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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD81A4 it is the complementary color #027E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD81A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD81A4 shade: #FF819F, #FF93B2, #FFA5C5, #FFB7D8 and #FFC9EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD81A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD81A4 shade: #FD81A4, #EC6F91, #DB5D7E, #CA4B6B and #B93958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD81A4 shade: #FD81A4, #FD8183 and #FD8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD81A4 shade: #FD81A4, #FD81C6, #FD81E7, #F281FD and #D081FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD81A4 shade matches the following richer shades: #FD81A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD81A4 shade: #FD81A4, #F38CA9, #E896AD, #DEA0B2 and #D4ABB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD81A4 shade: #FD81E6, #FD81C5, #FD81A4, #FD8183 and #FDA081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD81A4 shade: #FC306A, #FC5987, #FD81A4, #FEAAC2 and #FED3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD81A4 shade: #FD81A4, #FDF381 and #81D6FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD81A4 shade: #FD81A4, #A4FD81 and #81A4FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD81A4 shade: #FD81A4, #FDF381, #81FDDA and #818CFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD81A4 shade: #FD81A4, #E2FD81, #81FDDA and #9C81FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

Complementary color

CMYK 98 / 0 / 28 / 51

HEX #027E5B

RGB 2 126 91

HSL 163.06, 0.97%, 0.25%

LAB 46.57, -38.66, 10.84

 

CMYK 0 / 49 / 38 / 0

HEX #FF819F

RGB 255 129 159

HSL 345.71, 1%, 0.75%

LAB 69.09, 50.78, 6.51

 

CMYK 0 / 42 / 30 / 0

HEX #FF93B2

RGB 255 147 178

HSL 342.78, 1%, 0.79%

LAB 73.12, 44.1, 1.73

 

CMYK 0 / 35 / 23 / 0

HEX #FFA5C5

RGB 255 165 197

HSL 338.67, 1%, 0.82%

LAB 77.4, 37.41, -2.46

 

CMYK 0 / 28 / 15 / 0

HEX #FFB7D8

RGB 255 183 216

HSL 332.5, 1%, 0.86%

LAB 81.88, 30.84, -6.15

 

CMYK 0 / 21 / 8 / 0

HEX #FFC9EB

RGB 255 201 235

HSL 322.22, 1%, 0.89%

LAB 86.52, 24.46, -9.44

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 53 / 39 / 7

HEX #EC6F91

RGB 236 111 145

HSL 343.68, 0.77%, 0.68%

LAB 62.71, 51.52, 4.96

 

CMYK 0 / 58 / 42 / 14

HEX #DB5D7E

RGB 219 93 126

HSL 344.29, 0.64%, 0.61%

LAB 56.48, 52.31, 6.72

 

CMYK 0 / 63 / 47 / 21

HEX #CA4B6B

RGB 202 75 107

HSL 344.88, 0.55%, 0.54%

LAB 50.28, 52.96, 8.83

 

CMYK 0 / 69 / 52 / 27

HEX #B93958

RGB 185 57 88

HSL 345.47, 0.53%, 0.47%

LAB 44.15, 53.34, 11.42

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 49 / 48 / 1

HEX #FD8183

RGB 253 129 131

HSL 359.03, 0.97%, 0.75%

LAB 68.18, 47.27, 20.93

 

CMYK 0 / 49 / 49 / 1

HEX #FD8181

RGB 253 129 129

HSL 0, 0.97%, 0.75%

LAB 68.14, 47.09, 21.99

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 49 / 22 / 1

HEX #FD81C6

RGB 253 129 198

HSL 326.61, 0.97%, 0.75%

LAB 69.94, 55.02, -14.13

 

CMYK 0 / 49 / 9 / 1

HEX #FD81E7

RGB 253 129 231

HSL 310.65, 0.97%, 0.75%

LAB 71.11, 59.96, -30.63

 

CMYK 4 / 49 / 0 / 1

HEX #F281FD

RGB 242 129 253

HSL 294.68, 0.97%, 0.75%

LAB 70.64, 60.63, -43.52

 

CMYK 18 / 49 / 0 / 1

HEX #D081FD

RGB 208 129 253

HSL 278.23, 0.97%, 0.75%

LAB 66.67, 51.51, -50.03

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 42 / 30 / 5

HEX #F38CA9

RGB 243 140 169

HSL 343.11, 0.81%, 0.75%

LAB 69.95, 42.37, 1.95

 

CMYK 0 / 35 / 25 / 9

HEX #E896AD

RGB 232 150 173

HSL 343.17, 0.64%, 0.75%

LAB 70.86, 33.82, 0.88

 

CMYK 0 / 28 / 20 / 13

HEX #DEA0B2

RGB 222 160 178

HSL 342.58, 0.48%, 0.75%

LAB 72.15, 25.62, -0.14

 

CMYK 0 / 19 / 14 / 17

HEX #D4ABB6

RGB 212 171 182

HSL 343.9, 0.32%, 0.75%

LAB 73.87, 16.69, 0.04

 

CMYK 0 / 49 / 9 / 1

HEX #FD81E6

RGB 253 129 230

HSL 311.13, 0.97%, 0.75%

LAB 71.07, 59.8, -30.14

 

CMYK 0 / 49 / 22 / 1

HEX #FD81C5

RGB 253 129 197

HSL 327.1, 0.97%, 0.75%

LAB 69.9, 54.88, -13.62

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 49 / 48 / 1

HEX #FD8183

RGB 253 129 131

HSL 359.03, 0.97%, 0.75%

LAB 68.18, 47.27, 20.93

 

CMYK 0 / 37 / 49 / 1

HEX #FDA081

RGB 253 160 129

HSL 15, 0.97%, 0.75%

LAB 74.58, 31.33, 30.59

 

CMYK 0 / 81 / 58 / 1

HEX #FC306A

RGB 252 48 106

HSL 342.94, 0.97%, 0.59%

LAB 55.94, 76.14, 18.64

 

CMYK 0 / 65 / 46 / 1

HEX #FC5987

RGB 252 89 135

HSL 343.07, 0.96%, 0.67%

LAB 61.3, 65.24, 9.04

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 33 / 24 / 0

HEX #FEAAC2

RGB 254 170 194

HSL 342.86, 0.98%, 0.83%

LAB 78.3, 34.04, 0.47

 

CMYK 0 / 17 / 12 / 0

HEX #FED3DF

RGB 254 211 223

HSL 343.26, 0.96%, 0.91%

LAB 88.44, 16.91, -0.26

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 4 / 49 / 1

HEX #FDF381

RGB 253 243 129

HSL 55.16, 0.97%, 0.75%

LAB 94.56, -11.39, 55.67

 

CMYK 49 / 15 / 0 / 1

HEX #81D6FD

RGB 129 214 253

HSL 198.87, 0.97%, 0.75%

LAB 81.76, -15.52, -27.02

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 35 / 0 / 49 / 1

HEX #A4FD81

RGB 164 253 129

HSL 103.06, 0.97%, 0.75%

LAB 91.56, -48.5, 50.72

 

CMYK 49 / 35 / 0 / 1

HEX #81A4FD

RGB 129 164 253

HSL 223.06, 0.97%, 0.75%

LAB 68.25, 11.74, -47.98

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 0 / 4 / 49 / 1

HEX #FDF381

RGB 253 243 129

HSL 55.16, 0.97%, 0.75%

LAB 94.56, -11.39, 55.67

 

CMYK 49 / 0 / 14 / 1

HEX #81FDDA

RGB 129 253 218

HSL 163.06, 0.97%, 0.75%

LAB 91.68, -42.88, 6.11

 

CMYK 49 / 45 / 0 / 1

HEX #818CFD

RGB 129 140 253

HSL 234.68, 0.97%, 0.75%

LAB 62.1, 25.68, -57.74

 

CMYK 0 / 49 / 35 / 1

HEX #FD81A4

RGB 253 129 164

HSL 343.06, 0.97%, 0.75%

LAB 68.94, 50.68, 3.45

 

CMYK 11 / 0 / 49 / 1

HEX #E2FD81

RGB 226 253 129

HSL 73.06, 0.97%, 0.75%

LAB 95.16, -26.65, 55.92

 

CMYK 49 / 0 / 14 / 1

HEX #81FDDA

RGB 129 253 218

HSL 163.06, 0.97%, 0.75%

LAB 91.68, -42.88, 6.11

 

CMYK 38 / 49 / 0 / 1

HEX #9C81FD

RGB 156 129 253

HSL 253.06, 0.97%, 0.75%

LAB 61.53, 38.27, -58.51

 

Description

Color code: HEX #FD81A4 | qconv.com Color code: HEX #FD81A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 129 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 129 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 35 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 35% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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