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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD75573F it is the complementary color #028AA83F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD75573F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD75573F shade: #FF75523F, #FF87653F, #FF99783F, #FFAB8B3F and #FFBD9E3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD75573F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD75573F shade: #FD75573F, #EC63443F, #DB51313F, #CA3F1E3F and #B92D0B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD75573F shade: #FD7658 and #FD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD75573F shade: #FD7658, #FDA358, #FDCF58, #FDFC58 and #D3FD58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD75573F shade matches the following richer shades: #FD7658

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD75573F shade: #FD7658, #F07F66, #E28874, #D49081 and #C7998F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD75573F shade: #FD5895, #FD5869, #FD7458, #FDA058 and #FDCC58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD75573F shade: #FC3307, #FD5530, #FD7658, #FE9881 and #FEB9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD75573F shade: #FD7557, #C1FD58 and #587FFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD75573F shade: #FD7557, #58FD74 and #7458FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD75573F shade: #FD7557, #C1FD58, #58E2FD and #9558FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD75573F shade: #FD7557, #8FFD58, #58E2FD and #C658FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 16 / 0

HEX #FD75573F

RGBA 253 117 87 0.25

HSLA 10.84, 0.98%, 0.67%, 0.25

LABA 65.19, 49.82, 41.32, 0.25

 

Complementary color

CMYK 25 / 4 / 0 / 9

HEX #028AA83F

RGBA 2 138 168 0.25

HSLA 190.84, 0.98%, 0.33%, 0.25

LABA 52.97, -20.16, -24.63, 0.25

 

CMYK 0 / 14 / 17 / 0

HEX #FF75523F

RGBA 255 117 82 0.25

HSLA 12.14, 1%, 0.66%, 0.25

LABA 65.43, 50.27, 44.32, 0.25

 

CMYK 0 / 12 / 15 / 0

HEX #FF87653F

RGBA 255 135 101 0.25

HSLA 13.25, 1%, 0.7%, 0.25

LABA 69.13, 42.65, 38.69, 0.25

 

CMYK 0 / 10 / 13 / 0

HEX #FF99783F

RGBA 255 153 120 0.25

HSLA 14.67, 1%, 0.74%, 0.25

LABA 73.15, 34.94, 33.61, 0.25

 

CMYK 0 / 8 / 11 / 0

HEX #FFAB8B3F

RGBA 255 171 139 0.25

HSLA 16.55, 1%, 0.77%, 0.25

LABA 77.43, 27.3, 29.06, 0.25

 

CMYK 0 / 6 / 10 / 0

HEX #FFBD9E3F

RGBA 255 189 158 0.25

HSLA 19.18, 1%, 0.81%, 0.25

LABA 81.91, 19.88, 24.97, 0.25

 

CMYK 0 / 13 / 16 / 0

HEX #FD75573F

RGBA 253 117 87 0.25

HSLA 10.84, 0.98%, 0.67%, 0.25

LABA 65.19, 49.82, 41.32, 0.25

 

CMYK 0 / 15 / 18 / 2

HEX #EC63443F

RGBA 236 99 68 0.25

HSLA 11.07, 0.82%, 0.6%, 0.25

LABA 59.13, 51.14, 43.73, 0.25

 

CMYK 0 / 16 / 19 / 4

HEX #DB51313F

RGBA 219 81 49 0.25

HSLA 11.29, 0.7%, 0.53%, 0.25

LABA 53.13, 52.41, 46.32, 0.25

 

CMYK 0 / 17 / 21 / 5

HEX #CA3F1E3F

RGBA 202 63 30 0.25

HSLA 11.51, 0.74%, 0.45%, 0.25

LABA 47.24, 53.51, 48.86, 0.25

 

CMYK 0 / 19 / 24 / 7

HEX #B92D0B3F

RGBA 185 45 11 0.25

HSLA 11.72, 0.89%, 0.38%, 0.25

LABA 41.56, 54.22, 50.58, 0.25

 

CMYK 0 / 53 / 65 / 1

HEX #FD7658

RGB 253 118 88

HSL 10.91, 0.98%, 0.67%

LAB 65.39, 49.4, 41.02

 

CMYK 0 / 65 / 65 / 1

HEX #FD5858

RGB 253 88 88

HSL 0, 0.98%, 0.67%

LAB 60.4, 62.58, 34.95

 

CMYK 0 / 53 / 65 / 1

HEX #FD7658

RGB 253 118 88

HSL 10.91, 0.98%, 0.67%

LAB 65.39, 49.4, 41.02

 

CMYK 0 / 36 / 65 / 1

HEX #FDA358

RGB 253 163 88

HSL 27.27, 0.98%, 0.67%

LAB 74.69, 26.69, 51.84

 

CMYK 0 / 18 / 65 / 1

HEX #FDCF58

RGB 253 207 88

HSL 43.27, 0.98%, 0.67%

LAB 85.1, 3.77, 63.33

 

CMYK 0 / 0 / 65 / 1

HEX #FDFC58

RGB 253 252 88

HSL 59.64, 0.98%, 0.67%

LAB 96.5, -18.62, 75.24

 

CMYK 17 / 0 / 65 / 1

HEX #D3FD58

RGB 211 253 88

HSL 75.27, 0.98%, 0.67%

LAB 93.8, -35.59, 71.52

 

CMYK 0 / 53 / 65 / 1

HEX #FD7658

RGB 253 118 88

HSL 10.91, 0.98%, 0.67%

LAB 65.39, 49.4, 41.02

 

CMYK 0 / 53 / 65 / 1

HEX #FD7658

RGB 253 118 88

HSL 10.91, 0.98%, 0.67%

LAB 65.39, 49.4, 41.02

 

CMYK 0 / 47 / 58 / 6

HEX #F07F66

RGB 240 127 102

HSL 10.87, 0.82%, 0.67%

LAB 65.49, 41.11, 33.14

 

CMYK 0 / 40 / 49 / 11

HEX #E28874

RGB 226 136 116

HSL 10.91, 0.65%, 0.67%

LAB 65.78, 32.3, 25.44

 

CMYK 0 / 32 / 39 / 17

HEX #D49081

RGB 212 144 129

HSL 10.84, 0.49%, 0.67%

LAB 66.16, 23.93, 18.44

 

CMYK 0 / 23 / 28 / 22

HEX #C7998F

RGB 199 153 143

HSL 10.71, 0.33%, 0.67%

LAB 67.21, 15.74, 11.88

 

CMYK 0 / 65 / 41 / 1

HEX #FD5895

RGB 253 88 149

HSL 337.82, 0.98%, 0.67%

LAB 61.68, 67.23, 1.48

 

CMYK 0 / 65 / 58 / 1

HEX #FD5869

RGB 253 88 105

HSL 353.82, 0.98%, 0.67%

LAB 60.68, 63.61, 25.6

 

CMYK 0 / 54 / 65 / 1

HEX #FD7458

RGB 253 116 88

HSL 10.18, 0.98%, 0.67%

LAB 65.02, 50.35, 40.58

 

CMYK 0 / 37 / 65 / 1

HEX #FDA058

RGB 253 160 88

HSL 26.18, 0.98%, 0.67%

LAB 74.02, 28.25, 51.08

 

CMYK 0 / 19 / 65 / 1

HEX #FDCC58

RGB 253 204 88

HSL 42.18, 0.98%, 0.67%

LAB 84.37, 5.32, 62.53

 

CMYK 0 / 80 / 97 / 1

HEX #FC3307

RGB 252 51 7

HSL 10.78, 0.98%, 0.51%

LAB 55.15, 72.22, 66.02

 

CMYK 0 / 66 / 81 / 1

HEX #FD5530

RGB 253 85 48

HSL 10.83, 0.98%, 0.59%

LAB 59.52, 62.12, 55.01

 

CMYK 0 / 53 / 65 / 1

HEX #FD7658

RGB 253 118 88

HSL 10.91, 0.98%, 0.67%

LAB 65.39, 49.4, 41.02

 

CMYK 0 / 40 / 49 / 0

HEX #FE9881

RGB 254 152 129

HSL 11.04, 0.98%, 0.75%

LAB 72.97, 35.85, 28.49

 

CMYK 0 / 27 / 33 / 0

HEX #FEB9AA

RGB 254 185 170

HSL 10.71, 0.98%, 0.83%

LAB 81.11, 23.01, 17.47

 

CMYK 0 / 54 / 66 / 1

HEX #FD7557

RGB 253 117 87

HSL 10.84, 0.98%, 0.67%

LAB 65.19, 49.82, 41.32

 

CMYK 24 / 0 / 65 / 1

HEX #C1FD58

RGB 193 253 88

HSL 81.82, 0.98%, 0.67%

LAB 92.7, -42.32, 70.04

 

CMYK 65 / 50 / 0 / 1

HEX #587FFD

RGB 88 127 253

HSL 225.82, 0.98%, 0.67%

LAB 56.43, 25.72, -66.95

 

CMYK 0 / 54 / 66 / 1

HEX #FD7557

RGB 253 117 87

HSL 10.84, 0.98%, 0.67%

LAB 65.19, 49.82, 41.32

 

CMYK 65 / 0 / 54 / 1

HEX #58FD74

RGB 88 253 116

HSL 130.18, 0.98%, 0.67%

LAB 88.73, -69.66, 52.63

 

CMYK 54 / 65 / 0 / 1

HEX #7458FD

RGB 116 88 253

HSL 250.18, 0.98%, 0.67%

LAB 49.23, 53.18, -78.55

 

CMYK 0 / 54 / 66 / 1

HEX #FD7557

RGB 253 117 87

HSL 10.84, 0.98%, 0.67%

LAB 65.19, 49.82, 41.32

 

CMYK 24 / 0 / 65 / 1

HEX #C1FD58

RGB 193 253 88

HSL 81.82, 0.98%, 0.67%

LAB 92.7, -42.32, 70.04

 

CMYK 65 / 11 / 0 / 1

HEX #58E2FD

RGB 88 226 253

HSL 189.82, 0.98%, 0.67%

LAB 83.74, -29.11, -24.13

 

CMYK 41 / 65 / 0 / 1

HEX #9558FD

RGB 149 88 253

HSL 262.18, 0.98%, 0.67%

LAB 52.35, 58.96, -73.33

 

CMYK 0 / 54 / 66 / 1

HEX #FD7557

RGB 253 117 87

HSL 10.84, 0.98%, 0.67%

LAB 65.19, 49.82, 41.32

 

CMYK 43 / 0 / 65 / 1

HEX #8FFD58

RGB 143 253 88

HSL 100, 0.98%, 0.67%

LAB 90.23, -59.11, 66.66

 

CMYK 65 / 11 / 0 / 1

HEX #58E2FD

RGB 88 226 253

HSL 189.82, 0.98%, 0.67%

LAB 83.74, -29.11, -24.13

 

CMYK 22 / 65 / 0 / 1

HEX #C658FD

RGB 198 88 253

HSL 280, 0.98%, 0.67%

LAB 58.11, 68.83, -63.75

 

Description

Color code: HEX #FD75573F | qconv.com Color code: HEX #FD75573F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 117 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 117 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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