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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDAA66 it is the complementary color #025599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDAA66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDAA66 shade: #FFAA61, #FFBC74, #FFCE87, #FFE09A and #FFF2AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDAA66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDAA66 shade: #FDAA66, #EC9853, #DB8640, #CA742D and #B9621A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDAA66 shade: #FDAB68, #FD8368 and #FD6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDAA66 shade: #FDAB68, #FDD368, #FDFB68, #D6FD68 and #AEFD68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDAA66 shade matches the following richer shades: #FDAB68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDAA66 shade: #FDAB68, #F0AC75, #E4AE81, #D8AF8D and #CBB09A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDAA66 shade: #FD6875, #FD8468, #FDAB68, #FDD368 and #FDFA68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDAA66 shade: #FB7E17, #FC9540, #FDAB68, #FDC291 and #FED8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDAA66 shade: #FDAA66, #9CFD68 and #7068FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDAA66 shade: #FDAA66, #68FDAB and #AB68FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDAA66 shade: #FDAA66, #9CFD68, #68BAFD and #C968FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDAA66 shade: #FDAA66, #70FD68, #68BAFD and #F568FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 60 / 1

HEX #FDAA66

RGB 253 170 102

HSL 27.02, 0.97%, 0.7%

LAB 76.43, 23.93, 46.98

 

Complementary color

CMYK 99 / 44 / 0 / 40

HEX #025599

RGB 2 85 153

HSL 207.02, 0.97%, 0.3%

LAB 35.62, 5.61, -43.09

 

CMYK 0 / 33 / 62 / 0

HEX #FFAA61

RGB 255 170 97

HSL 27.72, 1%, 0.69%

LAB 76.6, 24.4, 49.72

 

CMYK 0 / 26 / 55 / 0

HEX #FFBC74

RGB 255 188 116

HSL 31.08, 1%, 0.73%

LAB 81.01, 16.36, 45.57

 

CMYK 0 / 19 / 47 / 0

HEX #FFCE87

RGB 255 206 135

HSL 35.5, 1%, 0.76%

LAB 85.58, 8.65, 41.73

 

CMYK 0 / 12 / 40 / 0

HEX #FFE09A

RGB 255 224 154

HSL 41.58, 1%, 0.8%

LAB 90.28, 1.32, 38.19

 

CMYK 0 / 5 / 32 / 0

HEX #FFF2AD

RGB 255 242 173

HSL 50.49, 1%, 0.84%

LAB 95.07, -5.61, 34.93

 

CMYK 0 / 33 / 60 / 1

HEX #FDAA66

RGB 253 170 102

HSL 27.02, 0.97%, 0.7%

LAB 76.43, 23.93, 46.98

 

CMYK 0 / 36 / 65 / 7

HEX #EC9853

RGB 236 152 83

HSL 27.06, 0.8%, 0.63%

LAB 70.12, 25.27, 48.54

 

CMYK 0 / 39 / 71 / 14

HEX #DB8640

RGB 219 134 64

HSL 27.1, 0.68%, 0.55%

LAB 63.74, 26.78, 50.09

 

CMYK 0 / 43 / 78 / 21

HEX #CA742D

RGB 202 116 45

HSL 27.13, 0.64%, 0.48%

LAB 57.31, 28.48, 51.5

 

CMYK 0 / 47 / 86 / 27

HEX #B9621A

RGB 185 98 26

HSL 27.17, 0.75%, 0.41%

LAB 50.83, 30.41, 52.41

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 48 / 59 / 1

HEX #FD8368

RGB 253 131 104

HSL 10.87, 0.97%, 0.7%

LAB 68.11, 44.1, 35.73

 

CMYK 0 / 59 / 59 / 1

HEX #FD6868

RGB 253 104 104

HSL 0, 0.97%, 0.7%

LAB 63.16, 56.83, 29.42

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 17 / 59 / 1

HEX #FDD368

RGB 253 211 104

HSL 43.09, 0.97%, 0.7%

LAB 86.24, 2.74, 57.48

 

CMYK 0 / 1 / 59 / 1

HEX #FDFB68

RGB 253 251 104

HSL 59.19, 0.97%, 0.7%

LAB 96.36, -17.18, 68.77

 

CMYK 15 / 0 / 59 / 1

HEX #D6FD68

RGB 214 253 104

HSL 75.7, 0.97%, 0.7%

LAB 94.12, -33.33, 65.52

 

CMYK 31 / 0 / 59 / 1

HEX #AEFD68

RGB 174 253 104

HSL 91.81, 0.97%, 0.7%

LAB 91.8, -47.78, 62.28

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 28 / 51 / 6

HEX #F0AC75

RGB 240 172 117

HSL 26.83, 0.8%, 0.7%

LAB 75.65, 18.83, 38.03

 

CMYK 0 / 24 / 43 / 11

HEX #E4AE81

RGB 228 174 129

HSL 27.27, 0.65%, 0.7%

LAB 75.05, 14.11, 30.69

 

CMYK 0 / 19 / 35 / 15

HEX #D8AF8D

RGB 216 175 141

HSL 27.2, 0.49%, 0.7%

LAB 74.31, 10.18, 23.07

 

CMYK 0 / 13 / 24 / 20

HEX #CBB09A

RGB 203 176 154

HSL 26.94, 0.32%, 0.7%

LAB 73.6, 6.33, 14.86

 

CMYK 0 / 59 / 54 / 1

HEX #FD6875

RGB 253 104 117

HSL 354.77, 0.97%, 0.7%

LAB 63.4, 57.78, 22.35

 

CMYK 0 / 48 / 59 / 1

HEX #FD8468

RGB 253 132 104

HSL 11.28, 0.97%, 0.7%

LAB 68.3, 43.61, 35.98

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 17 / 59 / 1

HEX #FDD368

RGB 253 211 104

HSL 43.09, 0.97%, 0.7%

LAB 86.24, 2.74, 57.48

 

CMYK 0 / 1 / 59 / 1

HEX #FDFA68

RGB 253 250 104

HSL 58.79, 0.97%, 0.7%

LAB 96.1, -16.7, 68.49

 

CMYK 0 / 50 / 91 / 2

HEX #FB7E17

RGB 251 126 23

HSL 27.11, 0.97%, 0.54%

LAB 66.13, 42.49, 69.21

 

CMYK 0 / 41 / 75 / 1

HEX #FC9540

RGB 252 149 64

HSL 27.13, 0.97%, 0.62%

LAB 71.26, 32.36, 59.21

 

CMYK 0 / 32 / 59 / 1

HEX #FDAB68

RGB 253 171 104

HSL 26.98, 0.97%, 0.7%

LAB 76.68, 23.55, 46.28

 

CMYK 0 / 23 / 43 / 1

HEX #FDC291

RGB 253 194 145

HSL 27.22, 0.96%, 0.78%

LAB 82.65, 15.09, 32.77

 

CMYK 0 / 15 / 27 / 0

HEX #FED8BA

RGB 254 216 186

HSL 26.47, 0.97%, 0.86%

LAB 88.79, 8.88, 19.71

 

CMYK 0 / 33 / 60 / 1

HEX #FDAA66

RGB 253 170 102

HSL 27.02, 0.97%, 0.7%

LAB 76.43, 23.93, 46.98

 

CMYK 38 / 0 / 59 / 1

HEX #9CFD68

RGB 156 253 104

HSL 99.06, 0.97%, 0.7%

LAB 90.92, -53.7, 61.06

 

CMYK 56 / 59 / 0 / 1

HEX #7068FD

RGB 112 104 253

HSL 243.22, 0.97%, 0.7%

LAB 52.33, 43.48, -73.52

 

CMYK 0 / 33 / 60 / 1

HEX #FDAA66

RGB 253 170 102

HSL 27.02, 0.97%, 0.7%

LAB 76.43, 23.93, 46.98

 

CMYK 59 / 0 / 32 / 1

HEX #68FDAB

RGB 104 253 171

HSL 146.98, 0.97%, 0.7%

LAB 89.92, -57.88, 27.62

 

CMYK 32 / 59 / 0 / 1

HEX #AB68FD

RGB 171 104 253

HSL 266.98, 0.97%, 0.7%

LAB 57.7, 55.36, -64.57

 

CMYK 0 / 33 / 60 / 1

HEX #FDAA66

RGB 253 170 102

HSL 27.02, 0.97%, 0.7%

LAB 76.43, 23.93, 46.98

 

CMYK 38 / 0 / 59 / 1

HEX #9CFD68

RGB 156 253 104

HSL 99.06, 0.97%, 0.7%

LAB 90.92, -53.7, 61.06

 

CMYK 59 / 26 / 0 / 1

HEX #68BAFD

RGB 104 186 253

HSL 206.98, 0.97%, 0.7%

LAB 72.99, -5.8, -40.64

 

CMYK 21 / 59 / 0 / 1

HEX #C968FD

RGB 201 104 253

HSL 279.06, 0.97%, 0.7%

LAB 61.14, 62.23, -58.87

 

CMYK 0 / 33 / 60 / 1

HEX #FDAA66

RGB 253 170 102

HSL 27.02, 0.97%, 0.7%

LAB 76.43, 23.93, 46.98

 

CMYK 56 / 0 / 59 / 1

HEX #70FD68

RGB 112 253 104

HSL 116.78, 0.97%, 0.7%

LAB 89.25, -65.98, 58.71

 

CMYK 59 / 26 / 0 / 1

HEX #68BAFD

RGB 104 186 253

HSL 206.98, 0.97%, 0.7%

LAB 72.99, -5.8, -40.64

 

CMYK 3 / 59 / 0 / 1

HEX #F568FD

RGB 245 104 253

HSL 296.78, 0.97%, 0.7%

LAB 66.83, 72.7, -49.49

 

Description

Color code: HEX #FDAA66 | qconv.com Color code: HEX #FDAA66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 170 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 170 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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