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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDCB25 it is the complementary color #0234DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDCB25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDCB25 shade: #FFCB20, #FFDD33, #FFEF46, #FFFF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDCB25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDCB25 shade: #FDCB25, #ECB912, #DBA700, #CA9500 and #B98300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDCB25 shade: #FDCB26, #FD9126, #FD5726 and #FD2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDCB25 shade: #FDCB26, #F5FD26, #BBFD26, #81FD26 and #47FD26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDCB25 shade matches the following richer shades: #FDCB26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDCB25 shade: #FDCB26, #EBC238, #D9B849, #C8AE5B and #B6A56D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDCB25 shade: #FD5826, #FD9126, #FDCB26, #F6FD26 and #BCFD26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDCB25 shade: #CE9F02, #F7BE02, #FDCB26, #FDD54F and #FEDF78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDCB25 shade: #FDCB25, #2DFD26 and #7526FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDCB25 shade: #FDCB25, #26FDCB and #CB26FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDCB25 shade: #FDCB25, #2DFD26, #2658FD and #F626FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDCB25 shade: #FDCB25, #26FD5F, #2658FD and #FD26C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 85 / 1

HEX #FDCB25

RGB 253 203 37

HSL 46.11, 0.98%, 0.57%

LAB 83.82, 3.82, 79.61

 

Complementary color

CMYK 99 / 76 / 0 / 15

HEX #0234DA

RGB 2 52 218

HSL 226.11, 0.98%, 0.43%

LAB 32.99, 52.33, -85.7

 

CMYK 0 / 20 / 87 / 0

HEX #FFCB20

RGB 255 203 32

HSL 46.01, 1%, 0.56%

LAB 84.01, 4.56, 80.94

 

CMYK 0 / 13 / 80 / 0

HEX #FFDD33

RGB 255 221 51

HSL 50, 1%, 0.6%

LAB 88.55, -4.12, 80.05

 

CMYK 0 / 6 / 73 / 0

HEX #FFEF46

RGB 255 239 70

HSL 54.81, 1%, 0.64%

LAB 93.2, -12.37, 78.44

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB25

RGB 253 203 37

HSL 46.11, 0.98%, 0.57%

LAB 83.82, 3.82, 79.61

 

CMYK 0 / 22 / 92 / 7

HEX #ECB912

RGB 236 185 18

HSL 45.96, 0.86%, 0.5%

LAB 77.62, 5.52, 77.73

 

CMYK 0 / 24 / 100 / 14

HEX #DBA700

RGB 219 167 0

HSL 45.75, 1%, 0.43%

LAB 71.35, 7.43, 74.61

 

CMYK 0 / 26 / 100 / 21

HEX #CA9500

RGB 202 149 0

HSL 44.26, 1%, 0.4%

LAB 65, 9.59, 69.39

 

CMYK 0 / 29 / 100 / 27

HEX #B98300

RGB 185 131 0

HSL 42.49, 1%, 0.36%

LAB 58.55, 11.84, 64.1

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB26

RGB 253 203 38

HSL 46.05, 0.98%, 0.57%

LAB 83.83, 3.84, 79.37

 

CMYK 0 / 43 / 85 / 1

HEX #FD9126

RGB 253 145 38

HSL 29.86, 0.98%, 0.57%

LAB 70.37, 33.98, 68.36

 

CMYK 0 / 66 / 85 / 1

HEX #FD5726

RGB 253 87 38

HSL 13.67, 0.98%, 0.57%

LAB 59.74, 61.09, 59.58

 

CMYK 0 / 85 / 85 / 1

HEX #FD2626

RGB 253 38 38

HSL 0, 0.98%, 0.57%

LAB 54.46, 75.78, 55.17

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB26

RGB 253 203 38

HSL 46.05, 0.98%, 0.57%

LAB 83.83, 3.84, 79.37

 

CMYK 3 / 0 / 85 / 1

HEX #F5FD26

RGB 245 253 38

HSL 62.23, 0.98%, 0.57%

LAB 95.91, -24.22, 88.95

 

CMYK 26 / 0 / 85 / 1

HEX #BBFD26

RGB 187 253 38

HSL 78.42, 0.98%, 0.57%

LAB 92.11, -46.91, 84.24

 

CMYK 49 / 0 / 85 / 1

HEX #81FD26

RGB 129 253 38

HSL 94.6, 0.98%, 0.57%

LAB 89.42, -66.06, 80.87

 

CMYK 72 / 0 / 85 / 1

HEX #47FD26

RGB 71 253 38

HSL 110.79, 0.98%, 0.57%

LAB 87.84, -79, 78.88

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB26

RGB 253 203 38

HSL 46.05, 0.98%, 0.57%

LAB 83.83, 3.84, 79.37

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB26

RGB 253 203 38

HSL 46.05, 0.98%, 0.57%

LAB 83.83, 3.84, 79.37

 

CMYK 0 / 17 / 76 / 8

HEX #EBC238

RGB 235 194 56

HSL 46.26, 0.82%, 0.57%

LAB 79.92, 1.37, 70.04

 

CMYK 0 / 15 / 66 / 15

HEX #D9B849

RGB 217 184 73

HSL 46.25, 0.65%, 0.57%

LAB 75.77, -0.29, 58.78

 

CMYK 0 / 13 / 55 / 22

HEX #C8AE5B

RGB 200 174 91

HSL 45.69, 0.5%, 0.57%

LAB 71.76, -0.98, 45.55

 

CMYK 0 / 9 / 40 / 29

HEX #B6A56D

RGB 182 165 109

HSL 46.03, 0.33%, 0.57%

LAB 67.99, -1.93, 31.27

 

CMYK 0 / 65 / 85 / 1

HEX #FD5826

RGB 253 88 38

HSL 13.95, 0.98%, 0.57%

LAB 59.89, 60.69, 59.7

 

CMYK 0 / 43 / 85 / 1

HEX #FD9126

RGB 253 145 38

HSL 29.86, 0.98%, 0.57%

LAB 70.37, 33.98, 68.36

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB26

RGB 253 203 38

HSL 46.05, 0.98%, 0.57%

LAB 83.83, 3.84, 79.37

 

CMYK 3 / 0 / 85 / 1

HEX #F6FD26

RGB 246 253 38

HSL 61.95, 0.98%, 0.57%

LAB 95.99, -23.82, 89.04

 

CMYK 26 / 0 / 85 / 1

HEX #BCFD26

RGB 188 253 38

HSL 78.14, 0.98%, 0.57%

LAB 92.17, -46.54, 84.31

 

CMYK 0 / 23 / 99 / 19

HEX #CE9F02

RGB 206 159 2

HSL 46.18, 0.98%, 0.41%

LAB 67.96, 5.99, 71.37

 

CMYK 0 / 23 / 99 / 3

HEX #F7BE02

RGB 247 190 2

HSL 46.04, 0.98%, 0.49%

LAB 79.96, 7.5, 81.71

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB26

RGB 253 203 38

HSL 46.05, 0.98%, 0.57%

LAB 83.83, 3.84, 79.37

 

CMYK 0 / 16 / 69 / 1

HEX #FDD54F

RGB 253 213 79

HSL 46.21, 0.98%, 0.65%

LAB 86.52, 0.22, 68.52

 

CMYK 0 / 12 / 53 / 0

HEX #FEDF78

RGB 254 223 120

HSL 46.12, 0.99%, 0.73%

LAB 89.49, -1.76, 53.85

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB25

RGB 253 203 37

HSL 46.11, 0.98%, 0.57%

LAB 83.82, 3.82, 79.61

 

CMYK 82 / 0 / 85 / 1

HEX #2DFD26

RGB 45 253 38

HSL 118.05, 0.98%, 0.57%

LAB 87.46, -82.33, 78.4

 

CMYK 54 / 85 / 0 / 1

HEX #7526FD

RGB 117 38 253

HSL 262.05, 0.98%, 0.57%

LAB 41.63, 75.18, -91.04

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB25

RGB 253 203 37

HSL 46.11, 0.98%, 0.57%

LAB 83.82, 3.82, 79.61

 

CMYK 85 / 0 / 20 / 1

HEX #26FDCB

RGB 38 253 203

HSL 166.05, 0.98%, 0.57%

LAB 89.38, -59.67, 10.31

 

CMYK 20 / 85 / 0 / 1

HEX #CB26FD

RGB 203 38 253

HSL 286.05, 0.98%, 0.57%

LAB 53.14, 85.97, -71.73

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB25

RGB 253 203 37

HSL 46.11, 0.98%, 0.57%

LAB 83.82, 3.82, 79.61

 

CMYK 82 / 0 / 85 / 1

HEX #2DFD26

RGB 45 253 38

HSL 118.05, 0.98%, 0.57%

LAB 87.46, -82.33, 78.4

 

CMYK 85 / 65 / 0 / 1

HEX #2658FD

RGB 38 88 253

HSL 226.05, 0.98%, 0.57%

LAB 44.92, 44.5, -85.79

 

CMYK 3 / 85 / 0 / 1

HEX #F626FD

RGB 246 38 253

HSL 298.05, 0.98%, 0.57%

LAB 59.95, 92.85, -60.41

 

CMYK 0 / 20 / 85 / 1

HEX #FDCB25

RGB 253 203 37

HSL 46.11, 0.98%, 0.57%

LAB 83.82, 3.82, 79.61

 

CMYK 85 / 0 / 62 / 1

HEX #26FD5F

RGB 38 253 95

HSL 135.91, 0.98%, 0.57%

LAB 87.72, -78.77, 60.37

 

CMYK 85 / 65 / 0 / 1

HEX #2658FD

RGB 38 88 253

HSL 226.05, 0.98%, 0.57%

LAB 44.92, 44.5, -85.79

 

CMYK 0 / 85 / 23 / 1

HEX #FD26C3

RGB 253 38 195

HSL 316.19, 0.98%, 0.57%

LAB 58.23, 86.46, -30.32

 

Description

Color code: HEX #FDCB25 | qconv.com Color code: HEX #FDCB25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 203 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 203 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 85 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 85% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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