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Color name
HEX #FDC023

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDC023 it is the complementary color #023FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDC023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDC023 shade: #FFC01E, #FFD231, #FFE444, #FFF657 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDC023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDC023 shade: #FDC023, #ECAE10, #DB9C00, #CA8A00 and #B97800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDC023 shade: #FDBF21, #FD8421, #FD4921 and #FD2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDC023 shade: #FDBF21, #FDFB21, #C4FD21, #88FD21 and #4DFD21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDC023 shade matches the following richer shades: #FDBF21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDC023 shade: #FDBF21, #EBB733, #D8AF45, #C6A757 and #B49F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDC023 shade: #FD4921, #FD8421, #FDBE21, #FDF921 and #C6FD21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDC023 shade: #C99102, #F2AF02, #FDBF21, #FDCB4A and #FED773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDC023 shade: #FDC023, #33FD21 and #6621FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDC023 shade: #FDC023, #21FDBE and #BE21FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDC023 shade: #FDC023, #33FD21, #215FFD and #EA21FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDC023 shade: #FDC023, #21FD50, #215FFD and #FD21CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 86 / 1

HEX #FDC023

RGB 253 192 35

HSL 43.21, 0.98%, 0.56%

LAB 81.13, 9.45, 77.9

 

Complementary color

CMYK 99 / 71 / 0 / 14

HEX #023FDC

RGB 2 63 220

HSL 223.21, 0.98%, 0.44%

LAB 35.47, 46.66, -82.73

 

CMYK 0 / 25 / 88 / 0

HEX #FFC01E

RGB 255 192 30

HSL 43.2, 1%, 0.56%

LAB 81.32, 10.2, 79.25

 

CMYK 0 / 18 / 81 / 0

HEX #FFD231

RGB 255 210 49

HSL 46.89, 1%, 0.6%

LAB 85.79, 1.39, 78.22

 

CMYK 0 / 11 / 73 / 0

HEX #FFE444

RGB 255 228 68

HSL 51.34, 1%, 0.63%

LAB 90.4, -7.02, 76.45

 

CMYK 0 / 4 / 66 / 0

HEX #FFF657

RGB 255 246 87

HSL 56.79, 1%, 0.67%

LAB 95.1, -14.98, 74.24

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 24 / 86 / 1

HEX #FDC023

RGB 253 192 35

HSL 43.21, 0.98%, 0.56%

LAB 81.13, 9.45, 77.9

 

CMYK 0 / 26 / 93 / 7

HEX #ECAE10

RGB 236 174 16

HSL 43.09, 0.87%, 0.49%

LAB 74.91, 11.27, 76.04

 

CMYK 0 / 29 / 100 / 14

HEX #DB9C00

RGB 219 156 0

HSL 42.74, 1%, 0.43%

LAB 68.63, 13.31, 72.76

 

CMYK 0 / 32 / 100 / 21

HEX #CA8A00

RGB 202 138 0

HSL 40.99, 1%, 0.4%

LAB 62.28, 15.57, 67.56

 

CMYK 0 / 35 / 100 / 27

HEX #B97800

RGB 185 120 0

HSL 38.92, 1%, 0.36%

LAB 55.83, 17.93, 62.29

 

CMYK 0 / 25 / 87 / 1

HEX #FDBF21

RGB 253 191 33

HSL 43.09, 0.98%, 0.56%

LAB 80.88, 9.93, 78.17

 

CMYK 0 / 48 / 87 / 1

HEX #FD8421

RGB 253 132 33

HSL 27, 0.98%, 0.56%

LAB 67.65, 40.46, 67.73

 

CMYK 0 / 71 / 87 / 1

HEX #FD4921

RGB 253 73 33

HSL 10.91, 0.98%, 0.56%

LAB 57.81, 66.2, 60.02

 

CMYK 0 / 87 / 87 / 1

HEX #FD2121

RGB 253 33 33

HSL 0, 0.98%, 0.56%

LAB 54.11, 76.58, 57.15

 

CMYK 0 / 25 / 87 / 1

HEX #FDBF21

RGB 253 191 33

HSL 43.09, 0.98%, 0.56%

LAB 80.88, 9.93, 78.17

 

CMYK 0 / 1 / 87 / 1

HEX #FDFB21

RGB 253 251 33

HSL 59.45, 0.98%, 0.56%

LAB 95.99, -20.11, 90.16

 

CMYK 23 / 0 / 87 / 1

HEX #C4FD21

RGB 196 253 33

HSL 75.55, 0.98%, 0.56%

LAB 92.62, -43.68, 85.8

 

CMYK 46 / 0 / 87 / 1

HEX #88FD21

RGB 136 253 33

HSL 91.91, 0.98%, 0.56%

LAB 89.67, -64.19, 82.15

 

CMYK 70 / 0 / 87 / 1

HEX #4DFD21

RGB 77 253 33

HSL 108, 0.98%, 0.56%

LAB 87.94, -78.19, 79.98

 

CMYK 0 / 25 / 87 / 1

HEX #FDBF21

RGB 253 191 33

HSL 43.09, 0.98%, 0.56%

LAB 80.88, 9.93, 78.17

 

CMYK 0 / 25 / 87 / 1

HEX #FDBF21

RGB 253 191 33

HSL 43.09, 0.98%, 0.56%

LAB 80.88, 9.93, 78.17

 

CMYK 0 / 22 / 78 / 8

HEX #EBB733

RGB 235 183 51

HSL 43.04, 0.82%, 0.56%

LAB 77.14, 6.92, 69.18

 

CMYK 0 / 19 / 68 / 15

HEX #D8AF45

RGB 216 175 69

HSL 43.27, 0.65%, 0.56%

LAB 73.34, 3.8, 57.91

 

CMYK 0 / 16 / 56 / 22

HEX #C6A757

RGB 198 167 87

HSL 43.24, 0.49%, 0.56%

LAB 69.7, 1.58, 45.04

 

CMYK 0 / 12 / 42 / 29

HEX #B49F69

RGB 180 159 105

HSL 43.2, 0.33%, 0.56%

LAB 66.15, 0.04, 30.99

 

CMYK 0 / 71 / 87 / 1

HEX #FD4921

RGB 253 73 33

HSL 10.91, 0.98%, 0.56%

LAB 57.81, 66.2, 60.02

 

CMYK 0 / 48 / 87 / 1

HEX #FD8421

RGB 253 132 33

HSL 27, 0.98%, 0.56%

LAB 67.65, 40.46, 67.73

 

CMYK 0 / 25 / 87 / 1

HEX #FDBE21

RGB 253 190 33

HSL 42.82, 0.98%, 0.56%

LAB 80.64, 10.45, 77.98

 

CMYK 0 / 2 / 87 / 1

HEX #FDF921

RGB 253 249 33

HSL 58.91, 0.98%, 0.56%

LAB 95.47, -19.15, 89.75

 

CMYK 22 / 0 / 87 / 1

HEX #C6FD21

RGB 198 253 33

HSL 75, 0.98%, 0.56%

LAB 92.74, -42.92, 85.95

 

CMYK 0 / 28 / 99 / 21

HEX #C99102

RGB 201 145 2

HSL 43.12, 0.98%, 0.4%

LAB 63.9, 11.34, 68.3

 

CMYK 0 / 28 / 99 / 5

HEX #F2AF02

RGB 242 175 2

HSL 43.25, 0.98%, 0.48%

LAB 75.79, 13.2, 78.59

 

CMYK 0 / 25 / 87 / 1

HEX #FDBF21

RGB 253 191 33

HSL 43.09, 0.98%, 0.56%

LAB 80.88, 9.93, 78.17

 

CMYK 0 / 20 / 71 / 1

HEX #FDCB4A

RGB 253 203 74

HSL 43.24, 0.98%, 0.64%

LAB 84.01, 5.09, 67.95

 

CMYK 0 / 15 / 55 / 0

HEX #FED773

RGB 254 215 115

HSL 43.17, 0.99%, 0.72%

LAB 87.44, 1.91, 53.78

 

CMYK 0 / 24 / 86 / 1

HEX #FDC023

RGB 253 192 35

HSL 43.21, 0.98%, 0.56%

LAB 81.13, 9.45, 77.9

 

CMYK 80 / 0 / 87 / 1

HEX #33FD21

RGB 51 253 33

HSL 115.09, 0.98%, 0.56%

LAB 87.52, -81.88, 79.45

 

CMYK 60 / 87 / 0 / 1

HEX #6621FD

RGB 102 33 253

HSL 258.82, 0.98%, 0.56%

LAB 39.59, 75.34, -94.46

 

CMYK 0 / 24 / 86 / 1

HEX #FDC023

RGB 253 192 35

HSL 43.21, 0.98%, 0.56%

LAB 81.13, 9.45, 77.9

 

CMYK 87 / 0 / 25 / 1

HEX #21FDBE

RGB 33 253 190

HSL 162.82, 0.98%, 0.56%

LAB 89.06, -63.01, 16.55

 

CMYK 25 / 87 / 0 / 1

HEX #BE21FD

RGB 190 33 253

HSL 282.82, 0.98%, 0.56%

LAB 50.84, 85.07, -75.57

 

CMYK 0 / 24 / 86 / 1

HEX #FDC023

RGB 253 192 35

HSL 43.21, 0.98%, 0.56%

LAB 81.13, 9.45, 77.9

 

CMYK 80 / 0 / 87 / 1

HEX #33FD21

RGB 51 253 33

HSL 115.09, 0.98%, 0.56%

LAB 87.52, -81.88, 79.45

 

CMYK 87 / 62 / 0 / 1

HEX #215FFD

RGB 33 95 253

HSL 223.09, 0.98%, 0.56%

LAB 46.44, 39.91, -83.28

 

CMYK 8 / 87 / 0 / 1

HEX #EA21FD

RGB 234 33 253

HSL 294.82, 0.98%, 0.56%

LAB 57.72, 91.7, -64.09

 

CMYK 0 / 24 / 86 / 1

HEX #FDC023

RGB 253 192 35

HSL 43.21, 0.98%, 0.56%

LAB 81.13, 9.45, 77.9

 

CMYK 87 / 0 / 68 / 1

HEX #21FD50

RGB 33 253 80

HSL 132.82, 0.98%, 0.56%

LAB 87.56, -80.64, 66.08

 

CMYK 87 / 62 / 0 / 1

HEX #215FFD

RGB 33 95 253

HSL 223.09, 0.98%, 0.56%

LAB 46.44, 39.91, -83.28

 

CMYK 0 / 87 / 19 / 1

HEX #FD21CD

RGB 253 33 205

HSL 313.09, 0.98%, 0.56%

LAB 58.39, 88.46, -35.8

 

Description

Color code: HEX #FDC023 | qconv.com Color code: HEX #FDC023 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 192 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 192 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 86 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 86% 1% C M Y K

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