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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBC7F it is the complementary color #024380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBC7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBC7F shade: #FFBC7A, #FFCE8D, #FFE0A0, #FFF2B3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBC7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBC7F shade: #FDBC7F, #ECAA6C, #DB9859, #CA8646 and #B97433

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBC7F shade: #FDBD81, #FD9C81 and #FD8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBC7F shade: #FDBD81, #FDDF81, #FAFD81, #D9FD81 and #B7FD81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBC7F shade matches the following richer shades: #FDBD81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBC7F shade: #FDBD81, #F3BE8C, #E8BE96, #DEBEA0 and #D4BFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBC7F shade: #FD8188, #FD9C81, #FDBD81, #FDDE81 and #FBFD81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBC7F shade: #FC9330, #FCA859, #FDBD81, #FED3AA and #FEE8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBC7F shade: #FDBC7F, #A9FD81 and #8C81FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBC7F shade: #FDBC7F, #81FDBD and #BD81FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBC7F shade: #FDBC7F, #A9FD81, #81C1FD and #D681FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBC7F shade: #FDBC7F, #83FD81, #81C1FD and #FB81FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 50 / 1

HEX #FDBC7F

RGB 253 188 127

HSL 29.05, 0.97%, 0.75%

LAB 80.95, 16.49, 39.88

 

Complementary color

CMYK 98 / 48 / 0 / 50

HEX #024380

RGB 2 67 128

HSL 209.05, 0.97%, 0.25%

LAB 28.34, 7.16, -39.44

 

CMYK 0 / 26 / 52 / 0

HEX #FFBC7A

RGB 255 188 122

HSL 29.77, 1%, 0.74%

LAB 81.09, 16.86, 42.65

 

CMYK 0 / 19 / 45 / 0

HEX #FFCE8D

RGB 255 206 141

HSL 34.21, 1%, 0.78%

LAB 85.67, 9.23, 38.8

 

CMYK 0 / 12 / 37 / 0

HEX #FFE0A0

RGB 255 224 160

HSL 40.42, 1%, 0.81%

LAB 90.37, 1.97, 35.28

 

CMYK 0 / 5 / 30 / 0

HEX #FFF2B3

RGB 255 242 179

HSL 49.74, 1%, 0.85%

LAB 95.17, -4.88, 32.04

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 26 / 50 / 1

HEX #FDBC7F

RGB 253 188 127

HSL 29.05, 0.97%, 0.75%

LAB 80.95, 16.49, 39.88

 

CMYK 0 / 28 / 54 / 7

HEX #ECAA6C

RGB 236 170 108

HSL 29.06, 0.77%, 0.67%

LAB 74.61, 17.51, 41.3

 

CMYK 0 / 31 / 59 / 14

HEX #DB9859

RGB 219 152 89

HSL 29.08, 0.64%, 0.6%

LAB 68.2, 18.66, 42.79

 

CMYK 0 / 34 / 65 / 21

HEX #CA8646

RGB 202 134 70

HSL 29.09, 0.55%, 0.53%

LAB 61.7, 19.99, 44.32

 

CMYK 0 / 37 / 72 / 27

HEX #B97433

RGB 185 116 51

HSL 29.1, 0.57%, 0.46%

LAB 55.12, 21.53, 45.82

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD81

RGB 253 189 129

HSL 29.03, 0.97%, 0.75%

LAB 81.22, 16.15, 39.19

 

CMYK 0 / 38 / 49 / 1

HEX #FD9C81

RGB 253 156 129

HSL 13.06, 0.97%, 0.75%

LAB 73.7, 33.41, 29.44

 

CMYK 0 / 49 / 49 / 1

HEX #FD8181

RGB 253 129 129

HSL 0, 0.97%, 0.75%

LAB 68.14, 47.09, 21.99

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD81

RGB 253 189 129

HSL 29.03, 0.97%, 0.75%

LAB 81.22, 16.15, 39.19

 

CMYK 0 / 12 / 49 / 1

HEX #FDDF81

RGB 253 223 129

HSL 45.48, 0.97%, 0.75%

LAB 89.51, -1.4, 49.55

 

CMYK 1 / 0 / 49 / 1

HEX #FAFD81

RGB 250 253 129

HSL 61.45, 0.97%, 0.75%

LAB 96.89, -17.44, 58.39

 

CMYK 14 / 0 / 49 / 1

HEX #D9FD81

RGB 217 253 129

HSL 77.42, 0.97%, 0.75%

LAB 94.56, -30.02, 55.05

 

CMYK 28 / 0 / 49 / 1

HEX #B7FD81

RGB 183 253 129

HSL 93.87, 0.97%, 0.75%

LAB 92.53, -42.22, 52.12

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD81

RGB 253 189 129

HSL 29.03, 0.97%, 0.75%

LAB 81.22, 16.15, 39.19

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD81

RGB 253 189 129

HSL 29.03, 0.97%, 0.75%

LAB 81.22, 16.15, 39.19

 

CMYK 0 / 22 / 42 / 5

HEX #F3BE8C

RGB 243 190 140

HSL 29.13, 0.81%, 0.75%

LAB 80.61, 12.74, 32.51

 

CMYK 0 / 18 / 35 / 9

HEX #E8BE96

RGB 232 190 150

HSL 29.27, 0.64%, 0.75%

LAB 79.72, 9.55, 25.87

 

CMYK 0 / 14 / 28 / 13

HEX #DEBEA0

RGB 222 190 160

HSL 29.03, 0.48%, 0.75%

LAB 78.98, 6.96, 19.38

 

CMYK 0 / 10 / 19 / 17

HEX #D4BFAB

RGB 212 191 171

HSL 29.27, 0.32%, 0.75%

LAB 78.58, 4.23, 12.79

 

CMYK 0 / 49 / 46 / 1

HEX #FD8188

RGB 253 129 136

HSL 356.61, 0.97%, 0.75%

LAB 68.29, 47.73, 18.27

 

CMYK 0 / 38 / 49 / 1

HEX #FD9C81

RGB 253 156 129

HSL 13.06, 0.97%, 0.75%

LAB 73.7, 33.41, 29.44

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD81

RGB 253 189 129

HSL 29.03, 0.97%, 0.75%

LAB 81.22, 16.15, 39.19

 

CMYK 0 / 12 / 49 / 1

HEX #FDDE81

RGB 253 222 129

HSL 45, 0.97%, 0.75%

LAB 89.26, -0.89, 49.25

 

CMYK 1 / 0 / 49 / 1

HEX #FBFD81

RGB 251 253 129

HSL 60.97, 0.97%, 0.75%

LAB 96.96, -17.05, 58.5

 

CMYK 0 / 42 / 81 / 1

HEX #FC9330

RGB 252 147 48

HSL 29.12, 0.97%, 0.59%

LAB 70.72, 32.82, 65.17

 

CMYK 0 / 33 / 65 / 1

HEX #FCA859

RGB 252 168 89

HSL 29.08, 0.96%, 0.67%

LAB 75.71, 23.73, 52.49

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD81

RGB 253 189 129

HSL 29.03, 0.97%, 0.75%

LAB 81.22, 16.15, 39.19

 

CMYK 0 / 17 / 33 / 0

HEX #FED3AA

RGB 254 211 170

HSL 29.29, 0.98%, 0.83%

LAB 87.27, 9.44, 25.96

 

CMYK 0 / 9 / 17 / 0

HEX #FEE8D3

RGB 254 232 211

HSL 29.3, 0.96%, 0.91%

LAB 93.23, 4.19, 12.92

 

CMYK 0 / 26 / 50 / 1

HEX #FDBC7F

RGB 253 188 127

HSL 29.05, 0.97%, 0.75%

LAB 80.95, 16.49, 39.88

 

CMYK 33 / 0 / 49 / 1

HEX #A9FD81

RGB 169 253 129

HSL 100.65, 0.97%, 0.75%

LAB 91.81, -46.89, 51.07

 

CMYK 45 / 49 / 0 / 1

HEX #8C81FD

RGB 140 129 253

HSL 245.32, 0.97%, 0.75%

LAB 60.22, 34.55, -60.69

 

CMYK 0 / 26 / 50 / 1

HEX #FDBC7F

RGB 253 188 127

HSL 29.05, 0.97%, 0.75%

LAB 80.95, 16.49, 39.88

 

CMYK 49 / 0 / 25 / 1

HEX #81FDBD

RGB 129 253 189

HSL 149.03, 0.97%, 0.75%

LAB 91.05, -48.94, 20.14

 

CMYK 25 / 49 / 0 / 1

HEX #BD81FD

RGB 189 129 253

HSL 269.03, 0.97%, 0.75%

LAB 64.65, 46.53, -53.36

 

CMYK 0 / 26 / 50 / 1

HEX #FDBC7F

RGB 253 188 127

HSL 29.05, 0.97%, 0.75%

LAB 80.95, 16.49, 39.88

 

CMYK 33 / 0 / 49 / 1

HEX #A9FD81

RGB 169 253 129

HSL 100.65, 0.97%, 0.75%

LAB 91.81, -46.89, 51.07

 

CMYK 49 / 24 / 0 / 1

HEX #81C1FD

RGB 129 193 253

HSL 209.03, 0.97%, 0.75%

LAB 76.01, -4.44, -35.87

 

CMYK 15 / 49 / 0 / 1

HEX #D681FD

RGB 214 129 253

HSL 281.13, 0.97%, 0.75%

LAB 67.34, 53.11, -48.93

 

CMYK 0 / 26 / 50 / 1

HEX #FDBC7F

RGB 253 188 127

HSL 29.05, 0.97%, 0.75%

LAB 80.95, 16.49, 39.88

 

CMYK 48 / 0 / 49 / 1

HEX #83FD81

RGB 131 253 129

HSL 119.03, 0.97%, 0.75%

LAB 90.17, -58.2, 48.68

 

CMYK 49 / 24 / 0 / 1

HEX #81C1FD

RGB 129 193 253

HSL 209.03, 0.97%, 0.75%

LAB 76.01, -4.44, -35.87

 

CMYK 1 / 49 / 0 / 1

HEX #FB81FD

RGB 251 129 253

HSL 299.03, 0.97%, 0.75%

LAB 71.76, 63.06, -41.69

 

Description

Color code: HEX #FDBC7F | qconv.com Color code: HEX #FDBC7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 188 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 188 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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