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Color name
HEX #FDAC24

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDAC24 it is the complementary color #0253DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDAC24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDAC24 shade: #FFAC1F, #FFBE32, #FFD045, #FFE258 and #FFF46B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDAC24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDAC24 shade: #FDAC24, #EC9A11, #DB8800, #CA7600 and #B96400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDAC24 shade: #FDAD26, #FD7326, #FD3926 and #FD2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDAC24 shade: #FDAD26, #FDE726, #D9FD26, #9FFD26 and #65FD26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDAC24 shade matches the following richer shades: #FDAD26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDAC24 shade: #FDAD26, #EBA838, #D9A449, #C89F5B and #B69B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDAC24 shade: #FD3826, #FD7126, #FDAA26, #FDE426 and #DDFD26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDAC24 shade: #CE8202, #F79C02, #FDAD26, #FDBC4F and #FECC78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDAC24 shade: #FDAC24, #4DFD26 and #5426FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDAC24 shade: #FDAC24, #26FDAA and #AA26FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDAC24 shade: #FDAC24, #4DFD26, #2678FD and #D526FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDAC24 shade: #FDAC24, #26FD3F, #2678FD and #FD26E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 86 / 1

HEX #FDAC24

RGB 253 172 36

HSL 37.6, 0.98%, 0.57%

LAB 76.38, 19.91, 73.84

 

Complementary color

CMYK 99 / 62 / 0 / 14

HEX #0253DB

RGB 2 83 219

HSL 217.6, 0.98%, 0.43%

LAB 40.1, 33.7, -74.53

 

CMYK 0 / 33 / 88 / 0

HEX #FFAC1F

RGB 255 172 31

HSL 37.77, 1%, 0.56%

LAB 76.6, 20.64, 75.36

 

CMYK 0 / 25 / 80 / 0

HEX #FFBE32

RGB 255 190 50

HSL 40.98, 1%, 0.6%

LAB 80.91, 11.73, 73.67

 

CMYK 0 / 18 / 73 / 0

HEX #FFD045

RGB 255 208 69

HSL 44.84, 1%, 0.64%

LAB 85.4, 3.14, 71.3

 

CMYK 0 / 11 / 65 / 0

HEX #FFE258

RGB 255 226 88

HSL 49.58, 1%, 0.67%

LAB 90.02, -5.05, 68.6

 

CMYK 0 / 4 / 58 / 0

HEX #FFF46B

RGB 255 244 107

HSL 55.54, 1%, 0.71%

LAB 94.75, -12.78, 65.78

 

CMYK 0 / 32 / 86 / 1

HEX #FDAC24

RGB 253 172 36

HSL 37.6, 0.98%, 0.57%

LAB 76.38, 19.91, 73.84

 

CMYK 0 / 35 / 93 / 7

HEX #EC9A11

RGB 236 154 17

HSL 37.53, 0.87%, 0.5%

LAB 70.17, 21.87, 72.44

 

CMYK 0 / 38 / 100 / 14

HEX #DB8800

RGB 219 136 0

HSL 37.26, 1%, 0.43%

LAB 63.89, 24.04, 69.63

 

CMYK 0 / 42 / 100 / 21

HEX #CA7600

RGB 202 118 0

HSL 35.05, 1%, 0.4%

LAB 57.57, 26.44, 64.5

 

CMYK 0 / 46 / 100 / 27

HEX #B96400

RGB 185 100 0

HSL 32.43, 1%, 0.36%

LAB 51.18, 28.9, 59.33

 

CMYK 0 / 32 / 85 / 1

HEX #FDAD26

RGB 253 173 38

HSL 37.67, 0.98%, 0.57%

LAB 76.62, 19.43, 73.49

 

CMYK 0 / 55 / 85 / 1

HEX #FD7326

RGB 253 115 38

HSL 21.49, 0.98%, 0.57%

LAB 64.39, 48.85, 63.43

 

CMYK 0 / 77 / 85 / 1

HEX #FD3926

RGB 253 57 38

HSL 5.3, 0.98%, 0.57%

LAB 56.04, 71.3, 56.49

 

CMYK 0 / 85 / 85 / 1

HEX #FD2626

RGB 253 38 38

HSL 0, 0.98%, 0.57%

LAB 54.46, 75.78, 55.17

 

CMYK 0 / 32 / 85 / 1

HEX #FDAD26

RGB 253 173 38

HSL 37.67, 0.98%, 0.57%

LAB 76.62, 19.43, 73.49

 

CMYK 0 / 9 / 85 / 1

HEX #FDE726

RGB 253 231 38

HSL 53.86, 0.98%, 0.57%

LAB 90.86, -10.29, 85.1

 

CMYK 14 / 0 / 85 / 1

HEX #D9FD26

RGB 217 253 38

HSL 70.05, 0.98%, 0.57%

LAB 93.94, -35.45, 86.52

 

CMYK 37 / 0 / 85 / 1

HEX #9FFD26

RGB 159 253 38

HSL 86.23, 0.98%, 0.57%

LAB 90.67, -56.77, 82.44

 

CMYK 60 / 0 / 85 / 1

HEX #65FD26

RGB 101 253 38

HSL 102.42, 0.98%, 0.57%

LAB 88.52, -73.22, 79.74

 

CMYK 0 / 32 / 85 / 1

HEX #FDAD26

RGB 253 173 38

HSL 37.67, 0.98%, 0.57%

LAB 76.62, 19.43, 73.49

 

CMYK 0 / 32 / 85 / 1

HEX #FDAD26

RGB 253 173 38

HSL 37.67, 0.98%, 0.57%

LAB 76.62, 19.43, 73.49

 

CMYK 0 / 29 / 76 / 8

HEX #EBA838

RGB 235 168 56

HSL 37.54, 0.82%, 0.57%

LAB 73.51, 15.02, 64.01

 

CMYK 0 / 24 / 66 / 15

HEX #D9A449

RGB 217 164 73

HSL 37.92, 0.65%, 0.57%

LAB 70.72, 10.31, 53.37

 

CMYK 0 / 21 / 55 / 22

HEX #C89F5B

RGB 200 159 91

HSL 37.43, 0.5%, 0.57%

LAB 67.9, 7.06, 40.92

 

CMYK 0 / 15 / 40 / 29

HEX #B69B6D

RGB 182 155 109

HSL 37.81, 0.33%, 0.57%

LAB 65.35, 3.49, 27.83

 

CMYK 0 / 78 / 85 / 1

HEX #FD3826

RGB 253 56 38

HSL 5.02, 0.98%, 0.57%

LAB 55.94, 71.58, 56.4

 

CMYK 0 / 55 / 85 / 1

HEX #FD7126

RGB 253 113 38

HSL 20.93, 0.98%, 0.57%

LAB 64.03, 49.79, 63.13

 

CMYK 0 / 33 / 85 / 1

HEX #FDAA26

RGB 253 170 38

HSL 36.84, 0.98%, 0.57%

LAB 75.93, 21, 72.92

 

CMYK 0 / 10 / 85 / 1

HEX #FDE426

RGB 253 228 38

HSL 53.02, 0.98%, 0.57%

LAB 90.1, -8.8, 84.48

 

CMYK 13 / 0 / 85 / 1

HEX #DDFD26

RGB 221 253 38

HSL 68.93, 0.98%, 0.57%

LAB 94.21, -33.87, 86.85

 

CMYK 0 / 37 / 99 / 19

HEX #CE8202

RGB 206 130 2

HSL 37.65, 0.98%, 0.41%

LAB 60.86, 21.7, 66.54

 

CMYK 0 / 37 / 99 / 3

HEX #F79C02

RGB 247 156 2

HSL 37.71, 0.98%, 0.49%

LAB 71.93, 25.31, 76.28

 

CMYK 0 / 32 / 85 / 1

HEX #FDAD26

RGB 253 173 38

HSL 37.67, 0.98%, 0.57%

LAB 76.62, 19.43, 73.49

 

CMYK 0 / 26 / 69 / 1

HEX #FDBC4F

RGB 253 188 79

HSL 37.59, 0.98%, 0.65%

LAB 80.41, 13.12, 62.2

 

CMYK 0 / 20 / 53 / 0

HEX #FECC78

RGB 254 204 120

HSL 37.61, 0.99%, 0.73%

LAB 84.8, 7.97, 48.2

 

CMYK 0 / 32 / 86 / 1

HEX #FDAC24

RGB 253 172 36

HSL 37.6, 0.98%, 0.57%

LAB 76.38, 19.91, 73.84

 

CMYK 70 / 0 / 85 / 1

HEX #4DFD26

RGB 77 253 38

HSL 109.12, 0.98%, 0.57%

LAB 87.95, -78.01, 79.03

 

CMYK 67 / 85 / 0 / 1

HEX #5426FD

RGB 84 38 253

HSL 252.84, 0.98%, 0.57%

LAB 38.49, 72.51, -96.34

 

CMYK 0 / 32 / 86 / 1

HEX #FDAC24

RGB 253 172 36

HSL 37.6, 0.98%, 0.57%

LAB 76.38, 19.91, 73.84

 

CMYK 85 / 0 / 33 / 1

HEX #26FDAA

RGB 38 253 170

HSL 156.84, 0.98%, 0.57%

LAB 88.72, -66.99, 26.29

 

CMYK 33 / 85 / 0 / 1

HEX #AA26FD

RGB 170 38 253

HSL 276.84, 0.98%, 0.57%

LAB 48.29, 81.27, -79.84

 

CMYK 0 / 32 / 86 / 1

HEX #FDAC24

RGB 253 172 36

HSL 37.6, 0.98%, 0.57%

LAB 76.38, 19.91, 73.84

 

CMYK 70 / 0 / 85 / 1

HEX #4DFD26

RGB 77 253 38

HSL 109.12, 0.98%, 0.57%

LAB 87.95, -78.01, 79.03

 

CMYK 85 / 53 / 0 / 1

HEX #2678FD

RGB 38 120 253

HSL 217.12, 0.98%, 0.57%

LAB 52.88, 24.51, -72.78

 

CMYK 16 / 85 / 0 / 1

HEX #D526FD

RGB 213 38 253

HSL 288.84, 0.98%, 0.57%

LAB 54.68, 87.51, -69.16

 

CMYK 0 / 32 / 86 / 1

HEX #FDAC24

RGB 253 172 36

HSL 37.6, 0.98%, 0.57%

LAB 76.38, 19.91, 73.84

 

CMYK 85 / 0 / 75 / 1

HEX #26FD3F

RGB 38 253 63

HSL 126.98, 0.98%, 0.57%

LAB 87.5, -81.61, 71.88

 

CMYK 85 / 53 / 0 / 1

HEX #2678FD

RGB 38 120 253

HSL 217.12, 0.98%, 0.57%

LAB 52.88, 24.51, -72.78

 

CMYK 0 / 85 / 10 / 1

HEX #FD26E4

RGB 253 38 228

HSL 306.98, 0.98%, 0.57%

LAB 59.77, 90.57, -46.67

 

Description

Color code: HEX #FDAC24 | qconv.com Color code: HEX #FDAC24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 172 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 172 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 86 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 86% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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