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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7F47 it is the complementary color #0280B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7F47 shade: #FF7F42, #FF9155, #FFA368, #FFB57B and #FFC78E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7F47 shade: #FD7F47, #EC6D34, #DB5B21, #CA490E and #B93700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7F47 shade: #FD8149, #FD5049 and #FD4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7F47 shade: #FD8149, #FDB149, #FDE249, #E8FD49 and #B8FD49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7F47 shade matches the following richer shades: #FD8149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7F47 shade: #FD8149, #EE8658, #DF8C67, #D19276 and #C29785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7F47 shade: #FD4973, #FD4F49, #FD7F49, #FDAF49 and #FDDF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7F47 shade: #F14C02, #FD6420, #FD8149, #FE9D72 and #FEB99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7F47 shade: #FD7F47, #A3FD49 and #495BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7F47 shade: #FD7F47, #49FD7F and #7F49FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7F47 shade: #FD7F47, #A3FD49, #49C7FD and #A349FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7F47 shade: #FD7F47, #6DFD49, #49C7FD and #D949FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 1

HEX #FD7F47

RGB 253 127 71

HSL 18.46, 0.98%, 0.64%

LAB 66.91, 44.18, 51.49

 

Complementary color

CMYK 99 / 30 / 0 / 28

HEX #0280B8

RGB 2 128 184

HSL 198.46, 0.98%, 0.36%

LAB 50.58, -8.66, -37.56

 

CMYK 0 / 50 / 74 / 0

HEX #FF7F42

RGB 255 127 66

HSL 19.37, 1%, 0.63%

LAB 67.15, 44.71, 54.23

 

CMYK 0 / 43 / 67 / 0

HEX #FF9155

RGB 255 145 85

HSL 21.18, 1%, 0.67%

LAB 70.99, 36.62, 49.18

 

CMYK 0 / 36 / 59 / 0

HEX #FFA368

RGB 255 163 104

HSL 23.44, 1%, 0.7%

LAB 75.11, 28.52, 44.44

 

CMYK 0 / 29 / 52 / 0

HEX #FFB57B

RGB 255 181 123

HSL 26.36, 1%, 0.74%

LAB 79.46, 20.6, 40.09

 

CMYK 0 / 22 / 44 / 0

HEX #FFC78E

RGB 255 199 142

HSL 30.27, 1%, 0.78%

LAB 84, 12.96, 36.13

 

CMYK 0 / 50 / 72 / 1

HEX #FD7F47

RGB 253 127 71

HSL 18.46, 0.98%, 0.64%

LAB 66.91, 44.18, 51.49

 

CMYK 0 / 54 / 78 / 7

HEX #EC6D34

RGB 236 109 52

HSL 18.59, 0.83%, 0.56%

LAB 60.8, 45.78, 53.43

 

CMYK 0 / 58 / 85 / 14

HEX #DB5B21

RGB 219 91 33

HSL 18.71, 0.74%, 0.49%

LAB 54.71, 47.44, 55.1

 

CMYK 0 / 64 / 93 / 21

HEX #CA490E

RGB 202 73 14

HSL 18.83, 0.87%, 0.42%

LAB 48.7, 49.06, 55.86

 

CMYK 0 / 70 / 100 / 27

HEX #B93700

RGB 185 55 0

HSL 17.84, 1%, 0.36%

LAB 42.83, 50.46, 54.67

 

CMYK 0 / 49 / 71 / 1

HEX #FD8149

RGB 253 129 73

HSL 18.67, 0.98%, 0.64%

LAB 67.33, 43.28, 50.95

 

CMYK 0 / 68 / 71 / 1

HEX #FD5049

RGB 253 80 73

HSL 2.33, 0.98%, 0.64%

LAB 59.07, 64.91, 41.71

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 49 / 71 / 1

HEX #FD8149

RGB 253 129 73

HSL 18.67, 0.98%, 0.64%

LAB 67.33, 43.28, 50.95

 

CMYK 0 / 30 / 71 / 1

HEX #FDB149

RGB 253 177 73

HSL 34.67, 0.98%, 0.64%

LAB 77.76, 18.57, 62

 

CMYK 0 / 11 / 71 / 1

HEX #FDE249

RGB 253 226 73

HSL 51, 0.98%, 0.64%

LAB 89.75, -6.63, 74.01

 

CMYK 8 / 0 / 71 / 1

HEX #E8FD49

RGB 232 253 73

HSL 67, 0.98%, 0.64%

LAB 95.11, -28.25, 78.65

 

CMYK 27 / 0 / 71 / 1

HEX #B8FD49

RGB 184 253 73

HSL 83, 0.98%, 0.64%

LAB 92.1, -46.53, 74.68

 

CMYK 0 / 49 / 71 / 1

HEX #FD8149

RGB 253 129 73

HSL 18.67, 0.98%, 0.64%

LAB 67.33, 43.28, 50.95

 

CMYK 0 / 49 / 71 / 1

HEX #FD8149

RGB 253 129 73

HSL 18.67, 0.98%, 0.64%

LAB 67.33, 43.28, 50.95

 

CMYK 0 / 44 / 63 / 7

HEX #EE8658

RGB 238 134 88

HSL 18.4, 0.82%, 0.64%

LAB 66.47, 35.8, 41.8

 

CMYK 0 / 37 / 54 / 13

HEX #DF8C67

RGB 223 140 103

HSL 18.5, 0.65%, 0.64%

LAB 66.08, 27.84, 32.89

 

CMYK 0 / 30 / 44 / 18

HEX #D19276

RGB 209 146 118

HSL 18.46, 0.5%, 0.64%

LAB 66.08, 20.43, 24.37

 

CMYK 0 / 22 / 31 / 24

HEX #C29785

RGB 194 151 133

HSL 17.7, 0.33%, 0.64%

LAB 65.98, 13.52, 15.65

 

CMYK 0 / 71 / 55 / 1

HEX #FD4973

RGB 253 73 115

HSL 346, 0.98%, 0.64%

LAB 58.87, 69.81, 17.35

 

CMYK 0 / 69 / 71 / 1

HEX #FD4F49

RGB 253 79 73

HSL 2, 0.98%, 0.64%

LAB 58.93, 65.28, 41.56

 

CMYK 0 / 50 / 71 / 1

HEX #FD7F49

RGB 253 127 73

HSL 18, 0.98%, 0.64%

LAB 66.93, 44.27, 50.53

 

CMYK 0 / 31 / 71 / 1

HEX #FDAF49

RGB 253 175 73

HSL 34, 0.98%, 0.64%

LAB 77.29, 19.61, 61.52

 

CMYK 0 / 12 / 71 / 1

HEX #FDDF49

RGB 253 223 73

HSL 50, 0.98%, 0.64%

LAB 88.99, -5.13, 73.27

 

CMYK 0 / 68 / 99 / 5

HEX #F14C02

RGB 241 76 2

HSL 18.58, 0.98%, 0.48%

LAB 55.96, 60.96, 66.35

 

CMYK 0 / 60 / 87 / 1

HEX #FD6420

RGB 253 100 32

HSL 18.46, 0.98%, 0.56%

LAB 61.74, 55.54, 63.45

 

CMYK 0 / 49 / 71 / 1

HEX #FD8149

RGB 253 129 73

HSL 18.67, 0.98%, 0.64%

LAB 67.33, 43.28, 50.95

 

CMYK 0 / 38 / 55 / 0

HEX #FE9D72

RGB 254 157 114

HSL 18.43, 0.99%, 0.72%

LAB 73.8, 32, 37.61

 

CMYK 0 / 27 / 39 / 0

HEX #FEB99B

RGB 254 185 155

HSL 18.18, 0.98%, 0.8%

LAB 80.81, 21.26, 25.07

 

CMYK 0 / 50 / 72 / 1

HEX #FD7F47

RGB 253 127 71

HSL 18.46, 0.98%, 0.64%

LAB 66.91, 44.18, 51.49

 

CMYK 36 / 0 / 71 / 1

HEX #A3FD49

RGB 163 253 73

HSL 90, 0.98%, 0.64%

LAB 91.02, -53.83, 73.24

 

CMYK 71 / 64 / 0 / 1

HEX #495BFD

RGB 73 91 253

HSL 234, 0.98%, 0.64%

LAB 46.96, 45.6, -82.38

 

CMYK 0 / 50 / 72 / 1

HEX #FD7F47

RGB 253 127 71

HSL 18.46, 0.98%, 0.64%

LAB 66.91, 44.18, 51.49

 

CMYK 71 / 0 / 50 / 1

HEX #49FD7F

RGB 73 253 127

HSL 138, 0.98%, 0.64%

LAB 88.54, -70.67, 47.26

 

CMYK 50 / 71 / 0 / 1

HEX #7F49FD

RGB 127 73 253

HSL 258, 0.98%, 0.64%

LAB 47.45, 62.57, -81.41

 

CMYK 0 / 50 / 72 / 1

HEX #FD7F47

RGB 253 127 71

HSL 18.46, 0.98%, 0.64%

LAB 66.91, 44.18, 51.49

 

CMYK 36 / 0 / 71 / 1

HEX #A3FD49

RGB 163 253 73

HSL 90, 0.98%, 0.64%

LAB 91.02, -53.83, 73.24

 

CMYK 71 / 21 / 0 / 1

HEX #49C7FD

RGB 73 199 253

HSL 198, 0.98%, 0.64%

LAB 75.67, -17.65, -36.55

 

CMYK 36 / 71 / 0 / 1

HEX #A349FD

RGB 163 73 253

HSL 270, 0.98%, 0.64%

LAB 51.43, 68.47, -74.76

 

CMYK 0 / 50 / 72 / 1

HEX #FD7F47

RGB 253 127 71

HSL 18.46, 0.98%, 0.64%

LAB 66.91, 44.18, 51.49

 

CMYK 57 / 0 / 71 / 1

HEX #6DFD49

RGB 109 253 73

HSL 108, 0.98%, 0.64%

LAB 88.91, -69.47, 70.44

 

CMYK 71 / 21 / 0 / 1

HEX #49C7FD

RGB 73 199 253

HSL 198, 0.98%, 0.64%

LAB 75.67, -17.65, -36.55

 

CMYK 14 / 71 / 0 / 1

HEX #D949FD

RGB 217 73 253

HSL 288, 0.98%, 0.64%

LAB 58.61, 78.58, -62.8

 

Description

Color code: HEX #FD7F47 | qconv.com Color code: HEX #FD7F47 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 127 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 127 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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