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Color name
HEX #FD93A7CE

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD93A7CE it is the complementary color #026C58CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #FD93A7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD93A7CE shade: #FF93A2CE, #FFA5B5CE, #FFB7C8CE, #FFC9DBCE and #FFDBEECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #FD93A7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD93A7CE shade: #FD93A7CE, #EC8194CE, #DB6F81CE, #CA5D6ECE and #B94B5BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD93A7CE shade: #FD91A5 and #FD9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD93A7CE shade: #FD91A5, #FD91C2, #FD91DF, #FD91FD and #E091FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD93A7CE shade matches the following richer shades: #FD91A5

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD93A7CE shade: #FD91A5, #F49AAB, #EBA3B1, #E2ACB6 and #D8B5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD93A7CE shade: #FD91E0, #FD91C3, #FD91A7, #FD9891 and #FDB591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD93A7CE shade: #FB4063, #FC6984, #FD91A5, #FEB9C6 and #FEE2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD93A7CE shade: #FD93A7, #FDFD91 and #91D2FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD93A7CE shade: #FD93A7, #A7FD91 and #91A7FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD93A7CE shade: #FD93A7, #FDFD91, #91FDE7 and #9191FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD93A7CE shade: #FD93A7, #DCFD91, #91FDE7 and #B191FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 28 / 1

RGBA 253 147 167 0.81

HSLA 348.68, 0.96%, 0.78%, 0.81

LABA 72.59, 42.05, 7.03, 0.81

Complementary color

CMYK 80 / 0 / 15 / 47

RGBA 2 108 88 0.81

HSLA 168.68, 0.96%, 0.22%, 0.81

LABA 40.32, -31.68, 3.77, 0.81

Lighter colors

CMYK 0 / 34 / 30 / 0

RGBA 255 147 162 0.81

HSLA 351.67, 1%, 0.79%, 0.81

LABA 72.72, 42.17, 10.02, 0.81

CMYK 0 / 29 / 24 / 0

RGBA 255 165 181 0.81

HSLA 349.33, 1%, 0.82%, 0.81

LABA 76.98, 35.24, 5.67, 0.81

CMYK 0 / 23 / 17 / 0

RGBA 255 183 200 0.81

HSLA 345.83, 1%, 0.86%, 0.81

LABA 81.45, 28.44, 1.83, 0.81

CMYK 0 / 17 / 11 / 0

RGBA 255 201 219 0.81

HSLA 340, 1%, 0.89%, 0.81

LABA 86.08, 21.86, -1.58, 0.81

CMYK 0 / 11 / 5 / 0

RGBA 255 219 238 0.81

HSLA 328.33, 1%, 0.93%, 0.81

LABA 90.82, 15.55, -4.65, 0.81

Darker colors

CMYK 0 / 34 / 28 / 1

RGBA 253 147 167 0.81

HSLA 348.68, 0.96%, 0.78%, 0.81

LABA 72.59, 42.05, 7.03, 0.81

CMYK 0 / 37 / 30 / 6

RGBA 236 129 148 0.81

HSLA 349.35, 0.74%, 0.72%, 0.81

LABA 66.27, 42.98, 8.34, 0.81

CMYK 0 / 40 / 33 / 11

RGBA 219 111 129 0.81

HSLA 350, 0.6%, 0.65%, 0.81

LABA 59.9, 43.94, 9.84, 0.81

CMYK 0 / 44 / 37 / 17

RGBA 202 93 110 0.81

HSLA 350.64, 0.51%, 0.58%, 0.81

LABA 53.5, 44.9, 11.58, 0.81

CMYK 0 / 48 / 41 / 22

RGBA 185 75 91 0.81

HSLA 351.27, 0.44%, 0.51%, 0.81

LABA 47.11, 45.81, 13.67, 0.81

Warmer colors

CMYK 0 / 43 / 35 / 1

RGB 253 145 165

HSL 348.89, 0.96%, 0.78%

LAB 72.13, 42.83, 7.48

CMYK 0 / 43 / 43 / 1

RGB 253 145 145

HSL 0, 0.96%, 0.78%

LAB 71.68, 40.62, 17.94

Colder colors

CMYK 0 / 43 / 35 / 1

RGB 253 145 165

HSL 348.89, 0.96%, 0.78%

LAB 72.13, 42.83, 7.48

CMYK 0 / 43 / 23 / 1

RGB 253 145 194

HSL 332.78, 0.96%, 0.78%

LAB 72.91, 46.56, -7.47

CMYK 0 / 43 / 12 / 1

RGB 253 145 223

HSL 316.67, 0.96%, 0.78%

LAB 73.84, 50.88, -22.05

CMYK 0 / 43 / 0 / 1

RGB 253 145 253

HSL 300, 0.96%, 0.78%

LAB 74.97, 55.89, -36.68

CMYK 11 / 43 / 0 / 1

RGB 224 145 253

HSL 283.89, 0.96%, 0.78%

LAB 71.68, 47.6, -42.04

Richer colors

CMYK 0 / 43 / 35 / 1

RGB 253 145 165

HSL 348.89, 0.96%, 0.78%

LAB 72.13, 42.83, 7.48

Paler colors

CMYK 0 / 43 / 35 / 1

RGB 253 145 165

HSL 348.89, 0.96%, 0.78%

LAB 72.13, 42.83, 7.48

CMYK 0 / 37 / 30 / 4

RGB 244 154 171

HSL 348.67, 0.8%, 0.78%

LAB 73.08, 35.74, 5.38

CMYK 0 / 31 / 25 / 8

RGB 235 163 177

HSL 348.33, 0.64%, 0.78%

LAB 74.21, 28.56, 3.57

CMYK 0 / 24 / 19 / 11

RGB 226 172 182

HSL 348.89, 0.48%, 0.78%

LAB 75.48, 21.22, 2.56

CMYK 0 / 16 / 13 / 15

RGB 216 181 188

HSL 348, 0.31%, 0.78%

LAB 76.85, 13.71, 1.16

Analogue colors

CMYK 0 / 43 / 11 / 1

RGB 253 145 224

HSL 316.11, 0.96%, 0.78%

LAB 73.88, 51.04, -22.54

CMYK 0 / 43 / 23 / 1

RGB 253 145 195

HSL 332.22, 0.96%, 0.78%

LAB 72.94, 46.7, -7.98

CMYK 0 / 43 / 34 / 1

RGB 253 145 167

HSL 347.78, 0.96%, 0.78%

LAB 72.18, 43.07, 6.44

CMYK 0 / 40 / 43 / 1

RGB 253 152 145

HSL 3.89, 0.96%, 0.78%

LAB 73.14, 37.03, 19.96

CMYK 0 / 28 / 43 / 1

RGB 253 181 145

HSL 20, 0.96%, 0.78%

LAB 79.6, 21.9, 28.72

Monochromatic colors

CMYK 0 / 75 / 61 / 2

HSL 348.77, 0.96%, 0.62%

LAB 57.15, 71.1, 24.38

CMYK 0 / 58 / 48 / 1

RGB 252 105 132

HSL 348.98, 0.96%, 0.7%

LAB 63.72, 58.26, 14.19

CMYK 0 / 43 / 35 / 1

RGB 253 145 165

HSL 348.89, 0.96%, 0.78%

LAB 72.13, 42.83, 7.48

CMYK 0 / 27 / 22 / 0

RGB 254 185 198

HSL 348.7, 0.97%, 0.86%

LAB 81.75, 26.74, 3.33

CMYK 0 / 11 / 9 / 0

RGB 254 226 231

HSL 349.29, 0.93%, 0.94%

LAB 92.24, 10.41, 1.07

Partial complementary colors

CMYK 0 / 42 / 34 / 1

RGB 253 147 167

HSL 348.68, 0.96%, 0.78%

LAB 72.59, 42.05, 7.03

CMYK 0 / 0 / 43 / 1

RGB 253 253 145

HSL 60, 0.96%, 0.78%

LAB 97.3, -14.82, 51.49

CMYK 43 / 17 / 0 / 1

RGB 145 210 253

HSL 203.89, 0.96%, 0.78%

LAB 81.4, -9.72, -27.49

Triadic colors

CMYK 0 / 42 / 34 / 1

RGB 253 147 167

HSL 348.68, 0.96%, 0.78%

LAB 72.59, 42.05, 7.03

CMYK 34 / 0 / 43 / 1

RGB 167 253 145

HSL 107.78, 0.96%, 0.78%

LAB 91.91, -45.55, 43.58

CMYK 43 / 34 / 0 / 1

RGB 145 167 253

HSL 227.78, 0.96%, 0.78%

LAB 70, 13.82, -45.16

Rectangular (tetradic) colors

CMYK 0 / 42 / 34 / 1

RGB 253 147 167

HSL 348.68, 0.96%, 0.78%

LAB 72.59, 42.05, 7.03

CMYK 0 / 0 / 43 / 1

RGB 253 253 145

HSL 60, 0.96%, 0.78%

LAB 97.3, -14.82, 51.49

CMYK 43 / 0 / 9 / 1

RGB 145 253 231

HSL 167.78, 0.96%, 0.78%

LAB 92.59, -36.25, 0.78

CMYK 43 / 43 / 0 / 1

RGB 145 145 253

HSL 240, 0.96%, 0.78%

LAB 64.45, 26.45, -53.92

Square colors

CMYK 0 / 42 / 34 / 1

RGB 253 147 167

HSL 348.68, 0.96%, 0.78%

LAB 72.59, 42.05, 7.03

CMYK 13 / 0 / 43 / 1

RGB 220 253 145

HSL 78.33, 0.96%, 0.78%

LAB 94.95, -27.25, 48.06

CMYK 43 / 0 / 9 / 1

RGB 145 253 231

HSL 167.78, 0.96%, 0.78%

LAB 92.59, -36.25, 0.78

CMYK 30 / 43 / 0 / 1

RGB 177 145 253

HSL 257.78, 0.96%, 0.78%

LAB 67.04, 34.58, -49.65

Description

Color code: HEX #FD93A7CE | qconv.com

Color code: HEX #FD93A7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 147 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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