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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA561 it is the complementary color #025A9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDA561 shade: #FFA55C, #FFB76F, #FFC982, #FFDB95 and #FFEDA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDA561 shade: #FDA561, #EC934E, #DB813B, #CA6F28 and #B95D15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDA561 shade: #FDA662, #FD7C62 and #FD6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDA561 shade: #FDA662, #FDD062, #FDFA62, #D7FD62 and #AEFD62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDA561 shade matches the following richer shades: #FDA662

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDA561 shade: #FDA662, #F1A86F, #E4A97C, #D7AB89 and #CAAD96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDA561 shade: #FD6272, #FD7C62, #FDA662, #FDCF62 and #FDF862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDA561 shade: #FD7811, #FD8F3A, #FDA662, #FEBD8B and #FED4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDA561 shade: #FDA561, #9BFD62 and #6862FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDA561 shade: #FDA561, #62FDA6 and #A662FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDA561 shade: #FDA561, #9BFD62, #62BAFD and #C562FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDA561 shade: #FDA561, #6DFD62, #62BAFD and #F362FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 62 / 1

HEX #FDA561

RGB 253 165 97

HSL 26.15, 0.98%, 0.69%

LAB 75.24, 26.21, 48.06

 

Complementary color

CMYK 99 / 43 / 0 / 38

HEX #025A9E

RGB 2 90 158

HSL 206.15, 0.98%, 0.31%

LAB 37.47, 4.4, -43.12

 

CMYK 0 / 35 / 64 / 0

HEX #FFA55C

RGB 255 165 92

HSL 26.87, 1%, 0.68%

LAB 75.42, 26.69, 50.8

 

CMYK 0 / 28 / 56 / 0

HEX #FFB76F

RGB 255 183 111

HSL 30, 1%, 0.72%

LAB 79.77, 18.59, 46.56

 

CMYK 0 / 21 / 49 / 0

HEX #FFC982

RGB 255 201 130

HSL 34.08, 1%, 0.75%

LAB 84.3, 10.78, 42.63

 

CMYK 0 / 14 / 42 / 0

HEX #FFDB95

RGB 255 219 149

HSL 39.62, 1%, 0.79%

LAB 88.97, 3.34, 39.01

 

CMYK 0 / 7 / 34 / 0

HEX #FFEDA8

RGB 255 237 168

HSL 47.59, 1%, 0.83%

LAB 93.73, -3.69, 35.68

 

CMYK 0 / 35 / 62 / 1

HEX #FDA561

RGB 253 165 97

HSL 26.15, 0.98%, 0.69%

LAB 75.24, 26.21, 48.06

 

CMYK 0 / 38 / 67 / 7

HEX #EC934E

RGB 236 147 78

HSL 26.2, 0.81%, 0.62%

LAB 68.93, 27.61, 49.65

 

CMYK 0 / 41 / 73 / 14

HEX #DB813B

RGB 219 129 59

HSL 26.25, 0.69%, 0.55%

LAB 62.57, 29.19, 51.21

 

CMYK 0 / 45 / 80 / 21

HEX #CA6F28

RGB 202 111 40

HSL 26.3, 0.67%, 0.47%

LAB 56.17, 30.97, 52.56

 

CMYK 0 / 50 / 89 / 27

HEX #B95D15

RGB 185 93 21

HSL 26.34, 0.8%, 0.4%

LAB 49.73, 32.94, 53.24

 

CMYK 0 / 34 / 61 / 1

HEX #FDA662

RGB 253 166 98

HSL 26.32, 0.97%, 0.69%

LAB 75.47, 25.75, 47.85

 

CMYK 0 / 51 / 61 / 1

HEX #FD7C62

RGB 253 124 98

HSL 10.06, 0.97%, 0.69%

LAB 66.66, 47.13, 37.18

 

CMYK 0 / 61 / 61 / 1

HEX #FD6262

RGB 253 98 98

HSL 0, 0.97%, 0.69%

LAB 62.08, 59.05, 31.42

 

CMYK 0 / 34 / 61 / 1

HEX #FDA662

RGB 253 166 98

HSL 26.32, 0.97%, 0.69%

LAB 75.47, 25.75, 47.85

 

CMYK 0 / 18 / 61 / 1

HEX #FDD062

RGB 253 208 98

HSL 42.58, 0.97%, 0.69%

LAB 85.44, 3.87, 59.3

 

CMYK 0 / 1 / 61 / 1

HEX #FDFA62

RGB 253 250 98

HSL 58.84, 0.97%, 0.69%

LAB 96.05, -17.08, 70.89

 

CMYK 15 / 0 / 61 / 1

HEX #D7FD62

RGB 215 253 98

HSL 74.71, 0.97%, 0.69%

LAB 94.13, -33.39, 68.02

 

CMYK 31 / 0 / 61 / 1

HEX #AEFD62

RGB 174 253 98

HSL 90.58, 0.97%, 0.69%

LAB 91.74, -48.3, 64.73

 

CMYK 0 / 34 / 61 / 1

HEX #FDA662

RGB 253 166 98

HSL 26.32, 0.97%, 0.69%

LAB 75.47, 25.75, 47.85

 

CMYK 0 / 34 / 61 / 1

HEX #FDA662

RGB 253 166 98

HSL 26.32, 0.97%, 0.69%

LAB 75.47, 25.75, 47.85

 

CMYK 0 / 30 / 54 / 5

HEX #F1A86F

RGB 241 168 111

HSL 26.31, 0.82%, 0.69%

LAB 74.73, 20.84, 40.02

 

CMYK 0 / 26 / 46 / 11

HEX #E4A97C

RGB 228 169 124

HSL 25.96, 0.66%, 0.69%

LAB 73.76, 16.27, 31.66

 

CMYK 0 / 20 / 36 / 16

HEX #D7AB89

RGB 215 171 137

HSL 26.15, 0.49%, 0.69%

LAB 73.14, 11.45, 23.63

 

CMYK 0 / 14 / 26 / 21

HEX #CAAD96

RGB 202 173 150

HSL 26.54, 0.33%, 0.69%

LAB 72.66, 6.99, 15.71

 

CMYK 0 / 61 / 55 / 1

HEX #FD6272

RGB 253 98 114

HSL 353.81, 0.97%, 0.69%

LAB 62.37, 60.15, 22.68

 

CMYK 0 / 51 / 61 / 1

HEX #FD7C62

RGB 253 124 98

HSL 10.06, 0.97%, 0.69%

LAB 66.66, 47.13, 37.18

 

CMYK 0 / 34 / 61 / 1

HEX #FDA662

RGB 253 166 98

HSL 26.32, 0.97%, 0.69%

LAB 75.47, 25.75, 47.85

 

CMYK 0 / 18 / 61 / 1

HEX #FDCF62

RGB 253 207 98

HSL 42.19, 0.97%, 0.69%

LAB 85.2, 4.39, 59.03

 

CMYK 0 / 2 / 61 / 1

HEX #FDF862

RGB 253 248 98

HSL 58.06, 0.97%, 0.69%

LAB 95.54, -16.12, 70.34

 

CMYK 0 / 53 / 93 / 1

HEX #FD7811

RGB 253 120 17

HSL 26.19, 0.98%, 0.53%

LAB 65.24, 46.11, 70.08

 

CMYK 0 / 43 / 77 / 1

HEX #FD8F3A

RGB 253 143 58

HSL 26.15, 0.98%, 0.61%

LAB 70.06, 35.61, 60.64

 

CMYK 0 / 34 / 61 / 1

HEX #FDA662

RGB 253 166 98

HSL 26.32, 0.97%, 0.69%

LAB 75.47, 25.75, 47.85

 

CMYK 0 / 26 / 45 / 0

HEX #FEBD8B

RGB 254 189 139

HSL 26.09, 0.98%, 0.77%

LAB 81.47, 17.49, 34.37

 

CMYK 0 / 17 / 29 / 0

HEX #FED4B4

RGB 254 212 180

HSL 25.95, 0.97%, 0.85%

LAB 87.7, 10.17, 21.33

 

CMYK 0 / 35 / 62 / 1

HEX #FDA561

RGB 253 165 97

HSL 26.15, 0.98%, 0.69%

LAB 75.24, 26.21, 48.06

 

CMYK 39 / 0 / 61 / 1

HEX #9BFD62

RGB 155 253 98

HSL 97.94, 0.97%, 0.69%

LAB 90.83, -54.56, 63.45

 

CMYK 59 / 61 / 0 / 1

HEX #6862FD

RGB 104 98 253

HSL 242.32, 0.97%, 0.69%

LAB 50.42, 45.64, -76.66

 

CMYK 0 / 35 / 62 / 1

HEX #FDA561

RGB 253 165 97

HSL 26.15, 0.98%, 0.69%

LAB 75.24, 26.21, 48.06

 

CMYK 61 / 0 / 34 / 1

HEX #62FDA6

RGB 98 253 166

HSL 146.32, 0.97%, 0.69%

LAB 89.67, -59.97, 29.78

 

CMYK 34 / 61 / 0 / 1

HEX #A662FD

RGB 166 98 253

HSL 266.32, 0.97%, 0.69%

LAB 56.02, 57.33, -67.31

 

CMYK 0 / 35 / 62 / 1

HEX #FDA561

RGB 253 165 97

HSL 26.15, 0.98%, 0.69%

LAB 75.24, 26.21, 48.06

 

CMYK 39 / 0 / 61 / 1

HEX #9BFD62

RGB 155 253 98

HSL 97.94, 0.97%, 0.69%

LAB 90.83, -54.56, 63.45

 

CMYK 61 / 26 / 0 / 1

HEX #62BAFD

RGB 98 186 253

HSL 205.94, 0.97%, 0.69%

LAB 72.76, -6.9, -41.01

 

CMYK 22 / 61 / 0 / 1

HEX #C562FD

RGB 197 98 253

HSL 278.32, 0.97%, 0.69%

LAB 59.61, 64.13, -61.34

 

CMYK 0 / 35 / 62 / 1

HEX #FDA561

RGB 253 165 97

HSL 26.15, 0.98%, 0.69%

LAB 75.24, 26.21, 48.06

 

CMYK 57 / 0 / 61 / 1

HEX #6DFD62

RGB 109 253 98

HSL 115.74, 0.97%, 0.69%

LAB 89.1, -67.31, 61.05

 

CMYK 61 / 26 / 0 / 1

HEX #62BAFD

RGB 98 186 253

HSL 205.94, 0.97%, 0.69%

LAB 72.76, -6.9, -41.01

 

CMYK 4 / 61 / 0 / 1

HEX #F362FD

RGB 243 98 253

HSL 296.13, 0.97%, 0.69%

LAB 65.66, 74.7, -51.36

 

Description

Color code: HEX #FDA561 | qconv.com Color code: HEX #FDA561 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 165 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 165 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 62 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 62% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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