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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7E6300 it is the complementary color #02819C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7E6300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7E6300 shade: #FF7E5E00, #FF907100, #FFA28400, #FFB49700 and #FFC6AA00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7E6300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7E6300 shade: #FD7E6300, #EC6C5000, #DB5A3D00, #CA482A00 and #B9361700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7E6300 shade: #FD7E63 and #FD6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7E6300 shade: #FD7E63, #FDA863, #FDD163, #FDFA63 and #D6FD63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7E6300 shade matches the following richer shades: #FD7E63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7E6300 shade: #FD7E63, #F08670, #E38F7D, #D6978A and #C99F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7E6300 shade: #FD639C, #FD6373, #FD7D63, #FDA663 and #FDCF63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7E6300 shade: #FB3B12, #FC5D3B, #FD7E63, #FDA08C and #FEC1B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7E6300 shade: #FD7E63, #C4FD63 and #6387FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7E6300 shade: #FD7E63, #63FD7D and #7D63FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7E6300 shade: #FD7E63, #C4FD63, #63E3FD and #9C63FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7E6300 shade: #FD7E63, #96FD63, #63E3FD and #CA63FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FD7E6300

RGBA 253 126 99 0

HSLA 10.52, 0.97%, 0.69%, 0

LABA 67.06, 46.22, 37.13, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #02819C00

RGBA 2 129 156 0

HSLA 190.52, 0.97%, 0.31%, 0

LABA 49.63, -19.63, -22.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7E5E00

RGBA 255 126 94 0

HSLA 11.93, 1%, 0.68%, 0

LABA 67.27, 46.64, 40.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF907100

RGBA 255 144 113 0

HSLA 13.1, 1%, 0.72%, 0

LABA 71.14, 38.99, 34.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA28400

RGBA 255 162 132 0

HSLA 14.63, 1%, 0.76%, 0

LABA 75.31, 31.33, 29.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB49700

RGBA 255 180 151 0

HSLA 16.73, 1%, 0.8%, 0

LABA 79.69, 23.83, 25.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6AA00

RGBA 255 198 170 0

HSLA 19.76, 1%, 0.83%, 0

LABA 84.25, 16.58, 21.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FD7E6300

RGBA 253 126 99 0

HSLA 10.52, 0.97%, 0.69%, 0

LABA 67.06, 46.22, 37.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EC6C5000

RGBA 236 108 80 0

HSLA 10.77, 0.8%, 0.62%, 0

LABA 60.9, 47.55, 39.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DB5A3D00

RGBA 219 90 61 0

HSLA 11.01, 0.69%, 0.55%, 0

LABA 54.77, 48.88, 41.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CA482A00

RGBA 202 72 42 0

HSLA 11.25, 0.66%, 0.48%, 0

LABA 48.71, 50.14, 44.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9361700

RGBA 185 54 23 0

HSLA 11.48, 0.78%, 0.41%, 0

LABA 42.79, 51.18, 46.96, 0

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 0 / 61 / 61 / 1

HEX #FD6363

RGB 253 99 99

HSL 0, 0.97%, 0.69%

LAB 62.26, 58.68, 31.08

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 0 / 34 / 61 / 1

HEX #FDA863

RGB 253 168 99

HSL 26.88, 0.97%, 0.69%

LAB 75.94, 24.77, 47.9

 

CMYK 0 / 17 / 61 / 1

HEX #FDD163

RGB 253 209 99

HSL 42.86, 0.97%, 0.69%

LAB 85.7, 3.43, 59.14

 

CMYK 0 / 1 / 61 / 1

HEX #FDFA63

RGB 253 250 99

HSL 58.83, 0.97%, 0.69%

LAB 96.06, -17.02, 70.49

 

CMYK 15 / 0 / 61 / 1

HEX #D6FD63

RGB 214 253 99

HSL 75.19, 0.97%, 0.69%

LAB 94.08, -33.7, 67.54

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 0 / 44 / 53 / 6

HEX #F08670

RGB 240 134 112

HSL 10.31, 0.81%, 0.69%

LAB 67.09, 38.34, 29.71

 

CMYK 0 / 37 / 45 / 11

HEX #E38F7D

RGB 227 143 125

HSL 10.59, 0.65%, 0.69%

LAB 67.62, 29.86, 22.94

 

CMYK 0 / 29 / 36 / 16

HEX #D6978A

RGB 214 151 138

HSL 10.26, 0.48%, 0.69%

LAB 68.21, 21.99, 16.31

 

CMYK 0 / 21 / 25 / 21

HEX #C99F96

RGB 201 159 150

HSL 10.59, 0.32%, 0.69%

LAB 69.05, 14.21, 10.62

 

CMYK 0 / 61 / 38 / 1

HEX #FD639C

RGB 253 99 156

HSL 337.79, 0.97%, 0.69%

LAB 63.51, 63.49, 0.11

 

CMYK 0 / 61 / 55 / 1

HEX #FD6373

RGB 253 99 115

HSL 353.77, 0.97%, 0.69%

LAB 62.54, 59.79, 22.35

 

CMYK 0 / 51 / 61 / 1

HEX #FD7D63

RGB 253 125 99

HSL 10.13, 0.97%, 0.69%

LAB 66.86, 46.71, 36.89

 

CMYK 0 / 34 / 61 / 1

HEX #FDA663

RGB 253 166 99

HSL 26.1, 0.97%, 0.69%

LAB 75.49, 25.82, 47.36

 

CMYK 0 / 18 / 61 / 1

HEX #FDCF63

RGB 253 207 99

HSL 42.08, 0.97%, 0.69%

LAB 85.2, 4.45, 58.58

 

CMYK 0 / 76 / 93 / 2

HEX #FB3B12

RGB 251 59 18

HSL 10.56, 0.97%, 0.53%

LAB 55.77, 69.85, 63.61

 

CMYK 0 / 63 / 77 / 1

HEX #FC5D3B

RGB 252 93 59

HSL 10.57, 0.97%, 0.61%

LAB 60.64, 58.92, 50.74

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 0 / 37 / 45 / 1

HEX #FDA08C

RGB 253 160 140

HSL 10.62, 0.97%, 0.77%

LAB 74.77, 32.38, 24.91

 

CMYK 0 / 24 / 29 / 0

HEX #FEC1B5

RGB 254 193 181

HSL 9.86, 0.97%, 0.85%

LAB 83.2, 20.21, 14.52

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 23 / 0 / 61 / 1

HEX #C4FD63

RGB 196 253 99

HSL 82.21, 0.97%, 0.69%

LAB 92.97, -40.42, 66

 

CMYK 61 / 47 / 0 / 1

HEX #6387FD

RGB 99 135 253

HSL 225.97, 0.97%, 0.69%

LAB 59.04, 22.7, -62.72

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 61 / 0 / 51 / 1

HEX #63FD7D

RGB 99 253 125

HSL 130.13, 0.97%, 0.69%

LAB 89.1, -66.32, 49.02

 

CMYK 51 / 61 / 0 / 1

HEX #7D63FD

RGB 125 99 253

HSL 250.13, 0.97%, 0.69%

LAB 52.26, 48.65, -73.59

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 23 / 0 / 61 / 1

HEX #C4FD63

RGB 196 253 99

HSL 82.21, 0.97%, 0.69%

LAB 92.97, -40.42, 66

 

CMYK 61 / 10 / 0 / 1

HEX #63E3FD

RGB 99 227 253

HSL 190.13, 0.97%, 0.69%

LAB 84.32, -27.86, -23.21

 

CMYK 38 / 61 / 0 / 1

HEX #9C63FD

RGB 156 99 253

HSL 262.21, 0.97%, 0.69%

LAB 55.16, 54.72, -68.75

 

CMYK 0 / 50 / 61 / 1

HEX #FD7E63

RGB 253 126 99

HSL 10.52, 0.97%, 0.69%

LAB 67.06, 46.22, 37.13

 

CMYK 41 / 0 / 61 / 1

HEX #96FD63

RGB 150 253 99

HSL 100.13, 0.97%, 0.69%

LAB 90.61, -56.03, 62.74

 

CMYK 61 / 10 / 0 / 1

HEX #63E3FD

RGB 99 227 253

HSL 190.13, 0.97%, 0.69%

LAB 84.32, -27.86, -23.21

 

CMYK 20 / 61 / 0 / 1

HEX #CA63FD

RGB 202 99 253

HSL 280.13, 0.97%, 0.69%

LAB 60.4, 64.8, -60.04

 

Description

Color code: HEX #FD7E6300 | qconv.com Color code: HEX #FD7E6300 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 126 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 126 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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