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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD9D0F it is the complementary color #0262F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD9D0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FD9D0F: #FF9D0A, #FFAF1D, #FFC130, #FFD343 and #FFE556

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD9D0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FD9D0F: #FD9D0F, #EC8B00, #DB7900, #CA6700 and #B95500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

Complementary color

CMYK 99 / 59 / 0 / 6

HEX #0262F0

RGB 2 98 240

HSL 215.8, 0.98%, 0.47%

LAB 45.69, 32.1, -77.27

 

CMYK 0 / 38 / 96 / 0

HEX #FF9D0A

RGB 255 157 10

HSL 36, 1%, 0.52%

LAB 73.15, 28.18, 76.61

 

CMYK 0 / 31 / 89 / 0

HEX #FFAF1D

RGB 255 175 29

HSL 38.76, 1%, 0.56%

LAB 77.29, 19.04, 76.35

 

CMYK 0 / 24 / 81 / 0

HEX #FFC130

RGB 255 193 48

HSL 42.03, 1%, 0.59%

LAB 81.63, 10.11, 74.9

 

CMYK 0 / 17 / 74 / 0

HEX #FFD343

RGB 255 211 67

HSL 45.96, 1%, 0.63%

LAB 86.13, 1.52, 72.73

 

CMYK 0 / 10 / 66 / 0

HEX #FFE556

RGB 255 229 86

HSL 50.77, 1%, 0.67%

LAB 90.77, -6.66, 70.17

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 0 / 41 / 100 / 7

HEX #EC8B00

RGB 236 139 0

HSL 35.34, 1%, 0.46%

LAB 66.75, 29.61, 72.53

 

CMYK 0 / 45 / 100 / 14

HEX #DB7900

RGB 219 121 0

HSL 33.15, 1%, 0.43%

LAB 60.55, 31.99, 67.51

 

CMYK 0 / 49 / 100 / 21

HEX #CA6700

RGB 202 103 0

HSL 30.59, 1%, 0.4%

LAB 54.3, 34.4, 62.48

 

CMYK 0 / 54 / 100 / 27

HEX #B95500

RGB 185 85 0

HSL 27.57, 1%, 0.36%

LAB 48.02, 36.78, 57.44

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 0 / 23 / 93 / 1

HEX #FCC111

RGB 252 193 17

HSL 44.94, 0.98%, 0.53%

LAB 81.22, 8.22, 81.26

 

CMYK 0 / 8 / 93 / 1

HEX #FCE911

RGB 252 233 17

HSL 55.15, 0.98%, 0.53%

LAB 91.24, -12.04, 88.68

 

CMYK 8 / 0 / 93 / 1

HEX #E9FC11

RGB 233 252 17

HSL 64.85, 0.98%, 0.53%

LAB 94.73, -28.97, 90.68

 

CMYK 23 / 0 / 93 / 1

HEX #C1FC11

RGB 193 252 17

HSL 75.06, 0.98%, 0.53%

LAB 92.13, -44.67, 87.53

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 0 / 39 / 94 / 81

HEX #311E03

RGB 49 30 3

HSL 35.22, 0.88%, 0.1%

LAB 13.16, 6.28, 18.39

 

CMYK 0 / 38 / 94 / 61

HEX #643E06

RGB 100 62 6

HSL 35.74, 0.89%, 0.21%

LAB 29.83, 12.14, 37.23

 

CMYK 0 / 38 / 94 / 41

HEX #975E09

RGB 151 94 9

HSL 35.92, 0.89%, 0.31%

LAB 45.09, 17.38, 50.92

 

CMYK 0 / 38 / 94 / 21

HEX #CA7D0C

RGB 202 125 12

HSL 35.68, 0.89%, 0.42%

LAB 59.21, 22.79, 63.55

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 73 / 0 / 93 / 1

HEX #44FC11

RGB 68 252 17

HSL 106.98, 0.98%, 0.53%

LAB 87.43, -79.77, 81.79

 

CMYK 76 / 93 / 0 / 1

HEX #3C11FC

RGB 60 17 252

HSL 250.98, 0.98%, 0.53%

LAB 34.78, 76.69, -101.99

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 93 / 0 / 39 / 1

HEX #11FC9A

RGB 17 252 154

HSL 154.98, 0.98%, 0.53%

LAB 88, -70.89, 33.35

 

CMYK 39 / 93 / 0 / 1

HEX #9A11FC

RGB 154 17 252

HSL 274.98, 0.98%, 0.53%

LAB 44.66, 83.07, -85.32

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 73 / 0 / 93 / 1

HEX #44FC11

RGB 68 252 17

HSL 106.98, 0.98%, 0.53%

LAB 87.43, -79.77, 81.79

 

CMYK 93 / 54 / 0 / 1

HEX #1173FC

RGB 17 115 252

HSL 214.98, 0.98%, 0.53%

LAB 51.16, 26.24, -75.03

 

CMYK 20 / 93 / 0 / 1

HEX #C911FC

RGB 201 17 252

HSL 286.98, 0.98%, 0.53%

LAB 51.66, 88.76, -73.59

 

CMYK 0 / 38 / 94 / 1

HEX #FD9D0F

RGB 253 157 15

HSL 35.8, 0.98%, 0.53%

LAB 72.91, 27.4, 75.66

 

CMYK 93 / 0 / 85 / 1

HEX #11FC25

RGB 17 252 37

HSL 125.11, 0.98%, 0.53%

LAB 86.93, -84.03, 78.06

 

CMYK 93 / 54 / 0 / 1

HEX #1173FC

RGB 17 115 252

HSL 214.98, 0.98%, 0.53%

LAB 51.16, 26.24, -75.03

 

CMYK 0 / 93 / 8 / 1

HEX #FC11E9

RGB 252 17 233

HSL 304.85, 0.98%, 0.53%

LAB 58.96, 93.71, -50.78

 

Description

Color code: HEX #FD9D0F | qconv.com Color code: HEX #FD9D0F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 157 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 157 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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