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Color name
HEX #FD970D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD970D it is the complementary color #0268F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD970D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD970D shade: #FF9708, #FFA91B, #FFBB2E, #FFCD41 and #FFDF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD970D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD970D shade: #FD970D, #EC8500, #DB7300, #CA6100 and #B94F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD970D shade: #FD970D, #FD560D, #FD150D and #FD0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD970D shade: #FD970D, #FDD70D, #E1FD0D, #A0FD0D and #60FD0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD970D shade matches the following richer shades: #FD970D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD970D shade: #FD970D, #E99420, #D59134, #C18E48 and #AD8B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD970D shade: #FD150D, #FD550D, #FD950D, #FDD50D and #E5FD0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD970D shade: #B56902, #DE8002, #FD970D, #FDA835 and #FDBA5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD970D shade: #FD970D, #45FD0D and #350DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD970D shade: #FD970D, #0DFD95 and #950DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD970D shade: #FD970D, #45FD0D, #0D75FD and #C50DFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD970D shade: #FD970D, #0DFD1D, #0D75FD and #FD0DED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

Complementary color

CMYK 99 / 57 / 0 / 5

HEX #0268F2

RGB 2 104 242

HSL 214.5, 0.98%, 0.48%

LAB 47.4, 29.02, -75.6

 

CMYK 0 / 41 / 97 / 0

HEX #FF9708

RGB 255 151 8

HSL 34.74, 1%, 0.52%

LAB 71.83, 31.27, 75.97

 

CMYK 0 / 34 / 89 / 0

HEX #FFA91B

RGB 255 169 27

HSL 37.37, 1%, 0.55%

LAB 75.89, 22.14, 75.73

 

CMYK 0 / 27 / 82 / 0

HEX #FFBB2E

RGB 255 187 46

HSL 40.48, 1%, 0.59%

LAB 80.18, 13.17, 74.25

 

CMYK 0 / 20 / 75 / 0

HEX #FFCD41

RGB 255 205 65

HSL 44.21, 1%, 0.63%

LAB 84.64, 4.51, 72.02

 

CMYK 0 / 13 / 67 / 0

HEX #FFDF54

RGB 255 223 84

HSL 48.77, 1%, 0.66%

LAB 89.24, -3.76, 69.39

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 0 / 44 / 100 / 7

HEX #EC8500

RGB 236 133 0

HSL 33.81, 1%, 0.46%

LAB 65.44, 32.73, 71.71

 

CMYK 0 / 47 / 100 / 14

HEX #DB7300

RGB 219 115 0

HSL 31.51, 1%, 0.43%

LAB 59.27, 35.11, 66.73

 

CMYK 0 / 52 / 100 / 21

HEX #CA6100

RGB 202 97 0

HSL 28.81, 1%, 0.4%

LAB 53.07, 37.48, 61.75

 

CMYK 0 / 57 / 100 / 27

HEX #B94F00

RGB 185 79 0

HSL 25.62, 1%, 0.36%

LAB 46.85, 39.78, 56.78

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 0 / 66 / 95 / 1

HEX #FD560D

RGB 253 86 13

HSL 18.25, 0.98%, 0.52%

LAB 59.5, 61.11, 67.26

 

CMYK 0 / 92 / 95 / 1

HEX #FD150D

RGB 253 21 13

HSL 2, 0.98%, 0.52%

LAB 53.44, 78.03, 63.89

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 0 / 15 / 95 / 1

HEX #FDD70D

RGB 253 215 13

HSL 50.5, 0.98%, 0.52%

LAB 86.76, -2.67, 85.81

 

CMYK 11 / 0 / 95 / 1

HEX #E1FD0D

RGB 225 253 13

HSL 67, 0.98%, 0.52%

LAB 94.43, -32.69, 90.57

 

CMYK 37 / 0 / 95 / 1

HEX #A0FD0D

RGB 160 253 13

HSL 83.25, 0.98%, 0.52%

LAB 90.67, -56.97, 86.01

 

CMYK 62 / 0 / 95 / 1

HEX #60FD0D

RGB 96 253 13

HSL 99.25, 0.98%, 0.52%

LAB 88.34, -74.96, 83.16

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 0 / 36 / 86 / 9

HEX #E99420

RGB 233 148 32

HSL 34.63, 0.82%, 0.52%

LAB 68.47, 24.04, 67.56

 

CMYK 0 / 32 / 76 / 16

HEX #D59134

RGB 213 145 52

HSL 34.66, 0.66%, 0.52%

LAB 65.47, 17.77, 56.97

 

CMYK 0 / 26 / 63 / 24

HEX #C18E48

RGB 193 142 72

HSL 34.71, 0.49%, 0.52%

LAB 62.64, 11.89, 44.12

 

CMYK 0 / 20 / 47 / 32

HEX #AD8B5C

RGB 173 139 92

HSL 34.81, 0.33%, 0.52%

LAB 60, 6.68, 29.95

 

CMYK 0 / 92 / 95 / 1

HEX #FD150D

RGB 253 21 13

HSL 2, 0.98%, 0.52%

LAB 53.44, 78.03, 63.89

 

CMYK 0 / 66 / 95 / 1

HEX #FD550D

RGB 253 85 13

HSL 18, 0.98%, 0.52%

LAB 59.35, 61.5, 67.18

 

CMYK 0 / 41 / 95 / 1

HEX #FD950D

RGB 253 149 13

HSL 34, 0.98%, 0.52%

LAB 71.15, 31.52, 74.75

 

CMYK 0 / 16 / 95 / 1

HEX #FDD50D

RGB 253 213 13

HSL 50, 0.98%, 0.52%

LAB 86.26, -1.66, 85.44

 

CMYK 9 / 0 / 95 / 1

HEX #E5FD0D

RGB 229 253 13

HSL 66, 0.98%, 0.52%

LAB 94.71, -31.09, 90.9

 

CMYK 0 / 42 / 99 / 29

HEX #B56902

RGB 181 105 2

HSL 34.53, 0.98%, 0.36%

LAB 51.76, 24.48, 58.99

 

CMYK 0 / 42 / 99 / 13

HEX #DE8002

RGB 222 128 2

HSL 34.36, 0.98%, 0.44%

LAB 62.48, 29.58, 68.61

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 0 / 34 / 79 / 1

HEX #FDA835

RGB 253 168 53

HSL 34.5, 0.98%, 0.6%

LAB 75.54, 22.47, 67.75

 

CMYK 0 / 26 / 63 / 1

HEX #FDBA5E

RGB 253 186 94

HSL 34.72, 0.98%, 0.68%

LAB 80.07, 15.02, 55.09

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 73 / 0 / 95 / 1

HEX #45FD0D

RGB 69 253 13

HSL 106, 0.98%, 0.52%

LAB 87.75, -79.98, 82.44

 

CMYK 79 / 95 / 0 / 1

HEX #350DFD

RGB 53 13 253

HSL 250, 0.98%, 0.52%

LAB 34.27, 77.43, -103.42

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 95 / 0 / 41 / 1

HEX #0DFD95

RGB 13 253 149

HSL 154, 0.98%, 0.52%

LAB 88.21, -72.27, 36.1

 

CMYK 41 / 95 / 0 / 1

HEX #950DFD

RGB 149 13 253

HSL 274, 0.98%, 0.52%

LAB 43.9, 83.25, -87.16

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 73 / 0 / 95 / 1

HEX #45FD0D

RGB 69 253 13

HSL 106, 0.98%, 0.52%

LAB 87.75, -79.98, 82.44

 

CMYK 95 / 54 / 0 / 1

HEX #0D75FD

RGB 13 117 253

HSL 214, 0.98%, 0.52%

LAB 51.72, 25.24, -74.67

 

CMYK 22 / 95 / 0 / 1

HEX #C50DFD

RGB 197 13 253

HSL 286, 0.98%, 0.52%

LAB 50.98, 88.78, -75.29

 

CMYK 0 / 40 / 95 / 1

HEX #FD970D

RGB 253 151 13

HSL 34.5, 0.98%, 0.52%

LAB 71.59, 30.49, 75.04

 

CMYK 95 / 0 / 89 / 1

HEX #0DFD1D

RGB 13 253 29

HSL 124, 0.98%, 0.52%

LAB 87.2, -84.72, 79.75

 

CMYK 95 / 54 / 0 / 1

HEX #0D75FD

RGB 13 117 253

HSL 214, 0.98%, 0.52%

LAB 51.72, 25.24, -74.67

 

CMYK 0 / 95 / 6 / 1

HEX #FD0DED

RGB 253 13 237

HSL 304, 0.98%, 0.52%

LAB 59.24, 94.71, -52.57

 

Description

Color code: HEX #FD970D | qconv.com Color code: HEX #FD970D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 151 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 151 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 95% 1% C M Y K

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