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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7E764C it is the complementary color #0281894C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7E764C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7E764C shade: #FF7E714C, #FF90844C, #FFA2974C, #FFB4AA4C and #FFC6BD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7E764C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7E764C shade: #FD7E764C, #EC6C634C, #DB5A504C, #CA483D4C and #B9362A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7E764C shade: #FD7F77 and #FD7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7E764C shade: #FD7F77, #FDA377, #FDC777, #FDEB77 and #EBFD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7E764C shade matches the following richer shades: #FD7F77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7E764C shade: #FD7F77, #F28983, #E7938E, #DC9D99 and #D0A7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7E764C shade: #FD77B8, #FD7794, #FD7E77, #FDA277 and #FDC577

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7E764C shade: #FC3326, #FC594F, #FD7F77, #FEA6A0 and #FECCC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7E764C shade: #FD7E76, #DCFD77 and #77A6FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7E764C shade: #FD7E76, #77FD7E and #7E77FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7E764C shade: #FD7E76, #DCFD77, #77F6FD and #9977FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7E764C shade: #FD7E76, #B3FD77, #77F6FD and #C177FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 0

HEX #FD7E764C

RGBA 253 126 118 0.3

HSLA 3.56, 0.97%, 0.73%, 0.3

LABA 67.36, 47.62, 27.08, 0.3

 

Complementary color

CMYK 30 / 2 / 0 / 14

HEX #0281894C

RGBA 2 129 137 0.3

HSLA 183.56, 0.97%, 0.27%, 0.3

LABA 48.91, -26.25, -12.8, 0.3

 

CMYK 0 / 15 / 17 / 0

HEX #FF7E714C

RGBA 255 126 113 0.3

HSLA 5.49, 1%, 0.72%, 0.3

LABA 67.56, 47.94, 30.16, 0.3

 

CMYK 0 / 13 / 14 / 0

HEX #FF90844C

RGBA 255 144 132 0.3

HSLA 5.85, 1%, 0.76%, 0.3

LABA 71.47, 40.59, 24.87, 0.3

 

CMYK 0 / 11 / 12 / 0

HEX #FFA2974C

RGBA 255 162 151 0.3

HSLA 6.35, 1%, 0.8%, 0.3

LABA 75.66, 33.23, 20.18, 0.3

 

CMYK 0 / 9 / 10 / 0

HEX #FFB4AA4C

RGBA 255 180 170 0.3

HSLA 7.06, 1%, 0.83%, 0.3

LABA 80.07, 26.01, 16.03, 0.3

 

CMYK 0 / 7 / 8 / 0

HEX #FFC6BD4C

RGBA 255 198 189 0.3

HSLA 8.18, 1%, 0.87%, 0.3

LABA 84.65, 19.03, 12.32, 0.3

 

CMYK 0 / 15 / 16 / 0

HEX #FD7E764C

RGBA 253 126 118 0.3

HSLA 3.56, 0.97%, 0.73%, 0.3

LABA 67.36, 47.62, 27.08, 0.3

 

CMYK 0 / 16 / 17 / 2

HEX #EC6C634C

RGBA 236 108 99 0.3

HSLA 3.94, 0.78%, 0.66%, 0.3

LABA 61.18, 48.77, 29.18, 0.3

 

CMYK 0 / 18 / 19 / 4

HEX #DB5A504C

RGBA 219 90 80 0.3

HSLA 4.32, 0.66%, 0.59%, 0.3

LABA 55.02, 49.91, 31.59, 0.3

 

CMYK 0 / 19 / 21 / 6

HEX #CA483D4C

RGBA 202 72 61 0.3

HSLA 4.68, 0.57%, 0.52%, 0.3

LABA 48.92, 50.95, 34.38, 0.3

 

CMYK 0 / 21 / 23 / 8

HEX #B9362A4C

RGBA 185 54 42 0.3

HSLA 5.03, 0.63%, 0.45%, 0.3

LABA 42.94, 51.74, 37.57, 0.3

 

CMYK 0 / 50 / 53 / 1

HEX #FD7F77

RGB 253 127 119

HSL 3.58, 0.97%, 0.73%

LAB 67.57, 47.21, 26.8

 

CMYK 0 / 53 / 53 / 1

HEX #FD7777

RGB 253 119 119

HSL 0, 0.97%, 0.73%

LAB 66.07, 51.06, 24.8

 

CMYK 0 / 50 / 53 / 1

HEX #FD7F77

RGB 253 127 119

HSL 3.58, 0.97%, 0.73%

LAB 67.57, 47.21, 26.8

 

CMYK 0 / 36 / 53 / 1

HEX #FDA377

RGB 253 163 119

HSL 19.7, 0.97%, 0.73%

LAB 75.08, 28.89, 36.57

 

CMYK 0 / 21 / 53 / 1

HEX #FDC777

RGB 253 199 119

HSL 35.82, 0.97%, 0.73%

LAB 83.47, 10.07, 47.05

 

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

CMYK 7 / 0 / 53 / 1

HEX #EBFD77

RGB 235 253 119

HSL 68.06, 0.97%, 0.73%

LAB 95.68, -24.09, 61.2

 

CMYK 0 / 50 / 53 / 1

HEX #FD7F77

RGB 253 127 119

HSL 3.58, 0.97%, 0.73%

LAB 67.57, 47.21, 26.8

 

CMYK 0 / 50 / 53 / 1

HEX #FD7F77

RGB 253 127 119

HSL 3.58, 0.97%, 0.73%

LAB 67.57, 47.21, 26.8

 

CMYK 0 / 43 / 46 / 5

HEX #F28983

RGB 242 137 131

HSL 3.24, 0.81%, 0.73%

LAB 68.32, 39.26, 20.87

 

CMYK 0 / 36 / 39 / 9

HEX #E7938E

RGB 231 147 142

HSL 3.37, 0.65%, 0.73%

LAB 69.33, 31.1, 15.94

 

CMYK 0 / 29 / 30 / 14

HEX #DC9D99

RGB 220 157 153

HSL 3.58, 0.49%, 0.73%

LAB 70.61, 22.95, 11.45

 

CMYK 0 / 20 / 21 / 18

HEX #D0A7A4

RGB 208 167 164

HSL 4.09, 0.32%, 0.73%

LAB 72.05, 14.56, 7.25

 

CMYK 0 / 53 / 27 / 1

HEX #FD77B8

RGB 253 119 184

HSL 330.9, 0.97%, 0.73%

LAB 67.68, 57.88, -9.67

 

CMYK 0 / 53 / 42 / 1

HEX #FD7794

RGB 253 119 148

HSL 347.01, 0.97%, 0.73%

LAB 66.68, 53.72, 9.25

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E77

RGB 253 126 119

HSL 3.13, 0.97%, 0.73%

LAB 67.38, 47.7, 26.55

 

CMYK 0 / 36 / 53 / 1

HEX #FDA277

RGB 253 162 119

HSL 19.25, 0.97%, 0.73%

LAB 74.86, 29.41, 36.28

 

CMYK 0 / 22 / 53 / 1

HEX #FDC577

RGB 253 197 119

HSL 34.93, 0.97%, 0.73%

LAB 82.99, 11.11, 46.46

 

CMYK 0 / 80 / 85 / 1

HEX #FC3326

RGB 252 51 38

HSL 3.64, 0.97%, 0.57%

LAB 55.28, 72.62, 55.78

 

CMYK 0 / 65 / 69 / 1

HEX #FC594F

RGB 252 89 79

HSL 3.47, 0.97%, 0.65%

LAB 60.25, 61.39, 39.75

 

CMYK 0 / 50 / 53 / 1

HEX #FD7F77

RGB 253 127 119

HSL 3.58, 0.97%, 0.73%

LAB 67.57, 47.21, 26.8

 

CMYK 0 / 35 / 37 / 0

HEX #FEA6A0

RGB 254 166 160

HSL 3.83, 0.98%, 0.81%

LAB 76.61, 31.78, 16.58

 

CMYK 0 / 20 / 21 / 0

HEX #FECCC9

RGB 254 204 201

HSL 3.4, 0.96%, 0.89%

LAB 86.24, 17.21, 8.2

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E76

RGB 253 126 118

HSL 3.56, 0.97%, 0.73%

LAB 67.36, 47.62, 27.08

 

CMYK 13 / 0 / 53 / 1

HEX #DCFD77

RGB 220 253 119

HSL 74.78, 0.97%, 0.73%

LAB 94.65, -29.82, 59.74

 

CMYK 53 / 34 / 0 / 1

HEX #77A6FD

RGB 119 166 253

HSL 218.96, 0.97%, 0.73%

LAB 68.23, 8.4, -48.05

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E76

RGB 253 126 118

HSL 3.56, 0.97%, 0.73%

LAB 67.36, 47.62, 27.08

 

CMYK 53 / 0 / 50 / 1

HEX #77FD7E

RGB 119 253 126

HSL 123.13, 0.97%, 0.73%

LAB 89.71, -61.67, 49.43

 

CMYK 50 / 53 / 0 / 1

HEX #7E77FD

RGB 126 119 253

HSL 243.13, 0.97%, 0.73%

LAB 56.8, 37.37, -66.23

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E76

RGB 253 126 118

HSL 3.56, 0.97%, 0.73%

LAB 67.36, 47.62, 27.08

 

CMYK 13 / 0 / 53 / 1

HEX #DCFD77

RGB 220 253 119

HSL 74.78, 0.97%, 0.73%

LAB 94.65, -29.82, 59.74

 

CMYK 53 / 3 / 0 / 1

HEX #77F6FD

RGB 119 246 253

HSL 183.13, 0.97%, 0.73%

LAB 90.29, -33.32, -14.15

 

CMYK 40 / 53 / 0 / 1

HEX #9977FD

RGB 153 119 253

HSL 255.22, 0.97%, 0.73%

LAB 59.03, 43.2, -62.54

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E76

RGB 253 126 118

HSL 3.56, 0.97%, 0.73%

LAB 67.36, 47.62, 27.08

 

CMYK 29 / 0 / 53 / 1

HEX #B3FD77

RGB 179 253 119

HSL 93.13, 0.97%, 0.73%

LAB 92.21, -44.64, 56.26

 

CMYK 53 / 3 / 0 / 1

HEX #77F6FD

RGB 119 246 253

HSL 183.13, 0.97%, 0.73%

LAB 90.29, -33.32, -14.15

 

CMYK 24 / 53 / 0 / 1

HEX #C177FD

RGB 193 119 253

HSL 273.13, 0.97%, 0.73%

LAB 63.03, 52.82, -55.91

 

Description

Color code: HEX #FD7E764C | qconv.com Color code: HEX #FD7E764C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 126 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 126 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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