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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD93B7CE it is the complementary color #026C48CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD93B7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD93B7CE shade: #FF93B2CE, #FFA5C5CE, #FFB7D8CE, #FFC9EBCE and #FFDBFECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD93B7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD93B7CE shade: #FD93B7CE, #EC81A4CE, #DB6F91CE, #CA5D7ECE and #B94B6BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD93B7CE shade: #FD91B6, #FD9199 and #FD9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD93B7CE shade: #FD91B6, #FD91D3, #FD91F0, #ED91FD and #D091FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD93B7CE shade matches the following richer shades: #FD91B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD93B7CE shade: #FD91B6, #F49AB9, #EBA3BB, #E2ACBE and #D8B5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD93B7CE shade: #FD91F0, #FD91D3, #FD91B7, #FD919A and #FDA591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD93B7CE shade: #FB4080, #FC699B, #FD91B6, #FEB9D1 and #FEE2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD93B7CE shade: #FD93B7, #FDED91 and #91E2FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD93B7CE shade: #FD93B7, #B7FD91 and #91B7FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD93B7CE shade: #FD93B7, #FDED91, #91FDD7 and #91A1FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD93B7CE shade: #FD93B7, #EDFD91, #91FDD7 and #A191FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 22 / 1

HEX #FD93B7CE

RGBA 253 147 183 0.81

HSLA 339.62, 0.96%, 0.78%, 0.81

LABA 73, 44.06, -1.24, 0.81

 

Complementary color

CMYK 80 / 0 / 27 / 47

HEX #026C48CE

RGBA 2 108 72 0.81

HSLA 159.62, 0.96%, 0.22%, 0.81

LABA 39.93, -35.99, 12.84, 0.81

 

CMYK 0 / 34 / 24 / 0

HEX #FF93B2CE

RGBA 255 147 178 0.81

HSLA 342.78, 1%, 0.79%, 0.81

LABA 73.12, 44.1, 1.73, 0.81

 

CMYK 0 / 29 / 18 / 0

HEX #FFA5C5CE

RGBA 255 165 197 0.81

HSLA 338.67, 1%, 0.82%, 0.81

LABA 77.4, 37.41, -2.46, 0.81

 

CMYK 0 / 23 / 12 / 0

HEX #FFB7D8CE

RGBA 255 183 216 0.81

HSLA 332.5, 1%, 0.86%, 0.81

LABA 81.88, 30.84, -6.15, 0.81

 

CMYK 0 / 17 / 6 / 0

HEX #FFC9EBCE

RGBA 255 201 235 0.81

HSLA 322.22, 1%, 0.89%, 0.81

LABA 86.52, 24.46, -9.44, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFECE

RGBA 255 219 254 0.81

HSLA 301.67, 1%, 0.93%, 0.81

LABA 91.27, 18.33, -12.38, 0.81

 

CMYK 0 / 34 / 22 / 1

HEX #FD93B7CE

RGBA 253 147 183 0.81

HSLA 339.62, 0.96%, 0.78%, 0.81

LABA 73, 44.06, -1.24, 0.81

 

CMYK 0 / 37 / 25 / 6

HEX #EC81A4CE

RGBA 236 129 164 0.81

HSLA 340.37, 0.74%, 0.72%, 0.81

LABA 66.68, 44.92, -0.11, 0.81

 

CMYK 0 / 40 / 27 / 11

HEX #DB6F91CE

RGBA 219 111 145 0.81

HSLA 341.11, 0.6%, 0.65%, 0.81

LABA 60.31, 45.78, 1.18, 0.81

 

CMYK 0 / 44 / 30 / 17

HEX #CA5D7ECE

RGBA 202 93 126 0.81

HSLA 341.83, 0.51%, 0.58%, 0.81

LABA 53.91, 46.63, 2.69, 0.81

 

CMYK 0 / 48 / 34 / 22

HEX #B94B6BCE

RGBA 185 75 107 0.81

HSLA 342.55, 0.44%, 0.51%, 0.81

LABA 47.51, 47.39, 4.5, 0.81

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B6

RGB 253 145 182

HSL 339.44, 0.96%, 0.78%

LAB 72.57, 44.95, -1.32

 

CMYK 0 / 43 / 40 / 1

HEX #FD9199

RGB 253 145 153

HSL 355.56, 0.96%, 0.78%

LAB 71.85, 41.46, 13.75

 

CMYK 0 / 43 / 43 / 1

HEX #FD9191

RGB 253 145 145

HSL 0, 0.96%, 0.78%

LAB 71.68, 40.62, 17.94

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B6

RGB 253 145 182

HSL 339.44, 0.96%, 0.78%

LAB 72.57, 44.95, -1.32

 

CMYK 0 / 43 / 17 / 1

HEX #FD91D3

RGB 253 145 211

HSL 323.33, 0.96%, 0.78%

LAB 73.44, 49.03, -16.06

 

CMYK 0 / 43 / 5 / 1

HEX #FD91F0

RGB 253 145 240

HSL 307.22, 0.96%, 0.78%

LAB 74.46, 53.65, -30.4

 

CMYK 6 / 43 / 0 / 1

HEX #ED91FD

RGB 237 145 253

HSL 291.11, 0.96%, 0.78%

LAB 73.12, 51.31, -39.69

 

CMYK 18 / 43 / 0 / 1

HEX #D091FD

RGB 208 145 253

HSL 275, 0.96%, 0.78%

LAB 70, 43.08, -44.79

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B6

RGB 253 145 182

HSL 339.44, 0.96%, 0.78%

LAB 72.57, 44.95, -1.32

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B6

RGB 253 145 182

HSL 339.44, 0.96%, 0.78%

LAB 72.57, 44.95, -1.32

 

CMYK 0 / 37 / 24 / 4

HEX #F49AB9

RGB 244 154 185

HSL 339.33, 0.8%, 0.78%

LAB 73.45, 37.63, -1.82

 

CMYK 0 / 31 / 20 / 8

HEX #EBA3BB

RGB 235 163 187

HSL 340, 0.64%, 0.78%

LAB 74.47, 30.01, -1.54

 

CMYK 0 / 24 / 16 / 11

HEX #E2ACBE

RGB 226 172 190

HSL 340, 0.48%, 0.78%

LAB 75.69, 22.46, -1.5

 

CMYK 0 / 16 / 11 / 15

HEX #D8B5C1

RGB 216 181 193

HSL 339.43, 0.31%, 0.78%

LAB 76.98, 14.54, -1.37

 

CMYK 0 / 43 / 5 / 1

HEX #FD91F0

RGB 253 145 240

HSL 307.22, 0.96%, 0.78%

LAB 74.46, 53.65, -30.4

 

CMYK 0 / 43 / 17 / 1

HEX #FD91D3

RGB 253 145 211

HSL 323.33, 0.96%, 0.78%

LAB 73.44, 49.03, -16.06

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B7

RGB 253 145 183

HSL 338.89, 0.96%, 0.78%

LAB 72.6, 45.08, -1.84

 

CMYK 0 / 43 / 39 / 1

HEX #FD919A

RGB 253 145 154

HSL 355, 0.96%, 0.78%

LAB 71.87, 41.57, 13.22

 

CMYK 0 / 35 / 43 / 1

HEX #FDA591

RGB 253 165 145

HSL 11.11, 0.96%, 0.78%

LAB 75.97, 30.28, 23.83

 

CMYK 0 / 75 / 49 / 2

HEX #FB4080

RGB 251 64 128

HSL 339.47, 0.96%, 0.62%

LAB 57.78, 73.14, 8.12

 

CMYK 0 / 58 / 38 / 1

HEX #FC699B

RGB 252 105 155

HSL 339.59, 0.96%, 0.7%

LAB 64.29, 60.5, 1.8

 

CMYK 0 / 43 / 28 / 1

HEX #FD91B6

RGB 253 145 182

HSL 339.44, 0.96%, 0.78%

LAB 72.57, 44.95, -1.32

 

CMYK 0 / 27 / 18 / 0

HEX #FEB9D1

RGB 254 185 209

HSL 339.13, 0.97%, 0.86%

LAB 82.04, 28.37, -2.17

 

CMYK 0 / 11 / 7 / 0

HEX #FEE2EC

RGB 254 226 236

HSL 338.57, 0.93%, 0.94%

LAB 92.36, 11.24, -1.35

 

CMYK 0 / 42 / 28 / 1

HEX #FD93B7

RGB 253 147 183

HSL 339.62, 0.96%, 0.78%

LAB 73, 44.06, -1.24

 

CMYK 0 / 6 / 43 / 1

HEX #FDED91

RGB 253 237 145

HSL 51.11, 0.96%, 0.78%

LAB 93.23, -6.94, 46.41

 

CMYK 43 / 11 / 0 / 1

HEX #91E2FD

RGB 145 226 253

HSL 195, 0.96%, 0.78%

LAB 85.76, -17.95, -20.87

 

CMYK 0 / 42 / 28 / 1

HEX #FD93B7

RGB 253 147 183

HSL 339.62, 0.96%, 0.78%

LAB 73, 44.06, -1.24

 

CMYK 28 / 0 / 43 / 1

HEX #B7FD91

RGB 183 253 145

HSL 98.89, 0.96%, 0.78%

LAB 92.73, -40.33, 44.79

 

CMYK 43 / 28 / 0 / 1

HEX #91B7FD

RGB 145 183 253

HSL 218.89, 0.96%, 0.78%

LAB 74.18, 4.84, -38.64

 

CMYK 0 / 42 / 28 / 1

HEX #FD93B7

RGB 253 147 183

HSL 339.62, 0.96%, 0.78%

LAB 73, 44.06, -1.24

 

CMYK 0 / 6 / 43 / 1

HEX #FDED91

RGB 253 237 145

HSL 51.11, 0.96%, 0.78%

LAB 93.23, -6.94, 46.41

 

CMYK 43 / 0 / 15 / 1

HEX #91FDD7

RGB 145 253 215

HSL 158.89, 0.96%, 0.78%

LAB 92.21, -39.74, 8.5

 

CMYK 43 / 36 / 0 / 1

HEX #91A1FD

RGB 145 161 253

HSL 231.11, 0.96%, 0.78%

LAB 68.46, 17.24, -47.58

 

CMYK 0 / 42 / 28 / 1

HEX #FD93B7

RGB 253 147 183

HSL 339.62, 0.96%, 0.78%

LAB 73, 44.06, -1.24

 

CMYK 6 / 0 / 43 / 1

HEX #EDFD91

RGB 237 253 145

HSL 68.89, 0.96%, 0.78%

LAB 96.12, -20.91, 49.77

 

CMYK 43 / 0 / 15 / 1

HEX #91FDD7

RGB 145 253 215

HSL 158.89, 0.96%, 0.78%

LAB 92.21, -39.74, 8.5

 

CMYK 36 / 43 / 0 / 1

HEX #A191FD

RGB 161 145 253

HSL 248.89, 0.96%, 0.78%

LAB 65.69, 30.41, -51.89

 

Description

Color code: HEX #FD93B7CE | qconv.com Color code: HEX #FD93B7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 147 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 147 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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