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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7D46CE it is the complementary color #0282B9CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7D46CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7D46CE shade: #FF7D41CE, #FF8F54CE, #FFA167CE, #FFB37ACE and #FFC58DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7D46CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7D46CE shade: #FD7D46CE, #EC6B33CE, #DB5920CE, #CA470DCE and #B93500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7D46CE shade: #FD7C44, #FD4A44 and #FD4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7D46CE shade: #FD7C44, #FDAE44, #FDDF44, #E9FD44 and #B7FD44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7D46CE shade matches the following richer shades: #FD7C44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7D46CE shade: #FD7C44, #EE8253, #DF8863, #CF8E72 and #C09481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7D46CE shade: #FD446F, #FD4A44, #FD7C44, #FDAD44 and #FDDE44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7D46CE shade: #EC4902, #FD5F1B, #FD7C44, #FE986D and #FEB596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7D46CE shade: #FD7D46, #A1FD44 and #4457FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7D46CE shade: #FD7D46, #44FD7C and #7C44FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7D46CE shade: #FD7D46, #A1FD44, #44C6FD and #A144FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7D46CE shade: #FD7D46, #69FD44, #44C6FD and #D844FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 59 / 1

HEX #FD7D46CE

RGBA 253 125 70 0.81

HSLA 18.03, 0.98%, 0.63%, 0.81

LABA 66.51, 45.11, 51.55, 0.81

 

Complementary color

CMYK 80 / 24 / 0 / 22

HEX #0282B9CE

RGBA 2 130 185 0.81

HSLA 198.03, 0.98%, 0.37%, 0.81

LABA 51.25, -9.44, -37.09, 0.81

 

CMYK 0 / 41 / 60 / 0

HEX #FF7D41CE

RGBA 255 125 65 0.81

HSLA 18.95, 1%, 0.63%, 0.81

LABA 66.76, 45.65, 54.29, 0.81

 

CMYK 0 / 36 / 54 / 0

HEX #FF8F54CE

RGBA 255 143 84 0.81

HSLA 20.7, 1%, 0.66%, 0.81

LABA 70.56, 37.58, 49.18, 0.81

 

CMYK 0 / 30 / 48 / 0

HEX #FFA167CE

RGBA 255 161 103 0.81

HSLA 22.89, 1%, 0.7%, 0.81

LABA 74.65, 29.5, 44.4, 0.81

 

CMYK 0 / 24 / 42 / 0

HEX #FFB37ACE

RGBA 255 179 122 0.81

HSLA 25.71, 1%, 0.74%, 0.81

LABA 78.99, 21.56, 40.01, 0.81

 

CMYK 0 / 18 / 36 / 0

HEX #FFC58DCE

RGBA 255 197 141 0.81

HSLA 29.47, 1%, 0.78%, 0.81

LABA 83.5, 13.9, 36, 0.81

 

CMYK 0 / 41 / 59 / 1

HEX #FD7D46CE

RGBA 253 125 70 0.81

HSLA 18.03, 0.98%, 0.63%, 0.81

LABA 66.51, 45.11, 51.55, 0.81

 

CMYK 0 / 44 / 63 / 6

HEX #EC6B33CE

RGBA 236 107 51 0.81

HSLA 18.16, 0.83%, 0.56%, 0.81

LABA 60.42, 46.71, 53.51, 0.81

 

CMYK 0 / 48 / 69 / 11

HEX #DB5920CE

RGBA 219 89 32 0.81

HSLA 18.29, 0.75%, 0.49%, 0.81

LABA 54.35, 48.34, 55.2, 0.81

 

CMYK 0 / 53 / 76 / 17

HEX #CA470DCE

RGBA 202 71 13 0.81

HSLA 18.41, 0.88%, 0.42%, 0.81

LABA 48.38, 49.91, 55.92, 0.81

 

CMYK 0 / 58 / 81 / 22

HEX #B93500CE

RGBA 185 53 0 0.81

HSLA 17.19, 1%, 0.36%, 0.81

LABA 42.55, 51.23, 54.54, 0.81

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 71 / 73 / 1

HEX #FD4A44

RGB 253 74 68

HSL 1.95, 0.98%, 0.63%

LAB 58.22, 66.86, 43.49

 

CMYK 0 / 73 / 73 / 1

HEX #FD4444

RGB 253 68 68

HSL 0, 0.98%, 0.63%

LAB 57.5, 68.87, 42.67

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 31 / 73 / 1

HEX #FDAE44

RGB 253 174 68

HSL 34.38, 0.98%, 0.63%

LAB 77.02, 19.91, 63.35

 

CMYK 0 / 12 / 73 / 1

HEX #FDDF44

RGB 253 223 68

HSL 50.27, 0.98%, 0.63%

LAB 88.96, -5.35, 75.01

 

CMYK 8 / 0 / 73 / 1

HEX #E9FD44

RGB 233 253 68

HSL 66.49, 0.98%, 0.63%

LAB 95.16, -28.08, 80.33

 

CMYK 28 / 0 / 73 / 1

HEX #B7FD44

RGB 183 253 68

HSL 82.7, 0.98%, 0.63%

LAB 92.01, -47.17, 76.23

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 45 / 65 / 7

HEX #EE8253

RGB 238 130 83

HSL 18.19, 0.82%, 0.63%

LAB 65.57, 37.55, 43.34

 

CMYK 0 / 39 / 56 / 13

HEX #DF8863

RGB 223 136 99

HSL 17.9, 0.66%, 0.63%

LAB 65.12, 29.63, 33.84

 

CMYK 0 / 31 / 45 / 19

HEX #CF8E72

RGB 207 142 114

HSL 18.06, 0.49%, 0.63%

LAB 64.82, 21.38, 24.87

 

CMYK 0 / 23 / 33 / 25

HEX #C09481

RGB 192 148 129

HSL 18.1, 0.33%, 0.63%

LAB 64.94, 13.86, 16.41

 

CMYK 0 / 73 / 56 / 1

HEX #FD446F

RGB 253 68 111

HSL 346.05, 0.98%, 0.63%

LAB 58.19, 71.18, 18.78

 

CMYK 0 / 71 / 73 / 1

HEX #FD4A44

RGB 253 74 68

HSL 1.95, 0.98%, 0.63%

LAB 58.22, 66.86, 43.49

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 32 / 73 / 1

HEX #FDAD44

RGB 253 173 68

HSL 34.05, 0.98%, 0.63%

LAB 76.79, 20.43, 63.12

 

CMYK 0 / 12 / 73 / 1

HEX #FDDE44

RGB 253 222 68

HSL 49.95, 0.98%, 0.63%

LAB 88.71, -4.85, 74.77

 

CMYK 0 / 69 / 99 / 7

HEX #EC4902

RGB 236 73 2

HSL 18.21, 0.98%, 0.47%

LAB 54.66, 60.46, 65.21

 

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 40 / 57 / 0

HEX #FE986D

RGB 254 152 109

HSL 17.79, 0.99%, 0.71%

LAB 72.65, 34.2, 38.79

 

CMYK 0 / 29 / 41 / 0

HEX #FEB596

RGB 254 181 150

HSL 17.88, 0.98%, 0.79%

LAB 79.8, 22.81, 26.35

 

CMYK 0 / 51 / 72 / 1

HEX #FD7D46

RGB 253 125 70

HSL 18.03, 0.98%, 0.63%

LAB 66.51, 45.11, 51.55

 

CMYK 36 / 0 / 73 / 1

HEX #A1FD44

RGB 161 253 68

HSL 89.84, 0.98%, 0.63%

LAB 90.89, -54.79, 74.75

 

CMYK 73 / 66 / 0 / 1

HEX #4457FD

RGB 68 87 253

HSL 233.84, 0.98%, 0.63%

LAB 45.82, 47.44, -84.26

 

CMYK 0 / 51 / 72 / 1

HEX #FD7D46

RGB 253 125 70

HSL 18.03, 0.98%, 0.63%

LAB 66.51, 45.11, 51.55

 

CMYK 73 / 0 / 51 / 1

HEX #44FD7C

RGB 68 253 124

HSL 138.16, 0.98%, 0.63%

LAB 88.42, -71.83, 48.49

 

CMYK 51 / 73 / 0 / 1

HEX #7C44FD

RGB 124 68 253

HSL 258.16, 0.98%, 0.63%

LAB 46.33, 64.47, -83.28

 

CMYK 0 / 51 / 72 / 1

HEX #FD7D46

RGB 253 125 70

HSL 18.03, 0.98%, 0.63%

LAB 66.51, 45.11, 51.55

 

CMYK 36 / 0 / 73 / 1

HEX #A1FD44

RGB 161 253 68

HSL 89.84, 0.98%, 0.63%

LAB 90.89, -54.79, 74.75

 

CMYK 73 / 22 / 0 / 1

HEX #44C6FD

RGB 68 198 253

HSL 197.84, 0.98%, 0.63%

LAB 75.27, -17.75, -37.18

 

CMYK 36 / 73 / 0 / 1

HEX #A144FD

RGB 161 68 253

HSL 270.16, 0.98%, 0.63%

LAB 50.46, 70.2, -76.36

 

CMYK 0 / 51 / 72 / 1

HEX #FD7D46

RGB 253 125 70

HSL 18.03, 0.98%, 0.63%

LAB 66.51, 45.11, 51.55

 

CMYK 58 / 0 / 73 / 1

HEX #69FD44

RGB 105 253 68

HSL 108, 0.98%, 0.63%

LAB 88.77, -70.76, 71.94

 

CMYK 73 / 22 / 0 / 1

HEX #44C6FD

RGB 68 198 253

HSL 197.84, 0.98%, 0.63%

LAB 75.27, -17.75, -37.18

 

CMYK 15 / 73 / 0 / 1

HEX #D844FD

RGB 216 68 253

HSL 288, 0.98%, 0.63%

LAB 57.87, 80.08, -64

 

Description

Color code: HEX #FD7D46CE | qconv.com Color code: HEX #FD7D46CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 125 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 125 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 59 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 59% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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