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Color name
HEX #FDBB0E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBB0E it is the complementary color #0244F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBB0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBB0E shade: #FFBB09, #FFCD1C, #FFDF2F, #FFF142 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBB0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBB0E shade: #FDBB0E, #ECA900, #DB9700, #CA8500 and #B97300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBB0E shade: #FDBA0D, #FD7A0D, #FD390D and #FD0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBB0E shade: #FDBA0D, #FDFB0D, #BDFD0D, #7DFD0D and #3CFD0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBB0E shade matches the following richer shades: #FDBA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBB0E shade: #FDBA0D, #E9B120, #D5A934, #C1A048 and #AD975C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBB0E shade: #FD390D, #FD790D, #FDB90D, #FDF90D and #C1FD0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBB0E shade: #B58302, #DEA102, #FDBA0D, #FDC635 and #FDD15E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBB0E shade: #FDBB0E, #21FD0D and #590DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBB0E shade: #FDBB0E, #0DFDB9 and #B90DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBB0E shade: #FDBB0E, #21FD0D, #0D51FD and #E90DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBB0E shade: #FDBB0E, #0DFD41, #0D51FD and #FD0DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 94 / 1

HEX #FDBB0E

RGB 253 187 14

HSL 43.43, 0.98%, 0.52%

LAB 79.87, 11.73, 80.71

 

Complementary color

CMYK 99 / 72 / 0 / 5

HEX #0244F1

RGB 2 68 241

HSL 223.43, 0.98%, 0.48%

LAB 38.72, 51.1, -89.3

 

CMYK 0 / 27 / 96 / 0

HEX #FFBB09

RGB 255 187 9

HSL 43.41, 1%, 0.52%

LAB 80.08, 12.53, 81.49

 

CMYK 0 / 20 / 89 / 0

HEX #FFCD1C

RGB 255 205 28

HSL 46.78, 1%, 0.55%

LAB 84.49, 3.46, 82.09

 

CMYK 0 / 13 / 82 / 0

HEX #FFDF2F

RGB 255 223 47

HSL 50.77, 1%, 0.59%

LAB 89.04, -5.24, 81.55

 

CMYK 0 / 5 / 74 / 0

HEX #FFF142

RGB 255 241 66

HSL 55.56, 1%, 0.63%

LAB 93.69, -13.51, 80.2

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 26 / 94 / 1

HEX #FDBB0E

RGB 253 187 14

HSL 43.43, 0.98%, 0.52%

LAB 79.87, 11.73, 80.71

 

CMYK 0 / 28 / 100 / 7

HEX #ECA900

RGB 236 169 0

HSL 42.97, 1%, 0.46%

LAB 73.68, 13.76, 77.07

 

CMYK 0 / 31 / 100 / 14

HEX #DB9700

RGB 219 151 0

HSL 41.37, 1%, 0.43%

LAB 67.42, 15.99, 71.94

 

CMYK 0 / 34 / 100 / 21

HEX #CA8500

RGB 202 133 0

HSL 39.5, 1%, 0.4%

LAB 61.07, 18.3, 66.76

 

CMYK 0 / 38 / 100 / 27

HEX #B97300

RGB 185 115 0

HSL 37.3, 1%, 0.36%

LAB 54.63, 20.7, 61.51

 

CMYK 0 / 26 / 95 / 1

HEX #FDBA0D

RGB 253 186 13

HSL 43.25, 0.98%, 0.52%

LAB 79.63, 12.24, 80.66

 

CMYK 0 / 52 / 95 / 1

HEX #FD7A0D

RGB 253 122 13

HSL 27.25, 0.98%, 0.52%

LAB 65.62, 45.1, 71.07

 

CMYK 0 / 77 / 95 / 1

HEX #FD390D

RGB 253 57 13

HSL 11, 0.98%, 0.52%

LAB 55.93, 70.95, 65.22

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 26 / 95 / 1

HEX #FDBA0D

RGB 253 186 13

HSL 43.25, 0.98%, 0.52%

LAB 79.63, 12.24, 80.66

 

CMYK 0 / 1 / 95 / 1

HEX #FDFB0D

RGB 253 251 13

HSL 59.5, 0.98%, 0.52%

LAB 95.96, -20.38, 92.62

 

CMYK 25 / 0 / 95 / 1

HEX #BDFD0D

RGB 189 253 13

HSL 76, 0.98%, 0.52%

LAB 92.18, -46.65, 87.84

 

CMYK 51 / 0 / 95 / 1

HEX #7DFD0D

RGB 125 253 13

HSL 92, 0.98%, 0.52%

LAB 89.22, -67.77, 84.25

 

CMYK 76 / 0 / 95 / 1

HEX #3CFD0D

RGB 60 253 13

HSL 108.25, 0.98%, 0.52%

LAB 87.6, -81.27, 82.26

 

CMYK 0 / 26 / 95 / 1

HEX #FDBA0D

RGB 253 186 13

HSL 43.25, 0.98%, 0.52%

LAB 79.63, 12.24, 80.66

 

CMYK 0 / 26 / 95 / 1

HEX #FDBA0D

RGB 253 186 13

HSL 43.25, 0.98%, 0.52%

LAB 79.63, 12.24, 80.66

 

CMYK 0 / 24 / 86 / 9

HEX #E9B120

RGB 233 177 32

HSL 43.28, 0.82%, 0.52%

LAB 75.37, 8.67, 73.13

 

CMYK 0 / 21 / 76 / 16

HEX #D5A934

RGB 213 169 52

HSL 43.6, 0.66%, 0.52%

LAB 71.4, 4.87, 62.68

 

CMYK 0 / 17 / 63 / 24

HEX #C1A048

RGB 193 160 72

HSL 43.64, 0.49%, 0.52%

LAB 67.24, 2.09, 49.31

 

CMYK 0 / 13 / 47 / 32

HEX #AD975C

RGB 173 151 92

HSL 43.7, 0.33%, 0.52%

LAB 63.17, 0.06, 33.97

 

CMYK 0 / 77 / 95 / 1

HEX #FD390D

RGB 253 57 13

HSL 11, 0.98%, 0.52%

LAB 55.93, 70.95, 65.22

 

CMYK 0 / 52 / 95 / 1

HEX #FD790D

RGB 253 121 13

HSL 27, 0.98%, 0.52%

LAB 65.43, 45.58, 70.95

 

CMYK 0 / 27 / 95 / 1

HEX #FDB90D

RGB 253 185 13

HSL 43, 0.98%, 0.52%

LAB 79.39, 12.76, 80.49

 

CMYK 0 / 2 / 95 / 1

HEX #FDF90D

RGB 253 249 13

HSL 59, 0.98%, 0.52%

LAB 95.44, -19.42, 92.24

 

CMYK 24 / 0 / 95 / 1

HEX #C1FD0D

RGB 193 253 13

HSL 75, 0.98%, 0.52%

LAB 92.41, -45.15, 88.12

 

CMYK 0 / 28 / 99 / 29

HEX #B58302

RGB 181 131 2

HSL 43.24, 0.98%, 0.36%

LAB 58.09, 10.05, 63.23

 

CMYK 0 / 27 / 99 / 13

HEX #DEA102

RGB 222 161 2

HSL 43.36, 0.98%, 0.44%

LAB 70.19, 11.96, 73.72

 

CMYK 0 / 26 / 95 / 1

HEX #FDBA0D

RGB 253 186 13

HSL 43.25, 0.98%, 0.52%

LAB 79.63, 12.24, 80.66

 

CMYK 0 / 22 / 79 / 1

HEX #FDC635

RGB 253 198 53

HSL 43.5, 0.98%, 0.6%

LAB 82.66, 6.83, 74.19

 

CMYK 0 / 17 / 63 / 1

HEX #FDD15E

RGB 253 209 94

HSL 43.4, 0.98%, 0.68%

LAB 85.65, 3.11, 61.32

 

CMYK 0 / 26 / 94 / 1

HEX #FDBB0E

RGB 253 187 14

HSL 43.43, 0.98%, 0.52%

LAB 79.87, 11.73, 80.71

 

CMYK 87 / 0 / 95 / 1

HEX #21FD0D

RGB 33 253 13

HSL 115, 0.98%, 0.52%

LAB 87.29, -84.05, 81.88

 

CMYK 65 / 95 / 0 / 1

HEX #590DFD

RGB 89 13 253

HSL 259, 0.98%, 0.52%

LAB 36.94, 78.79, -98.9

 

CMYK 0 / 26 / 94 / 1

HEX #FDBB0E

RGB 253 187 14

HSL 43.43, 0.98%, 0.52%

LAB 79.87, 11.73, 80.71

 

CMYK 95 / 0 / 27 / 1

HEX #0DFDB9

RGB 13 253 185

HSL 163, 0.98%, 0.52%

LAB 88.85, -64.99, 18.8

 

CMYK 27 / 95 / 0 / 1

HEX #B90DFD

RGB 185 13 253

HSL 283, 0.98%, 0.52%

LAB 49.12, 87.26, -78.39

 

CMYK 0 / 26 / 94 / 1

HEX #FDBB0E

RGB 253 187 14

HSL 43.43, 0.98%, 0.52%

LAB 79.87, 11.73, 80.71

 

CMYK 87 / 0 / 95 / 1

HEX #21FD0D

RGB 33 253 13

HSL 115, 0.98%, 0.52%

LAB 87.29, -84.05, 81.88

 

CMYK 95 / 68 / 0 / 1

HEX #0D51FD

RGB 13 81 253

HSL 223, 0.98%, 0.52%

LAB 42.86, 47.8, -89.2

 

CMYK 8 / 95 / 0 / 1

HEX #E90DFD

RGB 233 13 253

HSL 295, 0.98%, 0.52%

LAB 56.79, 93.84, -65.61

 

CMYK 0 / 26 / 94 / 1

HEX #FDBB0E

RGB 253 187 14

HSL 43.43, 0.98%, 0.52%

LAB 79.87, 11.73, 80.71

 

CMYK 95 / 0 / 74 / 1

HEX #0DFD41

RGB 13 253 65

HSL 133, 0.98%, 0.52%

LAB 87.35, -82.88, 71.04

 

CMYK 95 / 68 / 0 / 1

HEX #0D51FD

RGB 13 81 253

HSL 223, 0.98%, 0.52%

LAB 42.86, 47.8, -89.2

 

CMYK 0 / 95 / 21 / 1

HEX #FD0DC9

RGB 253 13 201

HSL 313, 0.98%, 0.52%

LAB 57.45, 90.22, -34.98

 

Description

Color code: HEX #FDBB0E | qconv.com Color code: HEX #FDBB0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 187 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 187 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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