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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA518 it is the complementary color #025AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDA518 shade: #FFA513, #FFB726, #FFC939, #FFDB4C and #FFED5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDA518 shade: #FDA518, #EC9305, #DB8100, #CA6F00 and #B95D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDA518 shade: #FDA417, #FD6617, #FD2817 and #FD1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDA518 shade: #FDA417, #FDE217, #D9FD17, #9BFD17 and #5DFD17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDA518 shade matches the following richer shades: #FDA417

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDA518 shade: #FDA417, #EAA02A, #D79C3D, #C49750 and #B19363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDA518 shade: #FD2617, #FD6317, #FDA117, #FDDE17 and #DEFD17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDA518 shade: #BF7602, #E89002, #FDA417, #FDB440 and #FDC468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDA518 shade: #FDA518, #45FD17 and #4517FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDA518 shade: #FDA518, #17FDA1 and #A117FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDA518 shade: #FDA518, #45FD17, #1773FD and #CF17FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDA518 shade: #FDA518, #17FD2E, #1773FD and #FD17E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 91 / 1

HEX #FDA518

RGB 253 165 24

HSL 36.94, 0.98%, 0.54%

LAB 74.74, 23.34, 75.38

 

Complementary color

CMYK 99 / 61 / 0 / 9

HEX #025AE7

RGB 2 90 231

HSL 216.94, 0.98%, 0.46%

LAB 42.91, 33.79, -76.76

 

CMYK 0 / 35 / 93 / 0

HEX #FFA513

RGB 255 165 19

HSL 37.12, 1%, 0.54%

LAB 74.96, 24.11, 76.58

 

CMYK 0 / 28 / 85 / 0

HEX #FFB726

RGB 255 183 38

HSL 40.09, 1%, 0.57%

LAB 79.19, 15.05, 75.68

 

CMYK 0 / 21 / 78 / 0

HEX #FFC939

RGB 255 201 57

HSL 43.64, 1%, 0.61%

LAB 83.62, 6.26, 73.82

 

CMYK 0 / 14 / 70 / 0

HEX #FFDB4C

RGB 255 219 76

HSL 47.93, 1%, 0.65%

LAB 88.18, -2.14, 71.42

 

CMYK 0 / 7 / 63 / 0

HEX #FFED5F

RGB 255 237 95

HSL 53.25, 1%, 0.69%

LAB 92.86, -10.11, 68.75

 

CMYK 0 / 35 / 91 / 1

HEX #FDA518

RGB 253 165 24

HSL 36.94, 0.98%, 0.54%

LAB 74.74, 23.34, 75.38

 

CMYK 0 / 38 / 98 / 7

HEX #EC9305

RGB 236 147 5

HSL 36.88, 0.96%, 0.47%

LAB 68.54, 25.45, 73.01

 

CMYK 0 / 41 / 100 / 14

HEX #DB8100

RGB 219 129 0

HSL 35.34, 1%, 0.43%

LAB 62.31, 27.77, 68.61

 

CMYK 0 / 45 / 100 / 21

HEX #CA6F00

RGB 202 111 0

HSL 32.97, 1%, 0.4%

LAB 56.01, 30.19, 63.52

 

CMYK 0 / 50 / 100 / 27

HEX #B95D00

RGB 185 93 0

HSL 30.16, 1%, 0.36%

LAB 49.67, 32.63, 58.41

 

CMYK 0 / 35 / 91 / 1

HEX #FDA417

RGB 253 164 23

HSL 36.78, 0.98%, 0.54%

LAB 74.51, 23.85, 75.41

 

CMYK 0 / 60 / 91 / 1

HEX #FD6617

RGB 253 102 23

HSL 20.61, 0.98%, 0.54%

LAB 62.04, 54.52, 66.47

 

CMYK 0 / 84 / 91 / 1

HEX #FD2817

RGB 253 40 23

HSL 4.43, 0.98%, 0.54%

LAB 54.51, 75.14, 61.42

 

CMYK 0 / 91 / 91 / 1

HEX #FD1717

RGB 253 23 23

HSL 0, 0.98%, 0.54%

LAB 53.55, 77.89, 60.8

 

CMYK 0 / 35 / 91 / 1

HEX #FDA417

RGB 253 164 23

HSL 36.78, 0.98%, 0.54%

LAB 74.51, 23.85, 75.41

 

CMYK 0 / 11 / 91 / 1

HEX #FDE217

RGB 253 226 23

HSL 52.96, 0.98%, 0.54%

LAB 89.55, -8.08, 86.7

 

CMYK 14 / 0 / 91 / 1

HEX #D9FD17

RGB 217 253 23

HSL 69.39, 0.98%, 0.54%

LAB 93.91, -35.75, 88.89

 

CMYK 39 / 0 / 91 / 1

HEX #9BFD17

RGB 155 253 23

HSL 85.57, 0.98%, 0.54%

LAB 90.45, -58.47, 84.66

 

CMYK 63 / 0 / 91 / 1

HEX #5DFD17

RGB 93 253 23

HSL 101.74, 0.98%, 0.54%

LAB 88.28, -75.41, 81.98

 

CMYK 0 / 35 / 91 / 1

HEX #FDA417

RGB 253 164 23

HSL 36.78, 0.98%, 0.54%

LAB 74.51, 23.85, 75.41

 

CMYK 0 / 35 / 91 / 1

HEX #FDA417

RGB 253 164 23

HSL 36.78, 0.98%, 0.54%

LAB 74.51, 23.85, 75.41

 

CMYK 0 / 32 / 82 / 8

HEX #EAA02A

RGB 234 160 42

HSL 36.88, 0.82%, 0.54%

LAB 71.42, 18.35, 67.03

 

CMYK 0 / 27 / 72 / 16

HEX #D79C3D

RGB 215 156 61

HSL 37.01, 0.66%, 0.54%

LAB 68.43, 13.11, 56.22

 

CMYK 0 / 23 / 59 / 23

HEX #C49750

RGB 196 151 80

HSL 36.72, 0.5%, 0.54%

LAB 65.32, 8.83, 43.31

 

CMYK 0 / 17 / 44 / 31

HEX #B19363

RGB 177 147 99

HSL 36.92, 0.33%, 0.54%

LAB 62.6, 4.68, 29.58

 

CMYK 0 / 85 / 91 / 1

HEX #FD2617

RGB 253 38 23

HSL 3.91, 0.98%, 0.54%

LAB 54.38, 75.54, 61.33

 

CMYK 0 / 61 / 91 / 1

HEX #FD6317

RGB 253 99 23

HSL 19.83, 0.98%, 0.54%

LAB 61.54, 55.83, 66.13

 

CMYK 0 / 36 / 91 / 1

HEX #FDA117

RGB 253 161 23

HSL 36, 0.98%, 0.54%

LAB 73.83, 25.41, 74.91

 

CMYK 0 / 12 / 91 / 1

HEX #FDDE17

RGB 253 222 23

HSL 51.91, 0.98%, 0.54%

LAB 88.54, -6.08, 85.92

 

CMYK 12 / 0 / 91 / 1

HEX #DEFD17

RGB 222 253 23

HSL 68.09, 0.98%, 0.54%

LAB 94.24, -33.77, 89.29

 

CMYK 0 / 38 / 99 / 25

HEX #BF7602

RGB 191 118 2

HSL 36.83, 0.98%, 0.38%

LAB 56.13, 21.71, 62.49

 

CMYK 0 / 38 / 99 / 9

HEX #E89002

RGB 232 144 2

HSL 37.04, 0.98%, 0.46%

LAB 67.36, 25.32, 72.39

 

CMYK 0 / 35 / 91 / 1

HEX #FDA417

RGB 253 164 23

HSL 36.78, 0.98%, 0.54%

LAB 74.51, 23.85, 75.41

 

CMYK 0 / 29 / 75 / 1

HEX #FDB440

RGB 253 180 64

HSL 36.83, 0.98%, 0.62%

LAB 78.4, 16.6, 66.32

 

CMYK 0 / 23 / 59 / 1

HEX #FDC468

RGB 253 196 104

HSL 37.05, 0.97%, 0.7%

LAB 82.57, 10.48, 53.25

 

CMYK 0 / 35 / 91 / 1

HEX #FDA518

RGB 253 165 24

HSL 36.94, 0.98%, 0.54%

LAB 74.74, 23.34, 75.38

 

CMYK 73 / 0 / 91 / 1

HEX #45FD17

RGB 69 253 23

HSL 108, 0.98%, 0.54%

LAB 87.76, -79.78, 81.35

 

CMYK 73 / 91 / 0 / 1

HEX #4517FD

RGB 69 23 253

HSL 252, 0.98%, 0.54%

LAB 35.93, 75.99, -100.63

 

CMYK 0 / 35 / 91 / 1

HEX #FDA518

RGB 253 165 24

HSL 36.94, 0.98%, 0.54%

LAB 74.74, 23.34, 75.38

 

CMYK 91 / 0 / 36 / 1

HEX #17FDA1

RGB 23 253 161

HSL 156, 0.98%, 0.54%

LAB 88.45, -69.65, 30.45

 

CMYK 36 / 91 / 0 / 1

HEX #A117FD

RGB 161 23 253

HSL 276, 0.98%, 0.54%

LAB 46.02, 83.16, -83.61

 

CMYK 0 / 35 / 91 / 1

HEX #FDA518

RGB 253 165 24

HSL 36.94, 0.98%, 0.54%

LAB 74.74, 23.34, 75.38

 

CMYK 73 / 0 / 91 / 1

HEX #45FD17

RGB 69 253 23

HSL 108, 0.98%, 0.54%

LAB 87.76, -79.78, 81.35

 

CMYK 91 / 55 / 0 / 1

HEX #1773FD

RGB 23 115 253

HSL 216, 0.98%, 0.54%

LAB 51.31, 26.84, -75.35

 

CMYK 18 / 91 / 0 / 1

HEX #CF17FD

RGB 207 23 253

HSL 288, 0.98%, 0.54%

LAB 52.92, 89.05, -72.07

 

CMYK 0 / 35 / 91 / 1

HEX #FDA518

RGB 253 165 24

HSL 36.94, 0.98%, 0.54%

LAB 74.74, 23.34, 75.38

 

CMYK 91 / 0 / 82 / 1

HEX #17FD2E

RGB 23 253 46

HSL 126, 0.98%, 0.54%

LAB 87.3, -83.61, 76.4

 

CMYK 91 / 55 / 0 / 1

HEX #1773FD

RGB 23 115 253

HSL 216, 0.98%, 0.54%

LAB 51.31, 26.84, -75.35

 

CMYK 0 / 91 / 9 / 1

HEX #FD17E6

RGB 253 23 230

HSL 306, 0.98%, 0.54%

LAB 59.17, 92.91, -48.75

 

Description

Color code: HEX #FDA518 | qconv.com Color code: HEX #FDA518 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 165 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 165 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 91 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 91% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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