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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDB7293F it is the complementary color #0248D63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDB7293F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDB7293F shade: #FFB7243F, #FFC9373F, #FFDB4A3F, #FFED5D3F and #FFFF703F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDB7293F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDB7293F shade: #FDB7293F, #ECA5163F, #DB93033F, #CA81003F and #B96F003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDB7293F shade: #FDB82B, #FD7F2B, #FD462B and #FD2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDB7293F shade: #FDB82B, #FDF02B, #D1FD2B, #98FD2B and #60FD2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDB7293F shade matches the following richer shades: #FDB82B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDB7293F shade: #FDB82B, #ECB23C, #DAAC4E, #C9A65F and #B8A070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDB7293F shade: #FD472B, #FD7F2B, #FDB72B, #FDEF2B and #D3FD2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDB7293F shade: #D38E02, #FCAA03, #FDB82B, #FDC554 and #FED37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDB7293F shade: #FDB729, #47FD2B and #632BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDB7293F shade: #FDB729, #2BFDB7 and #B72BFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDB7293F shade: #FDB729, #47FD2B, #2B71FD and #E12BFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDB7293F shade: #FDB729, #2BFD4E, #2B71FD and #FD2BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 21 / 0

HEX #FDB7293F

RGBA 253 183 41 0.25

HSLA 40.19, 0.98%, 0.58%, 0.25

LABA 78.99, 14.28, 74.61, 0.25

 

Complementary color

CMYK 25 / 17 / 0 / 4

HEX #0248D63F

RGBA 2 72 214 0.25

HSLA 220.19, 0.98%, 0.42%, 0.25

LABA 36.93, 38.88, -76.87, 0.25

 

CMYK 0 / 7 / 21 / 0

HEX #FFB7243F

RGBA 255 183 36 0.25

HSLA 40.27, 1%, 0.57%, 0.25

LABA 79.19, 15, 76.19, 0.25

 

CMYK 0 / 5 / 20 / 0

HEX #FFC9373F

RGBA 255 201 55 0.25

HSLA 43.8, 1%, 0.61%, 0.25

LABA 83.6, 6.2, 74.47, 0.25

 

CMYK 0 / 4 / 18 / 0

HEX #FFDB4A3F

RGBA 255 219 74 0.25

HSLA 48.07, 1%, 0.65%, 0.25

LABA 88.17, -2.24, 72.16, 0.25

 

CMYK 0 / 2 / 16 / 0

HEX #FFED5D3F

RGBA 255 237 93 0.25

HSLA 53.33, 1%, 0.68%, 0.25

LABA 92.85, -10.23, 69.55, 0.25

 

CMYK 0 / 0 / 14 / 0

HEX #FFFF703F

RGBA 255 255 112 0.25

HSLA 60, 1%, 0.72%, 0.25

LABA 97.61, -17.77, 66.83, 0.25

 

CMYK 0 / 7 / 21 / 0

HEX #FDB7293F

RGBA 253 183 41 0.25

HSLA 40.19, 0.98%, 0.58%, 0.25

LABA 78.99, 14.28, 74.61, 0.25

 

CMYK 0 / 8 / 23 / 2

HEX #ECA5163F

RGBA 236 165 22 0.25

HSLA 40.09, 0.85%, 0.51%, 0.25

LABA 72.76, 16.11, 73.43, 0.25

 

CMYK 0 / 8 / 25 / 4

HEX #DB93033F

RGBA 219 147 3 0.25

HSLA 40, 0.97%, 0.44%, 0.25

LABA 66.47, 18.17, 70.9, 0.25

 

CMYK 0 / 9 / 25 / 5

HEX #CA81003F

RGBA 202 129 0 0.25

HSLA 38.32, 1%, 0.4%, 0.25

LABA 60.12, 20.48, 66.13, 0.25

 

CMYK 0 / 10 / 25 / 7

HEX #B96F003F

RGBA 185 111 0 0.25

HSLA 36, 1%, 0.36%, 0.25

LABA 53.69, 22.9, 60.9, 0.25

 

CMYK 0 / 27 / 83 / 1

HEX #FDB82B

RGB 253 184 43

HSL 40.29, 0.98%, 0.58%

LAB 79.24, 13.81, 74.25

 

CMYK 0 / 50 / 83 / 1

HEX #FD7F2B

RGB 253 127 43

HSL 24, 0.98%, 0.58%

LAB 66.7, 43.18, 63.54

 

CMYK 0 / 72 / 83 / 1

HEX #FD462B

RGB 253 70 43

HSL 7.71, 0.98%, 0.58%

LAB 57.5, 67.43, 55.48

 

CMYK 0 / 83 / 83 / 1

HEX #FD2B2B

RGB 253 43 43

HSL 0, 0.98%, 0.58%

LAB 54.85, 74.87, 53.11

 

CMYK 0 / 27 / 83 / 1

HEX #FDB82B

RGB 253 184 43

HSL 40.29, 0.98%, 0.58%

LAB 79.24, 13.81, 74.25

 

CMYK 0 / 5 / 83 / 1

HEX #FDF02B

RGB 253 240 43

HSL 56.29, 0.98%, 0.58%

LAB 93.18, -14.59, 85.92

 

CMYK 17 / 0 / 83 / 1

HEX #D1FD2B

RGB 209 253 43

HSL 72.57, 0.98%, 0.58%

LAB 93.44, -38.44, 84.86

 

CMYK 40 / 0 / 83 / 1

HEX #98FD2B

RGB 152 253 43

HSL 88.86, 0.98%, 0.58%

LAB 90.37, -58.9, 81

 

CMYK 62 / 0 / 83 / 1

HEX #60FD2B

RGB 96 253 43

HSL 104.86, 0.98%, 0.58%

LAB 88.41, -74.13, 78.51

 

CMYK 0 / 27 / 83 / 1

HEX #FDB82B

RGB 253 184 43

HSL 40.29, 0.98%, 0.58%

LAB 79.24, 13.81, 74.25

 

CMYK 0 / 27 / 83 / 1

HEX #FDB82B

RGB 253 184 43

HSL 40.29, 0.98%, 0.58%

LAB 79.24, 13.81, 74.25

 

CMYK 0 / 25 / 75 / 7

HEX #ECB23C

RGB 236 178 60

HSL 40.23, 0.82%, 0.58%

LAB 76.07, 10.32, 64.97

 

CMYK 0 / 21 / 64 / 15

HEX #DAAC4E

RGB 218 172 78

HSL 40.29, 0.65%, 0.58%

LAB 72.87, 6.77, 53.46

 

CMYK 0 / 17 / 53 / 21

HEX #C9A65F

RGB 201 166 95

HSL 40.19, 0.5%, 0.58%

LAB 69.84, 4.05, 41.26

 

CMYK 0 / 13 / 39 / 28

HEX #B8A070

RGB 184 160 112

HSL 40, 0.34%, 0.58%

LAB 66.9, 1.94, 28.27

 

CMYK 0 / 72 / 83 / 1

HEX #FD472B

RGB 253 71 43

HSL 8, 0.98%, 0.58%

LAB 57.62, 67.09, 55.59

 

CMYK 0 / 50 / 83 / 1

HEX #FD7F2B

RGB 253 127 43

HSL 24, 0.98%, 0.58%

LAB 66.7, 43.18, 63.54

 

CMYK 0 / 28 / 83 / 1

HEX #FDB72B

RGB 253 183 43

HSL 40, 0.98%, 0.58%

LAB 79, 14.33, 74.05

 

CMYK 0 / 6 / 83 / 1

HEX #FDEF2B

RGB 253 239 43

HSL 56, 0.98%, 0.58%

LAB 92.92, -14.1, 85.71

 

CMYK 17 / 0 / 83 / 1

HEX #D3FD2B

RGB 211 253 43

HSL 72, 0.98%, 0.58%

LAB 93.57, -37.66, 85.02

 

CMYK 0 / 33 / 99 / 17

HEX #D38E02

RGB 211 142 2

HSL 40.19, 0.98%, 0.42%

LAB 64.32, 17.37, 69.14

 

CMYK 0 / 33 / 99 / 1

HEX #FCAA03

RGB 252 170 3

HSL 40.24, 0.98%, 0.5%

LAB 75.73, 20.09, 78.98

 

CMYK 0 / 27 / 83 / 1

HEX #FDB82B

RGB 253 184 43

HSL 40.29, 0.98%, 0.58%

LAB 79.24, 13.81, 74.25

 

CMYK 0 / 22 / 67 / 1

HEX #FDC554

RGB 253 197 84

HSL 40.12, 0.98%, 0.66%

LAB 82.62, 8.71, 62.39

 

CMYK 0 / 17 / 51 / 0

HEX #FED37D

RGB 254 211 125

HSL 40, 0.98%, 0.74%

LAB 86.57, 4.78, 47.92

 

CMYK 0 / 28 / 84 / 1

HEX #FDB729

RGB 253 183 41

HSL 40.19, 0.98%, 0.58%

LAB 78.99, 14.28, 74.61

 

CMYK 72 / 0 / 83 / 1

HEX #47FD2B

RGB 71 253 43

HSL 112, 0.98%, 0.58%

LAB 87.86, -78.79, 77.81

 

CMYK 61 / 83 / 0 / 1

HEX #632BFD

RGB 99 43 253

HSL 256, 0.98%, 0.58%

LAB 40.36, 71.93, -93.18

 

CMYK 0 / 28 / 84 / 1

HEX #FDB729

RGB 253 183 41

HSL 40.19, 0.98%, 0.58%

LAB 78.99, 14.28, 74.61

 

CMYK 83 / 0 / 28 / 1

HEX #2BFDB7

RGB 43 253 183

HSL 160, 0.98%, 0.58%

LAB 89.01, -63.89, 20.08

 

CMYK 28 / 83 / 0 / 1

HEX #B72BFD

RGB 183 43 253

HSL 280, 0.98%, 0.58%

LAB 50.55, 81.86, -76.07

 

CMYK 0 / 28 / 84 / 1

HEX #FDB729

RGB 253 183 41

HSL 40.19, 0.98%, 0.58%

LAB 78.99, 14.28, 74.61

 

CMYK 72 / 0 / 83 / 1

HEX #47FD2B

RGB 71 253 43

HSL 112, 0.98%, 0.58%

LAB 87.86, -78.79, 77.81

 

CMYK 83 / 55 / 0 / 1

HEX #2B71FD

RGB 43 113 253

HSL 220, 0.98%, 0.58%

LAB 51.17, 29.25, -75.55

 

CMYK 11 / 83 / 0 / 1

HEX #E12BFD

RGB 225 43 253

HSL 292, 0.98%, 0.58%

LAB 56.91, 88.42, -65.48

 

CMYK 0 / 28 / 84 / 1

HEX #FDB729

RGB 253 183 41

HSL 40.19, 0.98%, 0.58%

LAB 78.99, 14.28, 74.61

 

CMYK 83 / 0 / 69 / 1

HEX #2BFD4E

RGB 43 253 78

HSL 130, 0.98%, 0.58%

LAB 87.64, -80, 66.93

 

CMYK 83 / 55 / 0 / 1

HEX #2B71FD

RGB 43 113 253

HSL 220, 0.98%, 0.58%

LAB 51.17, 29.25, -75.55

 

CMYK 0 / 83 / 14 / 1

HEX #FD2BDA

RGB 253 43 218

HSL 310, 0.98%, 0.58%

LAB 59.59, 88.36, -41.31

 

Description

Color code: HEX #FDB7293F | qconv.com Color code: HEX #FDB7293F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 183 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 183 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 21 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 21% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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