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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA1FB it is the complementary color #025E04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA1FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FDA1FB: #FFA1F6, #FFB3FF, #FFC5FF, #FFD7FF and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA1FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FDA1FB: #FDA1FB, #EC8FE8, #DB7DD5, #CA6BC2 and #B959AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

Complementary color

CMYK 98 / 0 / 96 / 63

HEX #025E04

RGB 2 94 4

HSL 121.3, 0.96%, 0.19%

LAB 34.04, -41.05, 38.86

 

CMYK 0 / 37 / 4 / 0

HEX #FFA1F6

RGB 255 161 246

HSL 305.74, 1%, 0.82%

LAB 78.11, 47.2, -28.02

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 0 / 39 / 2 / 7

HEX #EC8FE8

RGB 236 143 232

HSL 302.58, 0.71%, 0.74%

LAB 71.76, 48.19, -30.35

 

CMYK 0 / 43 / 3 / 14

HEX #DB7DD5

RGB 219 125 213

HSL 303.83, 0.57%, 0.67%

LAB 65.38, 48.92, -29.85

 

CMYK 0 / 47 / 4 / 21

HEX #CA6BC2

RGB 202 107 194

HSL 305.05, 0.47%, 0.61%

LAB 58.94, 49.63, -29.26

 

CMYK 0 / 52 / 5 / 27

HEX #B959AF

RGB 185 89 175

HSL 306.25, 0.41%, 0.54%

LAB 52.46, 50.27, -28.56

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 0 / 37 / 7 / 1

HEX #FDA0EC

RGB 253 160 236

HSL 310.97, 0.96%, 0.81%

LAB 77.33, 45.39, -23.83

 

CMYK 0 / 37 / 13 / 1

HEX #FDA0DC

RGB 253 160 220

HSL 321.29, 0.96%, 0.81%

LAB 76.79, 42.78, -15.94

 

CMYK 0 / 37 / 19 / 1

HEX #FDA0CC

RGB 253 160 204

HSL 331.61, 0.96%, 0.81%

LAB 76.3, 40.33, -7.93

 

CMYK 0 / 37 / 25 / 1

HEX #FDA0BD

RGB 253 160 189

HSL 341.29, 0.96%, 0.81%

LAB 75.88, 38.2, -0.33

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 0 / 37 / 0 / 81

HEX #311F31

RGB 49 31 49

HSL 300, 0.23%, 0.16%

LAB 14.71, 12.5, -8.4

 

CMYK 0 / 36 / 1 / 61

HEX #644063

RGB 100 64 99

HSL 301.67, 0.22%, 0.32%

LAB 32.43, 21.99, -14.26

 

CMYK 0 / 36 / 1 / 41

HEX #976096

RGB 151 96 150

HSL 301.09, 0.22%, 0.48%

LAB 48.44, 31.3, -20.43

 

CMYK 0 / 36 / 1 / 21

HEX #CA81C8

RGB 202 129 200

HSL 301.64, 0.41%, 0.65%

LAB 63.69, 39.23, -25.33

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 0 / 29 / 37 / 1

HEX #FDB4A0

RGB 253 180 160

HSL 12.9, 0.96%, 0.81%

LAB 79.65, 24.07, 20.78

 

CMYK 37 / 0 / 14 / 1

HEX #A0FDD9

RGB 160 253 217

HSL 156.77, 0.96%, 0.81%

LAB 92.9, -35.41, 8.54

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 1 / 0 / 37 / 1

HEX #FBFDA0

RGB 251 253 160

HSL 61.29, 0.96%, 0.81%

LAB 97.35, -14.03, 44.3

 

CMYK 37 / 1 / 0 / 1

HEX #A0FBFD

RGB 160 251 253

HSL 181.29, 0.96%, 0.81%

LAB 93.26, -26.57, -9.55

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 0 / 29 / 37 / 1

HEX #FDB4A0

RGB 253 180 160

HSL 12.9, 0.96%, 0.81%

LAB 79.65, 24.07, 20.78

 

CMYK 37 / 0 / 36 / 1

HEX #A0FDA1

RGB 160 253 161

HSL 120.65, 0.96%, 0.81%

LAB 91.82, -45.43, 35.54

 

CMYK 37 / 8 / 0 / 1

HEX #A0E8FD

RGB 160 232 253

HSL 193.55, 0.96%, 0.81%

LAB 88.1, -17.23, -17.26

 

CMYK 0 / 36 / 1 / 1

HEX #FDA1FB

RGB 253 161 251

HSL 301.3, 0.96%, 0.81%

LAB 78.07, 47.47, -30.8

 

CMYK 0 / 18 / 37 / 1

HEX #FDD0A0

RGB 253 208 160

HSL 30.97, 0.96%, 0.81%

LAB 86.27, 9.43, 29.79

 

CMYK 37 / 0 / 36 / 1

HEX #A0FDA1

RGB 160 253 161

HSL 120.65, 0.96%, 0.81%

LAB 91.82, -45.43, 35.54

 

CMYK 37 / 19 / 0 / 1

HEX #A0CCFD

RGB 160 204 253

HSL 211.61, 0.96%, 0.81%

LAB 80.6, -2.73, -28.65

 

Description

Color code: HEX #FDA1FB | qconv.com Color code: HEX #FDA1FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 161 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 161 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 1 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 1% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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