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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD71D2 it is the complementary color #028E2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD71D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD71D2 shade: #FF71CD, #FF83E0, #FF95F3, #FFA7FF and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD71D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD71D2 shade: #FD71D2, #EC5FBF, #DB4DAC, #CA3B99 and #B92986

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD71D2 shade: #FD72D2, #FD72AD, #FD7288 and #FD7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD71D2 shade: #FD72D2, #FD72F8, #DD72FD, #B772FD and #9272FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD71D2 shade matches the following richer shades: #FD72D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD71D2 shade: #FD72D2, #F17ECE, #E689C9, #DA95C5 and #CFA1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD71D2 shade: #DD72FD, #FD72F8, #FD72D3, #FD72AE and #FD7289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD71D2 shade: #FC21B8, #FC4AC5, #FD72D2, #FD9BDF and #FEC4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD71D2 shade: #FD71D2, #FDB872 and #72FDEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD71D2 shade: #FD71D2, #D3FD72 and #72D3FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD71D2 shade: #FD71D2, #FDB872, #72FD9C and #72B8FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD71D2 shade: #FD71D2, #FDE172, #72FD9C and #728EFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 17 / 1

HEX #FD71D2

RGB 253 113 210

HSL 318.43, 0.97%, 0.72%

LAB 67.54, 64.14, -24.48

 

Complementary color

CMYK 99 / 0 / 68 / 44

HEX #028E2D

RGB 2 142 45

HSL 138.43, 0.97%, 0.28%

LAB 51.32, -52.8, 41.17

 

CMYK 0 / 56 / 20 / 0

HEX #FF71CD

RGB 255 113 205

HSL 321.13, 1%, 0.72%

LAB 67.63, 64.01, -21.51

 

CMYK 0 / 49 / 12 / 0

HEX #FF83E0

RGB 255 131 224

HSL 315, 1%, 0.76%

LAB 71.47, 58.49, -26.2

 

CMYK 0 / 42 / 5 / 0

HEX #FF95F3

RGB 255 149 243

HSL 306.79, 1%, 0.79%

LAB 75.59, 52.76, -30.27

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 55 / 17 / 1

HEX #FD71D2

RGB 253 113 210

HSL 318.43, 0.97%, 0.72%

LAB 67.54, 64.14, -24.48

 

CMYK 0 / 60 / 19 / 7

HEX #EC5FBF

RGB 236 95 191

HSL 319.15, 0.79%, 0.65%

LAB 61.46, 64.52, -23.28

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAC

RGB 219 77 172

HSL 319.86, 0.66%, 0.58%

LAB 55.43, 64.66, -21.82

 

CMYK 0 / 71 / 24 / 21

HEX #CA3B99

RGB 202 59 153

HSL 320.56, 0.57%, 0.51%

LAB 49.48, 64.41, -20

 

CMYK 0 / 78 / 28 / 27

HEX #B92986

RGB 185 41 134

HSL 321.25, 0.64%, 0.44%

LAB 43.68, 63.54, -17.67

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D2

RGB 253 114 210

HSL 318.56, 0.97%, 0.72%

LAB 67.7, 63.7, -24.22

 

CMYK 0 / 55 / 32 / 1

HEX #FD72AD

RGB 253 114 173

HSL 334.53, 0.97%, 0.72%

LAB 66.47, 58.82, -5.25

 

CMYK 0 / 55 / 46 / 1

HEX #FD7288

RGB 253 114 136

HSL 350.5, 0.97%, 0.72%

LAB 65.51, 54.88, 14.42

 

CMYK 0 / 55 / 55 / 1

HEX #FD7272

RGB 253 114 114

HSL 0, 0.97%, 0.72%

LAB 65.07, 53.02, 26.28

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D2

RGB 253 114 210

HSL 318.56, 0.97%, 0.72%

LAB 67.7, 63.7, -24.22

 

CMYK 0 / 55 / 2 / 1

HEX #FD72F8

RGB 253 114 248

HSL 302.16, 0.97%, 0.72%

LAB 69.25, 69.57, -42.86

 

CMYK 13 / 55 / 0 / 1

HEX #DD72FD

RGB 221 114 253

HSL 286.19, 0.97%, 0.72%

LAB 65.36, 62.33, -52.02

 

CMYK 28 / 55 / 0 / 1

HEX #B772FD

RGB 183 114 253

HSL 269.78, 0.97%, 0.72%

LAB 60.95, 52.96, -59.29

 

CMYK 42 / 55 / 0 / 1

HEX #9272FD

RGB 146 114 253

HSL 253.81, 0.97%, 0.72%

LAB 57.31, 44.45, -65.34

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D2

RGB 253 114 210

HSL 318.56, 0.97%, 0.72%

LAB 67.7, 63.7, -24.22

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D2

RGB 253 114 210

HSL 318.56, 0.97%, 0.72%

LAB 67.7, 63.7, -24.22

 

CMYK 0 / 48 / 15 / 5

HEX #F17ECE

RGB 241 126 206

HSL 318.26, 0.8%, 0.72%

LAB 68.08, 53.94, -21.56

 

CMYK 0 / 40 / 13 / 10

HEX #E689C9

RGB 230 137 201

HSL 318.71, 0.65%, 0.72%

LAB 68.7, 44.16, -17.95

 

CMYK 0 / 32 / 10 / 15

HEX #DA95C5

RGB 218 149 197

HSL 318.26, 0.48%, 0.72%

LAB 69.78, 33.2, -14.24

 

CMYK 0 / 22 / 7 / 19

HEX #CFA1C0

RGB 207 161 192

HSL 319.57, 0.32%, 0.72%

LAB 71.26, 22.05, -9.37

 

CMYK 13 / 55 / 0 / 1

HEX #DD72FD

RGB 221 114 253

HSL 286.19, 0.97%, 0.72%

LAB 65.36, 62.33, -52.02

 

CMYK 0 / 55 / 2 / 1

HEX #FD72F8

RGB 253 114 248

HSL 302.16, 0.97%, 0.72%

LAB 69.25, 69.57, -42.86

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D3

RGB 253 114 211

HSL 318.13, 0.97%, 0.72%

LAB 67.74, 63.84, -24.73

 

CMYK 0 / 55 / 31 / 1

HEX #FD72AE

RGB 253 114 174

HSL 334.1, 0.97%, 0.72%

LAB 66.5, 58.94, -5.77

 

CMYK 0 / 55 / 46 / 1

HEX #FD7289

RGB 253 114 137

HSL 350.07, 0.97%, 0.72%

LAB 65.53, 54.97, 13.88

 

CMYK 0 / 87 / 27 / 1

HEX #FC21B8

RGB 252 33 184

HSL 318.63, 0.97%, 0.56%

LAB 57.31, 85.84, -25.41

 

CMYK 0 / 71 / 22 / 1

HEX #FC4AC5

RGB 252 74 197

HSL 318.54, 0.97%, 0.64%

LAB 61.33, 77.38, -26.69

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D2

RGB 253 114 210

HSL 318.56, 0.97%, 0.72%

LAB 67.7, 63.7, -24.22

 

CMYK 0 / 39 / 12 / 1

HEX #FD9BDF

RGB 253 155 223

HSL 318.37, 0.96%, 0.8%

LAB 75.86, 45.82, -18.99

 

CMYK 0 / 23 / 7 / 0

HEX #FEC4EC

RGB 254 196 236

HSL 318.62, 0.97%, 0.88%

LAB 85.3, 26.92, -11.79

 

CMYK 0 / 55 / 17 / 1

HEX #FD71D2

RGB 253 113 210

HSL 318.43, 0.97%, 0.72%

LAB 67.54, 64.14, -24.48

 

CMYK 0 / 27 / 55 / 1

HEX #FDB872

RGB 253 184 114

HSL 30.22, 0.97%, 0.72%

LAB 79.83, 17.49, 45.08

 

CMYK 55 / 0 / 6 / 1

HEX #72FDEF

RGB 114 253 239

HSL 173.96, 0.97%, 0.72%

LAB 91.71, -41.04, -4.78

 

CMYK 0 / 55 / 17 / 1

HEX #FD71D2

RGB 253 113 210

HSL 318.43, 0.97%, 0.72%

LAB 67.54, 64.14, -24.48

 

CMYK 17 / 0 / 55 / 1

HEX #D3FD72

RGB 211 253 114

HSL 78.13, 0.97%, 0.72%

LAB 94.02, -33.64, 61.07

 

CMYK 55 / 17 / 0 / 1

HEX #72D3FD

RGB 114 211 253

HSL 198.13, 0.97%, 0.72%

LAB 80.32, -17.12, -29.27

 

CMYK 0 / 55 / 17 / 1

HEX #FD71D2

RGB 253 113 210

HSL 318.43, 0.97%, 0.72%

LAB 67.54, 64.14, -24.48

 

CMYK 0 / 27 / 55 / 1

HEX #FDB872

RGB 253 184 114

HSL 30.22, 0.97%, 0.72%

LAB 79.83, 17.49, 45.08

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9C

RGB 114 253 156

HSL 138.13, 0.97%, 0.72%

LAB 89.97, -58.39, 35.25

 

CMYK 55 / 27 / 0 / 1

HEX #72B8FD

RGB 114 184 253

HSL 209.78, 0.97%, 0.72%

LAB 72.86, -2.75, -40.81

 

CMYK 0 / 55 / 17 / 1

HEX #FD71D2

RGB 253 113 210

HSL 318.43, 0.97%, 0.72%

LAB 67.54, 64.14, -24.48

 

CMYK 0 / 11 / 55 / 1

HEX #FDE172

RGB 253 225 114

HSL 47.91, 0.97%, 0.72%

LAB 89.84, -3.64, 57.03

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9C

RGB 114 253 156

HSL 138.13, 0.97%, 0.72%

LAB 89.97, -58.39, 35.25

 

CMYK 55 / 44 / 0 / 1

HEX #728EFD

RGB 114 142 253

HSL 227.91, 0.97%, 0.72%

LAB 61.67, 21.35, -58.47

 

Description

Color code: HEX #FD71D2 | qconv.com Color code: HEX #FD71D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 113 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 113 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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