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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA337 it is the complementary color #025CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDA337 shade: #FFA332, #FFB545, #FFC758, #FFD96B and #FFEB7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDA337 shade: #FDA337, #EC9124, #DB7F11, #CA6D00 and #B95B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDA337 shade: #FDA235, #FD6C35, #FD3635 and #FD3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDA337 shade: #FDA235, #FDD835, #ECFD35, #B6FD35 and #80FD35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDA337 shade matches the following richer shades: #FDA235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDA337 shade: #FDA235, #ECA146, #DC9F56, #CB9E67 and #BB9C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDA337 shade: #FD3535, #FD6A35, #FDA035, #FDD535 and #F0FD35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDA337 shade: #DD7A02, #FD8F0C, #FDA235, #FDB55E and #FEC887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDA337 shade: #FDA337, #6AFD35 and #5035FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDA337 shade: #FDA337, #35FDA0 and #A035FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDA337 shade: #FDA337, #6AFD35, #3592FD and #C835FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDA337 shade: #FDA337, #35FD3C, #3592FD and #FD35F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 78 / 1

HEX #FDA337

RGB 253 163 55

HSL 32.73, 0.98%, 0.6%

LAB 74.41, 25.15, 65.98

 

Complementary color

CMYK 99 / 54 / 0 / 22

HEX #025CC8

RGB 2 92 200

HSL 212.73, 0.98%, 0.4%

LAB 40.96, 20.29, -62.21

 

CMYK 0 / 36 / 80 / 0

HEX #FFA332

RGB 255 163 50

HSL 33.07, 1%, 0.6%

LAB 74.63, 25.81, 68.09

 

CMYK 0 / 29 / 73 / 0

HEX #FFB545

RGB 255 181 69

HSL 36.13, 1%, 0.64%

LAB 78.89, 17.12, 64.88

 

CMYK 0 / 22 / 65 / 0

HEX #FFC758

RGB 255 199 88

HSL 39.88, 1%, 0.67%

LAB 83.34, 8.73, 61.49

 

CMYK 0 / 15 / 58 / 0

HEX #FFD96B

RGB 255 217 107

HSL 44.59, 1%, 0.71%

LAB 87.94, 0.7, 58.1

 

CMYK 0 / 8 / 51 / 0

HEX #FFEB7E

RGB 255 235 126

HSL 50.7, 1%, 0.75%

LAB 92.66, -6.89, 54.83

 

CMYK 0 / 36 / 78 / 1

HEX #FDA337

RGB 253 163 55

HSL 32.73, 0.98%, 0.6%

LAB 74.41, 25.15, 65.98

 

CMYK 0 / 39 / 85 / 7

HEX #EC9124

RGB 236 145 36

HSL 32.7, 0.84%, 0.53%

LAB 68.18, 26.97, 66.29

 

CMYK 0 / 42 / 92 / 14

HEX #DB7F11

RGB 219 127 17

HSL 32.67, 0.86%, 0.46%

LAB 61.89, 29.01, 65.51

 

CMYK 0 / 46 / 100 / 21

HEX #CA6D00

RGB 202 109 0

HSL 32.38, 1%, 0.4%

LAB 55.58, 31.25, 63.25

 

CMYK 0 / 51 / 100 / 27

HEX #B95B00

RGB 185 91 0

HSL 29.51, 1%, 0.36%

LAB 49.25, 33.68, 58.16

 

CMYK 0 / 36 / 79 / 1

HEX #FDA235

RGB 253 162 53

HSL 32.7, 0.98%, 0.6%

LAB 74.18, 25.6, 66.5

 

CMYK 0 / 57 / 79 / 1

HEX #FD6C35

RGB 253 108 53

HSL 16.5, 0.98%, 0.6%

LAB 63.23, 52.5, 56.23

 

CMYK 0 / 79 / 79 / 1

HEX #FD3635

RGB 253 54 53

HSL 0.3, 0.98%, 0.6%

LAB 55.86, 72.49, 49

 

CMYK 0 / 79 / 79 / 1

HEX #FD3535

RGB 253 53 53

HSL 0, 0.98%, 0.6%

LAB 55.77, 72.75, 48.91

 

CMYK 0 / 36 / 79 / 1

HEX #FDA235

RGB 253 162 53

HSL 32.7, 0.98%, 0.6%

LAB 74.18, 25.6, 66.5

 

CMYK 0 / 15 / 79 / 1

HEX #FDD835

RGB 253 216 53

HSL 48.9, 0.98%, 0.6%

LAB 87.12, -2.38, 78.15

 

CMYK 7 / 0 / 79 / 1

HEX #ECFD35

RGB 236 253 53

HSL 65.1, 0.98%, 0.6%

LAB 95.3, -27.45, 84.82

 

CMYK 28 / 0 / 79 / 1

HEX #B6FD35

RGB 182 253 53

HSL 81.3, 0.98%, 0.6%

LAB 91.89, -48.23, 80.48

 

CMYK 49 / 0 / 79 / 1

HEX #80FD35

RGB 128 253 53

HSL 97.5, 0.98%, 0.6%

LAB 89.44, -65.73, 77.34

 

CMYK 0 / 36 / 79 / 1

HEX #FDA235

RGB 253 162 53

HSL 32.7, 0.98%, 0.6%

LAB 74.18, 25.6, 66.5

 

CMYK 0 / 36 / 79 / 1

HEX #FDA235

RGB 253 162 53

HSL 32.7, 0.98%, 0.6%

LAB 74.18, 25.6, 66.5

 

CMYK 0 / 32 / 70 / 7

HEX #ECA146

RGB 236 161 70

HSL 32.89, 0.81%, 0.6%

LAB 72.07, 19.78, 56.79

 

CMYK 0 / 28 / 61 / 14

HEX #DC9F56

RGB 220 159 86

HSL 32.69, 0.66%, 0.6%

LAB 69.95, 15.1, 46.39

 

CMYK 0 / 22 / 49 / 20

HEX #CB9E67

RGB 203 158 103

HSL 33, 0.49%, 0.6%

LAB 68.12, 9.94, 35.02

 

CMYK 0 / 17 / 36 / 27

HEX #BB9C77

RGB 187 156 119

HSL 32.65, 0.33%, 0.6%

LAB 66.27, 6.18, 23.68

 

CMYK 0 / 79 / 79 / 1

HEX #FD3535

RGB 253 53 53

HSL 0, 0.98%, 0.6%

LAB 55.77, 72.75, 48.91

 

CMYK 0 / 58 / 79 / 1

HEX #FD6A35

RGB 253 106 53

HSL 15.9, 0.98%, 0.6%

LAB 62.88, 53.41, 55.9

 

CMYK 0 / 37 / 79 / 1

HEX #FDA035

RGB 253 160 53

HSL 32.1, 0.98%, 0.6%

LAB 73.73, 26.65, 66.09

 

CMYK 0 / 16 / 79 / 1

HEX #FDD535

RGB 253 213 53

HSL 48, 0.98%, 0.6%

LAB 86.37, -0.86, 77.49

 

CMYK 5 / 0 / 79 / 1

HEX #F0FD35

RGB 240 253 53

HSL 63.9, 0.98%, 0.6%

LAB 95.59, -25.84, 85.19

 

CMYK 0 / 45 / 99 / 13

HEX #DD7A02

RGB 221 122 2

HSL 32.88, 0.98%, 0.44%

LAB 61.04, 32.31, 67.63

 

CMYK 0 / 43 / 95 / 1

HEX #FD8F0C

RGB 253 143 12

HSL 32.61, 0.98%, 0.52%

LAB 69.86, 34.6, 74.02

 

CMYK 0 / 36 / 79 / 1

HEX #FDA235

RGB 253 162 53

HSL 32.7, 0.98%, 0.6%

LAB 74.18, 25.6, 66.5

 

CMYK 0 / 28 / 63 / 1

HEX #FDB55E

RGB 253 181 94

HSL 32.83, 0.98%, 0.68%

LAB 78.89, 17.64, 53.75

 

CMYK 0 / 21 / 47 / 0

HEX #FEC887

RGB 254 200 135

HSL 32.77, 0.98%, 0.76%

LAB 84.03, 11.37, 39.74

 

CMYK 0 / 36 / 78 / 1

HEX #FDA337

RGB 253 163 55

HSL 32.73, 0.98%, 0.6%

LAB 74.41, 25.15, 65.98

 

CMYK 58 / 0 / 79 / 1

HEX #6AFD35

RGB 106 253 53

HSL 104.1, 0.98%, 0.6%

LAB 88.72, -71.41, 76.41

 

CMYK 68 / 79 / 0 / 1

HEX #5035FD

RGB 80 53 253

HSL 248.1, 0.98%, 0.6%

LAB 40.15, 66.4, -93.58

 

CMYK 0 / 36 / 78 / 1

HEX #FDA337

RGB 253 163 55

HSL 32.73, 0.98%, 0.6%

LAB 74.41, 25.15, 65.98

 

CMYK 79 / 0 / 37 / 1

HEX #35FDA0

RGB 53 253 160

HSL 152.1, 0.98%, 0.6%

LAB 88.71, -67.67, 31.34

 

CMYK 37 / 79 / 0 / 1

HEX #A035FD

RGB 160 53 253

HSL 272.1, 0.98%, 0.6%

LAB 48.4, 75.6, -79.72

 

CMYK 0 / 36 / 78 / 1

HEX #FDA337

RGB 253 163 55

HSL 32.73, 0.98%, 0.6%

LAB 74.41, 25.15, 65.98

 

CMYK 58 / 0 / 79 / 1

HEX #6AFD35

RGB 106 253 53

HSL 104.1, 0.98%, 0.6%

LAB 88.72, -71.41, 76.41

 

CMYK 79 / 42 / 0 / 1

HEX #3592FD

RGB 53 146 253

HSL 212.1, 0.98%, 0.6%

LAB 60.25, 9.76, -60.88

 

CMYK 21 / 79 / 0 / 1

HEX #C835FD

RGB 200 53 253

HSL 284.1, 0.98%, 0.6%

LAB 53.94, 81.84, -70.46

 

CMYK 0 / 36 / 78 / 1

HEX #FDA337

RGB 253 163 55

HSL 32.73, 0.98%, 0.6%

LAB 74.41, 25.15, 65.98

 

CMYK 79 / 0 / 76 / 1

HEX #35FD3C

RGB 53 253 60

HSL 122.1, 0.98%, 0.6%

LAB 87.65, -80.33, 73

 

CMYK 79 / 42 / 0 / 1

HEX #3592FD

RGB 53 146 253

HSL 212.1, 0.98%, 0.6%

LAB 60.25, 9.76, -60.88

 

CMYK 0 / 79 / 3 / 1

HEX #FD35F6

RGB 253 53 246

HSL 302.1, 0.98%, 0.6%

LAB 61.73, 90.09, -53.63

 

Description

Color code: HEX #FDA337 | qconv.com Color code: HEX #FDA337 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 163 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 163 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 78 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 78% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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