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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA776 it is the complementary color #025889. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA776. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDA776 shade: #FFA771, #FFB984, #FFCB97, #FFDDAA and #FFEFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA776. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDA776 shade: #FDA776, #EC9563, #DB8350, #CA713D and #B95F2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDA776 shade: #FDA877, #FD8477 and #FD7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDA776 shade: #FDA877, #FDCC77, #FDF077, #E6FD77 and #C2FD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDA776 shade matches the following richer shades: #FDA877

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDA776 shade: #FDA877, #F2AB83, #E7AE8E, #DCB199 and #D0B4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDA776 shade: #FD7790, #FD8277, #FDA677, #FDCA77 and #FDED77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDA776 shade: #FC7426, #FC8E4F, #FDA877, #FEC2A0 and #FEDCC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDA776 shade: #FDA776, #B3FD77 and #777EFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDA776 shade: #FDA776, #77FDA6 and #A677FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDA776 shade: #FDA776, #B3FD77, #77CEFD and #C177FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDA776 shade: #FDA776, #8BFD77, #77CEFD and #E977FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 53 / 1

HEX #FDA776

RGB 253 167 118

HSL 21.78, 0.97%, 0.73%

LAB 75.96, 26.72, 38.21

 

Complementary color

CMYK 99 / 36 / 0 / 46

HEX #025889

RGB 2 88 137

HSL 201.78, 0.97%, 0.27%

LAB 35.59, -2.99, -33.42

 

CMYK 0 / 35 / 56 / 0

HEX #FFA771

RGB 255 167 113

HSL 22.82, 1%, 0.72%

LAB 76.12, 27.11, 41.06

 

CMYK 0 / 27 / 48 / 0

HEX #FFB984

RGB 255 185 132

HSL 25.85, 1%, 0.76%

LAB 80.53, 19.31, 36.8

 

CMYK 0 / 20 / 41 / 0

HEX #FFCB97

RGB 255 203 151

HSL 30, 1%, 0.8%

LAB 85.1, 11.81, 32.93

 

CMYK 0 / 13 / 33 / 0

HEX #FFDDAA

RGB 255 221 170

HSL 36, 1%, 0.83%

LAB 89.8, 4.66, 29.41

 

CMYK 0 / 6 / 26 / 0

HEX #FFEFBD

RGB 255 239 189

HSL 45.45, 1%, 0.87%

LAB 94.6, -2.1, 26.18

 

CMYK 0 / 34 / 53 / 1

HEX #FDA776

RGB 253 167 118

HSL 21.78, 0.97%, 0.73%

LAB 75.96, 26.72, 38.21

 

CMYK 0 / 37 / 58 / 7

HEX #EC9563

RGB 236 149 99

HSL 21.9, 0.78%, 0.66%

LAB 69.63, 27.94, 39.82

 

CMYK 0 / 40 / 63 / 14

HEX #DB8350

RGB 219 131 80

HSL 22.01, 0.66%, 0.59%

LAB 63.24, 29.3, 41.54

 

CMYK 0 / 44 / 70 / 21

HEX #CA713D

RGB 202 113 61

HSL 22.13, 0.57%, 0.52%

LAB 56.79, 30.83, 43.35

 

CMYK 0 / 49 / 77 / 27

HEX #B95F2A

RGB 185 95 42

HSL 22.24, 0.63%, 0.45%

LAB 50.29, 32.54, 45.15

 

CMYK 0 / 34 / 53 / 1

HEX #FDA877

RGB 253 168 119

HSL 21.94, 0.97%, 0.73%

LAB 76.2, 26.28, 38

 

CMYK 0 / 48 / 53 / 1

HEX #FD8477

RGB 253 132 119

HSL 5.82, 0.97%, 0.73%

LAB 68.55, 44.75, 28.09

 

CMYK 0 / 53 / 53 / 1

HEX #FD7777

RGB 253 119 119

HSL 0, 0.97%, 0.73%

LAB 66.07, 51.06, 24.8

 

CMYK 0 / 34 / 53 / 1

HEX #FDA877

RGB 253 168 119

HSL 21.94, 0.97%, 0.73%

LAB 76.2, 26.28, 38

 

CMYK 0 / 19 / 53 / 1

HEX #FDCC77

RGB 253 204 119

HSL 38.06, 0.97%, 0.73%

LAB 84.69, 7.48, 48.53

 

CMYK 0 / 5 / 53 / 1

HEX #FDF077

RGB 253 240 119

HSL 54.18, 0.97%, 0.73%

LAB 93.68, -10.73, 59.23

 

CMYK 9 / 0 / 53 / 1

HEX #E6FD77

RGB 230 253 119

HSL 70.3, 0.97%, 0.73%

LAB 95.33, -26.02, 60.7

 

CMYK 23 / 0 / 53 / 1

HEX #C2FD77

RGB 194 253 119

HSL 86.42, 0.97%, 0.73%

LAB 93.04, -39.4, 57.44

 

CMYK 0 / 34 / 53 / 1

HEX #FDA877

RGB 253 168 119

HSL 21.94, 0.97%, 0.73%

LAB 76.2, 26.28, 38

 

CMYK 0 / 34 / 53 / 1

HEX #FDA877

RGB 253 168 119

HSL 21.94, 0.97%, 0.73%

LAB 76.2, 26.28, 38

 

CMYK 0 / 29 / 46 / 5

HEX #F2AB83

RGB 242 171 131

HSL 21.62, 0.81%, 0.73%

LAB 75.85, 21.46, 30.96

 

CMYK 0 / 25 / 39 / 9

HEX #E7AE8E

RGB 231 174 142

HSL 21.57, 0.65%, 0.73%

LAB 75.58, 16.72, 24.52

 

CMYK 0 / 20 / 30 / 14

HEX #DCB199

RGB 220 177 153

HSL 21.49, 0.49%, 0.73%

LAB 75.43, 12.19, 18.19

 

CMYK 0 / 13 / 21 / 18

HEX #D0B4A4

RGB 208 180 164

HSL 21.82, 0.32%, 0.73%

LAB 75.28, 7.54, 11.86

 

CMYK 0 / 53 / 43 / 1

HEX #FD7790

RGB 253 119 144

HSL 348.81, 0.97%, 0.73%

LAB 66.59, 53.32, 11.39

 

CMYK 0 / 49 / 53 / 1

HEX #FD8277

RGB 253 130 119

HSL 4.93, 0.97%, 0.73%

LAB 68.15, 45.74, 27.57

 

CMYK 0 / 34 / 53 / 1

HEX #FDA677

RGB 253 166 119

HSL 21.04, 0.97%, 0.73%

LAB 75.75, 27.32, 37.42

 

CMYK 0 / 20 / 53 / 1

HEX #FDCA77

RGB 253 202 119

HSL 37.16, 0.97%, 0.73%

LAB 84.2, 8.51, 47.94

 

CMYK 0 / 6 / 53 / 1

HEX #FDED77

RGB 253 237 119

HSL 52.84, 0.97%, 0.73%

LAB 92.92, -9.25, 58.34

 

CMYK 0 / 54 / 85 / 1

HEX #FC7426

RGB 252 116 38

HSL 21.87, 0.97%, 0.57%

LAB 64.42, 48, 63.4

 

CMYK 0 / 44 / 69 / 1

HEX #FC8E4F

RGB 252 142 79

HSL 21.85, 0.97%, 0.65%

LAB 69.9, 36.65, 50.81

 

CMYK 0 / 34 / 53 / 1

HEX #FDA877

RGB 253 168 119

HSL 21.94, 0.97%, 0.73%

LAB 76.2, 26.28, 38

 

CMYK 0 / 24 / 37 / 0

HEX #FEC2A0

RGB 254 194 160

HSL 21.7, 0.98%, 0.81%

LAB 83.02, 17.11, 25.41

 

CMYK 0 / 13 / 21 / 0

HEX #FEDCC9

RGB 254 220 201

HSL 21.51, 0.96%, 0.89%

LAB 90.08, 8.89, 13.67

 

CMYK 0 / 34 / 53 / 1

HEX #FDA776

RGB 253 167 118

HSL 21.78, 0.97%, 0.73%

LAB 75.96, 26.72, 38.21

 

CMYK 29 / 0 / 53 / 1

HEX #B3FD77

RGB 179 253 119

HSL 93.13, 0.97%, 0.73%

LAB 92.21, -44.64, 56.26

 

CMYK 53 / 50 / 0 / 1

HEX #777EFD

RGB 119 126 253

HSL 236.87, 0.97%, 0.73%

LAB 57.98, 31.84, -64.37

 

CMYK 0 / 34 / 53 / 1

HEX #FDA776

RGB 253 167 118

HSL 21.78, 0.97%, 0.73%

LAB 75.96, 26.72, 38.21

 

CMYK 53 / 0 / 34 / 1

HEX #77FDA6

RGB 119 253 166

HSL 141.04, 0.97%, 0.73%

LAB 90.29, -55.54, 30.71

 

CMYK 34 / 53 / 0 / 1

HEX #A677FD

RGB 166 119 253

HSL 261.04, 0.97%, 0.73%

LAB 60.24, 46.23, -60.53

 

CMYK 0 / 34 / 53 / 1

HEX #FDA776

RGB 253 167 118

HSL 21.78, 0.97%, 0.73%

LAB 75.96, 26.72, 38.21

 

CMYK 29 / 0 / 53 / 1

HEX #B3FD77

RGB 179 253 119

HSL 93.13, 0.97%, 0.73%

LAB 92.21, -44.64, 56.26

 

CMYK 53 / 19 / 0 / 1

HEX #77CEFD

RGB 119 206 253

HSL 201.04, 0.97%, 0.73%

LAB 79.13, -13.52, -31.08

 

CMYK 24 / 53 / 0 / 1

HEX #C177FD

RGB 193 119 253

HSL 273.13, 0.97%, 0.73%

LAB 63.03, 52.82, -55.91

 

CMYK 0 / 34 / 53 / 1

HEX #FDA776

RGB 253 167 118

HSL 21.78, 0.97%, 0.73%

LAB 75.96, 26.72, 38.21

 

CMYK 45 / 0 / 53 / 1

HEX #8BFD77

RGB 139 253 119

HSL 111.04, 0.97%, 0.73%

LAB 90.35, -57.23, 53.6

 

CMYK 53 / 19 / 0 / 1

HEX #77CEFD

RGB 119 206 253

HSL 201.04, 0.97%, 0.73%

LAB 79.13, -13.52, -31.08

 

CMYK 8 / 53 / 0 / 1

HEX #E977FD

RGB 233 119 253

HSL 291.04, 0.97%, 0.73%

LAB 67.73, 63.02, -48.17

 

Description

Color code: HEX #FDA776 | qconv.com Color code: HEX #FDA776 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 167 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 167 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 53 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 53% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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