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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBD70 it is the complementary color #02428F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBD70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBD70 shade: #FFBD6B, #FFCF7E, #FFE191, #FFF3A4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBD70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBD70 shade: #FDBD70, #ECAB5D, #DB994A, #CA8737 and #B97524

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBD70 shade: #FDBE72, #FD9972, #FD7372 and #FD7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBD70 shade: #FDBE72, #FDE372, #F1FD72, #CCFD72 and #A6FD72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBD70 shade matches the following richer shades: #FDBE72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBD70 shade: #FDBE72, #F1BD7E, #E6BC89, #DABB95 and #CFBAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBD70 shade: #FD7272, #FD9772, #FDBC72, #FDE172 and #F4FD72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBD70 shade: #FC9821, #FCAB4A, #FDBE72, #FDD19B and #FEE4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBD70 shade: #FDBD70, #97FD72 and #8572FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBD70 shade: #FDBD70, #72FDBC and #BC72FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBD70 shade: #FDBD70, #97FD72, #72B3FD and #D872FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBD70 shade: #FDBD70, #72FD77, #72B3FD and #FD72F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 56 / 1

HEX #FDBD70

RGB 253 189 112

HSL 32.77, 0.97%, 0.72%

LAB 80.99, 14.72, 47.49

 

Complementary color

CMYK 99 / 54 / 0 / 44

HEX #02428F

RGB 2 66 143

HSL 212.77, 0.97%, 0.28%

LAB 29.14, 14.33, -47.45

 

CMYK 0 / 26 / 58 / 0

HEX #FFBD6B

RGB 255 189 107

HSL 33.24, 1%, 0.71%

LAB 81.14, 15.16, 50.17

 

CMYK 0 / 19 / 51 / 0

HEX #FFCF7E

RGB 255 207 126

HSL 37.67, 1%, 0.75%

LAB 85.7, 7.32, 46.37

 

CMYK 0 / 12 / 43 / 0

HEX #FFE191

RGB 255 225 145

HSL 43.64, 1%, 0.78%

LAB 90.39, -0.12, 42.85

 

CMYK 0 / 5 / 36 / 0

HEX #FFF3A4

RGB 255 243 164

HSL 52.09, 1%, 0.82%

LAB 95.18, -7.15, 39.58

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 25 / 56 / 1

HEX #FDBD70

RGB 253 189 112

HSL 32.77, 0.97%, 0.72%

LAB 80.99, 14.72, 47.49

 

CMYK 0 / 28 / 61 / 7

HEX #ECAB5D

RGB 236 171 93

HSL 32.73, 0.79%, 0.65%

LAB 74.67, 15.84, 48.89

 

CMYK 0 / 30 / 66 / 14

HEX #DB994A

RGB 219 153 74

HSL 32.69, 0.67%, 0.57%

LAB 68.27, 17.13, 50.28

 

CMYK 0 / 33 / 73 / 21

HEX #CA8737

RGB 202 135 55

HSL 32.65, 0.58%, 0.5%

LAB 61.79, 18.61, 51.56

 

CMYK 0 / 37 / 81 / 27

HEX #B97524

RGB 185 117 36

HSL 32.62, 0.67%, 0.43%

LAB 55.24, 20.34, 52.5

 

CMYK 0 / 25 / 55 / 1

HEX #FDBE72

RGB 253 190 114

HSL 32.81, 0.97%, 0.72%

LAB 81.25, 14.35, 46.81

 

CMYK 0 / 40 / 55 / 1

HEX #FD9972

RGB 253 153 114

HSL 16.83, 0.97%, 0.72%

LAB 72.81, 33.68, 36.33

 

CMYK 0 / 55 / 55 / 1

HEX #FD7372

RGB 253 115 114

HSL 0.43, 0.97%, 0.72%

LAB 65.25, 52.55, 26.52

 

CMYK 0 / 55 / 55 / 1

HEX #FD7272

RGB 253 114 114

HSL 0, 0.97%, 0.72%

LAB 65.07, 53.02, 26.28

 

CMYK 0 / 25 / 55 / 1

HEX #FDBE72

RGB 253 190 114

HSL 32.81, 0.97%, 0.72%

LAB 81.25, 14.35, 46.81

 

CMYK 0 / 10 / 55 / 1

HEX #FDE372

RGB 253 227 114

HSL 48.78, 0.97%, 0.72%

LAB 90.34, -4.65, 57.62

 

CMYK 5 / 0 / 55 / 1

HEX #F1FD72

RGB 241 253 114

HSL 65.18, 0.97%, 0.72%

LAB 96.07, -22.16, 63.95

 

CMYK 19 / 0 / 55 / 1

HEX #CCFD72

RGB 204 253 114

HSL 81.15, 0.97%, 0.72%

LAB 93.58, -36.24, 60.45

 

CMYK 34 / 0 / 55 / 1

HEX #A6FD72

RGB 166 253 114

HSL 97.55, 0.97%, 0.72%

LAB 91.49, -49.5, 57.49

 

CMYK 0 / 25 / 55 / 1

HEX #FDBE72

RGB 253 190 114

HSL 32.81, 0.97%, 0.72%

LAB 81.25, 14.35, 46.81

 

CMYK 0 / 25 / 55 / 1

HEX #FDBE72

RGB 253 190 114

HSL 32.81, 0.97%, 0.72%

LAB 81.25, 14.35, 46.81

 

CMYK 0 / 22 / 48 / 5

HEX #F1BD7E

RGB 241 189 126

HSL 32.87, 0.8%, 0.72%

LAB 79.96, 11.08, 38.87

 

CMYK 0 / 18 / 40 / 10

HEX #E6BC89

RGB 230 188 137

HSL 32.9, 0.65%, 0.72%

LAB 78.81, 8.33, 31.47

 

CMYK 0 / 14 / 32 / 15

HEX #DABB95

RGB 218 187 149

HSL 33.04, 0.48%, 0.72%

LAB 77.65, 5.57, 23.37

 

CMYK 0 / 10 / 22 / 19

HEX #CFBAA1

RGB 207 186 161

HSL 32.61, 0.32%, 0.72%

LAB 76.65, 3.52, 15.4

 

CMYK 0 / 55 / 55 / 1

HEX #FD7272

RGB 253 114 114

HSL 0, 0.97%, 0.72%

LAB 65.07, 53.02, 26.28

 

CMYK 0 / 40 / 55 / 1

HEX #FD9772

RGB 253 151 114

HSL 15.97, 0.97%, 0.72%

LAB 72.38, 34.72, 35.78

 

CMYK 0 / 26 / 55 / 1

HEX #FDBC72

RGB 253 188 114

HSL 31.94, 0.97%, 0.72%

LAB 80.77, 15.4, 46.23

 

CMYK 0 / 11 / 55 / 1

HEX #FDE172

RGB 253 225 114

HSL 47.91, 0.97%, 0.72%

LAB 89.84, -3.64, 57.03

 

CMYK 4 / 0 / 55 / 1

HEX #F4FD72

RGB 244 253 114

HSL 63.88, 0.97%, 0.72%

LAB 96.29, -20.99, 64.26

 

CMYK 0 / 40 / 87 / 1

HEX #FC9821

RGB 252 152 33

HSL 32.6, 0.97%, 0.56%

LAB 71.73, 29.86, 70.89

 

CMYK 0 / 32 / 71 / 1

HEX #FCAB4A

RGB 252 171 74

HSL 32.7, 0.97%, 0.64%

LAB 76.26, 21.34, 59.98

 

CMYK 0 / 25 / 55 / 1

HEX #FDBE72

RGB 253 190 114

HSL 32.81, 0.97%, 0.72%

LAB 81.25, 14.35, 46.81

 

CMYK 0 / 17 / 39 / 1

HEX #FDD19B

RGB 253 209 155

HSL 33.06, 0.96%, 0.8%

LAB 86.43, 8.35, 32.59

 

CMYK 0 / 10 / 23 / 0

HEX #FEE4C4

RGB 254 228 196

HSL 33.1, 0.97%, 0.88%

LAB 91.93, 4.07, 18.87

 

CMYK 0 / 25 / 56 / 1

HEX #FDBD70

RGB 253 189 112

HSL 32.77, 0.97%, 0.72%

LAB 80.99, 14.72, 47.49

 

CMYK 40 / 0 / 55 / 1

HEX #97FD72

RGB 151 253 114

HSL 104.03, 0.97%, 0.72%

LAB 90.8, -54.25, 56.5

 

CMYK 47 / 55 / 0 / 1

HEX #8572FD

RGB 133 114 253

HSL 248.2, 0.97%, 0.72%

LAB 56.2, 41.7, -67.18

 

CMYK 0 / 25 / 56 / 1

HEX #FDBD70

RGB 253 189 112

HSL 32.77, 0.97%, 0.72%

LAB 80.99, 14.72, 47.49

 

CMYK 55 / 0 / 26 / 1

HEX #72FDBC

RGB 114 253 188

HSL 151.94, 0.97%, 0.72%

LAB 90.53, -52.51, 19.86

 

CMYK 26 / 55 / 0 / 1

HEX #BC72FD

RGB 188 114 253

HSL 271.94, 0.97%, 0.72%

LAB 61.5, 54.17, -58.39

 

CMYK 0 / 25 / 56 / 1

HEX #FDBD70

RGB 253 189 112

HSL 32.77, 0.97%, 0.72%

LAB 80.99, 14.72, 47.49

 

CMYK 40 / 0 / 55 / 1

HEX #97FD72

RGB 151 253 114

HSL 104.03, 0.97%, 0.72%

LAB 90.8, -54.25, 56.5

 

CMYK 55 / 29 / 0 / 1

HEX #72B3FD

RGB 114 179 253

HSL 211.94, 0.97%, 0.72%

LAB 71.49, 0.02, -42.94

 

CMYK 15 / 55 / 0 / 1

HEX #D872FD

RGB 216 114 253

HSL 284.03, 0.97%, 0.72%

LAB 64.74, 61.08, -53.03

 

CMYK 0 / 25 / 56 / 1

HEX #FDBD70

RGB 253 189 112

HSL 32.77, 0.97%, 0.72%

LAB 80.99, 14.72, 47.49

 

CMYK 55 / 0 / 53 / 1

HEX #72FD77

RGB 114 253 119

HSL 122.16, 0.97%, 0.72%

LAB 89.47, -63.77, 52.33

 

CMYK 55 / 29 / 0 / 1

HEX #72B3FD

RGB 114 179 253

HSL 211.94, 0.97%, 0.72%

LAB 71.49, 0.02, -42.94

 

CMYK 0 / 55 / 2 / 1

HEX #FD72F8

RGB 253 114 248

HSL 302.16, 0.97%, 0.72%

LAB 69.25, 69.57, -42.86

 

Description

Color code: HEX #FDBD70 | qconv.com Color code: HEX #FDBD70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 189 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 189 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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