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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDB992 it is the complementary color #02466D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDB992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDB992 shade: #FFB98D, #FFCBA0, #FFDDB3, #FFEFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDB992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDB992 shade: #FDB992, #ECA77F, #DB956C, #CA8359 and #B97146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDB992 shade: #FDB891, #FD9B91 and #FD9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDB992 shade: #FDB891, #FDD591, #FDF291, #EAFD91 and #CDFD91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDB992 shade matches the following richer shades: #FDB891

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDB992 shade: #FDB891, #F4BB9A, #EBBDA3, #E2C0AC and #D8C2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDB992 shade: #FD91A5, #FD9A91, #FDB791, #FDD391 and #FDF091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDB992 shade: #FB8440, #FC9E69, #FDB891, #FED2B9 and #FEECE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDB992 shade: #FDB992, #C2FD91 and #9196FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDB992 shade: #FDB992, #91FDB7 and #B791FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDB992 shade: #FDB992, #C2FD91, #91D7FD and #CC91FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDB992 shade: #FDB992, #A1FD91, #91D7FD and #ED91FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 42 / 1

HEX #FDB992

RGB 253 185 146

HSL 21.87, 0.96%, 0.78%

LAB 80.55, 19.9, 29.46

 

Complementary color

CMYK 98 / 36 / 0 / 57

HEX #02466D

RGB 2 70 109

HSL 201.87, 0.96%, 0.22%

LAB 28.11, -3.08, -27.86

 

CMYK 0 / 27 / 45 / 0

HEX #FFB98D

RGB 255 185 141

HSL 23.16, 1%, 0.78%

LAB 80.67, 20.17, 32.29

 

CMYK 0 / 20 / 37 / 0

HEX #FFCBA0

RGB 255 203 160

HSL 27.16, 1%, 0.81%

LAB 85.26, 12.8, 28.46

 

CMYK 0 / 13 / 30 / 0

HEX #FFDDB3

RGB 255 221 179

HSL 33.16, 1%, 0.85%

LAB 89.96, 5.77, 24.98

 

CMYK 0 / 6 / 22 / 0

HEX #FFEFC6

RGB 255 239 198

HSL 43.16, 1%, 0.89%

LAB 94.77, -0.88, 21.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 27 / 42 / 1

HEX #FDB992

RGB 253 185 146

HSL 21.87, 0.96%, 0.78%

LAB 80.55, 19.9, 29.46

 

CMYK 0 / 29 / 46 / 7

HEX #ECA77F

RGB 236 167 127

HSL 22.02, 0.74%, 0.71%

LAB 74.19, 20.81, 30.79

 

CMYK 0 / 32 / 51 / 14

HEX #DB956C

RGB 219 149 108

HSL 22.16, 0.61%, 0.64%

LAB 67.75, 21.84, 32.24

 

CMYK 0 / 35 / 56 / 21

HEX #CA8359

RGB 202 131 89

HSL 22.3, 0.52%, 0.57%

LAB 61.23, 23.01, 33.82

 

CMYK 0 / 39 / 62 / 27

HEX #B97146

RGB 185 113 70

HSL 22.43, 0.45%, 0.5%

LAB 54.62, 24.35, 35.54

 

CMYK 0 / 27 / 43 / 1

HEX #FDB891

RGB 253 184 145

HSL 21.67, 0.96%, 0.78%

LAB 80.3, 20.32, 29.65

 

CMYK 0 / 39 / 43 / 1

HEX #FD9B91

RGB 253 155 145

HSL 5.56, 0.96%, 0.78%

LAB 73.78, 35.48, 20.84

 

CMYK 0 / 43 / 43 / 1

HEX #FD9191

RGB 253 145 145

HSL 0, 0.96%, 0.78%

LAB 71.68, 40.62, 17.94

 

CMYK 0 / 27 / 43 / 1

HEX #FDB891

RGB 253 184 145

HSL 21.67, 0.96%, 0.78%

LAB 80.3, 20.32, 29.65

 

CMYK 0 / 16 / 43 / 1

HEX #FDD591

RGB 253 213 145

HSL 37.78, 0.96%, 0.78%

LAB 87.25, 5.23, 38.78

 

CMYK 0 / 4 / 43 / 1

HEX #FDF291

RGB 253 242 145

HSL 53.89, 0.96%, 0.78%

LAB 94.5, -9.42, 48

 

CMYK 8 / 0 / 43 / 1

HEX #EAFD91

RGB 234 253 145

HSL 70.56, 0.96%, 0.78%

LAB 95.91, -22.04, 49.46

 

CMYK 19 / 0 / 43 / 1

HEX #CDFD91

RGB 205 253 145

HSL 86.67, 0.96%, 0.78%

LAB 94, -32.7, 46.66

 

CMYK 0 / 27 / 43 / 1

HEX #FDB891

RGB 253 184 145

HSL 21.67, 0.96%, 0.78%

LAB 80.3, 20.32, 29.65

 

CMYK 0 / 27 / 43 / 1

HEX #FDB891

RGB 253 184 145

HSL 21.67, 0.96%, 0.78%

LAB 80.3, 20.32, 29.65

 

CMYK 0 / 23 / 37 / 4

HEX #F4BB9A

RGB 244 187 154

HSL 22, 0.8%, 0.78%

LAB 80.24, 16.25, 24.65

 

CMYK 0 / 20 / 31 / 8

HEX #EBBDA3

RGB 235 189 163

HSL 21.67, 0.64%, 0.78%

LAB 80.01, 12.85, 19.39

 

CMYK 0 / 15 / 24 / 11

HEX #E2C0AC

RGB 226 192 172

HSL 22.22, 0.48%, 0.78%

LAB 80.09, 9.07, 14.57

 

CMYK 0 / 10 / 16 / 15

HEX #D8C2B5

RGB 216 194 181

HSL 22.29, 0.31%, 0.78%

LAB 79.91, 5.65, 9.35

 

CMYK 0 / 43 / 35 / 1

HEX #FD91A5

RGB 253 145 165

HSL 348.89, 0.96%, 0.78%

LAB 72.13, 42.83, 7.48

 

CMYK 0 / 39 / 43 / 1

HEX #FD9A91

RGB 253 154 145

HSL 5, 0.96%, 0.78%

LAB 73.57, 36, 20.55

 

CMYK 0 / 28 / 43 / 1

HEX #FDB791

RGB 253 183 145

HSL 21.11, 0.96%, 0.78%

LAB 80.06, 20.85, 29.34

 

CMYK 0 / 17 / 43 / 1

HEX #FDD391

RGB 253 211 145

HSL 36.67, 0.96%, 0.78%

LAB 86.76, 6.26, 38.14

 

CMYK 0 / 5 / 43 / 1

HEX #FDF091

RGB 253 240 145

HSL 52.78, 0.96%, 0.78%

LAB 93.99, -8.43, 47.36

 

CMYK 0 / 47 / 75 / 2

HEX #FB8440

RGB 251 132 64

HSL 21.82, 0.96%, 0.62%

LAB 67.56, 40.63, 55.41

 

CMYK 0 / 37 / 58 / 1

HEX #FC9E69

RGB 252 158 105

HSL 21.63, 0.96%, 0.7%

LAB 73.66, 30.01, 42.07

 

CMYK 0 / 27 / 43 / 1

HEX #FDB891

RGB 253 184 145

HSL 21.67, 0.96%, 0.78%

LAB 80.3, 20.32, 29.65

 

CMYK 0 / 17 / 27 / 0

HEX #FED2B9

RGB 254 210 185

HSL 21.74, 0.97%, 0.86%

LAB 87.32, 11.86, 18.18

 

CMYK 0 / 7 / 11 / 0

HEX #FEECE2

RGB 254 236 226

HSL 21.43, 0.93%, 0.94%

LAB 94.55, 4.46, 7.03

 

CMYK 0 / 27 / 42 / 1

HEX #FDB992

RGB 253 185 146

HSL 21.87, 0.96%, 0.78%

LAB 80.55, 19.9, 29.46

 

CMYK 23 / 0 / 43 / 1

HEX #C2FD91

RGB 194 253 145

HSL 92.78, 0.96%, 0.78%

LAB 93.35, -36.57, 45.69

 

CMYK 43 / 41 / 0 / 1

HEX #9196FD

RGB 145 150 253

HSL 237.22, 0.96%, 0.78%

LAB 65.69, 23.56, -51.96

 

CMYK 0 / 27 / 42 / 1

HEX #FDB992

RGB 253 185 146

HSL 21.87, 0.96%, 0.78%

LAB 80.55, 19.9, 29.46

 

CMYK 43 / 0 / 28 / 1

HEX #91FDB7

RGB 145 253 183

HSL 141.11, 0.96%, 0.78%

LAB 91.55, -46.02, 23.99

 

CMYK 28 / 43 / 0 / 1

HEX #B791FD

RGB 183 145 253

HSL 261.11, 0.96%, 0.78%

LAB 67.58, 36.19, -48.76

 

CMYK 0 / 27 / 42 / 1

HEX #FDB992

RGB 253 185 146

HSL 21.87, 0.96%, 0.78%

LAB 80.55, 19.9, 29.46

 

CMYK 23 / 0 / 43 / 1

HEX #C2FD91

RGB 194 253 145

HSL 92.78, 0.96%, 0.78%

LAB 93.35, -36.57, 45.69

 

CMYK 43 / 15 / 0 / 1

HEX #91D7FD

RGB 145 215 253

HSL 201.11, 0.96%, 0.78%

LAB 82.76, -12.33, -25.42

 

CMYK 19 / 43 / 0 / 1

HEX #CC91FD

RGB 204 145 253

HSL 272.78, 0.96%, 0.78%

LAB 69.6, 41.96, -45.46

 

CMYK 0 / 27 / 42 / 1

HEX #FDB992

RGB 253 185 146

HSL 21.87, 0.96%, 0.78%

LAB 80.55, 19.9, 29.46

 

CMYK 36 / 0 / 43 / 1

HEX #A1FD91

RGB 161 253 145

HSL 111.11, 0.96%, 0.78%

LAB 91.63, -47.42, 43.15

 

CMYK 43 / 15 / 0 / 1

HEX #91D7FD

RGB 145 215 253

HSL 201.11, 0.96%, 0.78%

LAB 82.76, -12.33, -25.42

 

CMYK 6 / 43 / 0 / 1

HEX #ED91FD

RGB 237 145 253

HSL 291.11, 0.96%, 0.78%

LAB 73.12, 51.31, -39.69

 

Description

Color code: HEX #FDB992 | qconv.com Color code: HEX #FDB992 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 185 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 185 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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