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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA814 it is the complementary color #0257EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA814. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FDA814: #FFA80F, #FFBA22, #FFCC35, #FFDE48 and #FFF05B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA814. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FDA814: #FDA814, #EC9601, #DB8400, #CA7200 and #B96000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

Complementary color

CMYK 99 / 63 / 0 / 8

HEX #0257EB

RGB 2 87 235

HSL 218.11, 0.98%, 0.46%

LAB 42.5, 37.23, -79.68

 

CMYK 0 / 34 / 94 / 0

HEX #FFA80F

RGB 255 168 15

HSL 38.25, 1%, 0.53%

LAB 75.64, 22.5, 77.68

 

CMYK 0 / 27 / 87 / 0

HEX #FFBA22

RGB 255 186 34

HSL 41.27, 1%, 0.57%

LAB 79.89, 13.4, 77.24

 

CMYK 0 / 20 / 79 / 0

HEX #FFCC35

RGB 255 204 53

HSL 44.85, 1%, 0.6%

LAB 84.33, 4.59, 75.75

 

CMYK 0 / 13 / 72 / 0

HEX #FFDE48

RGB 255 222 72

HSL 49.18, 1%, 0.64%

LAB 88.91, -3.84, 73.61

 

CMYK 0 / 6 / 64 / 0

HEX #FFF05B

RGB 255 240 91

HSL 54.51, 1%, 0.68%

LAB 93.6, -11.82, 71.14

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 0 / 36 / 100 / 7

HEX #EC9601

RGB 236 150 1

HSL 38.04, 0.99%, 0.46%

LAB 69.22, 23.83, 73.98

 

CMYK 0 / 40 / 100 / 14

HEX #DB8400

RGB 219 132 0

HSL 36.16, 1%, 0.43%

LAB 62.98, 26.17, 69.04

 

CMYK 0 / 44 / 100 / 21

HEX #CA7200

RGB 202 114 0

HSL 33.86, 1%, 0.4%

LAB 56.67, 28.59, 63.93

 

CMYK 0 / 48 / 100 / 27

HEX #B96000

RGB 185 96 0

HSL 31.14, 1%, 0.36%

LAB 50.31, 31.04, 58.8

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 0 / 18 / 91 / 1

HEX #FCCE16

RGB 252 206 22

HSL 48, 0.97%, 0.54%

LAB 84.43, 1.58, 82.92

 

CMYK 0 / 3 / 91 / 1

HEX #FCF416

RGB 252 244 22

HSL 57.91, 0.97%, 0.54%

LAB 94.08, -17.34, 90.25

 

CMYK 12 / 0 / 91 / 1

HEX #DDFC16

RGB 221 252 22

HSL 68.09, 0.97%, 0.54%

LAB 93.91, -33.72, 89.12

 

CMYK 27 / 0 / 91 / 1

HEX #B7FC16

RGB 183 252 22

HSL 78, 0.97%, 0.54%

LAB 91.57, -48.32, 86.28

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 0 / 33 / 92 / 81

HEX #312104

RGB 49 33 4

HSL 38.67, 0.85%, 0.1%

LAB 14.11, 4.27, 19.24

 

CMYK 0 / 34 / 92 / 61

HEX #644208

RGB 100 66 8

HSL 37.83, 0.85%, 0.21%

LAB 30.93, 9.73, 37.34

 

CMYK 0 / 34 / 92 / 41

HEX #97640C

RGB 151 100 12

HSL 37.99, 0.85%, 0.32%

LAB 46.61, 13.98, 51.36

 

CMYK 0 / 34 / 92 / 21

HEX #CA8610

RGB 202 134 16

HSL 38.06, 0.85%, 0.43%

LAB 61.35, 17.95, 64.34

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 76 / 0 / 91 / 1

HEX #3DFC16

RGB 61 252 22

HSL 109.83, 0.97%, 0.54%

LAB 87.32, -80.68, 81.06

 

CMYK 70 / 91 / 0 / 1

HEX #4C16FC

RGB 76 22 252

HSL 254.09, 0.97%, 0.54%

LAB 36.25, 76.28, -99.51

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 91 / 0 / 33 / 1

HEX #16FCA8

RGB 22 252 168

HSL 158.09, 0.97%, 0.54%

LAB 88.27, -67.95, 26.67

 

CMYK 33 / 91 / 0 / 1

HEX #A816FC

RGB 168 22 252

HSL 278.09, 0.97%, 0.54%

LAB 46.88, 83.93, -81.6

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 76 / 0 / 91 / 1

HEX #3DFC16

RGB 61 252 22

HSL 109.83, 0.97%, 0.54%

LAB 87.32, -80.68, 81.06

 

CMYK 91 / 58 / 0 / 1

HEX #166BFC

RGB 22 107 252

HSL 217.83, 0.97%, 0.54%

LAB 49.15, 31.49, -78.31

 

CMYK 15 / 91 / 0 / 1

HEX #D616FC

RGB 214 22 252

HSL 290.09, 0.97%, 0.54%

LAB 53.92, 90.02, -69.83

 

CMYK 0 / 34 / 92 / 1

HEX #FDA814

RGB 253 168 20

HSL 38.11, 0.98%, 0.54%

LAB 75.41, 21.72, 76.63

 

CMYK 91 / 0 / 79 / 1

HEX #16FC35

RGB 22 252 53

HSL 128.09, 0.97%, 0.54%

LAB 87.02, -83.02, 74.32

 

CMYK 91 / 58 / 0 / 1

HEX #166BFC

RGB 22 107 252

HSL 217.83, 0.97%, 0.54%

LAB 49.15, 31.49, -78.31

 

CMYK 0 / 91 / 12 / 1

HEX #FC16DD

RGB 252 22 221

HSL 308.09, 0.97%, 0.54%

LAB 58.5, 91.67, -44.74

 

Description

Color code: HEX #FDA814 | qconv.com Color code: HEX #FDA814 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 168 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 168 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 92 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 92% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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