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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7A30 it is the complementary color #0285CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7A30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7A30 shade: #FF7A2B, #FF8C3E, #FF9E51, #FFB064 and #FFC277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7A30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7A30 shade: #FD7A30, #EC681D, #DB560A, #CA4400 and #B93200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7A30 shade: #FD7A30, #FD4330 and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7A30 shade: #FD7A30, #FDB130, #FDE830, #DAFD30 and #A3FD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7A30 shade matches the following richer shades: #FD7A30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7A30 shade: #FD7A30, #EC7F41, #DB8352, #CA8863 and #B98D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7A30 shade: #FD3056, #FD4130, #FD7830, #FDAE30 and #FDE530

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7A30 shade: #D84F02, #FC6007, #FD7A30, #FD9459 and #FEAE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7A30 shade: #FD7A30, #8CFD30 and #303AFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7A30 shade: #FD7A30, #30FD78 and #7830FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7A30 shade: #FD7A30, #8CFD30, #30B5FD and #A130FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7A30 shade: #FD7A30, #4FFD30, #30B5FD and #DE30FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

Complementary color

CMYK 99 / 36 / 0 / 19

HEX #0285CF

RGB 2 133 207

HSL 201.66, 0.98%, 0.41%

LAB 53.27, -2.8, -46.43

 

CMYK 0 / 52 / 83 / 0

HEX #FF7A2B

RGB 255 122 43

HSL 22.36, 1%, 0.58%

LAB 66.02, 46.37, 63.07

 

CMYK 0 / 45 / 76 / 0

HEX #FF8C3E

RGB 255 140 62

HSL 24.25, 1%, 0.62%

LAB 69.73, 38.07, 58.68

 

CMYK 0 / 38 / 68 / 0

HEX #FF9E51

RGB 255 158 81

HSL 26.55, 1%, 0.66%

LAB 73.74, 29.7, 54.21

 

CMYK 0 / 31 / 61 / 0

HEX #FFB064

RGB 255 176 100

HSL 29.42, 1%, 0.7%

LAB 78.01, 21.46, 49.9

 

CMYK 0 / 24 / 53 / 0

HEX #FFC277

RGB 255 194 119

HSL 33.09, 1%, 0.73%

LAB 82.47, 13.48, 45.87

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 0 / 56 / 88 / 7

HEX #EC681D

RGB 236 104 29

HSL 21.74, 0.84%, 0.52%

LAB 59.73, 47.54, 61.74

 

CMYK 0 / 61 / 95 / 14

HEX #DB560A

RGB 219 86 10

HSL 21.82, 0.91%, 0.45%

LAB 53.75, 49.35, 61.47

 

CMYK 0 / 66 / 100 / 21

HEX #CA4400

RGB 202 68 0

HSL 20.2, 1%, 0.4%

LAB 47.87, 51.04, 58.9

 

CMYK 0 / 73 / 100 / 27

HEX #B93200

RGB 185 50 0

HSL 16.22, 1%, 0.36%

LAB 42.15, 52.35, 54.35

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 0 / 74 / 81 / 1

HEX #FD4330

RGB 253 67 48

HSL 5.56, 0.98%, 0.59%

LAB 57.18, 68.54, 52.81

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 0 / 30 / 81 / 1

HEX #FDB130

RGB 253 177 48

HSL 37.76, 0.98%, 0.59%

LAB 77.6, 17.6, 71.31

 

CMYK 0 / 8 / 81 / 1

HEX #FDE830

RGB 253 232 48

HSL 53.85, 0.98%, 0.59%

LAB 91.15, -10.53, 83.02

 

CMYK 14 / 0 / 81 / 1

HEX #DAFD30

RGB 218 253 48

HSL 70.24, 0.98%, 0.59%

LAB 94.04, -34.77, 84.47

 

CMYK 36 / 0 / 81 / 1

HEX #A3FD30

RGB 163 253 48

HSL 86.34, 0.98%, 0.59%

LAB 90.89, -55.08, 80.49

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 0 / 46 / 72 / 7

HEX #EC7F41

RGB 236 127 65

HSL 21.75, 0.82%, 0.59%

LAB 64.48, 37.35, 51.08

 

CMYK 0 / 40 / 63 / 14

HEX #DB8352

RGB 219 131 82

HSL 21.46, 0.66%, 0.59%

LAB 63.26, 29.43, 40.52

 

CMYK 0 / 33 / 51 / 21

HEX #CA8863

RGB 202 136 99

HSL 21.55, 0.49%, 0.59%

LAB 62.56, 21.15, 30.06

 

CMYK 0 / 24 / 37 / 27

HEX #B98D74

RGB 185 141 116

HSL 21.74, 0.33%, 0.59%

LAB 62.19, 13.27, 19.79

 

CMYK 0 / 81 / 66 / 1

HEX #FD3056

RGB 253 48 86

HSL 348.88, 0.98%, 0.59%

LAB 55.75, 75.28, 30.3

 

CMYK 0 / 74 / 81 / 1

HEX #FD4130

RGB 253 65 48

HSL 4.98, 0.98%, 0.59%

LAB 56.96, 69.17, 52.6

 

CMYK 0 / 53 / 81 / 1

HEX #FD7830

RGB 253 120 48

HSL 21.07, 0.98%, 0.59%

LAB 65.38, 46.72, 60.4

 

CMYK 0 / 31 / 81 / 1

HEX #FDAE30

RGB 253 174 48

HSL 36.88, 0.98%, 0.59%

LAB 76.9, 19.17, 70.7

 

CMYK 0 / 9 / 81 / 1

HEX #FDE530

RGB 253 229 48

HSL 52.98, 0.98%, 0.59%

LAB 90.38, -9.04, 82.37

 

CMYK 0 / 63 / 99 / 15

HEX #D84F02

RGB 216 79 2

HSL 21.59, 0.98%, 0.43%

LAB 52.06, 51.29, 61.93

 

CMYK 0 / 62 / 97 / 1

HEX #FC6007

RGB 252 96 7

HSL 21.8, 0.98%, 0.51%

LAB 60.85, 56.61, 69.06

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 0 / 42 / 65 / 1

HEX #FD9459

RGB 253 148 89

HSL 21.59, 0.98%, 0.67%

LAB 71.41, 34.53, 47.59

 

CMYK 0 / 31 / 49 / 0

HEX #FEAE82

RGB 254 174 130

HSL 21.29, 0.98%, 0.75%

LAB 77.85, 24.49, 34.36

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 45 / 0 / 81 / 1

HEX #8CFD30

RGB 140 253 48

HSL 93.07, 0.98%, 0.59%

LAB 89.88, -62.46, 79.2

 

CMYK 81 / 77 / 0 / 1

HEX #303AFD

RGB 48 58 253

HSL 237.07, 0.98%, 0.59%

LAB 39.15, 61.95, -95.3

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 81 / 0 / 53 / 1

HEX #30FD78

RGB 48 253 120

HSL 141.07, 0.98%, 0.59%

LAB 88.08, -74.76, 49.86

 

CMYK 53 / 81 / 0 / 1

HEX #7830FD

RGB 120 48 253

HSL 261.07, 0.98%, 0.59%

LAB 43.06, 72.2, -88.66

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 45 / 0 / 81 / 1

HEX #8CFD30

RGB 140 253 48

HSL 93.07, 0.98%, 0.59%

LAB 89.88, -62.46, 79.2

 

CMYK 81 / 28 / 0 / 1

HEX #30B5FD

RGB 48 181 253

HSL 201.07, 0.98%, 0.59%

LAB 70.01, -10.76, -45.41

 

CMYK 36 / 81 / 0 / 1

HEX #A130FD

RGB 161 48 253

HSL 273.07, 0.98%, 0.59%

LAB 47.99, 77.33, -80.39

 

CMYK 0 / 52 / 81 / 1

HEX #FD7A30

RGB 253 122 48

HSL 21.66, 0.98%, 0.59%

LAB 65.76, 45.76, 60.75

 

CMYK 69 / 0 / 81 / 1

HEX #4FFD30

RGB 79 253 48

HSL 110.93, 0.98%, 0.59%

LAB 88.03, -77.23, 76.83

 

CMYK 81 / 28 / 0 / 1

HEX #30B5FD

RGB 48 181 253

HSL 201.07, 0.98%, 0.59%

LAB 70.01, -10.76, -45.41

 

CMYK 12 / 81 / 0 / 1

HEX #DE30FD

RGB 222 48 253

HSL 290.93, 0.98%, 0.59%

LAB 56.82, 86.81, -65.65

 

Description

Color code: HEX #FD7A30 | qconv.com Color code: HEX #FD7A30 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 122 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 122 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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