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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDA075 it is the complementary color #025F8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDA075. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDA075 shade: #FFA070, #FFB283, #FFC496, #FFD6A9 and #FFE8BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDA075. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDA075 shade: #FDA075, #EC8E62, #DB7C4F, #CA6A3C and #B95829

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDA075 shade: #FDA277, #FD7E77 and #FD7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDA075 shade: #FDA277, #FDC677, #FDEA77, #ECFD77 and #C8FD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDA075 shade matches the following richer shades: #FDA277

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDA075 shade: #FDA277, #F2A683, #E7AA8E, #DCAE99 and #D0B2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDA075 shade: #FD7797, #FD7C77, #FD9F77, #FDC377 and #FDE777

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDA075 shade: #FC6A26, #FC864F, #FDA277, #FEBEA0 and #FEDAC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDA075 shade: #FDA075, #BAFD77 and #7785FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDA075 shade: #FDA075, #77FD9F and #9F77FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDA075 shade: #FDA075, #BAFD77, #77D5FD and #BA77FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDA075 shade: #FDA075, #92FD77, #77D5FD and #E277FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 54 / 1

HEX #FDA075

RGB 253 160 117

HSL 18.97, 0.97%, 0.73%

LAB 74.39, 30.29, 36.74

 

Complementary color

CMYK 99 / 31 / 0 / 46

HEX #025F8A

RGB 2 95 138

HSL 198.97, 0.97%, 0.27%

LAB 37.9, -6.95, -30.38

 

CMYK 0 / 37 / 56 / 0

HEX #FFA070

RGB 255 160 112

HSL 20.14, 1%, 0.72%

LAB 74.55, 30.68, 39.63

 

CMYK 0 / 30 / 49 / 0

HEX #FFB283

RGB 255 178 131

HSL 22.74, 1%, 0.76%

LAB 78.89, 22.88, 35.21

 

CMYK 0 / 23 / 41 / 0

HEX #FFC496

RGB 255 196 150

HSL 26.29, 1%, 0.79%

LAB 83.41, 15.35, 31.21

 

CMYK 0 / 16 / 34 / 0

HEX #FFD6A9

RGB 255 214 169

HSL 31.4, 1%, 0.83%

LAB 88.07, 8.15, 27.59

 

CMYK 0 / 9 / 26 / 0

HEX #FFE8BC

RGB 255 232 188

HSL 39.4, 1%, 0.87%

LAB 92.84, 1.31, 24.28

 

CMYK 0 / 37 / 54 / 1

HEX #FDA075

RGB 253 160 117

HSL 18.97, 0.97%, 0.73%

LAB 74.39, 30.29, 36.74

 

CMYK 0 / 40 / 58 / 7

HEX #EC8E62

RGB 236 142 98

HSL 19.13, 0.78%, 0.65%

LAB 68.07, 31.54, 38.41

 

CMYK 0 / 43 / 64 / 14

HEX #DB7C4F

RGB 219 124 79

HSL 19.29, 0.66%, 0.58%

LAB 61.69, 32.94, 40.23

 

CMYK 0 / 48 / 70 / 21

HEX #CA6A3C

RGB 202 106 60

HSL 19.44, 0.57%, 0.51%

LAB 55.27, 34.47, 42.18

 

CMYK 0 / 52 / 78 / 27

HEX #B95829

RGB 185 88 41

HSL 19.58, 0.64%, 0.44%

LAB 48.83, 36.15, 44.16

 

CMYK 0 / 36 / 53 / 1

HEX #FDA277

RGB 253 162 119

HSL 19.25, 0.97%, 0.73%

LAB 74.86, 29.41, 36.28

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E77

RGB 253 126 119

HSL 3.13, 0.97%, 0.73%

LAB 67.38, 47.7, 26.55

 

CMYK 0 / 53 / 53 / 1

HEX #FD7777

RGB 253 119 119

HSL 0, 0.97%, 0.73%

LAB 66.07, 51.06, 24.8

 

CMYK 0 / 36 / 53 / 1

HEX #FDA277

RGB 253 162 119

HSL 19.25, 0.97%, 0.73%

LAB 74.86, 29.41, 36.28

 

CMYK 0 / 22 / 53 / 1

HEX #FDC677

RGB 253 198 119

HSL 35.37, 0.97%, 0.73%

LAB 83.23, 10.59, 46.76

 

CMYK 0 / 8 / 53 / 1

HEX #FDEA77

RGB 253 234 119

HSL 51.49, 0.97%, 0.73%

LAB 92.16, -7.76, 57.45

 

CMYK 7 / 0 / 53 / 1

HEX #ECFD77

RGB 236 253 119

HSL 67.61, 0.97%, 0.73%

LAB 95.75, -23.7, 61.3

 

CMYK 21 / 0 / 53 / 1

HEX #C8FD77

RGB 200 253 119

HSL 83.73, 0.97%, 0.73%

LAB 93.39, -37.24, 57.95

 

CMYK 0 / 36 / 53 / 1

HEX #FDA277

RGB 253 162 119

HSL 19.25, 0.97%, 0.73%

LAB 74.86, 29.41, 36.28

 

CMYK 0 / 36 / 53 / 1

HEX #FDA277

RGB 253 162 119

HSL 19.25, 0.97%, 0.73%

LAB 74.86, 29.41, 36.28

 

CMYK 0 / 31 / 46 / 5

HEX #F2A683

RGB 242 166 131

HSL 18.92, 0.81%, 0.73%

LAB 74.69, 24.1, 29.44

 

CMYK 0 / 26 / 39 / 9

HEX #E7AA8E

RGB 231 170 142

HSL 18.88, 0.65%, 0.73%

LAB 74.63, 18.85, 23.22

 

CMYK 0 / 21 / 30 / 14

HEX #DCAE99

RGB 220 174 153

HSL 18.81, 0.49%, 0.73%

LAB 74.69, 13.79, 17.17

 

CMYK 0 / 14 / 21 / 18

HEX #D0B2A4

RGB 208 178 164

HSL 19.09, 0.32%, 0.73%

LAB 74.78, 8.62, 11.15

 

CMYK 0 / 53 / 40 / 1

HEX #FD7797

RGB 253 119 151

HSL 345.67, 0.97%, 0.73%

LAB 66.76, 54.03, 7.65

 

CMYK 0 / 51 / 53 / 1

HEX #FD7C77

RGB 253 124 119

HSL 2.24, 0.97%, 0.73%

LAB 67, 48.67, 26.04

 

CMYK 0 / 37 / 53 / 1

HEX #FD9F77

RGB 253 159 119

HSL 17.91, 0.97%, 0.73%

LAB 74.2, 30.98, 35.44

 

CMYK 0 / 23 / 53 / 1

HEX #FDC377

RGB 253 195 119

HSL 34.03, 0.97%, 0.73%

LAB 82.51, 12.15, 45.87

 

CMYK 0 / 9 / 53 / 1

HEX #FDE777

RGB 253 231 119

HSL 50.15, 0.97%, 0.73%

LAB 91.4, -6.27, 56.56

 

CMYK 0 / 58 / 85 / 1

HEX #FC6A26

RGB 252 106 38

HSL 19.07, 0.97%, 0.57%

LAB 62.63, 52.65, 61.91

 

CMYK 0 / 47 / 69 / 1

HEX #FC864F

RGB 252 134 79

HSL 19.08, 0.97%, 0.65%

LAB 68.25, 40.71, 48.96

 

CMYK 0 / 36 / 53 / 1

HEX #FDA277

RGB 253 162 119

HSL 19.25, 0.97%, 0.73%

LAB 74.86, 29.41, 36.28

 

CMYK 0 / 25 / 37 / 0

HEX #FEBEA0

RGB 254 190 160

HSL 19.15, 0.98%, 0.81%

LAB 82.07, 19.2, 24.13

 

CMYK 0 / 14 / 21 / 0

HEX #FEDAC9

RGB 254 218 201

HSL 19.25, 0.96%, 0.89%

LAB 89.59, 9.92, 12.98

 

CMYK 0 / 37 / 54 / 1

HEX #FDA075

RGB 253 160 117

HSL 18.97, 0.97%, 0.73%

LAB 74.39, 30.29, 36.74

 

CMYK 26 / 0 / 53 / 1

HEX #BAFD77

RGB 186 253 119

HSL 90, 0.97%, 0.73%

LAB 92.58, -42.23, 56.8

 

CMYK 53 / 47 / 0 / 1

HEX #7785FD

RGB 119 133 253

HSL 233.73, 0.97%, 0.73%

LAB 59.7, 27.69, -61.61

 

CMYK 0 / 37 / 54 / 1

HEX #FDA075

RGB 253 160 117

HSL 18.97, 0.97%, 0.73%

LAB 74.39, 30.29, 36.74

 

CMYK 53 / 0 / 37 / 1

HEX #77FD9F

RGB 119 253 159

HSL 137.91, 0.97%, 0.73%

LAB 90.17, -56.74, 34.06

 

CMYK 37 / 53 / 0 / 1

HEX #9F77FD

RGB 159 119 253

HSL 257.91, 0.97%, 0.73%

LAB 59.58, 44.59, -61.63

 

CMYK 0 / 37 / 54 / 1

HEX #FDA075

RGB 253 160 117

HSL 18.97, 0.97%, 0.73%

LAB 74.39, 30.29, 36.74

 

CMYK 26 / 0 / 53 / 1

HEX #BAFD77

RGB 186 253 119

HSL 90, 0.97%, 0.73%

LAB 92.58, -42.23, 56.8

 

CMYK 53 / 16 / 0 / 1

HEX #77D5FD

RGB 119 213 253

HSL 197.91, 0.97%, 0.73%

LAB 81.07, -17.14, -28.1

 

CMYK 26 / 53 / 0 / 1

HEX #BA77FD

RGB 186 119 253

HSL 270, 0.97%, 0.73%

LAB 62.27, 51.08, -57.16

 

CMYK 0 / 37 / 54 / 1

HEX #FDA075

RGB 253 160 117

HSL 18.97, 0.97%, 0.73%

LAB 74.39, 30.29, 36.74

 

CMYK 42 / 0 / 53 / 1

HEX #92FD77

RGB 146 253 119

HSL 107.91, 0.97%, 0.73%

LAB 90.64, -55.2, 54.01

 

CMYK 53 / 16 / 0 / 1

HEX #77D5FD

RGB 119 213 253

HSL 197.91, 0.97%, 0.73%

LAB 81.07, -17.14, -28.1

 

CMYK 11 / 53 / 0 / 1

HEX #E277FD

RGB 226 119 253

HSL 287.91, 0.97%, 0.73%

LAB 66.87, 61.21, -49.59

 

Description

Color code: HEX #FDA075 | qconv.com Color code: HEX #FDA075 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 160 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 160 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 54 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 54% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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