1817 and #FD1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDD214 shade: #FDD217, #E9FD17, #ABFD17, #6DFD17 and #2FFD17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDD214 shade matches the following richer shades: #FDD217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDD214 shade: #FDD217, #EAC62A, #D7BA3D, #C4AE50 and #B1A263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDD214 shade: #FD5417, #FD9117, #FDCF17, #EDFD17 and #B0FD17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDD214 shade: #BF9C02, #E8BD02, #FDD217, #FDDA40 and #FDE268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDD214 shade: #FDD214, #17FD17 and #7317FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDD214 shade: #FDD214, #17FDCF and #CF17FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDD214 shade: #FDD214, #17FD17, #1745FD and #FD17FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDD214 shade: #FDD214, #17FD5C, #1745FD and #FD17B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 92 / 1

HEX #FDD214

RGB 253 210 20

HSL 48.93, 0.98%, 0.54%

LAB 85.52, -0.06, 84.07

 

Complementary color

CMYK 99 / 81 / 0 / 8

HEX #022DEB

RGB 2 45 235

HSL 228.93, 0.98%, 0.46%

LAB 33.75, 61.41, -94.15

 

CMYK 0 / 18 / 94 / 0

HEX #FFD20F

RGB 255 210 15

HSL 48.75, 1%, 0.53%

LAB 85.7, 0.74, 84.91

 

CMYK 0 / 11 / 87 / 0

HEX #FFE422

RGB 255 228 34

HSL 52.67, 1%, 0.57%

LAB 90.26, -8.05, 85.49

 

CMYK 0 / 4 / 79 / 0

HEX #FFF635

RGB 255 246 53

HSL 57.33, 1%, 0.6%

LAB 94.92, -16.4, 85.05

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 17 / 92 / 1

HEX #FDD214

RGB 253 210 20

HSL 48.93, 0.98%, 0.54%

LAB 85.52, -0.06, 84.07

 

CMYK 0 / 19 / 100 / 7

HEX #ECC001

RGB 236 192 1

HSL 48.77, 0.99%, 0.46%

LAB 79.35, 1.71, 80.87

 

CMYK 0 / 21 / 100 / 14

HEX #DBAE00

RGB 219 174 0

HSL 47.67, 1%, 0.43%

LAB 73.11, 3.72, 75.82

 

CMYK 0 / 23 / 100 / 21

HEX #CA9C00

RGB 202 156 0

HSL 46.34, 1%, 0.4%

LAB 66.77, 5.8, 70.61

 

CMYK 0 / 25 / 100 / 27

HEX #B98A00

RGB 185 138 0

HSL 44.76, 1%, 0.36%

LAB 60.33, 7.97, 65.31

 

CMYK 0 / 17 / 91 / 1

HEX #FDD217

RGB 253 210 23

HSL 48.78, 0.98%, 0.54%

LAB 85.52, -0.02, 83.64

 

CMYK 0 / 42 / 91 / 1

HEX #FD9417

RGB 253 148 23

HSL 32.61, 0.98%, 0.54%

LAB 70.96, 32.16, 72.82

 

CMYK 0 / 66 / 91 / 1

HEX #FD5617

RGB 253 86 23

HSL 16.43, 0.98%, 0.54%

LAB 59.53, 61.22, 64.75

 

CMYK 0 / 91 / 91 / 1

HEX #FD1817

RGB 253 24 23

HSL 0.26, 0.98%, 0.54%

LAB 53.6, 77.77, 60.83

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 17 / 91 / 1

HEX #FDD217

RGB 253 210 23

HSL 48.78, 0.98%, 0.54%

LAB 85.52, -0.02, 83.64

 

CMYK 8 / 0 / 91 / 1

HEX #E9FD17

RGB 233 253 23

HSL 65.22, 0.98%, 0.54%

LAB 95.01, -29.36, 90.22

 

CMYK 32 / 0 / 91 / 1

HEX #ABFD17

RGB 171 253 23

HSL 81.39, 0.98%, 0.54%

LAB 91.22, -53.02, 85.61

 

CMYK 57 / 0 / 91 / 1

HEX #6DFD17

RGB 109 253 23

HSL 97.57, 0.98%, 0.54%

LAB 88.72, -71.78, 82.52

 

CMYK 81 / 0 / 91 / 1

HEX #2FFD17

RGB 47 253 23

HSL 113.74, 0.98%, 0.54%

LAB 87.44, -82.61, 80.95

 

CMYK 0 / 17 / 91 / 1

HEX #FDD217

RGB 253 210 23

HSL 48.78, 0.98%, 0.54%

LAB 85.52, -0.02, 83.64

 

CMYK 0 / 17 / 91 / 1

HEX #FDD217

RGB 253 210 23

HSL 48.78, 0.98%, 0.54%

LAB 85.52, -0.02, 83.64

 

CMYK 0 / 15 / 82 / 8

HEX #EAC62A

RGB 234 198 42

HSL 48.75, 0.82%, 0.54%

LAB 80.77, -1.59, 75.06

 

CMYK 0 / 13 / 72 / 16

HEX #D7BA3D

RGB 215 186 61

HSL 48.7, 0.66%, 0.54%

LAB 76.01, -2.82, 63.82

 

CMYK 0 / 11 / 59 / 23

HEX #C4AE50

RGB 196 174 80

HSL 48.62, 0.5%, 0.54%

LAB 71.27, -3.53, 50.17

 

CMYK 0 / 8 / 44 / 31

HEX #B1A263

RGB 177 162 99

HSL 48.46, 0.33%, 0.54%

LAB 66.59, -3.48, 34.67

 

CMYK 0 / 67 / 91 / 1

HEX #FD5417

RGB 253 84 23

HSL 15.91, 0.98%, 0.54%

LAB 59.24, 62, 64.55

 

CMYK 0 / 43 / 91 / 1

HEX #FD9117

RGB 253 145 23

HSL 31.83, 0.98%, 0.54%

LAB 70.31, 33.7, 72.35

 

CMYK 0 / 18 / 91 / 1

HEX #FDCF17

RGB 253 207 23

HSL 48, 0.98%, 0.54%

LAB 84.78, 1.51, 83.08

 

CMYK 6 / 0 / 91 / 1

HEX #EDFD17

RGB 237 253 23

HSL 64.17, 0.98%, 0.54%

LAB 95.29, -27.74, 90.56

 

CMYK 30 / 0 / 91 / 1

HEX #B0FD17

RGB 176 253 23

HSL 80.09, 0.98%, 0.54%

LAB 91.48, -51.25, 85.92

 

CMYK 0 / 18 / 99 / 25

HEX #BF9C02

RGB 191 156 2

HSL 48.89, 0.98%, 0.38%

LAB 65.64, 0.9, 69.01

 

CMYK 0 / 19 / 99 / 9

HEX #E8BD02

RGB 232 189 2

HSL 48.78, 0.98%, 0.46%

LAB 78.2, 1.55, 79.78

 

CMYK 0 / 17 / 91 / 1

HEX #FDD217

RGB 253 210 23

HSL 48.78, 0.98%, 0.54%

LAB 85.52, -0.02, 83.64

 

CMYK 0 / 14 / 75 / 1

HEX #FDDA40

RGB 253 218 64

HSL 48.89, 0.98%, 0.62%

LAB 87.68, -2.99, 75.17

 

CMYK 0 / 11 / 59 / 1

HEX #FDE268

RGB 253 226 104

HSL 49.13, 0.97%, 0.7%

LAB 89.99, -4.87, 61.72

 

CMYK 0 / 17 / 92 / 1

HEX #FDD214

RGB 253 210 20

HSL 48.93, 0.98%, 0.54%

LAB 85.52, -0.06, 84.07

 

CMYK 91 / 0 / 91 / 1

HEX #17FD17

RGB 23 253 23

HSL 120, 0.98%, 0.54%

LAB 87.24, -84.46, 80.69

 

CMYK 55 / 91 / 0 / 1

HEX #7317FD

RGB 115 23 253

HSL 264, 0.98%, 0.54%

LAB 40.16, 78.73, -93.47

 

CMYK 0 / 17 / 92 / 1

HEX #FDD214

RGB 253 210 20

HSL 48.93, 0.98%, 0.54%

LAB 85.52, -0.06, 84.07

 

CMYK 91 / 0 / 18 / 1

HEX #17FDCF

RGB 23 253 207

HSL 168, 0.98%, 0.54%

LAB 89.36, -59.49, 8.2

 

CMYK 18 / 91 / 0 / 1

HEX #CF17FD

RGB 207 23 253

HSL 288, 0.98%, 0.54%

LAB 52.92, 89.05, -72.07

 

CMYK 0 / 17 / 92 / 1

HEX #FDD214

RGB 253 210 20

HSL 48.93, 0.98%, 0.54%

LAB 85.52, -0.06, 84.07

 

CMYK 91 / 0 / 91 / 1

HEX #17FD17

RGB 23 253 23

HSL 120, 0.98%, 0.54%

LAB 87.24, -84.46, 80.69

 

CMYK 91 / 73 / 0 / 1

HEX #1745FD

RGB 23 69 253

HSL 228, 0.98%, 0.54%

LAB 40.46, 55.08, -93.15

 

CMYK 0 / 91 / 0 / 1

HEX #FD17FD

RGB 253 23 253

HSL 300, 0.98%, 0.54%

LAB 60.42, 96.04, -59.6

 

CMYK 0 / 17 / 92 / 1

HEX #FDD214

RGB 253 210 20

HSL 48.93, 0.98%, 0.54%

LAB 85.52, -0.06, 84.07

 

CMYK 91 / 0 / 64 / 1

HEX #17FD5C

RGB 23 253 92

HSL 138, 0.98%, 0.54%

LAB 87.58, -80.06, 61.42

 

CMYK 91 / 73 / 0 / 1

HEX #1745FD

RGB 23 69 253

HSL 228, 0.98%, 0.54%

LAB 40.46, 55.08, -93.15

 

CMYK 0 / 91 / 27 / 1

HEX #FD17B8

RGB 253 23 184

HSL 318, 0.98%, 0.54%

LAB 57.03, 87.39, -25.83

 

Description

Color code: HEX #FDD214 | qconv.com Color code: HEX #FDD214 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 210 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 210 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 92 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 92% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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