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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDAC17 it is the complementary color #0253E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDAC17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDAC17 shade: #FFAC12, #FFBE25, #FFD038, #FFE24B and #FFF45E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDAC17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDAC17 shade: #FDAC17, #EC9A04, #DB8800, #CA7600 and #B96400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDAC17 shade: #FDAC17, #FD6E17, #FD3017 and #FD1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDAC17 shade: #FDAC17, #FDEA17, #D2FD17, #94FD17 and #56FD17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDAC17 shade matches the following richer shades: #FDAC17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDAC17 shade: #FDAC17, #EAA62A, #D7A03D, #C49B50 and #B19563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDAC17 shade: #FD2E17, #FD6B17, #FDA817, #FDE617 and #D6FD17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDAC17 shade: #BF7C02, #E89702, #FDAC17, #FDBA40 and #FDC968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDAC17 shade: #FDAC17, #3DFD17 and #4C17FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDAC17 shade: #FDAC17, #17FDA8 and #A817FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDAC17 shade: #FDAC17, #3DFD17, #176BFD and #D617FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDAC17 shade: #FDAC17, #17FD35, #176BFD and #FD17DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

Complementary color

CMYK 99 / 64 / 0 / 9

HEX #0253E8

RGB 2 83 232

HSL 218.87, 0.98%, 0.46%

LAB 41.26, 38.64, -80.03

 

CMYK 0 / 33 / 93 / 0

HEX #FFAC12

RGB 255 172 18

HSL 38.99, 1%, 0.54%

LAB 76.56, 20.44, 77.89

 

CMYK 0 / 25 / 85 / 0

HEX #FFBE25

RGB 255 190 37

HSL 42.11, 1%, 0.57%

LAB 80.86, 11.38, 77.29

 

CMYK 0 / 18 / 78 / 0

HEX #FFD038

RGB 255 208 56

HSL 45.83, 1%, 0.61%

LAB 85.33, 2.64, 75.7

 

CMYK 0 / 11 / 71 / 0

HEX #FFE24B

RGB 255 226 75

HSL 50.33, 1%, 0.65%

LAB 89.93, -5.71, 73.53

 

CMYK 0 / 4 / 63 / 0

HEX #FFF45E

RGB 255 244 94

HSL 55.9, 1%, 0.68%

LAB 94.64, -13.61, 71.04

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 0 / 35 / 98 / 7

HEX #EC9A04

RGB 236 154 4

HSL 38.79, 0.97%, 0.47%

LAB 70.14, 21.74, 74.21

 

CMYK 0 / 38 / 100 / 14

HEX #DB8800

RGB 219 136 0

HSL 37.26, 1%, 0.43%

LAB 63.89, 24.04, 69.63

 

CMYK 0 / 42 / 100 / 21

HEX #CA7600

RGB 202 118 0

HSL 35.05, 1%, 0.4%

LAB 57.57, 26.44, 64.5

 

CMYK 0 / 46 / 100 / 27

HEX #B96400

RGB 185 100 0

HSL 32.43, 1%, 0.36%

LAB 51.18, 28.9, 59.33

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 0 / 57 / 91 / 1

HEX #FD6E17

RGB 253 110 23

HSL 22.7, 0.98%, 0.54%

LAB 63.42, 50.9, 67.44

 

CMYK 0 / 81 / 91 / 1

HEX #FD3017

RGB 253 48 23

HSL 6.52, 0.98%, 0.54%

LAB 55.13, 73.38, 61.82

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 0 / 8 / 91 / 1

HEX #FDEA17

RGB 253 234 23

HSL 55.04, 0.98%, 0.54%

LAB 91.59, -12.04, 88.25

 

CMYK 17 / 0 / 91 / 1

HEX #D2FD17

RGB 210 253 23

HSL 71.22, 0.98%, 0.54%

LAB 93.46, -38.49, 88.34

 

CMYK 42 / 0 / 91 / 1

HEX #94FD17

RGB 148 253 23

HSL 87.39, 0.98%, 0.54%

LAB 90.14, -60.74, 84.28

 

CMYK 66 / 0 / 91 / 1

HEX #56FD17

RGB 86 253 23

HSL 103.57, 0.98%, 0.54%

LAB 88.11, -76.82, 81.77

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 0 / 29 / 82 / 8

HEX #EAA62A

RGB 234 166 42

HSL 38.75, 0.82%, 0.54%

LAB 72.85, 15.17, 68.27

 

CMYK 0 / 26 / 72 / 16

HEX #D7A03D

RGB 215 160 61

HSL 38.57, 0.66%, 0.54%

LAB 69.42, 10.96, 57.22

 

CMYK 0 / 21 / 59 / 23

HEX #C49B50

RGB 196 155 80

HSL 38.79, 0.5%, 0.54%

LAB 66.33, 6.65, 44.5

 

CMYK 0 / 16 / 44 / 31

HEX #B19563

RGB 177 149 99

HSL 38.46, 0.33%, 0.54%

LAB 63.13, 3.58, 30.26

 

CMYK 0 / 82 / 91 / 1

HEX #FD2E17

RGB 253 46 23

HSL 6, 0.98%, 0.54%

LAB 54.97, 73.85, 61.71

 

CMYK 0 / 58 / 91 / 1

HEX #FD6B17

RGB 253 107 23

HSL 21.91, 0.98%, 0.54%

LAB 62.89, 52.28, 67.07

 

CMYK 0 / 34 / 91 / 1

HEX #FDA817

RGB 253 168 23

HSL 37.83, 0.98%, 0.54%

LAB 75.42, 21.76, 76.08

 

CMYK 0 / 9 / 91 / 1

HEX #FDE617

RGB 253 230 23

HSL 54, 0.98%, 0.54%

LAB 90.57, -10.06, 87.47

 

CMYK 15 / 0 / 91 / 1

HEX #D6FD17

RGB 214 253 23

HSL 70.17, 0.98%, 0.54%

LAB 93.71, -36.93, 88.65

 

CMYK 0 / 35 / 99 / 25

HEX #BF7C02

RGB 191 124 2

HSL 38.73, 0.98%, 0.38%

LAB 57.56, 18.41, 63.44

 

CMYK 0 / 35 / 99 / 9

HEX #E89702

RGB 232 151 2

HSL 38.87, 0.98%, 0.46%

LAB 68.96, 21.61, 73.45

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 0 / 26 / 75 / 1

HEX #FDBA40

RGB 253 186 64

HSL 38.73, 0.98%, 0.62%

LAB 79.82, 13.47, 67.7

 

CMYK 0 / 21 / 59 / 1

HEX #FDC968

RGB 253 201 104

HSL 39.06, 0.97%, 0.7%

LAB 83.79, 7.89, 54.66

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 76 / 0 / 91 / 1

HEX #3DFD17

RGB 61 253 23

HSL 110.09, 0.98%, 0.54%

LAB 87.63, -80.94, 81.18

 

CMYK 70 / 91 / 0 / 1

HEX #4C17FD

RGB 76 23 253

HSL 253.83, 0.98%, 0.54%

LAB 36.44, 76.3, -99.75

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 91 / 0 / 34 / 1

HEX #17FDA8

RGB 23 253 168

HSL 157.83, 0.98%, 0.54%

LAB 88.57, -68.26, 27.09

 

CMYK 34 / 91 / 0 / 1

HEX #A817FD

RGB 168 23 253

HSL 277.83, 0.98%, 0.54%

LAB 47.01, 83.97, -81.94

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 76 / 0 / 91 / 1

HEX #3DFD17

RGB 61 253 23

HSL 110.09, 0.98%, 0.54%

LAB 87.63, -80.94, 81.18

 

CMYK 91 / 58 / 0 / 1

HEX #176BFD

RGB 23 107 253

HSL 218.09, 0.98%, 0.54%

LAB 49.24, 31.9, -78.72

 

CMYK 15 / 91 / 0 / 1

HEX #D617FD

RGB 214 23 253

HSL 289.83, 0.98%, 0.54%

LAB 54.03, 90.06, -70.21

 

CMYK 0 / 32 / 91 / 1

HEX #FDAC17

RGB 253 172 23

HSL 38.87, 0.98%, 0.54%

LAB 76.34, 19.67, 76.77

 

CMYK 91 / 0 / 79 / 1

HEX #17FD35

RGB 23 253 53

HSL 127.83, 0.98%, 0.54%

LAB 87.33, -83.24, 74.62

 

CMYK 91 / 58 / 0 / 1

HEX #176BFD

RGB 23 107 253

HSL 218.09, 0.98%, 0.54%

LAB 49.24, 31.9, -78.72

 

CMYK 0 / 91 / 12 / 1

HEX #FD17DE

RGB 253 23 222

HSL 308.09, 0.98%, 0.54%

LAB 58.76, 91.87, -44.88

 

Description

Color code: HEX #FDAC17 | qconv.com Color code: HEX #FDAC17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 172 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 172 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 91 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 91% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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