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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD7632 it is the complementary color #0289CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD7632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD7632 shade: #FF762D, #FF8840, #FF9A53, #FFAC66 and #FFBE79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD7632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD7632 shade: #FD7632, #EC641F, #DB520C, #CA4000 and #B92E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD7632 shade: #FD7530, #FD3D30 and #FD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD7632 shade: #FD7530, #FDAC30, #FDE330, #DFFD30 and #A8FD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD7632 shade matches the following richer shades: #FD7530

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD7632 shade: #FD7530, #EC7A41, #DB8052, #CA8563 and #B98B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD7632 shade: #FD3059, #FD3E30, #FD7430, #FDAB30 and #FDE230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD7632 shade: #D84A02, #FC5907, #FD7530, #FD9059 and #FEAB82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD7632 shade: #FD7632, #90FD30 and #303EFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD7632 shade: #FD7632, #30FD74 and #7430FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD7632 shade: #FD7632, #90FD30, #30B9FD and #9D30FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD7632 shade: #FD7632, #52FD30, #30B9FD and #DB30FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 80 / 1

HEX #FD7632

RGB 253 118 50

HSL 20.1, 0.98%, 0.59%

LAB 65.02, 47.74, 59.24

 

Complementary color

CMYK 99 / 33 / 0 / 20

HEX #0289CD

RGB 2 137 205

HSL 200.1, 0.98%, 0.41%

LAB 54.36, -5.91, -43.58

 

CMYK 0 / 54 / 82 / 0

HEX #FF762D

RGB 255 118 45

HSL 20.86, 1%, 0.59%

LAB 65.28, 48.34, 61.65

 

CMYK 0 / 47 / 75 / 0

HEX #FF8840

RGB 255 136 64

HSL 22.62, 1%, 0.63%

LAB 68.92, 40.17, 56.98

 

CMYK 0 / 40 / 67 / 0

HEX #FF9A53

RGB 255 154 83

HSL 24.77, 1%, 0.66%

LAB 72.89, 31.88, 52.3

 

CMYK 0 / 33 / 60 / 0

HEX #FFAC66

RGB 255 172 102

HSL 27.45, 1%, 0.7%

LAB 77.12, 23.69, 47.86

 

CMYK 0 / 25 / 53 / 0

HEX #FFBE79

RGB 255 190 121

HSL 30.9, 1%, 0.74%

LAB 81.55, 15.73, 43.72

 

CMYK 0 / 53 / 80 / 1

HEX #FD7632

RGB 253 118 50

HSL 20.1, 0.98%, 0.59%

LAB 65.02, 47.74, 59.24

 

CMYK 0 / 58 / 87 / 7

HEX #EC641F

RGB 236 100 31

HSL 20.2, 0.84%, 0.52%

LAB 59.02, 49.45, 60.5

 

CMYK 0 / 63 / 95 / 14

HEX #DB520C

RGB 219 82 12

HSL 20.29, 0.9%, 0.45%

LAB 53.08, 51.14, 60.62

 

CMYK 0 / 68 / 100 / 21

HEX #CA4000

RGB 202 64 0

HSL 19.01, 1%, 0.4%

LAB 47.27, 52.67, 58.6

 

CMYK 0 / 75 / 100 / 27

HEX #B92E00

RGB 185 46 0

HSL 14.92, 1%, 0.36%

LAB 41.64, 53.75, 54.12

 

CMYK 0 / 54 / 81 / 1

HEX #FD7530

RGB 253 117 48

HSL 20.2, 0.98%, 0.59%

LAB 64.82, 48.16, 59.89

 

CMYK 0 / 76 / 81 / 1

HEX #FD3D30

RGB 253 61 48

HSL 3.8, 0.98%, 0.59%

LAB 56.52, 70.39, 52.19

 

CMYK 0 / 81 / 81 / 1

HEX #FD3030

RGB 253 48 48

HSL 0, 0.98%, 0.59%

LAB 55.29, 73.86, 51.02

 

CMYK 0 / 54 / 81 / 1

HEX #FD7530

RGB 253 117 48

HSL 20.2, 0.98%, 0.59%

LAB 64.82, 48.16, 59.89

 

CMYK 0 / 32 / 81 / 1

HEX #FDAC30

RGB 253 172 48

HSL 36.29, 0.98%, 0.59%

LAB 76.44, 20.22, 70.29

 

CMYK 0 / 10 / 81 / 1

HEX #FDE330

RGB 253 227 48

HSL 52.39, 0.98%, 0.59%

LAB 89.88, -8.05, 81.93

 

CMYK 12 / 0 / 81 / 1

HEX #DFFD30

RGB 223 253 48

HSL 68.78, 0.98%, 0.59%

LAB 94.38, -32.8, 84.89

 

CMYK 34 / 0 / 81 / 1

HEX #A8FD30

RGB 168 253 48

HSL 84.88, 0.98%, 0.59%

LAB 91.14, -53.37, 80.8

 

CMYK 0 / 54 / 81 / 1

HEX #FD7530

RGB 253 117 48

HSL 20.2, 0.98%, 0.59%

LAB 64.82, 48.16, 59.89

 

CMYK 0 / 54 / 81 / 1

HEX #FD7530

RGB 253 117 48

HSL 20.2, 0.98%, 0.59%

LAB 64.82, 48.16, 59.89

 

CMYK 0 / 48 / 72 / 7

HEX #EC7A41

RGB 236 122 65

HSL 20, 0.82%, 0.59%

LAB 63.45, 39.89, 49.99

 

CMYK 0 / 42 / 63 / 14

HEX #DB8052

RGB 219 128 82

HSL 20.15, 0.66%, 0.59%

LAB 62.6, 31.02, 39.73

 

CMYK 0 / 34 / 51 / 21

HEX #CA8563

RGB 202 133 99

HSL 19.81, 0.49%, 0.59%

LAB 61.85, 22.79, 29.14

 

CMYK 0 / 25 / 37 / 27

HEX #B98B74

RGB 185 139 116

HSL 20, 0.33%, 0.59%

LAB 61.69, 14.39, 19.11

 

CMYK 0 / 81 / 65 / 1

HEX #FD3059

RGB 253 48 89

HSL 348, 0.98%, 0.59%

LAB 55.8, 75.43, 28.6

 

CMYK 0 / 75 / 81 / 1

HEX #FD3E30

RGB 253 62 48

HSL 4.1, 0.98%, 0.59%

LAB 56.63, 70.09, 52.29

 

CMYK 0 / 54 / 81 / 1

HEX #FD7430

RGB 253 116 48

HSL 19.9, 0.98%, 0.59%

LAB 64.63, 48.63, 59.72

 

CMYK 0 / 32 / 81 / 1

HEX #FDAB30

RGB 253 171 48

HSL 36, 0.98%, 0.59%

LAB 76.21, 20.74, 70.08

 

CMYK 0 / 11 / 81 / 1

HEX #FDE230

RGB 253 226 48

HSL 52.1, 0.98%, 0.59%

LAB 89.62, -7.55, 81.72

 

CMYK 0 / 66 / 99 / 15

HEX #D84A02

RGB 216 74 2

HSL 20.19, 0.98%, 0.43%

LAB 51.27, 53.4, 61.51

 

CMYK 0 / 65 / 97 / 1

HEX #FC5907

RGB 252 89 7

HSL 20.08, 0.98%, 0.51%

LAB 59.76, 59.53, 68.44

 

CMYK 0 / 54 / 81 / 1

HEX #FD7530

RGB 253 117 48

HSL 20.2, 0.98%, 0.59%

LAB 64.82, 48.16, 59.89

 

CMYK 0 / 43 / 65 / 1

HEX #FD9059

RGB 253 144 89

HSL 20.12, 0.98%, 0.67%

LAB 70.56, 36.58, 46.6

 

CMYK 0 / 33 / 49 / 0

HEX #FEAB82

RGB 254 171 130

HSL 19.84, 0.98%, 0.75%

LAB 77.17, 26.06, 33.47

 

CMYK 0 / 53 / 80 / 1

HEX #FD7632

RGB 253 118 50

HSL 20.1, 0.98%, 0.59%

LAB 65.02, 47.74, 59.24

 

CMYK 43 / 0 / 81 / 1

HEX #90FD30

RGB 144 253 48

HSL 91.9, 0.98%, 0.59%

LAB 90.04, -61.24, 79.41

 

CMYK 81 / 75 / 0 / 1

HEX #303EFD

RGB 48 62 253

HSL 235.9, 0.98%, 0.59%

LAB 39.86, 59.92, -94.13

 

CMYK 0 / 53 / 80 / 1

HEX #FD7632

RGB 253 118 50

HSL 20.1, 0.98%, 0.59%

LAB 65.02, 47.74, 59.24

 

CMYK 81 / 0 / 54 / 1

HEX #30FD74

RGB 48 253 116

HSL 139.9, 0.98%, 0.59%

LAB 88.04, -75.31, 51.64

 

CMYK 54 / 81 / 0 / 1

HEX #7430FD

RGB 116 48 253

HSL 259.9, 0.98%, 0.59%

LAB 42.64, 71.77, -89.37

 

CMYK 0 / 53 / 80 / 1

HEX #FD7632

RGB 253 118 50

HSL 20.1, 0.98%, 0.59%

LAB 65.02, 47.74, 59.24

 

CMYK 43 / 0 / 81 / 1

HEX #90FD30

RGB 144 253 48

HSL 91.9, 0.98%, 0.59%

LAB 90.04, -61.24, 79.41

 

CMYK 81 / 27 / 0 / 1

HEX #30B9FD

RGB 48 185 253

HSL 199.9, 0.98%, 0.59%

LAB 71.16, -12.92, -43.62

 

CMYK 38 / 81 / 0 / 1

HEX #9D30FD

RGB 157 48 253

HSL 271.9, 0.98%, 0.59%

LAB 47.46, 76.78, -81.27

 

CMYK 0 / 53 / 80 / 1

HEX #FD7632

RGB 253 118 50

HSL 20.1, 0.98%, 0.59%

LAB 65.02, 47.74, 59.24

 

CMYK 68 / 0 / 81 / 1

HEX #52FD30

RGB 82 253 48

HSL 110.05, 0.98%, 0.59%

LAB 88.09, -76.69, 76.91

 

CMYK 81 / 27 / 0 / 1

HEX #30B9FD

RGB 48 185 253

HSL 199.9, 0.98%, 0.59%

LAB 71.16, -12.92, -43.62

 

CMYK 13 / 81 / 0 / 1

HEX #DB30FD

RGB 219 48 253

HSL 290.05, 0.98%, 0.59%

LAB 56.35, 86.31, -66.42

 

Description

Color code: HEX #FD7632 | qconv.com Color code: HEX #FD7632 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 118 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 118 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 80 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 80% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - 慧都控件网-中国最专业的商业控件服务网
Link: http://www.evget.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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