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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7EADCE it is the complementary color #028152CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7EADCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7EADCE shade: #FF7EA8CE, #FF90BBCE, #FFA2CECE, #FFB4E1CE and #FFC6F4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7EADCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7EADCE shade: #FD7EADCE, #EC6C9ACE, #DB5A87CE, #CA4874CE and #B93661CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7EADCE shade: #FD7CAC, #FD7C89 and #FD7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7EADCE shade: #FD7CAC, #FD7CCF, #FD7CF1, #E67CFD and #C37CFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7EADCE shade matches the following richer shades: #FD7CAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7EADCE shade: #FD7CAC, #F287AF, #E892B2, #DD9DB4 and #D2A7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7EADCE shade: #FD7CF2, #FD7CD0, #FD7CAE, #FD7C8B and #FD907C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7EADCE shade: #FC2B78, #FC5492, #FD7CAC, #FEA5C6 and #FECEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7EADCE shade: #FD7EAD, #FDE57C and #7CE1FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7EADCE shade: #FD7EAD, #AEFD7C and #7CAEFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7EADCE shade: #FD7EAD, #FDE57C, #7CFDCC and #7C94FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7EADCE shade: #FD7EAD, #EEFD7C, #7CFDCC and #8B7CFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 26 / 1

HEX #FD7EADCE

RGBA 253 126 173 0.81

HSLA 337.8, 0.97%, 0.74%, 0.81

LABA 68.62, 53.2, -2.08, 0.81

 

Complementary color

CMYK 80 / 0 / 30 / 40

HEX #028152CE

RGBA 2 129 82 0.81

HSLA 157.8, 0.97%, 0.26%, 0.81

LABA 47.39, -42.04, 17.19, 0.81

 

CMYK 0 / 41 / 28 / 0

HEX #FF7EA8CE

RGBA 255 126 168 0.81

HSLA 340.47, 1%, 0.75%, 0.81

LABA 68.76, 53.25, 0.97, 0.81

 

CMYK 0 / 35 / 22 / 0

HEX #FF90BBCE

RGBA 255 144 187 0.81

HSLA 336.76, 1%, 0.78%, 0.81

LABA 72.76, 46.78, -3.79, 0.81

 

CMYK 0 / 30 / 16 / 0

HEX #FFA2CECE

RGBA 255 162 206 0.81

HSLA 331.61, 1%, 0.82%, 0.81

LABA 77.02, 40.27, -7.95, 0.81

 

CMYK 0 / 24 / 10 / 0

HEX #FFB4E1CE

RGBA 255 180 225 0.81

HSLA 324, 1%, 0.85%, 0.81

LABA 81.48, 33.84, -11.6, 0.81

 

CMYK 0 / 18 / 3 / 0

HEX #FFC6F4CE

RGBA 255 198 244 0.81

HSLA 311.58, 1%, 0.89%, 0.81

LABA 86.1, 27.57, -14.85, 0.81

 

CMYK 0 / 41 / 26 / 1

HEX #FD7EADCE

RGBA 253 126 173 0.81

HSLA 337.8, 0.97%, 0.74%, 0.81

LABA 68.62, 53.2, -2.08, 0.81

 

CMYK 0 / 44 / 28 / 6

HEX #EC6C9ACE

RGBA 236 108 154 0.81

HSLA 338.44, 0.77%, 0.67%, 0.81

LABA 62.42, 53.96, -0.65, 0.81

 

CMYK 0 / 48 / 31 / 11

HEX #DB5A87CE

RGBA 219 90 135 0.81

HSLA 339.07, 0.64%, 0.61%, 0.81

LABA 56.21, 54.63, 1.04, 0.81

 

CMYK 0 / 52 / 34 / 17

HEX #CA4874CE

RGBA 202 72 116 0.81

HSLA 339.69, 0.55%, 0.54%, 0.81

LABA 50.04, 55.12, 3.06, 0.81

 

CMYK 0 / 57 / 39 / 22

HEX #B93661CE

RGBA 185 54 97 0.81

HSLA 340.31, 0.55%, 0.47%, 0.81

LABA 43.97, 55.27, 5.58, 0.81

 

CMYK 0 / 51 / 32 / 1

HEX #FD7CAC

RGB 253 124 172

HSL 337.67, 0.97%, 0.74%

LAB 68.22, 54.03, -2.1

 

CMYK 0 / 51 / 46 / 1

HEX #FD7C89

RGB 253 124 137

HSL 353.95, 0.97%, 0.74%

LAB 67.36, 50.25, 16.42

 

CMYK 0 / 51 / 51 / 1

HEX #FD7C7C

RGB 253 124 124

HSL 0, 0.97%, 0.74%

LAB 67.09, 49.08, 23.37

 

CMYK 0 / 51 / 32 / 1

HEX #FD7CAC

RGB 253 124 172

HSL 337.67, 0.97%, 0.74%

LAB 68.22, 54.03, -2.1

 

CMYK 0 / 51 / 18 / 1

HEX #FD7CCF

RGB 253 124 207

HSL 321.4, 0.97%, 0.74%

LAB 69.33, 58.67, -20.07

 

CMYK 0 / 51 / 5 / 1

HEX #FD7CF1

RGB 253 124 241

HSL 305.58, 0.97%, 0.74%

LAB 70.63, 63.92, -36.87

 

CMYK 9 / 51 / 0 / 1

HEX #E67CFD

RGB 230 124 253

HSL 289.3, 0.97%, 0.74%

LAB 68.26, 59.85, -47.35

 

CMYK 23 / 51 / 0 / 1

HEX #C37CFD

RGB 195 124 253

HSL 273.02, 0.97%, 0.74%

LAB 64.25, 50.72, -53.96

 

CMYK 0 / 51 / 32 / 1

HEX #FD7CAC

RGB 253 124 172

HSL 337.67, 0.97%, 0.74%

LAB 68.22, 54.03, -2.1

 

CMYK 0 / 51 / 32 / 1

HEX #FD7CAC

RGB 253 124 172

HSL 337.67, 0.97%, 0.74%

LAB 68.22, 54.03, -2.1

 

CMYK 0 / 44 / 28 / 5

HEX #F287AF

RGB 242 135 175

HSL 337.57, 0.8%, 0.74%

LAB 68.97, 45.35, -2.86

 

CMYK 0 / 37 / 23 / 9

HEX #E892B2

RGB 232 146 178

HSL 337.67, 0.65%, 0.74%

LAB 70.13, 36.64, -2.98

 

CMYK 0 / 29 / 19 / 13

HEX #DD9DB4

RGB 221 157 180

HSL 338.44, 0.48%, 0.74%

LAB 71.41, 27.18, -2.35

 

CMYK 0 / 20 / 13 / 18

HEX #D2A7B7

RGB 210 167 183

HSL 337.67, 0.32%, 0.74%

LAB 72.73, 18.3, -2.19

 

CMYK 0 / 51 / 4 / 1

HEX #FD7CF2

RGB 253 124 242

HSL 305.12, 0.97%, 0.74%

LAB 70.67, 64.08, -37.36

 

CMYK 0 / 51 / 18 / 1

HEX #FD7CD0

RGB 253 124 208

HSL 320.93, 0.97%, 0.74%

LAB 69.36, 58.82, -20.57

 

CMYK 0 / 51 / 31 / 1

HEX #FD7CAE

RGB 253 124 174

HSL 336.74, 0.97%, 0.74%

LAB 68.28, 54.27, -3.14

 

CMYK 0 / 51 / 45 / 1

HEX #FD7C8B

RGB 253 124 139

HSL 353.02, 0.97%, 0.74%

LAB 67.4, 50.45, 15.35

 

CMYK 0 / 43 / 51 / 1

HEX #FD907C

RGB 253 144 124

HSL 9.3, 0.97%, 0.74%

LAB 71.07, 39.13, 28.67

 

CMYK 0 / 83 / 52 / 1

HEX #FC2B78

RGB 252 43 120

HSL 337.89, 0.97%, 0.58%

LAB 55.87, 78.19, 10.18

 

CMYK 0 / 67 / 42 / 1

HEX #FC5492

RGB 252 84 146

HSL 337.86, 0.97%, 0.66%

LAB 60.88, 68.18, 2.04

 

CMYK 0 / 51 / 32 / 1

HEX #FD7CAC

RGB 253 124 172

HSL 337.67, 0.97%, 0.74%

LAB 68.22, 54.03, -2.1

 

CMYK 0 / 35 / 22 / 0

HEX #FEA5C6

RGB 254 165 198

HSL 337.75, 0.98%, 0.82%

LAB 77.32, 37.21, -3.15

 

CMYK 0 / 19 / 12 / 0

HEX #FECEE0

RGB 254 206 224

HSL 337.5, 0.96%, 0.9%

LAB 87.29, 19.69, -2.48

 

CMYK 0 / 50 / 32 / 1

HEX #FD7EAD

RGB 253 126 173

HSL 337.8, 0.97%, 0.74%

LAB 68.62, 53.2, -2.08

 

CMYK 0 / 9 / 51 / 1

HEX #FDE57C

RGB 253 229 124

HSL 48.84, 0.97%, 0.74%

LAB 90.95, -4.86, 53.69

 

CMYK 51 / 11 / 0 / 1

HEX #7CE1FD

RGB 124 225 253

HSL 193.02, 0.97%, 0.74%

LAB 84.6, -22.17, -22.71

 

CMYK 0 / 50 / 32 / 1

HEX #FD7EAD

RGB 253 126 173

HSL 337.8, 0.97%, 0.74%

LAB 68.62, 53.2, -2.08

 

CMYK 31 / 0 / 51 / 1

HEX #AEFD7C

RGB 174 253 124

HSL 96.74, 0.97%, 0.74%

LAB 92, -45.81, 53.68

 

CMYK 51 / 31 / 0 / 1

HEX #7CAEFD

RGB 124 174 253

HSL 216.74, 0.97%, 0.74%

LAB 70.63, 4.94, -44.26

 

CMYK 0 / 50 / 32 / 1

HEX #FD7EAD

RGB 253 126 173

HSL 337.8, 0.97%, 0.74%

LAB 68.62, 53.2, -2.08

 

CMYK 0 / 9 / 51 / 1

HEX #FDE57C

RGB 253 229 124

HSL 48.84, 0.97%, 0.74%

LAB 90.95, -4.86, 53.69

 

CMYK 51 / 0 / 19 / 1

HEX #7CFDCC

RGB 124 253 204

HSL 157.21, 0.97%, 0.74%

LAB 91.19, -47.04, 12.61

 

CMYK 51 / 42 / 0 / 1

HEX #7C94FD

RGB 124 148 253

HSL 228.84, 0.97%, 0.74%

LAB 63.8, 19.9, -55.04

 

CMYK 0 / 50 / 32 / 1

HEX #FD7EAD

RGB 253 126 173

HSL 337.8, 0.97%, 0.74%

LAB 68.62, 53.2, -2.08

 

CMYK 6 / 0 / 51 / 1

HEX #EEFD7C

RGB 238 253 124

HSL 66.98, 0.97%, 0.74%

LAB 95.95, -22.51, 59.33

 

CMYK 51 / 0 / 19 / 1

HEX #7CFDCC

RGB 124 253 204

HSL 157.21, 0.97%, 0.74%

LAB 91.19, -47.04, 12.61

 

CMYK 45 / 51 / 0 / 1

HEX #8B7CFD

RGB 139 124 253

HSL 246.98, 0.97%, 0.74%

LAB 58.97, 37.22, -62.69

 

Description

Color code: HEX #FD7EADCE | qconv.com Color code: HEX #FD7EADCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 126 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 126 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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