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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDCE9C7F it is the complementary color #0231637F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDCE9C7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDCE9C7F shade: #FFCE977F, #FFE0AA7F, #FFF2BD7F, #FFFFD07F and #FFFFE37F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDCE9C7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDCE9C7F shade: #FDCE9C7F, #ECBC897F, #DBAA767F, #CA98637F and #B986507F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDCE9C7F shade: #FDCE9B, #FDB39B and #FD9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDCE9C7F shade: #FDCE9B, #FDE89B, #F8FD9B, #DDFD9B and #C3FD9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDCE9C7F shade matches the following richer shades: #FDCE9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDCE9C7F shade: #FDCE9B, #F5CDA3, #ECCDAC, #E4CDB4 and #DCCCBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDCE9C7F shade: #FD9B9E, #FDB29B, #FDCC9B, #FDE69B and #FAFD9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDCE9C7F shade: #FBA54A, #FCBA73, #FDCE9B, #FEE2C3 and #FFF6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDCE9C7F shade: #FDCE9C, #B8FD9B and #A59BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDCE9C7F shade: #FDCE9C, #9BFDCC and #CC9BFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDCE9C7F shade: #FDCE9C, #B8FD9B, #9BCCFD and #E09BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDCE9C7F shade: #FDCE9C, #9BFD9B, #9BCCFD and #FD9BFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 19 / 0

HEX #FDCE9C7F

RGBA 253 206 156 0.5

HSLA 30.93, 0.96%, 0.8%, 0.5

LABA 85.72, 10.02, 31.13, 0.5

 

Complementary color

CMYK 49 / 25 / 0 / 31

HEX #0231637F

RGBA 2 49 99 0.5

HSLA 210.93, 0.96%, 0.2%, 0.5

LABA 20.48, 7.11, -33.59, 0.5

 

CMYK 0 / 10 / 20 / 0

HEX #FFCE977F

RGBA 255 206 151 0.5

HSLA 31.73, 1%, 0.8%, 0.5

LABA 85.82, 10.25, 33.89, 0.5

 

CMYK 0 / 6 / 17 / 0

HEX #FFE0AA7F

RGBA 255 224 170 0.5

HSLA 38.12, 1%, 0.83%, 0.5

LABA 90.54, 3.13, 30.4, 0.5

 

CMYK 0 / 3 / 13 / 0

HEX #FFF2BD7F

RGBA 255 242 189 0.5

HSLA 48.18, 1%, 0.87%, 0.5

LABA 95.35, -3.61, 27.21, 0.5

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFD07F

RGBA 255 255 208 0.5

HSLA 60, 1%, 0.91%, 0.5

LABA 98.96, -7.48, 22.52, 0.5

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFE37F

RGBA 255 255 227 0.5

HSLA 60, 1%, 0.95%, 0.5

LABA 99.35, -4.64, 13.39, 0.5

 

CMYK 0 / 9 / 19 / 0

HEX #FDCE9C7F

RGBA 253 206 156 0.5

HSLA 30.93, 0.96%, 0.8%, 0.5

LABA 85.72, 10.02, 31.13, 0.5

 

CMYK 0 / 10 / 21 / 4

HEX #ECBC897F

RGBA 236 188 137 0.5

HSLA 30.91, 0.72%, 0.73%, 0.5

LABA 79.39, 10.71, 32.34, 0.5

 

CMYK 0 / 11 / 23 / 7

HEX #DBAA767F

RGBA 219 170 118 0.5

HSLA 30.89, 0.58%, 0.66%, 0.5

LABA 72.97, 11.5, 33.63, 0.5

 

CMYK 0 / 12 / 25 / 10

HEX #CA98637F

RGBA 202 152 99 0.5

HSLA 30.87, 0.49%, 0.59%, 0.5

LABA 66.45, 12.41, 35.01, 0.5

 

CMYK 0 / 14 / 28 / 14

HEX #B986507F

RGBA 185 134 80 0.5

HSLA 30.86, 0.43%, 0.52%, 0.5

LABA 59.84, 13.47, 36.48, 0.5

 

CMYK 0 / 19 / 39 / 1

HEX #FDCE9B

RGB 253 206 155

HSL 31.22, 0.96%, 0.8%

LAB 85.7, 9.91, 31.62

 

CMYK 0 / 29 / 39 / 1

HEX #FDB39B

RGB 253 179 155

HSL 14.69, 0.96%, 0.8%

LAB 79.32, 24.03, 23.02

 

CMYK 0 / 39 / 39 / 1

HEX #FD9B9B

RGB 253 155 155

HSL 0, 0.96%, 0.8%

LAB 73.99, 36.56, 15.65

 

CMYK 0 / 19 / 39 / 1

HEX #FDCE9B

RGB 253 206 155

HSL 31.22, 0.96%, 0.8%

LAB 85.7, 9.91, 31.62

 

CMYK 0 / 8 / 39 / 1

HEX #FDE89B

RGB 253 232 155

HSL 47.14, 0.96%, 0.8%

LAB 92.11, -3.4, 40.05

 

CMYK 2 / 0 / 39 / 1

HEX #F8FD9B

RGB 248 253 155

HSL 63.06, 0.96%, 0.8%

LAB 97.05, -15.7, 46.3

 

CMYK 13 / 0 / 39 / 1

HEX #DDFD9B

RGB 221 253 155

HSL 79.59, 0.96%, 0.8%

LAB 95.16, -25.75, 43.5

 

CMYK 23 / 0 / 39 / 1

HEX #C3FD9B

RGB 195 253 155

HSL 95.51, 0.96%, 0.8%

LAB 93.55, -34.97, 41.1

 

CMYK 0 / 19 / 39 / 1

HEX #FDCE9B

RGB 253 206 155

HSL 31.22, 0.96%, 0.8%

LAB 85.7, 9.91, 31.62

 

CMYK 0 / 19 / 39 / 1

HEX #FDCE9B

RGB 253 206 155

HSL 31.22, 0.96%, 0.8%

LAB 85.7, 9.91, 31.62

 

CMYK 0 / 16 / 33 / 4

HEX #F5CDA3

RGB 245 205 163

HSL 30.73, 0.8%, 0.8%

LAB 84.85, 8.27, 26.19

 

CMYK 0 / 13 / 27 / 7

HEX #ECCDAC

RGB 236 205 172

HSL 30.94, 0.63%, 0.8%

LAB 84.21, 6, 20.45

 

CMYK 0 / 10 / 21 / 11

HEX #E4CDB4

RGB 228 205 180

HSL 31.25, 0.47%, 0.8%

LAB 83.68, 4.13, 15.37

 

CMYK 0 / 7 / 15 / 14

HEX #DCCCBC

RGB 220 204 188

HSL 30, 0.31%, 0.8%

LAB 82.93, 2.93, 9.97

 

CMYK 0 / 39 / 38 / 1

HEX #FD9B9E

RGB 253 155 158

HSL 358.16, 0.96%, 0.8%

LAB 74.06, 36.89, 14.09

 

CMYK 0 / 30 / 39 / 1

HEX #FDB29B

RGB 253 178 155

HSL 14.08, 0.96%, 0.8%

LAB 79.09, 24.55, 22.7

 

CMYK 0 / 19 / 39 / 1

HEX #FDCC9B

RGB 253 204 155

HSL 30, 0.96%, 0.8%

LAB 85.22, 10.95, 30.98

 

CMYK 0 / 9 / 39 / 1

HEX #FDE69B

RGB 253 230 155

HSL 45.92, 0.96%, 0.8%

LAB 91.61, -2.39, 39.4

 

CMYK 1 / 0 / 39 / 1

HEX #FAFD9B

RGB 250 253 155

HSL 61.84, 0.96%, 0.8%

LAB 97.2, -14.95, 46.53

 

CMYK 0 / 34 / 71 / 2

HEX #FBA54A

RGB 251 165 74

HSL 30.85, 0.96%, 0.64%

LAB 74.77, 24.07, 58.38

 

CMYK 0 / 26 / 54 / 1

HEX #FCBA73

RGB 252 186 115

HSL 31.09, 0.96%, 0.72%

LAB 80.21, 16.12, 45.02

 

CMYK 0 / 19 / 39 / 1

HEX #FDCE9B

RGB 253 206 155

HSL 31.22, 0.96%, 0.8%

LAB 85.7, 9.91, 31.62

 

CMYK 0 / 11 / 23 / 0

HEX #FEE2C3

RGB 254 226 195

HSL 31.53, 0.97%, 0.88%

LAB 91.42, 4.95, 18.68

 

CMYK 0 / 4 / 7 / 0

HEX #FFF6EC

RGB 255 246 236

HSL 31.58, 1%, 0.96%

LAB 97.32, 1.33, 5.86

 

CMYK 0 / 19 / 38 / 1

HEX #FDCE9C

RGB 253 206 156

HSL 30.93, 0.96%, 0.8%

LAB 85.72, 10.02, 31.13

 

CMYK 27 / 0 / 39 / 1

HEX #B8FD9B

RGB 184 253 155

HSL 102.24, 0.96%, 0.8%

LAB 92.93, -38.69, 40.18

 

CMYK 35 / 39 / 0 / 1

HEX #A59BFD

RGB 165 155 253

HSL 246.12, 0.96%, 0.8%

LAB 68.41, 25.76, -47.56

 

CMYK 0 / 19 / 38 / 1

HEX #FDCE9C

RGB 253 206 156

HSL 30.93, 0.96%, 0.8%

LAB 85.72, 10.02, 31.13

 

CMYK 39 / 0 / 19 / 1

HEX #9BFDCC

RGB 155 253 204

HSL 150, 0.96%, 0.8%

LAB 92.39, -39.37, 14.48

 

CMYK 19 / 39 / 0 / 1

HEX #CC9BFD

RGB 204 155 253

HSL 270, 0.96%, 0.8%

LAB 71.81, 36.54, -42

 

CMYK 0 / 19 / 38 / 1

HEX #FDCE9C

RGB 253 206 156

HSL 30.93, 0.96%, 0.8%

LAB 85.72, 10.02, 31.13

 

CMYK 27 / 0 / 39 / 1

HEX #B8FD9B

RGB 184 253 155

HSL 102.24, 0.96%, 0.8%

LAB 92.93, -38.69, 40.18

 

CMYK 39 / 19 / 0 / 1

HEX #9BCCFD

RGB 155 204 253

HSL 210, 0.96%, 0.8%

LAB 80.32, -4.03, -29.11

 

CMYK 11 / 39 / 0 / 1

HEX #E09BFD

RGB 224 155 253

HSL 282.24, 0.96%, 0.8%

LAB 73.79, 42.34, -38.75

 

CMYK 0 / 19 / 38 / 1

HEX #FDCE9C

RGB 253 206 156

HSL 30.93, 0.96%, 0.8%

LAB 85.72, 10.02, 31.13

 

CMYK 39 / 0 / 39 / 1

HEX #9BFD9B

RGB 155 253 155

HSL 120, 0.96%, 0.8%

LAB 91.5, -47.82, 38.05

 

CMYK 39 / 19 / 0 / 1

HEX #9BCCFD

RGB 155 204 253

HSL 210, 0.96%, 0.8%

LAB 80.32, -4.03, -29.11

 

CMYK 0 / 39 / 0 / 1

HEX #FD9BFD

RGB 253 155 253

HSL 300, 0.96%, 0.8%

LAB 76.93, 50.88, -33.64

 

Description

Color code: HEX #FDCE9C7F | qconv.com Color code: HEX #FDCE9C7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 206 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 206 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 19 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 19% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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