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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDCD22 it is the complementary color #0232DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDCD22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDCD22 shade: #FFCD1D, #FFDF30, #FFF143, #FFFF56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDCD22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDCD22 shade: #FDCD22, #ECBB0F, #DBA900, #CA9700 and #B98500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDCD22 shade: #FDCD21, #FD9121, #FD5621 and #FD2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDCD22 shade: #FDCD21, #F2FD21, #B6FD21, #7BFD21 and #40FD21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDCD22 shade matches the following richer shades: #FDCD21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDCD22 shade: #FDCD21, #EBC233, #D8B845, #C6AE57 and #B4A469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDCD22 shade: #FD5421, #FD8F21, #FDC921, #F5FD21 and #BBFD21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDCD22 shade: #C99D02, #F2BD02, #FDCD21, #FDD64A and #FEDF73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDCD22 shade: #FDCD22, #28FD21 and #7121FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDCD22 shade: #FDCD22, #21FDC9 and #C921FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDCD22 shade: #FDCD22, #28FD21, #2154FD and #F521FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDCD22 shade: #FDCD22, #21FD5B, #2154FD and #FD21C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 87 / 1

HEX #FDCD22

RGB 253 205 34

HSL 46.85, 0.98%, 0.56%

LAB 84.31, 2.73, 80.67

 

Complementary color

CMYK 99 / 77 / 0 / 13

HEX #0232DD

RGB 2 50 221

HSL 226.85, 0.98%, 0.44%

LAB 32.95, 54.42, -87.48

 

CMYK 0 / 20 / 89 / 0

HEX #FFCD1D

RGB 255 205 29

HSL 46.73, 1%, 0.56%

LAB 84.49, 3.48, 81.91

 

CMYK 0 / 13 / 81 / 0

HEX #FFDF30

RGB 255 223 48

HSL 50.72, 1%, 0.59%

LAB 89.04, -5.21, 81.29

 

CMYK 0 / 5 / 74 / 0

HEX #FFF143

RGB 255 241 67

HSL 55.53, 1%, 0.63%

LAB 93.7, -13.47, 79.88

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD22

RGB 253 205 34

HSL 46.85, 0.98%, 0.56%

LAB 84.31, 2.73, 80.67

 

CMYK 0 / 21 / 94 / 7

HEX #ECBB0F

RGB 236 187 15

HSL 46.7, 0.88%, 0.49%

LAB 78.12, 4.44, 78.51

 

CMYK 0 / 23 / 100 / 14

HEX #DBA900

RGB 219 169 0

HSL 46.3, 1%, 0.43%

LAB 71.85, 6.36, 74.95

 

CMYK 0 / 25 / 100 / 21

HEX #CA9700

RGB 202 151 0

HSL 44.85, 1%, 0.4%

LAB 65.51, 8.5, 69.74

 

CMYK 0 / 28 / 100 / 27

HEX #B98500

RGB 185 133 0

HSL 43.14, 1%, 0.36%

LAB 59.06, 10.73, 64.44

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD21

RGB 253 205 33

HSL 46.91, 0.98%, 0.56%

LAB 84.31, 2.71, 80.88

 

CMYK 0 / 43 / 87 / 1

HEX #FD9121

RGB 253 145 33

HSL 30.55, 0.98%, 0.56%

LAB 70.35, 33.87, 69.85

 

CMYK 0 / 66 / 87 / 1

HEX #FD5621

RGB 253 86 33

HSL 14.45, 0.98%, 0.56%

LAB 59.57, 61.38, 61.4

 

CMYK 0 / 87 / 87 / 1

HEX #FD2121

RGB 253 33 33

HSL 0, 0.98%, 0.56%

LAB 54.11, 76.58, 57.15

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD21

RGB 253 205 33

HSL 46.91, 0.98%, 0.56%

LAB 84.31, 2.71, 80.88

 

CMYK 4 / 0 / 87 / 1

HEX #F2FD21

RGB 242 253 33

HSL 63, 0.98%, 0.56%

LAB 95.68, -25.55, 89.56

 

CMYK 28 / 0 / 87 / 1

HEX #B6FD21

RGB 182 253 33

HSL 79.36, 0.98%, 0.56%

LAB 91.82, -48.87, 84.82

 

CMYK 51 / 0 / 87 / 1

HEX #7BFD21

RGB 123 253 33

HSL 95.45, 0.98%, 0.56%

LAB 89.19, -67.89, 81.55

 

CMYK 75 / 0 / 87 / 1

HEX #40FD21

RGB 64 253 33

HSL 111.55, 0.98%, 0.56%

LAB 87.7, -80.23, 79.68

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD21

RGB 253 205 33

HSL 46.91, 0.98%, 0.56%

LAB 84.31, 2.71, 80.88

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD21

RGB 253 205 33

HSL 46.91, 0.98%, 0.56%

LAB 84.31, 2.71, 80.88

 

CMYK 0 / 17 / 78 / 8

HEX #EBC233

RGB 235 194 51

HSL 46.63, 0.82%, 0.56%

LAB 79.89, 1.19, 71.67

 

CMYK 0 / 15 / 68 / 15

HEX #D8B845

RGB 216 184 69

HSL 46.94, 0.65%, 0.56%

LAB 75.64, -0.94, 60.3

 

CMYK 0 / 12 / 56 / 22

HEX #C6AE57

RGB 198 174 87

HSL 47.03, 0.49%, 0.56%

LAB 71.53, -2.15, 47.18

 

CMYK 0 / 9 / 42 / 29

HEX #B4A469

RGB 180 164 105

HSL 47.2, 0.33%, 0.56%

LAB 67.48, -2.66, 32.7

 

CMYK 0 / 67 / 87 / 1

HEX #FD5421

RGB 253 84 33

HSL 13.91, 0.98%, 0.56%

LAB 59.28, 62.16, 61.17

 

CMYK 0 / 43 / 87 / 1

HEX #FD8F21

RGB 253 143 33

HSL 30, 0.98%, 0.56%

LAB 69.92, 34.9, 69.51

 

CMYK 0 / 21 / 87 / 1

HEX #FDC921

RGB 253 201 33

HSL 45.82, 0.98%, 0.56%

LAB 83.32, 4.76, 80.1

 

CMYK 3 / 0 / 87 / 1

HEX #F5FD21

RGB 245 253 33

HSL 62.18, 0.98%, 0.56%

LAB 95.9, -24.33, 89.83

 

CMYK 26 / 0 / 87 / 1

HEX #BBFD21

RGB 187 253 33

HSL 78, 0.98%, 0.56%

LAB 92.1, -47.04, 85.16

 

CMYK 0 / 22 / 99 / 21

HEX #C99D02

RGB 201 157 2

HSL 46.73, 0.98%, 0.4%

LAB 66.93, 4.84, 70.4

 

CMYK 0 / 22 / 99 / 5

HEX #F2BD02

RGB 242 189 2

HSL 46.75, 0.98%, 0.48%

LAB 79.2, 5.87, 80.94

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD21

RGB 253 205 33

HSL 46.91, 0.98%, 0.56%

LAB 84.31, 2.71, 80.88

 

CMYK 0 / 15 / 71 / 1

HEX #FDD64A

RGB 253 214 74

HSL 46.93, 0.98%, 0.64%

LAB 86.74, -0.53, 70.68

 

CMYK 0 / 12 / 55 / 0

HEX #FEDF73

RGB 254 223 115

HSL 46.62, 0.99%, 0.72%

LAB 89.43, -2.15, 56.12

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD22

RGB 253 205 34

HSL 46.85, 0.98%, 0.56%

LAB 84.31, 2.73, 80.67

 

CMYK 84 / 0 / 87 / 1

HEX #28FD21

RGB 40 253 33

HSL 118.09, 0.98%, 0.56%

LAB 87.39, -82.98, 79.29

 

CMYK 55 / 87 / 0 / 1

HEX #7121FD

RGB 113 33 253

HSL 261.82, 0.98%, 0.56%

LAB 40.72, 76.23, -92.55

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD22

RGB 253 205 34

HSL 46.85, 0.98%, 0.56%

LAB 84.31, 2.73, 80.67

 

CMYK 87 / 0 / 21 / 1

HEX #21FDC9

RGB 33 253 201

HSL 165.82, 0.98%, 0.56%

LAB 89.29, -60.46, 11.22

 

CMYK 21 / 87 / 0 / 1

HEX #C921FD

RGB 201 33 253

HSL 285.82, 0.98%, 0.56%

LAB 52.51, 86.64, -72.78

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD22

RGB 253 205 34

HSL 46.85, 0.98%, 0.56%

LAB 84.31, 2.73, 80.67

 

CMYK 84 / 0 / 87 / 1

HEX #28FD21

RGB 40 253 33

HSL 118.09, 0.98%, 0.56%

LAB 87.39, -82.98, 79.29

 

CMYK 87 / 67 / 0 / 1

HEX #2154FD

RGB 33 84 253

HSL 226.09, 0.98%, 0.56%

LAB 43.88, 46.67, -87.5

 

CMYK 3 / 87 / 0 / 1

HEX #F521FD

RGB 245 33 253

HSL 297.82, 0.98%, 0.56%

LAB 59.52, 93.48, -61.11

 

CMYK 0 / 19 / 87 / 1

HEX #FDCD22

RGB 253 205 34

HSL 46.85, 0.98%, 0.56%

LAB 84.31, 2.73, 80.67

 

CMYK 87 / 0 / 64 / 1

HEX #21FD5B

RGB 33 253 91

HSL 135.82, 0.98%, 0.56%

LAB 87.64, -79.57, 61.91

 

CMYK 87 / 67 / 0 / 1

HEX #2154FD

RGB 33 84 253

HSL 226.09, 0.98%, 0.56%

LAB 43.88, 46.67, -87.5

 

CMYK 0 / 87 / 23 / 1

HEX #FD21C2

RGB 253 33 194

HSL 316.09, 0.98%, 0.56%

LAB 57.91, 87.17, -30.25

 

Description

Color code: HEX #FDCD22 | qconv.com Color code: HEX #FDCD22 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 205 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 205 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 87 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 87% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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