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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDC96B it is the complementary color #023694. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDC96B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDC96B shade: #FFC966, #FFDB79, #FFED8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDC96B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDC96B shade: #FDC96B, #ECB758, #DBA545, #CA9332 and #B9811F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDC96B shade: #FDCA6D, #FDA36D, #FD7C6D and #FD6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDC96B shade: #FDCA6D, #FDF06D, #E3FD6D, #BCFD6D and #95FD6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDC96B shade matches the following richer shades: #FDCA6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDC96B shade: #FDCA6D, #F1C679, #E5C385, #D9BF91 and #CDBC9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDC96B shade: #FD7C6D, #FDA26D, #FDC86D, #FDEE6D and #E5FD6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDC96B shade: #FCAC1C, #FCBB45, #FDCA6D, #FDD996 and #FEE7BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDC96B shade: #FDC96B, #85FD6D and #8F6DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDC96B shade: #FDC96B, #6DFDC8 and #C86DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDC96B shade: #FDC96B, #85FD6D, #6DA2FD and #E56DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDC96B shade: #FDC96B, #6DFD80, #6DA2FD and #FD6DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 58 / 1

HEX #FDC96B

RGB 253 201 107

HSL 38.63, 0.97%, 0.71%

LAB 83.82, 8.1, 53.28

 

Complementary color

CMYK 99 / 64 / 0 / 42

HEX #023694

RGB 2 54 148

HSL 218.63, 0.97%, 0.29%

LAB 26.13, 24.86, -55.44

 

CMYK 0 / 21 / 60 / 0

HEX #FFC966

RGB 255 201 102

HSL 38.82, 1%, 0.7%

LAB 83.96, 8.57, 55.85

 

CMYK 0 / 14 / 53 / 0

HEX #FFDB79

RGB 255 219 121

HSL 43.88, 1%, 0.74%

LAB 88.59, 0.75, 52.32

 

CMYK 0 / 7 / 45 / 0

HEX #FFED8C

RGB 255 237 140

HSL 50.61, 1%, 0.77%

LAB 93.33, -6.64, 48.99

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 21 / 58 / 1

HEX #FDC96B

RGB 253 201 107

HSL 38.63, 0.97%, 0.71%

LAB 83.82, 8.1, 53.28

 

CMYK 0 / 22 / 63 / 7

HEX #ECB758

RGB 236 183 88

HSL 38.51, 0.8%, 0.64%

LAB 77.52, 9.17, 54.53

 

CMYK 0 / 25 / 68 / 14

HEX #DBA545

RGB 219 165 69

HSL 38.4, 0.68%, 0.56%

LAB 71.15, 10.41, 55.69

 

CMYK 0 / 27 / 75 / 21

HEX #CA9332

RGB 202 147 50

HSL 38.29, 0.6%, 0.49%

LAB 64.69, 11.84, 56.59

 

CMYK 0 / 30 / 83 / 27

HEX #B9811F

RGB 185 129 31

HSL 38.18, 0.71%, 0.42%

LAB 58.14, 13.52, 56.91

 

CMYK 0 / 20 / 57 / 1

HEX #FDCA6D

RGB 253 202 109

HSL 38.75, 0.97%, 0.71%

LAB 84.08, 7.73, 52.64

 

CMYK 0 / 36 / 57 / 1

HEX #FDA36D

RGB 253 163 109

HSL 22.5, 0.97%, 0.71%

LAB 74.94, 28.1, 41.61

 

CMYK 0 / 51 / 57 / 1

HEX #FD7C6D

RGB 253 124 109

HSL 6.25, 0.97%, 0.71%

LAB 66.83, 47.9, 31.37

 

CMYK 0 / 57 / 57 / 1

HEX #FD6D6D

RGB 253 109 109

HSL 0, 0.97%, 0.71%

LAB 64.1, 54.94, 27.82

 

CMYK 0 / 20 / 57 / 1

HEX #FDCA6D

RGB 253 202 109

HSL 38.75, 0.97%, 0.71%

LAB 84.08, 7.73, 52.64

 

CMYK 0 / 5 / 57 / 1

HEX #FDF06D

RGB 253 240 109

HSL 54.58, 0.97%, 0.71%

LAB 93.58, -11.48, 63.57

 

CMYK 10 / 0 / 57 / 1

HEX #E3FD6D

RGB 227 253 109

HSL 70.83, 0.97%, 0.71%

LAB 95.03, -27.98, 64.66

 

CMYK 26 / 0 / 57 / 1

HEX #BCFD6D

RGB 188 253 109

HSL 87.08, 0.97%, 0.71%

LAB 92.6, -42.47, 61.25

 

CMYK 41 / 0 / 57 / 1

HEX #95FD6D

RGB 149 253 109

HSL 103.33, 0.97%, 0.71%

LAB 90.66, -55.38, 58.52

 

CMYK 0 / 20 / 57 / 1

HEX #FDCA6D

RGB 253 202 109

HSL 38.75, 0.97%, 0.71%

LAB 84.08, 7.73, 52.64

 

CMYK 0 / 20 / 57 / 1

HEX #FDCA6D

RGB 253 202 109

HSL 38.75, 0.97%, 0.71%

LAB 84.08, 7.73, 52.64

 

CMYK 0 / 18 / 50 / 5

HEX #F1C679

RGB 241 198 121

HSL 38.5, 0.81%, 0.71%

LAB 82.09, 5.92, 44.09

 

CMYK 0 / 15 / 42 / 10

HEX #E5C385

RGB 229 195 133

HSL 38.75, 0.65%, 0.71%

LAB 80.39, 3.83, 35.61

 

CMYK 0 / 12 / 33 / 15

HEX #D9BF91

RGB 217 191 145

HSL 38.33, 0.49%, 0.71%

LAB 78.5, 2.56, 26.62

 

CMYK 0 / 8 / 23 / 20

HEX #CDBC9D

RGB 205 188 157

HSL 38.75, 0.32%, 0.71%

LAB 76.91, 1.12, 17.88

 

CMYK 0 / 51 / 57 / 1

HEX #FD7C6D

RGB 253 124 109

HSL 6.25, 0.97%, 0.71%

LAB 66.83, 47.9, 31.37

 

CMYK 0 / 36 / 57 / 1

HEX #FDA26D

RGB 253 162 109

HSL 22.08, 0.97%, 0.71%

LAB 74.72, 28.62, 41.34

 

CMYK 0 / 21 / 57 / 1

HEX #FDC86D

RGB 253 200 109

HSL 37.92, 0.97%, 0.71%

LAB 83.6, 8.77, 52.07

 

CMYK 0 / 6 / 57 / 1

HEX #FDEE6D

RGB 253 238 109

HSL 53.75, 0.97%, 0.71%

LAB 93.07, -10.5, 63

 

CMYK 9 / 0 / 57 / 1

HEX #E5FD6D

RGB 229 253 109

HSL 70, 0.97%, 0.71%

LAB 95.17, -27.2, 64.85

 

CMYK 0 / 32 / 89 / 1

HEX #FCAC1C

RGB 252 172 28

HSL 38.57, 0.97%, 0.55%

LAB 76.24, 19.33, 75.62

 

CMYK 0 / 26 / 73 / 1

HEX #FCBB45

RGB 252 187 69

HSL 38.69, 0.97%, 0.63%

LAB 79.99, 12.74, 65.87

 

CMYK 0 / 20 / 57 / 1

HEX #FDCA6D

RGB 253 202 109

HSL 38.75, 0.97%, 0.71%

LAB 84.08, 7.73, 52.64

 

CMYK 0 / 14 / 41 / 1

HEX #FDD996

RGB 253 217 150

HSL 39.03, 0.96%, 0.79%

LAB 88.31, 3.69, 37.62

 

CMYK 0 / 9 / 25 / 0

HEX #FEE7BF

RGB 254 231 191

HSL 38.1, 0.97%, 0.87%

LAB 92.57, 1.85, 22.35

 

CMYK 0 / 21 / 58 / 1

HEX #FDC96B

RGB 253 201 107

HSL 38.63, 0.97%, 0.71%

LAB 83.82, 8.1, 53.28

 

CMYK 47 / 0 / 57 / 1

HEX #85FD6D

RGB 133 253 109

HSL 110, 0.97%, 0.71%

LAB 90.02, -60.02, 57.61

 

CMYK 43 / 57 / 0 / 1

HEX #8F6DFD

RGB 143 109 253

HSL 254.17, 0.97%, 0.71%

LAB 55.96, 46.6, -67.53

 

CMYK 0 / 21 / 58 / 1

HEX #FDC96B

RGB 253 201 107

HSL 38.63, 0.97%, 0.71%

LAB 83.82, 8.1, 53.28

 

CMYK 57 / 0 / 21 / 1

HEX #6DFDC8

RGB 109 253 200

HSL 157.92, 0.97%, 0.71%

LAB 90.63, -51.05, 13.82

 

CMYK 21 / 57 / 0 / 1

HEX #C86DFD

RGB 200 109 253

HSL 277.92, 0.97%, 0.71%

LAB 61.92, 59.58, -57.63

 

CMYK 0 / 21 / 58 / 1

HEX #FDC96B

RGB 253 201 107

HSL 38.63, 0.97%, 0.71%

LAB 83.82, 8.1, 53.28

 

CMYK 47 / 0 / 57 / 1

HEX #85FD6D

RGB 133 253 109

HSL 110, 0.97%, 0.71%

LAB 90.02, -60.02, 57.61

 

CMYK 57 / 36 / 0 / 1

HEX #6DA2FD

RGB 109 162 253

HSL 217.92, 0.97%, 0.71%

LAB 66.66, 8.65, -50.56

 

CMYK 9 / 57 / 0 / 1

HEX #E56DFD

RGB 229 109 253

HSL 290, 0.97%, 0.71%

LAB 65.5, 66.63, -51.72

 

CMYK 0 / 21 / 58 / 1

HEX #FDC96B

RGB 253 201 107

HSL 38.63, 0.97%, 0.71%

LAB 83.82, 8.1, 53.28

 

CMYK 57 / 0 / 49 / 1

HEX #6DFD80

RGB 109 253 128

HSL 127.92, 0.97%, 0.71%

LAB 89.42, -63.76, 48.07

 

CMYK 57 / 36 / 0 / 1

HEX #6DA2FD

RGB 109 162 253

HSL 217.92, 0.97%, 0.71%

LAB 66.66, 8.65, -50.56

 

CMYK 0 / 57 / 8 / 1

HEX #FD6DEA

RGB 253 109 234

HSL 307.92, 0.97%, 0.71%

LAB 67.84, 69.49, -37.35

 

Description

Color code: HEX #FDC96B | qconv.com Color code: HEX #FDC96B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 201 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 201 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 58 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 58% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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